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War Child | ||||
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Studio album by | ||||
Released | 14 October 1974 | |||
Recorded | 7 December 1973 – 24 February 1974 at Morgan Studios, London, except track 6, 10 September 1972 and track 8, 15 September 1972, at the Château d'Hérouville, France | |||
Genre | ||||
Length | 39:21 | |||
Label | Chrysalis | |||
Producer | Ian Anderson, Terry Ellis (exec.) | |||
Jethro Tull chronology | ||||
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Singles from War Child | ||||
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War Child is the seventh studio album by Jethro Tull, released in October 1974. It was released almost a year and a half after the release of A Passion Play . The turmoil over criticism of the previous album surrounded the production of War Child, which obliged the band to do press conferences and explain their plans for the future. [3] [4] [5]
The band began recording songs for the album on 7 December 1973, starting with "Ladies". They recorded "The Third Hoorah" along with the outtake "Paradise Steakhouse" on 8 December, "War Child" and "Back-Door Angels" along with the outtake "Saturation" on 16 December, the sound effects from "Bungle in the Jungle", "Ladies", "Skating Away on the Thin Ice of the New Day" and "The Third Hoorah" along with the outtake "Good Godmother" and the orchestral piece "Mime Sequence" on 19 December, "Sea Lion" along with the outtake "Sea Lion II" on 6 January 1974, "Queen and Country" on 20 January 1974 and finally "Two Fingers" and "Bungle in the Jungle" along with the outtake "Tomorrow was Today" on 24 February 1974. The whole album was recorded at Morgan Studios, in London, except for tracks 6 and 8, which were recorded at the Château d'Hérouville, in France. According to the liner notes on the 2014 Theatre Edition reissue, War Child was a much more relaxed record to make, compared to the previous album and the Château d'Hérouville sessions. The studio equipment worked, the sound in the studio was very workable, and the atmosphere within the band was very settled and productive. "Only Solitaire" and "Skating Away" were recorded earlier, as detailed below.
Some of the music derived from past recording sessions of the band. "Only Solitaire" and "Skating Away on the Thin Ice of the New Day" were left over from the summer 1972 writing sessions for what was to have been the follow-up to Thick as a Brick (1972). The basic tracks and lead vocals for those two songs were recorded during September 1972 sessions in France. "Bungle in the Jungle" also shares some elements with material recorded in September 1972. Ian Anderson told Songfacts: "It was actually late '72 or early '73 when I was in Paris recording an album that never got released, although one or two of the tracks made it out in 1974, but that was at a time when I was writing an album that was exploring people, the human condition, through analogies with the animal kingdom." [6] "Two Fingers" is a rearrangement of "Lick Your Fingers Clean", a track from the Aqualung (1971) recording sessions that was not included on that album's original release.
Originally meant to accompany a film project (the album was planned as a double-album set), it was reinstated as a ten-song, single-length rock album after failed attempts to find a major movie studio to finance the film. [7] The "War Child" movie was written as a metaphysical black comedy concerning a teenage girl in the afterlife, meeting characters based on God, St. Peter and Lucifer portrayed as shrewd businessmen. Notable British actor Leonard Rossiter was to have been featured, Margot Fonteyn was to have choreographed, while Monty Python veteran John Cleese was pencilled in as a "humour consultant".
The front cover is a composite photograph featuring a positive colour print of Melbourne at night, and a negative print of a studio photo of lead singer Ian Anderson. The back cover of the album contains images of people, including the five members of the band, friends, wives, girlfriends, Chrysalis Records staff, and manager Terry Ellis, all related to the song titles. Anderson's personal touring assistant (and future wife) Shona Learoyd appears as a ringmaster, while Terry Ellis appears as a leopard skin-clad, umbrella-waving aggressive businessman.
