Crest of a Knave

Last updated

Crest of a Knave
Jethro Tull Crest of a Knave.jpg
Studio album by
Released7 September 1987 [1]
RecordedEarly 1987
Genre
Length39:30 (vinyl)
48:50 (CD)
Label Chrysalis
Producer Jethro Tull
Jethro Tull chronology
Original Masters
(1985)
Crest of a Knave
(1987)
20 Years of Jethro Tull
(1988)
Singles from
Crest of a Knave
  1. "Steel Monkey"
    Released: 5 October 1987 [2]
  2. "Said She Was a Dancer"
    Released: 28 December 1987 [3]

Crest of a Knave is the sixteenth studio album by British rock band Jethro Tull, released in 1987. The album was recorded after a three-year hiatus caused by a throat infection of vocalist Ian Anderson, resulting in his changed singing style. Following the unsuccessful electronic rock album Under Wraps , Crest of a Knave had the band returning to a more hard rock sound. The album was their most successful since the 1970s and the band enjoyed a resurgence on radio broadcasts, appearances in MTV specials and the airing of music videos. It was also a critical success, winning the 1989 Grammy Award for Best Hard Rock/Metal Performance Vocal or Instrumental in what was widely viewed as an upset over the favorite, Metallica's ...And Justice for All . [4] The album was supported by "The Not Quite the World, More the Here and There Tour".[ citation needed ]

Contents

Production

Even though Doane Perry had been a member of Jethro Tull since 1984, he only appears on two tracks, with Gerry Conway, who had played on the 1982 album The Broadsword and the Beast , playing on four. The remaining three tracks feature a drum machine. Keyboardist Peter-John Vettese had left the band in 1986, and Ian Anderson contributed the synth programming. The album sleeve only lists Anderson, Martin Barre and Dave Pegg as band members. Barre remembers this production as being "the album where a lot of things were of my invention. There are still chunks of the music where lan very much knew what he wanted, but I think my input was far greater on that album than on any other". [5]

The cover was designed by heraldic artist Andrew Stewart Jamieson. The single "Steel Monkey" had the cover designed by art director John Pasche.

This album was released simultaneously on LP and on CD, but the vinyl edition did not feature the songs "Dogs in the Midwinter" and "The Waking Edge". Both tracks appeared on vinyl as B-sides to the singles.

The album back cover shows in the credits that the album was "Recorded just round the corner from the kitchen in the room behind the door which used to be painted white but isn't any more". And also: "Martin would like to thank Paul Hamer (Hamer Guitars). Ian and Dave would like to thank almost everybody else." [6]

Musical style

The album relied more heavily on Martin Barre's electric guitar than the band had since the 1970s. The style of Crest has been compared to that of Dire Straits, in part because Anderson no longer had the vocal range he once possessed (the result of recent throat surgery).

Ian Anderson later stated about the musical style of the album: "'Steel Monkey' was based around a sequencer riff, and it didn't have any flute in it. So it was yet another atypical Jethro Tull song that was a radio hit. By comparison, both 'Farm On The Freeway' and 'Budapest' are very typical Tull songs. 'Budapest' is the kind of song I like to write because it embodies a lot of different nuances which I think are subtly joined together. It sort of moves from classical to slightly bluesy to folk, and it just slips between them and you don't see the stitching." [7]

Themes

Crest of a Knave explores various themes in its lyrics, as Anderson often does. The song "She Said She Was a Dancer" shows that Tull's frank treatment of sexuality was unabated. The album contains the popular live song "Budapest", which depicts a backstage scene with a shy local female stagehand. "Farm on the Freeway" on the other hand profiles a farmer who has lost his land through eminent domain, and who now possesses only his truck. "Mountain Men" became more famous in Europe, depicting a scene from World War II in Africa and the Falklands War. Ian Anderson referred to the battles of El Alamein (WW II) and also South America (1982), drawing historic parallels of the angst that women left behind by their warrior husbands might have felt.

