Songs from the Wood | ||||
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Studio album by | ||||
Released | 11 February 1977 | |||
Recorded | 14 September 1976 – 16 November 1976 | |||
Studio | Morgan Studios, London | |||
Genre | ||||
Length | 41:17 | |||
Label | Chrysalis | |||
Producer | Ian Anderson | |||
Jethro Tull chronology | ||||
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Singles from Songs from the Wood | ||||
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Songs from the Wood is the tenth studio album by British progressive rock band Jethro Tull, released on 11 February 1977 by Chrysalis Records. The album is considered to be the first of three folk rock albums released by the band at the end of the 1970s, followed by Heavy Horses (1978) and Stormwatch (1979). [4]
Drawing inspiration from English folklore and countryside living, the album signalled a resumption of the band's wide-ranging folk rock style which combined traditional instruments and melodies with hard rock drums, synthesisers and electric guitars, all laid in the band's complex progressive rock template. [5] The album was the first Jethro Tull album to include Dee Palmer as an official member of the band; after eight years of serving as the band's orchestral arranger, Palmer had joined as a second keyboardist in early 1976.
Songs From the Wood was well received by critics who considered it a return to form. The album reached number 13 in the UK and number 8 in the United States. A single from the album, "The Whistler", was also the band's last US Hot 100 chart entry, peaking at number 59. Another song, "Ring Out, Solstice Bells", was released ahead of the album on an EP of the same title for the 1976 Christmas season, peaking at number 28 in the UK.
The band began recording on 14 September 1976, recording "Ring Out, Solstice Bells" and finished on 16 November 1976, finishing "Jack-in-the-Green". All tracks were recorded in Studio 2 of Morgan Studios (except "Jack-in-the-Green", recorded in Studio 3 with Anderson on all instruments), the same studio where the band had recorded the majority of their discography up to that point. The album marked a return for the band to recording in the UK after having recorded their previous two albums abroad in Monaco.
Compared to previous Jethro Tull albums, Songs From the Wood saw greater writing contributions from other members of the band besides Anderson, particularly from new keyboardist Dee Palmer and guitarist Martin Barre. Palmer wrote significant portions of several songs, including the title track, "Hunting Girl", "Velvet Green", "Ring Out, Solstice Bells" and "Pibroch (Cap in Hand)" and also introduced the portative pipe organ to the rest of the band, an instrument which became a major element of the album's classical folk sound. [6]
The band made use of a variety of other instruments and recording techniques to contribute to the album's folk theme, including medieval-era percussion played by Barlow such as nakers and a tabor as well as a reverse echo guitar effect played by Barre on "Pibroch (Cap in Hand)" to imitate the sound of bagpipes. "Ring Out, Solstice Bells" was recorded with the intention of being a Christmas single. However Chrysalis Records disliked that the song was in 7/4 time and asked the band to re-record the song in the more common 4/4 time, a suggestion which Anderson said that the band "weren't particularly pleased with." [6] The band re-recorded the song, now re-titled "Magic Bells" at Lansdowne Studios with Mike Batt of the Wombles producing, however the decision was eventually made by Chrysalis to scrap the new version and release the original instead. [6]
One song recorded during the sessions for the album was cut, initially titled "Dark Ages" (the same name of a different song later featured on the band's 1979 album Stormwatch ), the track remained unreleased until 2017 when it was included on the 40th Anniversary "Country Set" edition of the album, where it was given the title "Old Aces Die Hard" by Anderson. [6]
The band have identified the writing and recording sessions for the album as being a high point in personal relations within the band. Anderson credited the familiar surroundings of Morgan Studios with creating "a more relaxed and harmonious atmosphere in the band" with drummer Barrie Barlow agreeing that "I think we were indeed more settled and happier to be home." Palmer recalled that "On every measure the whole of that album was recorded in an atmosphere of great camaraderie and joy... Everybody was friends, everybody was happy." The band held a wrap party upon completion of the album's mixing, described by Anderson as "one of the very few occasions when we did have a slightly triumphal celebration of the finished thing." [6]
Filled with imagery from medieval Britain (especially in the "Jack-in-the-Green", "Cup of Wonder", and "Ring Out Solstice Bells" lyrics), and ornamental folk arrangement (as in "Velvet Green" and "Fire at Midnight"), Songs From the Wood was a departure from the hard rock of earlier Jethro Tull material, though it still retained some of the band's older, progressive sound.