The album prominently features Dee Palmer's string orchestration across an eclectic musical set, with the band members, as the two predecessor albums, playing a multitude of instruments. The music is lighter and more whimsical than the dark A Passion Play, with hints of comedy in the lyrics and the music's structure, although the lyrics still unleash lashing critiques of established society (as in "Queen and Country" and "Bungle in the Jungle"), religion ("Two Fingers") and critics ("Only Solitaire"). [8]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
Džuboks | (mixed) [11] |
Rolling Stone | (unfavourable) [12] |
Sputnik Music | 2.5/5 [13] |
The 1974 Rolling Stone review of the album is very harsh, as was the Rolling Stone review of A Passion Play: "Each handcrafted track comes chock-full of schmaltz, strings, tootie-fruitti sound effects and flute toots to boot, not to mention Anderson's warbling lyricism." Concluding, the reviewer said: "Remember: Tull rhymes with dull." [12]
The AllMusic review, by Bruce Eder, recognizes the quality of the album and the musicians, but stated that: "[War Child] never made the impression of its predecessors, however, as it was a return to standard-length songs following two epic-length pieces. It was inevitable that the material would lack power, if only because the opportunity for development that gave Thick as a Brick and A Passion Play some of their power." [9]
Tracks slated to accompany the film such as "Quartet" and "Warchild Waltz" (called "Waltz of the Angels" on the Theatre Edition) were unearthed and released across several Tull compilations, and finally all of them appeared on the 2002 CD reissue.
In 2014, to commemorate the album's 40th anniversary, War Child: The 40th Anniversary Theatre Edition was released; a 2 CD/2 DVD, limited edition package, remixed by Steven Wilson containing unreleased tracks, a promo video of "The Third Hoorah", orchestral pieces that were originally written for the film project, a script synopsis and track-by-track annotations by Ian Anderson. [14] [15]
All music is composed by Ian Anderson, except where noted
No. | Title | Length |
---|---|---|
1. | "War Child" | 4:35 |
2. | "Queen and Country" | 3:00 |
3. | "Ladies" | 3:17 |
4. | "Back-Door Angels" | 5:30 |
5. | "Sealion" | 3:37 |
No. | Title | Length |
---|---|---|
6. | "Skating Away on the Thin Ice of the New Day" | 4:09 |
7. | "Bungle in the Jungle" | 3:35 |
8. | "Only Solitaire" | 1:38 |
9. | "The Third Hoorah" | 4:49 |
10. | "Two Fingers" | 5:11 |
No. | Title | Length |
---|---|---|
11. | "Warchild Waltz" (called "Waltz of the Angels" on the 40th Anniversary Edition) | 4:21 |
12. | "Quartet" | 2:44 |
13. | "Paradise Steakhouse" | 4:03 |
14. | "Sealion II" (Anderson, Jeffrey Hammond) | 3:20 |
15. | "Rainbow Blues" | 3:40 |
16. | "Glory Row" | 3:35 |
17. | "Saturation" | 4:21 |
No. | Title | Length |
---|---|---|
1. | "War Child" | 4:38 |
2. | "Queen and Country" | 3:01 |
3. | "Ladies" | 3:19 |
4. | "Back-Door Angels" | 5:27 |
5. | "SeaLion" | 3:42 |
6. | "Skating Away on the Thin Ice of the New Day" | 4:12 |
7. | "Bungle in the Jungle" | 3:41 |
8. | "Only Solitaire" | 1:31 |
9. | "The Third Hoorah" | 4:53 |
10. | "Two Fingers" | 5:08 |
No. | Title | Length |
---|---|---|
1. | "Paradise Steakhouse" | 4:01 |
2. | "Saturation" | 4:20 |
3. | "Good Godmother" | 4:27 |
4. | "SeaLion II" | 3:20 |
5. | "Quartet" | 2:43 |
6. | "WarChild II" | 3:14 |