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar half.svgStar empty.svgStar empty.svg [8]
The Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [9]
SputnikmusicStar full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [10]

Sounds' review was mixed. It recognized the quality and even called the opening tracks "Steel Monkey" and "Farm on the Freeway" "stunners". The overall evaluation was that: "In a shrewd move, Ian Anderson has studied the current heavy metal renewal and adapted it to suit his own ends, and the results are impressive to say the least". Although in the end, comparing the album with the style of Mark Knopfler, the review would go on to say that: "But in his efforts to stay 'hip', the hairy progressive rock guru has fallen prey not just to the influence of modern pop's more inspiring aspects but also to its foulest evils: the rank odour of Mark Knopfler pervades the remainder of 'Crest...' […] Shamefully and cruelly, the album is snuffed out. It's a pity, in all seriousness". [11]

Although contemporarily well-accepted, AllMusic's later review was a little more committed, calling the album their best since Heavy Horses , but also stating: "Truth is, it isn't a bad album, with an opening track that qualifies as hard rock and pretty much shouts its credentials out in Martin Barre's screaming lead guitar line, present throughout. "Jump Start" and "Raising Steam" also rock hard, and no one can complain of too much on this record being soft, apart from the acoustic "The Waking Edge," along with "Budapest" and "Said She Was a Dancer," Anderson's two ageing rock-star's-eye-view accounts of meeting women from around the world. The antiwar song "Mountain Men" is classic Tull-styled electric folk, all screaming electric guitars at a pretty high volume by its end". [8]

Grammy controversy

Crest of a Knave won the 1989 Grammy Award for Best Hard Rock/Metal Performance Vocal or Instrumental, beating the heavily favoured ...And Justice for All by Metallica and critics' choice Nothing's Shocking by Jane's Addiction.

The Grammy award was controversial as many did not consider the album or Jethro Tull to be hard rock, much less heavy metal. Under advisement from their manager, no one from the band turned up to the award ceremony, as they were told that they had no chance of winning. In response to the controversy, the band's record label Chrysalis took out an advert in a British music periodical with the line, "The flute is a heavy, metal instrument!" [12] The Grammy award was split into two categories and renamed after the event.

In 2007, the win was named one of the 10 biggest upsets in Grammy history by Entertainment Weekly . [13]

Rolling Stone listed the Grammy Award as the 18th Most Awesomely Retro Moments in Grammy History. [14]

In 1992, Metallica won the Grammy for Best Heavy Metal album, for their 1991 self-titled album. During the band's acceptance speech, drummer Lars Ulrich said "We would personally like to thank Jethro Tull for not releasing an album this year!" [15] [16] [17] However, Jethro Tull did release the album Catfish Rising in 1991.

Track listing

Vinyl

All tracks are written by Ian Anderson

Side one
No.TitleLength
1."Steel Monkey"3:39
2."Farm on the Freeway"6:31
3."Jump Start"4:55
4."She Said She Was a Dancer"3:43
Side two
No.TitleLength
1."Budapest"10:05
2."Mountain Men"6:20
3."Raising Steam"4:05

CD

No.TitleLength
1."Steel Monkey"3:39
2."Farm on the Freeway"6:31
3."Jump Start"4:55
4."She Said She Was a Dancer"3:43
5."Dogs in the Midwinter"4:37
6."Budapest"10:05
7."Mountain Men"6:20
8."The Waking Edge"4:49
9."Raising Steam"4:05
2005 remaster bonus track
No.TitleLength
10."Part of the Machine"6:54

Personnel

Additional musicians
Additional personnel

Charts

Chart (1987–1988)Peak
position
Australian Albums (Kent Music Report) [18] 57
Austrian Albums (Ö3 Austria) [19] 19
Canada Top Albums/CDs ( RPM ) [20] 39
Finnish Albums (The Official Finnish Charts) [21] 40
German Albums (Offizielle Top 100) [22] 10
Swedish Albums (Sverigetopplistan) [23] 40
Swiss Albums (Schweizer Hitparade) [24] 7
UK Albums (OCC) [25] 19
US Billboard 200 [26] 32

Certifications

RegionCertification Certified units/sales
Canada (Music Canada) [27] Gold50,000^
United Kingdom (BPI) [28] Gold100,000^
United States (RIAA) [29] Gold500,000^

^ Shipments figures based on certification alone.