Anderson's inspiration to pursue folk was inspired by recent changes in his personal life; he had recently got married and purchased a farm estate in rural Buckinghamshire, giving him "an opportunity to evaluate and reflect upon the cultural and historical significance of making that commitment to English residency." [7] Anderson was also partly inspired by the book Folklore, Myths and Legends of Britain which was given to him by Jethro Tull's then manager Jo Lustig in 1976. According to Anderson, the book "certainly gave me thoughts about the elements of characters and stories that played out in my songwriting on the Songs From the Wood album, which then carried on over to the Heavy Horses album and even beyond that into the Stormwatch album." [8]
Review scores | |
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Source | Rating |
AllMusic | [5] |
The Encyclopedia of Popular Music | [9] |
NME | (Very favourable) [10] |
The Rolling Stone Album Guide | [11] |
In a retrospective review, AllMusic called Songs from the Wood "the prettiest record Jethro Tull released at least since Thick as a Brick ". [5] Paul Stump lauded the album in his History of Progressive Rock, saying that "the barbed, rickety grandeur that Tull had left behind with Benefit had been rebottled in punchy numbers with enough melodic contours to satisfy latter-day FM-radio demands. Once again, the band's riffs are unremarkable, but counterpointed – such as with synthesisers playing off mandolin on the title track – and the impact is mesmerizing." He also praised the depth of the soundstage, the emphasis of the folk element in the lyrics, and the way riffs are shared around the instrumental ensemble. [12]
In 2014 Songs from the Wood was included in the list The 100 Greatest Prog Albums of All Time by Prog magazine at number 76. [13] In 2000 it was voted number 520 in Colin Larkin's All Time Top 1000 Albums . [14]
"Ring Out, Solstice Bells" has become popular as a Christmas song in the United Kingdom. [15] It has been featured in lists of classic and favourite Christmas songs; [16] a re-recorded version appears on The Jethro Tull Christmas Album .
Members of the band have ranked the album highly in retrospect, with Anderson counting it as among his top five personal favourite Jethro Tull albums. [6]
Although the front cover carries no credit to the effect, the back cover features the credit "front cover painting by Jay L. Lee". In fact, it is a photo on which outlines, lines and contours have simply been drawn with a pen (see tree branches, the dog's snout and Anderson's boots), with paint only occasionally added over the photo (as in the fire). The fact that this is a photo and not a painting is backed up by several other similar photos from the same photo session, some of which were used in the programme for the British tour in 1977, as well as on the concert poster.
The credit "painting by ..." is probably based on a typical trick by Ian Anderson, who likes to joke with his fans.[ according to whom? ] "Painting by" could also only refer to the post-processing of the photo. The LP cover depicts Ian Anderson sitting on a campfire after a successful hunt with a dog and prey. The full wording on the front cover is "Jethro Tull // with kitchen prose, gutter rhymes and divers // songs from the wood".