7. | "Tomorrow Was Today" | 3:54 |
8. | "Glory Row" | 3:34 |
9. | "March, The Mad Scientist" | 1:49 |
10. | "Rainbow Blues" | 3:38 |
11. | "Pan Dance" | 3:37 |
12. | "The Orchestral WarChild Theme" | 9:34 |
13. | "The Third Hoorah" (Orchestral Version) | 4:47 |
14. | "Mime Sequence" | 7:08 |
15. | "Field Dance" (Conway Hall Version) | 1:41 |
16. | "Waltz of the Angels" (Conway Hall Version) | 4:23 |
17. | "The Beach (Part I)" (Morgan Master Recording) | 3:20 |
18. | "The Beach (Part II)" (Morgan Master Recording) | 1:01 |
19. | "Waltz of the Angels" (Morgan Demo Recording) | 4:02 |
20. | "The Beach" (Morgan Demo Recording) | 2:41 |
21. | "Field Dance" (Morgan Demo Recording) | 1:05 |
*Tracks 12-21: orchestral recordings
No. | Title | Length |
---|---|---|
1. | "WarChild" (5.1 Surround Mix) | 4:38 |
2. | "Queen and Country" (5.1 Surround Mix) | 3:01 |
3. | "Ladies" (5.1 Surround Mix) | 3:19 |
4. | "Back-Door Angels" (5.1 Surround Mix) | 5:27 |
5. | "SeaLion" (5.1 Surround Mix) | 3:42 |
6. | "Skating Away on the Thin Ice of the New Day" (5.1 Surround Mix) | 4:12 |
7. | "Bungle in the Jungle" (5.1 Surround Mix) | 3:41 |
8. | "Only Solitaire" (5.1 Surround Mix) | 1:31 |
9. | "The Third Hoorah" (5.1 Surround Mix) | 4:53 |
10. | "Two Fingers" (5.1 Surround Mix) | 5:08 |
11. | "WarChild" (2014 Stereo Mix) | 4:38 |
12. | "Queen and Country" (2014 Stereo Mix) | 3:01 |
13. | "Ladies" (2014 Stereo Mix) | 3:19 |
14. | "Back-Door Angels" (2014 Stereo Mix) | 5:27 |
15. | "SeaLion" (2014 Stereo Mix) | 3:42 |
16. | "Skating Away on the Thin Ice of the New Day" (2014 Stereo Mix) | 4:12 |
17. | "Bungle in the Jungle" (2014 Stereo Mix) | 3:41 |
18. | "Only Solitaire" (2014 Stereo Mix) | 1:31 |
19. | "The Third Hoorah" (2014 Stereo Mix) | 4:53 |
20. | "Two Fingers" (2014 Stereo Mix) | 5:08 |
21. | "WarChild" (Original Stereo Mix) | 4:38 |
22. | "Queen and Country" (Original Stereo Mix) | 3:01 |
23. | "Ladies" (Original Stereo Mix) | 3:19 |
24. | "Back-Door Angels" (Original Stereo Mix) | 5:27 |
25. | "SeaLion" (Original Stereo Mix) | 3:42 |
26. | "Skating Away on the Thin Ice of the New Day" (Original Stereo Mix) | 4:12 |
27. | "Bungle in the Jungle" (Original Stereo Mix) | 3:41 |
28. | "Only Solitaire" (Original Stereo Mix) | 1:31 |
29. | "The Third Hoorah" (Original Stereo Mix) | 4:53 |
30. | "Two Fingers" (Original Stereo Mix) | 5:08 |
31. | "WarChild" (Original Quadrophonic Mix) | 4:38 |
32. | "Queen and Country" (Original Quadrophonic Mix) | 3:01 |
33. | "Ladies" (Original Quadrophonic Mix) | 3:19 |
34. | "Back-Door Angels" (Original Quadrophonic Mix) | 5:27 |
35. | "SeaLion" (Original Quadrophonic Mix) | 3:42 |
36. | "Skating Away on the Thin Ice of the New Day" (Original Quadrophonic Mix) | 4:12 |
37. | "Bungle in the Jungle" (Original Quadrophonic Mix) | 3:41 |
38. | "Only Solitaire" (Original Quadrophonic Mix) | 1:31 |
39. | "The Third Hoorah" (Original Quadrophonic Mix) | 4:53 |
40. | "Two Fingers" (Original Quadrophonic Mix) | 5:08 |
41. | "Glory Row" (Original Quadrophonic Mix) | 3:34 |
42. | "March, The Mad Scientist" (Original Quadrophonic Mix) | 1:49 |
43. | "Video clip from a Montreux photosession and press conference on 11 January 1974" | |
44. | "The Third Hoorah promo footage with remixed stereo audio" |
No. | Title | Length |
---|---|---|
1. | "Paradise Steakhouse" (5.1 Surround Mix) | 4:01 |
2. | "Saturation" (5.1 Surround Mix) | 4:20 |
3. | "Good Godmother" (5.1 Surround Mix) | 4:27 |