Related Research Articles

<span class="mw-page-title-main">Jethro Tull (band)</span> British rock band

Jethro Tull are a British rock band formed in Blackpool, Lancashire in 1967. Initially playing blues rock and jazz fusion, the band soon incorporated elements of English folk music, hard rock and classical music, forging a signature progressive rock sound. The group's founder, bandleader, principal composer, lead vocalist, and only constant member is Ian Anderson, who also plays flute and acoustic guitar. The group has featured a succession of musicians throughout the decades, including significant contributors such as guitarists Mick Abrahams and Martin Barre ; bassists Glenn Cornick, Jeffrey Hammond, John Glascock, Dave Pegg, Jonathan Noyce, and David Goodier; drummers Clive Bunker, Barrie "Barriemore" Barlow and Doane Perry; and keyboardists John Evan, Dee Palmer, Peter-John Vettese, Andrew Giddings, and John O'Hara.

<i>Heavy Horses</i> 1978 studio album by Jethro Tull

Heavy Horses is the eleventh studio album by British progressive rock band Jethro Tull, released on 10 April 1978.

<i>A Passion Play</i> 1973 album by Jethro Tull

A Passion Play is the sixth studio album by British progressive rock band Jethro Tull, released in July 1973 in both the UK and US. Following in the same style as the band's previous album Thick as a Brick (1972), A Passion Play is a concept album comprising individual songs arranged into a single continuous piece of music. The album's concept follows the spiritual journey of a recently deceased man in the afterlife, exploring themes of morality, religion and good and evil. The album's accompanying tour was considered the high water mark of Jethro Tull's elaborate stage productions, involving a full performance of the album accompanied by physical props, sketches and projected video.

<i>J-Tull Dot Com</i> 1999 studio album by Jethro Tull

J-Tull Dot Com is the 20th studio album by the British band Jethro Tull, released in 1999 on Papillon, the Chrysalis Group's late 1990s heritage record label. It was released four years after their 1995 album Roots to Branches and continues in the same vein, marrying hard rock with Eastern music influences. It is the first album to feature Jonathan Noyce on bass, who would remain with the band until 2007 in Jethro Tull's longest ever unchanged line-up. This was the last Jethro Tull album to feature all original, new material for 23 years, although the band did release a Christmas album in 2003, which contained a mixture of new material, re-recordings of Tull's own suitably themed material and arrangements of traditional Christmas music.

<i>Roots to Branches</i> 1995 studio album by Jethro Tull

Roots to Branches is the 19th studio album by the British band Jethro Tull released in September 1995. It carries characteristics of Tull's classic 1970s progressive rock and folk rock roots alongside jazz and Arabic and Indian influences. All songs were written by Ian Anderson and recorded at his home studio. This is the last Tull album to feature Dave Pegg on the bass, and the first to feature keyboardist Andrew Giddings as an official band member, although he had contributed to Catfish Rising (1991) on a sessional basis. As a result, the album notably features the five longest serving members to date in Jethro Tull’s history. It was also the final Tull album to be released through long-time label Chrysalis Records.

<i>Stand Up</i> (Jethro Tull album) 1969 studio album by Jethro Tull

Stand Up, released in 1969, is the second studio album by British rock band Jethro Tull. It was the first Jethro Tull album to feature guitarist Martin Barre, who would go on to become the band's longtime guitarist until its initial dissolution in 2012. Before recording sessions for the album began, the band's original guitarist Mick Abrahams departed from the band as a result of musical differences with frontman and primary songwriter Ian Anderson; Abrahams wanted to stay with the blues rock sound of their 1968 debut, This Was, while Anderson wished to add other musical influences such as folk rock.

<i>Minstrel in the Gallery</i> 1975 studio album by Jethro Tull

Minstrel in the Gallery is the eighth studio album by British rock band Jethro Tull, released in September 1975. The album sees the band going in a different direction from their previous work War Child (1974), returning to a blend of electric and acoustic songs, in a manner closer to their early 1970s albums such as Benefit (1970), Aqualung (1971) and Thick as a Brick (1972). Making use of a newly constructed mobile recording studio commissioned and constructed specifically for the band, the album was the first Jethro Tull album to be recorded outside of the UK, being recorded in tax exile in Monte Carlo, Monaco.