All tracks are written by Ian Anderson with additional material by Martin Barre and Dee Palmer
No. | Title | Length |
---|---|---|
1. | "Songs from the Wood" | 4:52 |
2. | "Jack-in-the-Green" | 2:27 |
3. | "Cup of Wonder" | 4:30 |
4. | "Hunting Girl" | 5:11 |
5. | "Ring Out, Solstice Bells" | 3:43 |
Total length: | 20:43 |
No. | Title | Length |
---|---|---|
6. | "Velvet Green" | 6:03 |
7. | "The Whistler" | 3:30 |
8. | "Pibroch (Cap in Hand)" | 8:35 |
9. | "Fire at Midnight" | 2:26 |
Total length: | 41:17 |
No. | Title | Length |
---|---|---|
10. | "Beltane" | 5:19 |
11. | "Velvet Green" (Live) | 5:56 |
Total length: | 52:32 |
On 17 May 2017, Jethro Tull released a five disc "bookset" version of Songs from the Wood with a 96-page booklet that includes a track-by-track annotation of the album and its associated recordings by Ian Anderson. It is similar to the band's other 40th Anniversary reissues, with the first disc containing another Steven Wilson stereo remix and the previously unreleased songs "Old Aces Die Hard" and "Working John, Working Joe." The second and third discs contain 22 previously unreleased live tracks, recorded on the American leg of the 1977 Songs from the Wood Tour, from 21 November (Landover, Maryland) and 6 December (Boston), remixed to stereo by Jakko Jakszyk. The set also includes DVDs. [17]
The second DVD includes a complete concert movie made from video originally recorded for projecting on onstage screens at the Landover show. Because the first audio multitrack reel from the Landover show wasn't available, Jakszyk went to great lengths to sync the footage with audio from Maryland for the first four songs. The bonus track "Beethoven's Ninth" is from the Landover show as well, but excluded from the film because it was never professionally recorded and the audio is of inferior quality. [18]
No. | Title | Length |
---|---|---|
1. | "Songs from the Wood" | 4:55 |
2. | "Jack-in-the-Green" | 2:31 |
3. | "Cup of Wonder" | 4:34 |
4. | "Hunting Girl" | 5:10 |
5. | "Ring Out, Solstice Bells" | 3:48 |
6. | "Velvet Green" | 6:05 |
7. | "The Whistler" | 3:31 |
8. | "Pibroch (Cap in Hand)" | 8:35 |
9. | "Fire at Midnight" | 2:27 |
10. | "Old Aces Die Hard (previously unreleased)" | 8:41 |
11. | "Working John, Working Joe (previously unreleased)" | 5:11 |
12. | "Magic Bells (Ring Out, Solstice Bells)" | 3:25 |
13. | "Songs from the Wood (unedited master)" | 4:53 |
14. | "Fire at Midnight (previously unreleased unedited master)" | 2:35 |
15. | "One Brown Mouse (early version)" | 3:35 |
16. | "Strip Cartoon" | 3:19 |
17. | "The Whistler (US stereo single mix)" | 3:32 |
Total length: | 1:16:47 |
No. | Title | Length |
---|---|---|
1. | "Wond’ring Aloud" | 2:33 |
2. | "Skating Away on the Thin Ice of the New Day" | 4:04 |
3. | "Jack-in-the-Green" | 3:14 |
4. | "Thick as a Brick" | 13:15 |
5. | "Songs from the Wood" | 6:01 |
6. | "Instrumental" | 2:27 |
7. | "Drum solo improvisation" | 4:16 |
8. | "To Cry You a Song" | 2:33 |
9. | "A New Day Yesterday" | 2:54 |
10. | "Flute solo improvisation, interpolating "God Rest Ye Gentlemen"/"Bourée"" | 8:14 |
11. | "Living in the Past/ A New Day Yesterday (reprise)" | 2:32 |
Total length: | 2:08:50 |
No. | Title | Length |
---|---|---|
1. | "Velvet Green" | 6:26 |
2. | "Hunting Girl" | 5:39 |
3. | "Too Old to Rock ‘n’ Roll: Too Young to Die" | 4:16 |
4. | "Minstrel in the Gallery" | 5:39 |
5. | "Cross-Eyed Mary" | 3:45 |
6. | "Aqualung" | 8:32 |