4. | "SeaLion II" (5.1 Surround Mix) | 3:20 |
5. | "Quartet" (5.1 Surround Mix) | 2:43 |
6. | "WarChild II" (5.1 Surround Mix) | 3:14 |
7. | "Tomorrow Was Today" (5.1 Surround Mix) | 3:54 |
8. | "Glory Row" (5.1 Surround Mix) | 3:34 |
9. | "March, The Mad Scientist" (5.1 Surround Mix) | 1:49 |
10. | "Rainbow Blues" (5.1 Surround Mix) | 3:38 |
11. | "Pan Dance" (5.1 Surround Mix) | 3:37 |
12. | "The Orchestral WarChild Theme" (5.1 Surround Mix) | 9:34 |
13. | "The Third Hoorah" (Orchestral Version) (5.1 Surround Mix) | 4:47 |
14. | "Mime Sequence" (5.1 Surround Mix) | 7:08 |
15. | "Field Dance" (Conway Hall Version) (5.1 Surround Mix) | 1:41 |
16. | "Paradise Steakhouse" (2014 Stereo Mix) | 4:01 |
17. | "Saturation" (2014 Stereo Mix) | 4:20 |
18. | "Good Godmother" (2014 Stereo Mix) | 4:27 |
19. | "SeaLion II" (2014 Stereo Mix) | 3:20 |
20. | "Quartet" (2014 Stereo Mix) | 2:43 |
21. | "WarChild II" (2014 Stereo Mix) | 3:14 |
22. | "Tomorrow Was Today" (2014 Stereo Mix) | 3:54 |
23. | "Glory Row" (2014 Stereo Mix) | 3:34 |
24. | "March, The Mad Scientist" (2014 Stereo Mix) | 1:49 |
25. | "Rainbow Blues" (2014 Stereo Mix) | 3:38 |
26. | "Pan Dance" (2014 Stereo Mix) | 3:37 |
27. | "The Orchestral WarChild Theme" (2014 Stereo Mix) | 9:34 |
28. | "The Third Hoorah" (Orchestral Version) (2014 Stereo Mix) | 4:47 |
29. | "Mime Sequence" (2014 Stereo Mix) | 7:08 |
30. | "Field Dance" (Conway Hall Version) (2014 Stereo Mix) | 1:41 |
31. | "Waltz of the Angels" (Conway Hall Version) (Original Stereo Mix) | 4:23 |
32. | "The Beach (Part I)" (Morgan Master Recording) (Original Stereo Mix) | 3:20 |
33. | "The Beach (Part II)" (Morgan Master Recording) (Original Stereo Mix) | 1:01 |
34. | "Waltz of the Angels" (Morgan Demo Recording) (Original Stereo Mix) | 4:02 |
35. | "The Beach" (Morgan Demo Recording) (Original Stereo Mix) | 2:41 |
36. | "Field Dance" (Morgan Demo Recording) (Original Stereo Mix) | 1:05 |
Chart (1974) | Peak position |
---|---|
Australian Albums (Kent Music Report) [16] | 9 |
Canada Top Albums/CDs ( RPM ) [17] | 3 |
Danish Albums (Tracklisten [18] | 9 |
French Albums (SNEP) [19] | 15 |
Finnish Albums (The Official Finnish Charts) [20] | 20 |
German Albums (Offizielle Top 100) [21] | 27 |
Italian Albums ( Musica e Dischi ) [22] | 7 |
Norwegian Albums (VG-lista) [23] | 8 |
UK Albums (OCC) [24] | 14 |
US Billboard 200 [25] | 2 |
Chart (2014) | Peak position |
---|---|
UK Rock & Metal Albums (OCC) [26] | 14 |
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [27] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Jethro Tull are a British rock band formed in Blackpool, Lancashire in 1967. Initially playing blues rock and jazz fusion, the band soon incorporated elements of English folk music, hard rock and classical music, forging a signature progressive rock sound. The group's founder, bandleader, principal composer, lead vocalist, and only constant member is Ian Anderson, a multi-instrumentalist who mainly plays flute and acoustic guitar. The group has featured a succession of musicians throughout the decades, including significant contributors such as guitarists Mick Abrahams and Martin Barre ; bassists Glenn Cornick, Jeffrey Hammond, John Glascock, Dave Pegg, Jonathan Noyce, and David Goodier; drummers Clive Bunker, Barrie "Barriemore" Barlow and Doane Perry; and keyboardists John Evan, Dee Palmer, Peter-John Vettese, Andrew Giddings, and John O'Hara.