<i>Stormwatch</i> (album) 1979 studio album by Jethro Tull

Stormwatch is the twelfth studio album by progressive rock band Jethro Tull, released in September 1979. The album is often considered the last in a trio of folk rock albums released by the band at the end of the 1970s, alongside Songs from the Wood (1977) and Heavy Horses (1978). The album's themes deal mostly with the environment, climate and seaside living, and were heavily inspired by the Isle of Skye in Scotland, where frontman Ian Anderson had recently purchased property.

<i>Benefit</i> (album) 1970 studio album by Jethro Tull

Benefit is the third studio album by the British rock band Jethro Tull, released in April 1970. It was the first Tull album to include pianist and organist John Evan – though he was not yet considered a permanent member of the group – and the last to include bass guitarist Glenn Cornick, who was fired from the band upon completion of touring for the album. It was recorded at Morgan Studios, the same studio where the band recorded its previous album Stand Up; however, they experimented with more advanced recording techniques.

<span class="mw-page-title-main">Martin Barre</span> British guitarist (born 1946)

Martin Lancelot Barre is an English guitarist best known for his longtime role as lead guitarist of British rock band Jethro Tull, with whom he recorded and toured from 1968 until the band's initial dissolution in 2011. Barre played on all of Jethro Tull's studio albums from their 1969 album Stand Up to their 2003 album The Jethro Tull Christmas Album. In the early 1990s he began a solo career, and he has recorded several albums as well as touring with his own live band.

<i>Under Wraps</i> (Jethro Tull album) 1984 studio album by Jethro Tull

Under Wraps is the 15th studio album by the band Jethro Tull, released in 1984. The songs' subject matter is heavily influenced by bandleader Ian Anderson's love of espionage fiction. It was controversial among fans of the band due to its electronic/synthesizer-based sound, particularly the use of electronic drums. Dave Pegg has been quoted as saying that the tracks cut from the sessions for Broadsword and the Beast would have made a better album, while Martin Barre has referred to it as one of his personal favourite Tull albums. The album reached No. 76 on the Billboard 200 and No. 18 on the UK Albums Chart. The single "Lap of Luxury" reached No. 30.

The Grammy Award for Best Hard Rock/Metal Performance Vocal or Instrumental was an award presented at the 31st Grammy Awards in 1989 to honor quality hard rock/metal works. The Grammy Awards, an annual ceremony that was established in 1958 and originally called the Gramophone Awards, are presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position."

<i>The Broadsword and the Beast</i> 1982 studio album by Jethro Tull

The Broadsword and the Beast is the 14th studio album by rock band Jethro Tull, released in April 1982 by Chrysalis Records. The album's musical style features a cross between the dominant synthesizer sound of the 1980s and the folk-influenced style that Jethro Tull used in the previous decade. As such, the band's characteristic acoustic instrumentation is augmented by electronic soundscapes. The electronic aspects of this album would be explored further by the band on their next album, Under Wraps (1984), as well as on Ian Anderson's solo album Walk into Light (1983).

<i>Rock Island</i> (Jethro Tull album) 1989 studio album by Jethro Tull

Rock Island is the 17th studio album by the British rock group Jethro Tull, released in 1989. The album continued the hard rock direction the band took on the previous effort, Crest of a Knave (1987). The line-up now included Ian Anderson, Martin Barre, Dave Pegg and drummer Doane Perry in his first full recording with the band, although he had already been a member of Jethro Tull since 1984. Without a permanent keyboard player, the role was shared by Fairport Convention's Maartin Allcock and former Tull member Peter Vettese.

<span class="mw-page-title-main">Locomotive Breath</span> 1971 single by Jethro Tull

"Locomotive Breath" is a song by British progressive rock band Jethro Tull from their 1971 album, Aqualung.

"Cross-Eyed Mary" is a song by the British progressive rock band Jethro Tull from their album Aqualung (1971).

"Mother Goose" is a song by the British progressive rock band Jethro Tull. It is the fourth track from their album Aqualung which was released in 1971.

<i>Live at Montreux 2003</i> (Jethro Tull album) 2007 video by Jethro Tull

Live at Montreux 2003 is a video and a live album by British rock band Jethro Tull, released in 2007. It was recorded at the Montreux Jazz Festival where the band played in 2003.