7. | "Instrumental improvisation" | 3:31 |
8. | "Wind-Up" | 4:54 |
9. | "Back Door Angels / Guitar improvisation /Wind Up (reprise)" | 7:15 |
10. | "Locomotive Breath" | 5:47 |
11. | "Land of Hope and Glory / Improvisation / Back Door Angels (reprise)" | 4:00 |
Total length: | 3:08:34 |
No. | Title | Length |
---|---|---|
1. | "Songs from the Wood (Steven Wilson remix in 96/24 PCM stereo)" | 4:55 |
2. | "Jack-in-the-Green (Steven Wilson remix in 96/24 PCM stereo)" | 2:32 |
3. | "Cup of Wonder (Steven Wilson remix in 96/24 PCM stereo)" | 4:34 |
4. | "Hunting Girl (Steven Wilson remix in 96/24 PCM stereo)" | 5:10 |
5. | "Ring Out, Solstice Bells (Steven Wilson remix in 96/24 PCM stereo)" | 3:48 |
6. | "Velvet Green (Steven Wilson remix in 96/24 PCM stereo)" | 6:05 |
7. | "The Whistler (Steven Wilson remix in 96/24 PCM stereo)" | 3:32 |
8. | "Pibroch (Cap in Hand) (Steven Wilson remix in 96/24 PCM stereo)" | 8:36 |
9. | "Fire at Midnight (Steven Wilson remix in 96/24 PCM stereo)" | 2:28 |
10. | "Old Aces Die Hard (Steven Wilson remix in 96/24 PCM stereo)" | 8:41 |
11. | "Working John, Working Joe (Steven Wilson remix in 96/24 PCM stereo)" | 5:12 |
12. | "Magic Bells (Ring Out, Solstice Bells) (Steven Wilson remix in 96/24 PCM stereo)" | 3:25 |
13. | "Songs from the Wood (unedited master) (Steven Wilson remix in 96/24 PCM stereo)" | 4:53 |
14. | "Fire at Midnight (unedited master) (Steven Wilson remix in 96/24 PCM stereo)" | 2:36 |
15. | "One Brown Mouse (early version) (Steven Wilson remix in 96/24 PCM stereo)" | 3:35 |
16. | "Strip Cartoon (Steven Wilson remix in 96/24 PCM stereo)" | 3:19 |
17. | "Songs from the Wood (Steven Wilson DD/DTS 5.1 surround remix)" | 4:55 |
18. | "Jack-in-the-Green (Steven Wilson DD/DTS 5.1 surround remix)" | 2:32 |
19. | "Cup of Wonder (Steven Wilson DD/DTS 5.1 surround remix)" | 4:34 |
20. | "Hunting Girl (Steven Wilson DD/DTS 5.1 surround remix)" | 5:10 |
21. | "Ring Out, Solstice Bells (Steven Wilson DD/DTS 5.1 surround remix)" | 3:48 |
22. | "Velvet Green (Steven Wilson DD/DTS 5.1 surround remix)" | 6:05 |
23. | "The Whistler (Steven Wilson DD/DTS 5.1 surround remix)" | 3:32 |
24. | "Pibroch (Cap in Hand) (Steven Wilson DD/DTS 5.1 surround remix)" | 8:36 |
25. | "Fire at Midnight (Steven Wilson DD/DTS 5.1 surround remix)" | 2:28 |
26. | "Old Aces Die Hard (Steven Wilson DD/DTS 5.1 surround remix)" | 8:41 |
27. | "Working John, Working Joe (Steven Wilson DD/DTS 5.1 surround remix)" | 5:12 |
28. | "Magic Bells (Ring Out, Solstice Bells) (Steven Wilson DD/DTS 5.1 surround remix)" | 3:25 |
29. | "One Brown Mouse (early version) (Steven Wilson DD/DTS 5.1 surround remix)" | 3:34 |
30. | "Strip Cartoon (Steven Wilson DD/DTS 5.1 surround remix)" | 3:19 |
31. | "Songs from the Wood (96/24 PCM flat transfer – original stereo master)" | 4:56 |
32. | "Jack-in-the-Green (96/24 PCM flat transfer – original stereo master)" | 2:32 |
33. | "Cup of Wonder (96/24 PCM flat transfer – original stereo master)" | 4:34 |
34. | "Hunting Girl (96/24 PCM flat transfer – original stereo master)" | 5:14 |
35. | "Ring Out, Solstice Bells (96/24 PCM flat transfer – original stereo master)" | 3:50 |
36. | "Velvet Green (96/24 PCM flat transfer – original stereo master)" | 6:05 |
37. | "The Whistler (96/24 PCM flat transfer – original stereo master)" | 3:33 |
38. | "Pibroch (Cap in Hand) (96/24 PCM flat transfer – original stereo master)" | 8:37 |