Aqualung, released in March 1971 by Chrysalis Records, is the fourth studio album by the rock band Jethro Tull. Though it is generally regarded as a concept album, featuring a central theme of "the distinction between religion and God", the band have said there was no intention to make a concept album, and that only a few songs have a unifying theme. Aqualung's success signalled a turning point in the career of the band, who went on to become a major radio and touring act.
Heavy Horses is the eleventh studio album by British progressive rock band Jethro Tull, released on 10 April 1978.
A Passion Play is the sixth studio album by British progressive rock band Jethro Tull, released in July 1973 in both the UK and US. Following in the same style as the band's previous album Thick as a Brick (1972), A Passion Play is a concept album comprising individual songs arranged into a single continuous piece of music. The album's concept follows the spiritual journey of a recently deceased man in the afterlife, exploring themes of morality, religion and good and evil. The album's accompanying tour was considered the high water mark of Jethro Tull's elaborate stage productions, involving a full performance of the album accompanied by physical props, sketches and projected video.
Too Old to Rock 'n' Roll: Too Young to Die! is the ninth studio album released by British band Jethro Tull, recorded in December 1975 and released in 1976. It is the first album to include bassist John Glascock who also contributes with backing vocals. Too Old to Rock 'n' Roll: Too Young to Die! is the last Jethro Tull concept album, which follows the story of Ray Lomas, an aging rocker who finds fame with the changes of musical trends. It was Jethro Tull's only album of the 1970s not to achieve Gold certification.
Roots to Branches is the 19th studio album by the British band Jethro Tull released in September 1995. It carries characteristics of Tull's classic 1970s progressive rock and folk rock roots alongside jazz and Arabic and Indian influences. All songs were written by Ian Anderson and recorded at his home studio. This is the last Tull album to feature Dave Pegg on the bass, and the first to feature keyboardist Andrew Giddings as an official band member, although he had contributed to Catfish Rising (1991) on a sessional basis. As a result, the album notably features the five longest serving members to date in Jethro Tull’s history. It was also the final Tull album to be released through long-time label Chrysalis Records.
This Was is the debut studio album by the British rock band Jethro Tull, released in October 1968. Recorded at a cost of £1200, it is the only Jethro Tull album with guitarist Mick Abrahams, who was a major influence for the sound and music style of the band's first songs. When the album was released the band were performing regularly at the Marquee Club in London, where other successful British groups, such as the Rolling Stones and the Who, had started their careers.
Stand Up, released in 1969, is the second studio album by British rock band Jethro Tull. It was the first Jethro Tull album to feature guitarist Martin Barre, who would go on to become the band's longtime guitarist until its initial dissolution in 2012. Before recording sessions for the album began, the band's original guitarist Mick Abrahams departed from the band as a result of musical differences with frontman and primary songwriter Ian Anderson; Abrahams wanted to stay with the blues rock sound of their 1968 debut, This Was, while Anderson wished to add other musical influences such as folk rock.
