Southern Nights | ||||
---|---|---|---|---|
Studio album by | ||||
Released | May 1975 | |||
Recorded | 1975 | |||
Studio | Sea-Saint Studio, New Orleans [1] | |||
Genre | ||||
Length | 35:43 | |||
Label | Reprise | |||
Producer |
| |||
Allen Toussaint chronology | ||||
| ||||
Singles from Southern Nights | ||||
|
Southern Nights is a concept album by American singer, songwriter, and producer Allen Toussaint, released in May 1975. [2] [3] Seminal to the development of New Orleans rhythm and blues, the album draws on funk and soul styles while "flirting with neo-psychedelia". [2] [4] Two singles were released in support of the album, "Country John" backed with "When the Party's Over" and "Southern Nights" backed with "Out of the City". Although neither single charted, Glen Campbell's cover of the title track would top Billboard 's country, pop and adult contemporary charts in 1977. [5] Released in May 1975 by Reprise Records, the album has been subsequently reissued multiple times on both LP and CD. [6]
"Southern Nights", which would become Toussaint's signature song, was written as a tribute to evenings spent with his Creole family in his native Louisiana. [5] [7] [8] It was brought to the attention of Glen Campbell by Campbell-collaborator Jimmy Webb. [5] [9] [10] Campbell released a cover version on the album Southern Nights in February 1977, which spent four weeks at the top of the country, pop and adult contemporary charts. [5] Toussaint's version of the song was very different from the "cheerful catchiness and...bright, colorful feel" of Campbell's; [2] [11] Stephen Thomas Erlewine described it as featuring a "swirling, trippy arrangement that plays like a heat mirage", while The Times-Picayune remarked in 2009 on its "strange psychedelic-swamp-water sound." [12] In 1994, Toussaint came out of a lengthy hiatus as a performer to record the song in a duet with Chet Atkins for the compilation album Rhythm, Country and Blues . [6]
Bonnie Raitt also had success with her cover of "What Do You Want the Girl to Do", [3] retitled "What Do You Want the Boy to Do?" and released on 1975's Home Plate . [13]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Christgau's Record Guide | B− [14] |
The Village Voice | C+ [15] |
According to 2002's Louisiana Music, the album is regarded as "perhaps...[Toussaint's] signature record"; [16] in 1994, Toussaint himself characterized the album as his best. [1] Although overall a critical success, it was not financially successful and was not universally well received. [17] Stephen Thomas Erlewine of AllMusic indicates that the album should be "part of any serious soul collection", but notes that the presence of instrumental filler material "prevents [it] from being a full-fledged masterpiece". [2]
All tracks composed by Allen Toussaint.
Region | Date | Label | Format | Catalog |
---|---|---|---|---|
United States | May 1975 | Reprise Records | Stereo LP | MS 2186 |
United Kingdom | March 1985 | Edsel Records | Stereo LP | ED 155 |
United States | April 1996 | Reprise Records | CD | 7599 26596-2 |
United States | 2000 | Warner.Esp | CD | 7599265962 |
United States | 2006 | Water Records | CD | WATR 177 |
United States | 2008 | Reprise Records | CD | 75407 |
‘Live’ Bullet is a live album by American rock band Bob Seger & the Silver Bullet Band, released in April 1976. It was recorded at Cobo Hall in Detroit, Michigan, during the heyday of that arena's time as an important rock concert venue. The album is credited, along with Night Moves, with launching Seger's mainstream popularity.
Allen Richard Toussaint was an American musician, songwriter, arranger, and record producer. He was an influential figure in New Orleans rhythm and blues from the 1950s to the end of the century, described as "one of popular music's great backroom figures." Many musicians recorded Toussaint's compositions. He was a producer for hundreds of recordings: the best known are "Right Place, Wrong Time", by longtime friend Dr. John, and "Lady Marmalade" by Labelle.
Southern Accents is the sixth studio album by Tom Petty and the Heartbreakers, released on March 26, 1985, through MCA Records. The album's lead single, "Don't Come Around Here No More", co-written by Dave Stewart of Eurythmics, peaked at number 13 on the Billboard Hot 100. The song "Southern Accents" was later covered by Johnny Cash for his Unchained album in 1996. It was also convered by Dolly Parton in 2024.
Caribou is the eighth studio album by English musician Elton John, released on 24 June 1974 by MCA Records in the US and on 28 June by DJM Records in the UK. It was his fourth chart-topping album in the United States and his third in the United Kingdom. The album contains the singles "Don't Let the Sun Go Down on Me", which reached number 16 in the UK Singles Chart and number two in the US, and "The Bitch Is Back", which reached number 15 in the UK and number four in the US. Both singles reached number one in Canada on the RPM 100 national Top Singles Chart, as did the album itself.