39. | "Fire at Midnight (96/24 PCM flat transfer – original stereo master)" | 2:31 |
40. | "Songs from the Wood (Flat transfer of original quad master – DTS/DD 4.0 surround)" | 4:56 |
41. | "Jack-in-the-Green (Flat transfer of original quad master – DTS/DD 4.0 surround)" | 2:33 |
42. | "Velvet Green (Flat transfer of original quad master – DTS/DD 4.0 surround)" | 6:08 |
43. | "The Whistler (Flat transfer of original quad master – DTS/DD 4.0 surround)" | 3:34 |
Total length: | 3:18:25 |
No. | Title | Length |
---|---|---|
1. | "Wond’ring Aloud" | 2:35 |
2. | "Skating Away on the Thin Ice of the New Day" | 4:18 |
3. | "Jack-in-the-Green" | 3:31 |
4. | "Thick as a Brick" | 13:47 |
5. | "Songs from the Wood" | 6:04 |
6. | "Instrumental/drum solo improvisation" | 6:44 |
7. | "To Cry You a Song" | 2:34 |
8. | "A New Day Yesterday" | 2:54 |
9. | "Flute solo improvisation, interpolating "God Rest Ye Gentlemen"/"Bourée"" | 8:15 |
10. | "Living in the Past/ A New Day Yesterday (reprise)" | 2:36 |
11. | "Velvet Green" | 6:26 |
12. | "Hunting Girl" | 5:49 |
13. | "Too Old to Rock ‘n’ Roll: Too Young to Die" | 4:23 |
14. | "Minstrel in the Gallery" | 5:42 |
15. | "Cross-Eyed Mary" | 3:45 |
16. | "Aqualung" | 9:56 |
17. | "Instrumental improvisation" | 3:34 |
18. | "Wind-Up" | 4:54 |
19. | "Back Door Angels / Guitar improvisation /Wind Up (reprise)" | 7:18 |
20. | "Locomotive Breath" | 6:20 |
21. | "Land of Hope and Glory / Improvisation / Back Door Angels (reprise)" | 4:02 |
22. | "Beethoven's Ninth (with original audio)" | 3:20 |
23. | "The Whistler (promo footage)(mono)" | 3:37 |
Total length: | 5:20:49 |
Chart (1977) | Peak position |
---|---|
Australian Albums (Kent Music Report) [20] | 13 |
Austrian Albums (Ö3 Austria) [21] | 23 |
Canada Top Albums/CDs ( RPM ) [22] | 9 |
Danish Albums (Tracklisten [23] | 8 |
Dutch Albums (Album Top 100) [24] | 20 |
German Albums (Offizielle Top 100) [25] | 10 |
Italian Albums ( Musica e Dischi ) [26] | 21 |
Norwegian Albums (VG-lista) [27] | 8 |
Swedish Albums (Sverigetopplistan) [28] | 22 |
UK Albums (OCC) [29] | 13 |
US Billboard 200 [30] | 8 |
Chart (2017) | Peak position |
---|---|
Belgian Albums (Ultratop Wallonia) [31] | 86 |
Italian Albums (FIMI) [32] | 35 |
Scottish Albums (OCC) [33] | 13 |
Spanish Albums (PROMUSICAE) [34] | 34 |
Swiss Albums (Schweizer Hitparade) [35] | 45 |
UK Rock & Metal Albums (OCC) [36] | 4 |
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [37] | Gold | 50,000^ |
United Kingdom (BPI) [38] 2003 release | Silver | 60,000* |
United States (RIAA) [39] | Gold | 500,000^ |
* Sales figures based on certification alone. |
Jethro Tull are a British rock band formed in Blackpool, Lancashire in 1967. Initially playing blues rock and jazz fusion, the band soon incorporated elements of English folk music, hard rock and classical music, forging a signature progressive rock sound. The group's founder, bandleader, principal composer, lead vocalist, and only constant member is Ian Anderson, a multi-instrumentalist who mainly plays flute and acoustic guitar. The group has featured a succession of musicians throughout the decades, including significant contributors such as guitarists Mick Abrahams and Martin Barre ; bassists Glenn Cornick, Jeffrey Hammond, John Glascock, Dave Pegg, Jonathan Noyce, and David Goodier; drummers Clive Bunker, Barrie "Barriemore" Barlow and Doane Perry; and keyboardists John Evan, Dee Palmer, Peter-John Vettese, Andrew Giddings, and John O'Hara.