<span class="mw-page-title-main">Hymn 43</span> 1971 single by Jethro Tull

"Hymn 43" is a song by British progressive rock group Jethro Tull. It is off their Aqualung album and was released as a single by Reprise Records. The song reached No. 91 on the Billboard Hot 100.

<i>The Zealot Gene</i> 2022 studio album by Jethro Tull

The Zealot Gene is the 22nd studio album by the British rock band Jethro Tull, released on 28 January 2022 by Inside Out Music. Nearly five years in production, it is their first studio album since The Jethro Tull Christmas Album (2003), and their first of all original material since J-Tull Dot Com (1999), marking the longest gap between the band's studio albums.

References

  1. "BPI".
  2. "Music Week" (PDF). p. 39.
  3. "Music Week" (PDF). p. 10.
  4. "What Happened the Night Jethro Tull Beat Metallica to a Grammy Award". Louder. 28 November 2016. Retrieved 13 August 2020.
  5. "Jethro Tull Press: Guitar Legends, May-June 1997". Tullpress.com. Archived from the original on 11 March 2012. Retrieved 1 May 2015.
  6. "Track listing" (Jpg). Mlb-s1-p.mlstatic.com. Retrieved 1 May 2015.
  7. "Jethro Tull Press: Guitar World, September 1999". Tullpress.com. Archived from the original on 3 March 2016. Retrieved 1 May 2015.
  8. 1 2 Bruce Eder. "Crest of a Knave - Jethro Tull | Songs, Reviews, Credits, Awards". AllMusic . Retrieved 1 May 2015.
  9. Larkin, Colin (2007). The Encyclopedia of Popular Music (4th ed.). Oxford University Press. ISBN   978-0195313734.
  10. "Jethro Tull - Crest of a Knave (album review )". Sputnikmusic.com. 23 August 2010. Retrieved 1 May 2015.
  11. "Jethro Tull Press: Sounds, 5 September 1987". Tullpress.com. 5 September 1987. Archived from the original on 9 October 2016. Retrieved 1 May 2015.
  12. "The Flute is a Heavy Metal Instrument" (Jpg). Mlb-s1-p.mlstatic.com. Archived from the original on 3 April 2002. Retrieved 10 August 2016.
  13. "Grammy's 10 Biggest Upsets". EW.com. 2007. Archived from the original (http) on 14 February 2007. Retrieved 10 August 2016.
  14. Menconi, David (22 January 2014). "17. Best Hard Rock/Metal Performance (1989): Metal Massacre Photo - 20 Most Awesomely Retro Moments in Grammy History". Rollingstone.com. Retrieved 1 May 2015.
  15. "Metallica won Best Metal Performance for 'Metallica' | 34th Annual Grammy Awards (1992)". YouTube .
  16. "Lars Ulrich reflects on Metallica's infamous Grammy loss to Jethro Tull". 25 February 2019.
  17. "Lars Ulrich". IMDb .
  18. Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. ISBN   0-646-11917-6.
  19. "Austriancharts.at – Jethro Tull – Crest of a Knave" (in German). Hung Medien. Retrieved June 20, 2024.
  20. "Top RPM Albums: Issue 0914". RPM . Library and Archives Canada. Retrieved June 20, 2024.
  21. Pennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava. ISBN   978-951-1-21053-5.
  22. "Offiziellecharts.de – Jethro Tull – Crest of a Knave" (in German). GfK Entertainment Charts. Retrieved June 20, 2024.
  23. "Swedishcharts.com – Jethro Tull – Crest of a Knave". Hung Medien. Retrieved June 20, 2024.
  24. "Swisscharts.com – Jethro Tull – Crest of a Knave". Hung Medien. Retrieved June 20, 2024.
  25. "Official Albums Chart Top 100". Official Charts Company. Retrieved June 20, 2024.
  26. "Jethro Tull Chart History (Billboard 200)". Billboard. Retrieved June 20, 2024.
  27. "Canadian album certifications – Jethro Tull – Crest of a Knave". Music Canada.
  28. "British album certifications – Jethro Tull – Crest of a Knave". British Phonographic Industry.
  29. "American album certifications – Jethro Tull – Crest of a Knave". Recording Industry Association of America.