Soul Mates | |
---|---|
Directed by | Jack Conway |
Written by | Joseph Farnham Carey Wilson |
Based on | The Reason Why by Elinor Glyn |
Starring | Aileen Pringle |
Cinematography | Oliver T. Marsh |
Edited by | James C. McKay |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 60 minutes |
Country | United States |
Language | Silent (English intertitles) |
Soul Mates is a surviving 1925 American silent drama film directed by Jack Conway, based on the 1911 novel The Reason Why by Elinor Glyn. [1] [2] The movie was the second successful collaboration between Glyn and Conway. [3]
The film's sets were designed by the art director James Basevi.
Velma is a good little rich girl whose indomitable uncle orders her to wed Lord Tancred, a man she has never met. The same day, she becomes infatuated by a man she meets on the street, not knowing that it is Lord Tancred. When she finds out about his true identity, she becomes convinced he wants to marry her for monetary reasons. She feels betrayed and refuses to speak to him, until she makes an unusual discovery. [4]
Soul Mates was saved by MGM with a preservation print, probably located at the George Eastman House. [5]
Elinor Glyn was a British novelist and scriptwriter who specialised in romantic fiction, which was considered scandalous for its time, although her works are relatively tame by modern standards. She popularized the concept of the it-girl, and had tremendous influence on early 20th-century popular culture and, possibly, on the careers of notable Hollywood stars such as Rudolph Valentino, Gloria Swanson and, especially, Clara Bow.
Olive Eleanor Boardman was an American film actress of the silent era.
Show People is a 1928 American synchronized sound comedy film directed by King Vidor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies.
Tarzan and His Mate is a 1934 American pre-Code action adventure film based on the Tarzan character created by Edgar Rice Burroughs. Directed by Cedric Gibbons, it was the second in the Tarzan film series and starred Johnny Weissmuller and Maureen O'Sullivan. In 2003, the United States Library of Congress deemed the film "culturally, historically or aesthetically significant" and selected it for preservation in the National Film Registry.
Souls for Sale is a 1923 American silent comedy drama film written, directed, and produced by Rupert Hughes, based on the novel of the same name by Hughes. The film stars Eleanor Boardman in her first leading role, having won a contract with Goldwyn Pictures through their highly publicized "New Faces of 1922" contest just two years earlier.
Hugh Ryan "Jack" Conway was an American film director and film producer, as well as an actor of many films in the first half of the 20th century.
Lord Jim is a 1925 American silent drama film starring Percy Marmont, Noah Beery, and Duke Kahanamoku. The film was directed by Victor Fleming and based on the 1900 novel Lord Jim by Joseph Conrad.
Edmund Sherbourne Lowe was an American actor. His formative experience began in vaudeville and silent film.
The Only Thing is a 1925 American silent romantic drama film starring Eleanor Boardman. The film's scenario was written by author Elinor Glyn, and was based on a story adapted from Glyn's novel of the same name.
His Hour is a 1924 American silent drama film directed by King Vidor. This film was the follow-up to Samuel Goldwyn's Three Weeks, written by Elinor Glyn, and starring Aileen Pringle, one of the biggest moneymakers at the time of the Metro-Goldwyn-Mayer amalgamation.
The Unholy Three is a 1925 American silent crime melodrama film involving a trio of circus conmen, directed by Tod Browning and starring Lon Chaney. The supporting cast features Mae Busch, Matt Moore, Victor McLaglen, and Harry Earles. The Unholy Three marks the establishment of the notable artistic alliance between director Browning and actor Chaney that would deliver eight films to M-G-M studios during the late silent film era.
The Mystic is a 1925 American MGM silent drama film directed by Tod Browning, who later directed MGM's Freaks (1932). It was co-written by Browning and Waldemar Young, writing a similar storyline to their earlier 1925 hit film The Unholy Three. Browning was unable however to hire his favorite star Lon Chaney this time around, and The Mystic wound up a little-known film with a cast of now-forgotten names. Aileen Pringle's gowns in the film were by already famous Romain de Tirtoff . A print of the film exists.
The Rag Man is a 1925 American comedy-drama film starring Jackie Coogan. The film was directed by Edward F. Cline, and written by Willard Mack. This was the first Jackie Coogan movie made entirely under the MGM banner.
The Great Divide is a 1925 American silent drama film directed by Reginald Barker and produced and distributed by MGM. The film stars Alice Terry, Conway Tearle, and Wallace Beery. It is based on the William Vaughn Moody play, being the second of three film adaptations. The play had been made famous on the 1906 Broadway stage with Margaret Anglin, Henry Miller, Laura Hope Crews, and a pre-Griffith Henry B. Walthall in the principal parts.
The Sporting Venus is a 1925 American silent romantic drama film directed by Marshall Neilan. The film was the second MGM release of Neilan, and starred his wife, actress Blanche Sweet, who allegedly sported the lowest waistline of 1925. This is the first of two feature films that paired Ronald Colman with Blanche Sweet, the second being His Supreme Moment, which was released in May 1925.
Bright Lights is a 1925 American silent romantic comedy film directed by Robert Z. Leonard. The film is based on the story "A Little Bit of Broadway" by Richard Connell, and stars Charles Ray, who achieved stardom by playing ingenious country boys.
The Circle is a 1925 American silent romantic comedy film directed by Frank Borzage. The film stars Eleanor Boardman, Malcolm McGregor, and Alec B. Francis. A young Joan Crawford appears in the film's opening scene and later in a photograph viewed by other characters. The screenplay, written by Kenneth B. Clarke, was based on the 1921 play of the same title by W. Somerset Maugham.
Love's Blindness is a 1926 American silent drama film directed by John Francis Dillon. The film stars Pauline Starke, Antonio Moreno, and Lilyan Tashman. Written by Elinor Glyn, the film was produced under the direct supervision of the author.
Altars of Desire is a 1927 American silent drama film directed by Christy Cabanne and starring silent movie star Mae Murray. It was produced and released by MGM.
A Man of Stone is a 1921 American silent drama film directed by George Archainbaud and starring Conway Tearle, Betty Howe, and Martha Mansfield.