Thick as a Brick is the fifth studio album by the British rock band Jethro Tull, released on 3 March 1972. The album contains one continuous piece of music, split over two sides of an LP record, and is intended as a parody of the concept album genre. The original packaging, designed as a 12-page newspaper, claims the album to be a musical adaptation of an epic poem by fictional eight-year-old genius Gerald Bostock, though the lyrics were actually written by the band's frontman, Ian Anderson.
Aqualung is the fourth studio album by the English rock band Jethro Tull; it was released in March 1971 by Chrysalis Records. Though it is generally regarded as a concept album, featuring a central theme of "the distinction between religion and God", the band have said there was no intention to make a concept album, and that only a few songs have a unifying theme. Aqualung's success signalled a turning point in the career of the band, who went on to become a major radio and touring act.
Heavy Horses is the eleventh studio album by British progressive rock band Jethro Tull, released on 10 April 1978.
A is the 13th studio album by British rock band Jethro Tull. It was released on 29 August 1980 in the UK and 1 September of the same year in the United States.
Too Old to Rock 'n' Roll: Too Young to Die! is the ninth studio album released by British band Jethro Tull, recorded in December 1975 and released in 1976. It is the first album to include bassist John Glascock who also contributes with backing vocals. Too Old to Rock 'n' Roll: Too Young to Die! is the last Jethro Tull concept album, which follows the story of Ray Lomas, an aging rocker who finds fame with the changes of musical trends. It was Jethro Tull's only album of the 1970s not to achieve Gold certification.
J-Tull Dot Com is the 20th studio album by the British band Jethro Tull, released in 1999 on Papillon, the Chrysalis Group's late 1990s heritage record label. It was released four years after their 1995 album Roots to Branches and continues in the same vein, marrying hard rock with Eastern music influences. It is the first album to feature Jonathan Noyce on bass, who would remain with the band until 2007 in Jethro Tull's longest ever unchanged line-up. This was the last Jethro Tull album to feature all original, new material for 23 years, although the band did release a Christmas album in 2003, which contained a mixture of new material, re-recordings of Tull's own suitably themed material and arrangements of traditional Christmas music.
Roots to Branches is the 19th studio album by the British band Jethro Tull released in September 1995. It carries characteristics of Tull's classic 1970s progressive rock and folk rock roots alongside jazz and Arabic and Indian influences. All songs were written by Ian Anderson and recorded at his home studio. This is the last Tull album to feature Dave Pegg on the bass, and the first to feature keyboardist Andrew Giddings as an official band member, although he had contributed to Catfish Rising (1991) on a sessional basis. As a result, the album notably features the five longest serving members to date in Jethro Tull’s history. It was also the final Tull album to be released through long-time label Chrysalis Records.
This Was is the debut studio album by the British rock band Jethro Tull, released in October 1968. Recorded at a cost of £1200, it is the only Jethro Tull album with guitarist Mick Abrahams, who was a major influence for the sound and music style of the band's first songs. When the album was released the band were performing regularly at the Marquee Club in London, where other successful British groups, such as the Rolling Stones and the Who, had started their careers.
Stand Up, released in 1969, is the second studio album by British rock band Jethro Tull. It was the first Jethro Tull album to feature guitarist Martin Barre, who would go on to become the band's longtime guitarist until its initial dissolution in 2011. Before recording sessions for the album began, the band's original guitarist Mick Abrahams departed from the band as a result of musical differences with frontman and primary songwriter Ian Anderson; Abrahams wanted to stay with the blues rock sound of their 1968 debut, This Was, while Anderson wished to add other musical influences such as folk rock.