Minstrel in the Gallery is the eighth studio album by British rock band Jethro Tull, released in September 1975. The album sees the band going in a different direction from their previous work War Child (1974), returning to a blend of electric and acoustic songs, in a manner closer to their early 1970s albums such as Benefit (1970), Aqualung (1971) and Thick as a Brick (1972). Making use of a newly constructed mobile recording studio commissioned and constructed specifically for the band, the album was the first Jethro Tull album to be recorded outside of the UK, being recorded in tax exile in Monte Carlo, Monaco.
Stormwatch is the twelfth studio album by progressive rock band Jethro Tull, released in September 1979. The album is often considered the last in a trio of folk rock albums released by the band at the end of the 1970s, alongside Songs from the Wood (1977) and Heavy Horses (1978). The album's themes deal mostly with the environment, climate and seaside living, and were heavily inspired by the Isle of Skye in Scotland, where frontman Ian Anderson had recently purchased property.
Benefit is the third studio album by the British rock band Jethro Tull, released in April 1970. It was the first Tull album to include pianist and organist John Evan – though he was not yet considered a permanent member of the group – and the last to include bass guitarist Glenn Cornick, who was fired from the band upon completion of touring for the album. It was recorded at Morgan Studios, the same studio where the band recorded its previous album Stand Up; however, they experimented with more advanced recording techniques.
The Broadsword and the Beast is the 14th studio album by rock band Jethro Tull, released in April 1982 by Chrysalis Records. The album's musical style features a cross between the dominant synthesizer sound of the 1980s and the folk-influenced style that Jethro Tull used in the previous decade. As such, the band's characteristic acoustic instrumentation is augmented by electronic soundscapes. The electronic aspects of this album would be explored further by the band on their next album, Under Wraps (1984), as well as on Ian Anderson's solo album Walk into Light (1983).
Crest of a Knave is the sixteenth studio album by British rock band Jethro Tull, released in 1987. The album was recorded after a three-year hiatus caused by a throat infection of vocalist Ian Anderson, resulting in his changed singing style. Following the unsuccessful electronic rock album Under Wraps, Crest of a Knave had the band returning to a more hard rock sound. The album was their most successful since the 1970s and the band enjoyed a resurgence on radio broadcasts, appearances in MTV specials and the airing of music videos. It was also a critical success, winning the 1989 Grammy Award for Best Hard Rock/Metal Performance Vocal or Instrumental in what was widely viewed as an upset over the favorite, Metallica's ...And Justice for All. The album was supported by "The Not Quite the World, More the Here and There Tour".
Nightcap: The Unreleased Masters 1973–1991 is a double compilation album by British rock band Jethro Tull, released on 22 November 1993. It contains much of the band's previously unreleased material.
M.U. – The Best of Jethro Tull, released in 1976, is the first proper greatest hits album by Jethro Tull. It spans the years 1969 to 1975. The earlier Living in the Past (1972) compilation mainly dealt with non-album material, but this album only features one previously unreleased song, "Rainbow Blues".
Living in the Past is a double LP compilation album by Jethro Tull, released in 1972. It collects album tracks, outtakes and several standalone singles spanning the band's career up to that point. Also included are the 1971 "Life Is a Long Song" EP and two live recordings taken from a performance at New York City's Carnegie Hall in November 1970.
"Bungle in the Jungle" is a song by British progressive rock band Jethro Tull. It was released on their album War Child in 1974.
"A Song for Jeffrey" is a song recorded by the English rock band Jethro Tull, released as their second single in the UK, and as the B-side to "Love Story" in the US. The "Jeffrey" of the title is Ian Anderson's friend and future Jethro Tull bassist Jeffrey Hammond, who was "a slightly wayward lad who wasn’t quite sure where he was headed in life".
Jethro Tull – The String Quartets is a studio album featuring Ian Anderson, John O'Hara and the Carducci String Quartet, arranged by O'Hara. It was released on 24 March 2017.
"Skating Away on the Thin Ice of the New Day" is a song by British progressive rock band Jethro Tull. It was released on their album War Child in 1974. Written as a comment on global cooling for the band's aborted "Chateau D'isaster" album, the song was reworked in 1974 for War Child.