Jethro Tull are a British progressive rock band formed in Blackpool, Lancashire, in 1967. Initially playing blues rock and jazz fusion, the band soon incorporated elements of English folk music, hard rock and classical music, forging a signature progressive rock sound. The group's lead vocalist, bandleader, founder, principal composer and only constant member is Ian Anderson, who also plays flute and acoustic guitar. The group has featured a succession of musicians throughout the decades, including significant contributors such as guitarists Mick Abrahams and Martin Barre ; bassists Glenn Cornick, Jeffrey Hammond, John Glascock, Dave Pegg and Jonathan Noyce; drummers Clive Bunker, Barrie "Barriemore" Barlow and Doane Perry; and keyboardists John Evan, Dee Palmer, Peter-John Vettese and Andrew Giddings.
Heavy Horses is the eleventh studio album by British progressive rock band Jethro Tull, released on 10 April 1978.
A Passion Play is the sixth studio album by British progressive rock band Jethro Tull, released in July 1973 in both the UK and US. Following in the same style as the band's previous album Thick as a Brick (1972), A Passion Play is a concept album comprising individual songs arranged into a single continuous piece of music. The album's concept follows the spiritual journey of a recently deceased man in the afterlife, exploring themes of morality, religion and good and evil. The album's accompanying tour was considered the high water mark of Jethro Tull's elaborate stage productions, involving a full performance of the album accompanied by physical props, sketches and projected video.
A is the 13th studio album by British rock band Jethro Tull. It was released on 29 August 1980 in the UK and 1 September of the same year in the United States.
Ian Scott Anderson is a British musician best known for his work as the singer, flautist, acoustic guitarist, primary songwriter, and sole continuous member of the rock band Jethro Tull. He is a multi-instrumentalist who also plays harmonica, keyboards, bass guitar, bouzouki, balalaika, saxophone and a variety of whistles. His solo work began with Walk into Light in 1983; since then he has released another five albums, including the sequel to the 1972 Jethro Tull album Thick as a Brick, titled TaaB 2: Whatever Happened to Gerald Bostock? (2012).
Roots to Branches is the 19th studio album by the British band Jethro Tull released in September 1995. It carries characteristics of Tull's classic 1970s progressive rock and folk rock roots alongside jazz and Arabic and Indian influences. All songs were written by Ian Anderson and recorded at his home studio. This is the last Tull album to feature Dave Pegg on the bass, and the first to feature keyboardist Andrew Giddings as an official band member, although he had contributed to Catfish Rising (1991) on a sessional basis. As a result, the album notably features the five longest serving members to date in Jethro Tull’s history. It was also the final Tull album to be released through long-time label Chrysalis Records.
Stand Up is the second studio album by British rock band Jethro Tull, released in 1969. It was the first Jethro Tull album to feature guitarist Martin Barre, who would go on to become the band's longtime guitarist until its initial dissolution in 2012. Before recording sessions for the album began, the band's original guitarist Mick Abrahams departed from the band as a result of musical differences with frontman and primary songwriter Ian Anderson; Abrahams wanted to stay with the blues rock sound of their 1968 debut, This Was, while Anderson wished to add other musical influences such as folk rock.
Minstrel in the Gallery is the eighth studio album by British rock band Jethro Tull, released in September 1975. The album sees the band going in a different direction from their previous work War Child (1974), returning to a blend of electric and acoustic songs, in a manner closer to their early 1970s albums such as Benefit (1970), Aqualung (1971) and Thick as a Brick (1972). Making use of a newly constructed mobile recording studio commissioned and constructed specifically for the band, the album was the first Jethro Tull album to be recorded outside of the UK, being recorded in tax exile in Monte Carlo, Monaco.
Stormwatch is the twelfth studio album by progressive rock band Jethro Tull, released in September 1979. The album is often considered the last in a trio of folk rock albums released by the band at the end of the 1970s, alongside Songs from the Wood (1977) and Heavy Horses (1978). The album's themes deal mostly with the environment, climate and seaside living, and were heavily inspired by the Isle of Skye in Scotland, where frontman Ian Anderson had recently purchased property.
Benefit is the third studio album by the British rock band Jethro Tull, released in April 1970. It was the first Tull album to include pianist and organist John Evan – though he was not yet considered a permanent member of the group – and the last to include bass guitarist Glenn Cornick, who was fired from the band upon completion of touring for the album. It was recorded at Morgan Studios, the same studio where the band recorded its previous album Stand Up; however, they experimented with more advanced recording techniques.
Songs from the Wood is the tenth studio album by British progressive rock band Jethro Tull, released on 11 February 1977 by Chrysalis Records. The album is considered to be the first of three folk rock albums released by the band at the end of the 1970s: Songs from the Wood,Heavy Horses (1978) and Stormwatch (1979).
Crest of a Knave is the sixteenth studio album by British rock band Jethro Tull, released in 1987. The album was recorded after a three-year hiatus caused by a throat infection of vocalist Ian Anderson, resulting in his changed singing style. Following the unsuccessful electronic rock album Under Wraps, Crest of a Knave had the band returning to a more hard rock sound. The album was their most successful since the 1970s and the band enjoyed a resurgence on radio broadcasts, appearances in MTV specials and the airing of music videos. It was also a critical success, winning the 1989 Grammy Award for Best Hard Rock/Metal Performance Vocal or Instrumental in what was widely viewed as an upset over the favorite, Metallica's ...And Justice for All. The album was supported by "The Not Quite the World, More the Here and There Tour".
"Aqualung" is a song by the British progressive rock band Jethro Tull, and the title track from their Aqualung (1971) album. The song was written by the band's frontman, Ian Anderson, and his then-wife Jennie Franks.
"Locomotive Breath" is a song by British progressive rock band Jethro Tull from their 1971 album, Aqualung.
"Cross-Eyed Mary" is a song by the British progressive rock band Jethro Tull from their album Aqualung (1971).
"Living in the Past" is a song by British progressive rock group Jethro Tull. It is one of the band's best-known songs, and it is notable for being written in the unusual 5
4 time signature. The use of quintuple meter is quickly noted from the beginning rhythmic bass pattern, though it can also be explained as a distinct 6
8 + 2
4 syncopated rhythm.
"A Song for Jeffrey" is a song recorded by the English progressive rock band Jethro Tull, released as their second single in the U.K. However, in the U.S., it was the B-side to "Love Story". It is written in honour of Ian Anderson's friend and future Jethro Tull bassist Jeffrey Hammond. Another version of the song was recorded for play on BBC radio.
"Heavy Horses" is a song written by Ian Anderson and performed by his band Jethro Tull. The song was released on the 1978 album of the same name. Written as a tribute to horses, the song features folk rock elements that rebelled against the musical trends of the period.
"Too Old to Rock 'n' Roll: Too Young to Die" is a song by British progressive rock band Jethro Tull. Written by frontman Ian Anderson, it was released on their 1976 album of the same name. Written about an aging biker, the song title was inspired by a flight Anderson had taken in the United States.
"The Whistler" is a song by English rock band Jethro Tull from their 1977 album Songs from the Wood. Written by frontman Ian Anderson, it features a folk-rock style that characterizes the Songs from the Wood album.