Minstrel in the Gallery is the eighth studio album by British rock band Jethro Tull, released in September 1975. The album sees the band going in a different direction from their previous work War Child (1974), returning to a blend of electric and acoustic songs, in a manner closer to their early 1970s albums such as Benefit (1970), Aqualung (1971) and Thick as a Brick (1972). Making use of a newly constructed mobile recording studio commissioned and constructed specifically for the band, the album was the first Jethro Tull album to be recorded outside of the UK, being recorded in tax exile in Monte Carlo, Monaco.
Stormwatch is the twelfth studio album by progressive rock band Jethro Tull, released in September 1979. The album is often considered the last in a trio of folk rock albums released by the band at the end of the 1970s, alongside Songs from the Wood (1977) and Heavy Horses (1978). The album's themes deal mostly with the environment, climate and seaside living, and were heavily inspired by the Isle of Skye in Scotland, where frontman Ian Anderson had recently purchased property.
Benefit is the third studio album by the British rock band Jethro Tull, released in April 1970. It was the first Tull album to include pianist and organist John Evan – though he was not yet considered a permanent member of the group – and the last to include bass guitarist Glenn Cornick, who was fired from the band upon completion of touring for the album. It was recorded at Morgan Studios, the same studio where the band recorded its previous album Stand Up; however, they experimented with more advanced recording techniques.
Bursting Out is a 1978 live double album by the rock band Jethro Tull. The album was recorded during the band's European Heavy Horses Tour in May/June of that year.
The Broadsword and the Beast is the 14th studio album by rock band Jethro Tull, released in April 1982 by Chrysalis Records. The album's musical style features a cross between the dominant synthesizer sound of the 1980s and the folk-influenced style that Jethro Tull used in the previous decade. As such, the band's characteristic acoustic instrumentation is augmented by electronic soundscapes. The electronic aspects of this album would be explored further by the band on their next album, Under Wraps (1984), as well as on Ian Anderson's solo album Walk into Light (1983).
Crest of a Knave is the sixteenth studio album by British rock band Jethro Tull, released in 1987. The album was recorded after a three-year hiatus caused by a throat infection of vocalist Ian Anderson, resulting in his changed singing style. Following the unsuccessful electronic rock album Under Wraps, Crest of a Knave had the band returning to a more hard rock sound. The album was their most successful since the 1970s and the band enjoyed a resurgence on radio broadcasts, appearances in MTV specials and the airing of music videos. It was also a critical success, winning the 1989 Grammy Award for Best Hard Rock/Metal Performance Vocal or Instrumental in what was widely viewed as an upset over the favorite, Metallica's ...And Justice for All. The album was supported by "The Not Quite the World, More the Here and There Tour".
Rock Island is the 17th studio album by the British rock group Jethro Tull, released in 1989. The album continued the hard rock direction the band took on the previous effort, Crest of a Knave (1987). The line-up now included Ian Anderson, Martin Barre, Dave Pegg and drummer Doane Perry in his first full recording with the band, although he had already been a member of Jethro Tull since 1984. Without a permanent keyboard player, the role was shared by Fairport Convention's Maartin Allcock and former Tull member Peter Vettese.
Living in the Past is a double LP compilation album by Jethro Tull, released in 1972. It collects album tracks, outtakes and several standalone singles spanning the band's career up to that point. Also included are the 1971 "Life Is a Long Song" EP and two live recordings taken from a performance at New York City's Carnegie Hall in November 1970.
Jethro Tull – The String Quartets is a studio album featuring Ian Anderson, John O'Hara and the Carducci String Quartet, arranged by O'Hara. It was released on 24 March 2017.
The Zealot Gene is the 22nd studio album by the British rock band Jethro Tull, released on 28 January 2022 by Inside Out Music. Nearly five years in production, it is their first studio album since The Jethro Tull Christmas Album (2003), and their first of all original material since J-Tull Dot Com (1999), marking the longest gap between the band's studio albums.