Rock of Ages: The Band in Concert is a live album by the Band, released in 1972. It was compiled from recordings made during their series of shows at the Academy of Music in New York City, from December 28 through December 31, 1971. It peaked at No. 6 on the Billboard 200 chart, and was certified a gold record by the RIAA. An expanded release of recordings taken from the same series of shows, called Live at the Academy of Music 1971, was released in 2013.
The Last Waltz is the second live album by the Band, released on Warner Bros. Records in 1978, catalogue 3WS 3146. It is the soundtrack to the 1978 film of the same name, and the final album by the original configuration of the Band. It peaked at No. 16 on the Billboard 200.
Nervous on the Road is a pub rock album by Brinsley Schwarz, released in 1972.
Dr. John's Gumbo released in 1972 is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music. It marked the beginning of Dr. John's transition away from the eccentric stage character that earned him a cult following, and toward a more straightforward image based on New Orleans' R&B traditions.
Schoolboys in Disgrace, or The Kinks Present Schoolboys in Disgrace, is a 1975 concept album by the Kinks. Their 15th studio album, it was considered by critics to be the last album in what they dubbed the group's "theatrical" period, and their final release for RCA Records. The album is rooted in 1950s rock and roll, and also includes elements of hard rock, ‘50s pop and doo-wop, and arena rock.
"Southern Nights" is a song written and performed by American musician Allen Toussaint, from his 1975 album, Southern Nights, and later recorded by American country music singer Glen Campbell. It was the first single released from Campbell's 1977 album, Southern Nights, and reached No. 1 on three separate US charts.
Desitively Bonnaroo is a 1974 album by the New Orleans rhythm and blues musician Dr. John. The album was produced by Allen Toussaint and features sizable musical support from The Meters. The album mines the territory featured on his previous album In The Right Place. This album spent eight weeks on the Billboard 200 charts, peaking at #105 on June 1, 1974.
Southern Nights is an album by American singer and guitarist Glen Campbell, released in 1977 by Capitol Records. The album peaked at number one on the Billboard Top Country Albums chart, and one of the singles from the album, "Southern Nights", also reached the number one spot on both the Billboard Hot 100 and Hot Country Songs charts.
Hag is the twelfth studio album by American country music artist Merle Haggard and The Strangers released on Capitol Records in 1971. It became his fifth album to top the Billboard country album charts. It also reached number 66 on the pop albums chart.
The Glen Campbell Collection (1962–1989) Gentle on My Mind is a double CD containing 38 of the 74 singles released by Glen Campbell that charted on the Billboard Country Singles chart. "William Tell Overture" has been recorded more than once by Campbell but the version included here is a previously unreleased recording. "Bloodline" is an album track from the 1976 "Bloodline" album.
Someday We'll Look Back is the thirteenth studio album by American recording artist Merle Haggard and The Strangers, released in 1971. It reached number 4 on the Billboard country albums chart.
Friendship is a studio album by American singer and pianist Ray Charles. It was produced by Billy Sherrill and released in August 1984 by Columbia Records and Epic Records. The album peaked at number 1 on the Billboard Top Country Albums chart.
Life, Love and Faith is the fourth album by R&B artist Allen Toussaint. It was released in 1972 and has received positive reviews. Warner Reprise ranks Life, Love and Faith as a very influential singer/songwriter album. The album also shows signs of early funk. Twenty-two musicians helped Toussaint record the album including one of his family members, Vincent Toussaint, and George Porter Jr. and Leo Nocentelli from The Meters, a group associated with Toussaint. The album is considered one of Toussaint's best.
The Bright Mississippi is an album by the New Orleans Jazz and R&B pianist Allen Toussaint, released on Nonesuch Records in 2009. The album reached No. 8 on the Billboard Top Jazz Albums chart.
"The W.S. Walcott Medicine Show" is a song written by Robbie Robertson that was first released on the Band's 1970 album Stage Fright. It was also frequently performed in the group's live sets and appeared on several of their live albums. Based on Levon Helm's memories of minstrel and medicine shows in Arkansas, the song has been interpreted as an allegory on the music business. Garth Hudson received particular praise for his tenor saxophone playing on the song.
The Night They Drove Old Dixie Down: The Best of the Band Live in Concert is a 1990 compilation of live recordings from American roots rock group the Band released by CEMA Special Markets.