Laurens Janszoon Coster, or Laurens Jansz Koster, is the purported inventor of a printing press from Haarlem. He allegedly invented printing simultaneously with Johannes Gutenberg and was regarded by some in the Netherlands well into the 20th century as having invented printing first.
The Great Bible of 1539 was the first authorised edition of the Bible in English, authorised by King Henry VIII of England to be read aloud in the church services of the Church of England. The Great Bible was prepared by Myles Coverdale, working under commission of Thomas Cromwell, Secretary to Henry VIII and Vicar General. In 1538, Cromwell directed the clergy to provide "one book of the Bible of the largest volume in English, and the same set up in some convenient place within the said church that ye have care of, whereas your parishioners may most commodiously resort to the same and read it."
Vincent of Beauvais was a Dominican friar at the Cistercian monastery of Royaumont Abbey, France. He is known mostly for his Speculum Maius, a major work of compilation that was widely read in the Middle Ages. Often retroactively described as an encyclopedia or as a florilegium, his text exists as a core example of brief compendiums produced in medieval Europe.
The Nuremberg Chronicle is an illustrated encyclopedia consisting of world historical accounts, as well as accounts told through biblical paraphrase. Subjects include human history in relation to the Bible, illustrated mythological creatures, and the histories of important Christian and secular cities from antiquity. Finished in 1493, it was originally written in Latin by Hartmann Schedel, and a German version was translated by Georg Alt. It is one of the best-documented early printed books—an incunabulum—and one of the first to successfully integrate illustrations and text.
The Ars moriendi are two related Latin texts dating from about 1415 and 1450 which offer advice on the protocols and procedures of a good death, explaining how to "die well" according to Christian precepts of the late Middle Ages. It was written within the historical context of the effects of the macabre horrors of the Black Death 60 years earlier and consequent social upheavals of the 15th century. The earliest versions were most likely composed in southern Germany. It was very popular, translated into most West European languages, and was the first in a western literary tradition of guides to death and dying. About 50,000 copies were printed in the incunabula period before 1501 and further editions were printed after 1501. Its popularity reduced as Erasmus's treatise on preparing for death became more popular.
The Biblia pauperum was a tradition of picture Bibles beginning probably with Ansgar, and a common printed block-book in the later Middle Ages to visualize the typological correspondences between the Old and New Testaments. Unlike a simple "illustrated Bible", where the pictures are subordinated to the text, these Bibles placed the illustration in the centre, with only a brief text or sometimes no text at all. Words spoken by the figures in the miniatures could be written on scrolls coming out of their mouths. To this extent one might see parallels with modern comics.
Master of the Housebook and Master of the Amsterdam Cabinet are two names used for an engraver and painter working in South Germany in the last quarter of the 15th century. He is apparently the first artist to use drypoint, a form of engraving, for all of his prints. The first name derives from his book of drawings with watercolour, called the Medieval Housebook, which belonged to the German noble family of Waldburg-Wolfegg from the 17th century until 2008, when they were reported to have sold it for €20 million to a Swiss buyer; however, the legality of its sale for export has been challenged and, for the moment, it remains with the family. In 1999, the book was lent to the National Gallery of Art in Washington, D.C., for an exhibition. The majority of his surviving prints are in the print room at the Rijksmuseum in Amsterdam, hence his second name. Most, but not all, art historians still agree that the Housebook and the prints are by the same artist.
Typology in Christian theology and biblical exegesis is a doctrine or theory concerning the relationship of the Old Testament to the New Testament. Events, persons or statements in the Old Testament are seen as types prefiguring or superseded by antitypes, events or aspects of Christ or his revelation described in the New Testament. For example, Jonah may be seen as the type of Christ in that he emerged from the fish's belly and thus appeared to rise from death.
Block books or blockbooks, also called xylographica, are short books of up to 50 leaves, block printed in Europe in the second half of the 15th century as woodcuts with blocks carved to include both text (usually) and illustrations. The content of the books was nearly always religious, aimed at a popular audience, and a few titles were often reprinted in several editions using new woodcuts. Although many had believed that block books preceded Gutenberg's invention of movable type in the first part of the 1450s, it now is accepted that most of the surviving block books were printed in the 1460s or later, and that the earliest surviving examples may date to about 1451.
Erhard Reuwich was a Dutch artist, as a designer of woodcuts, and a printer, who came from Utrecht but then worked in Mainz. His dates and places of birth and death are unknown, but he was active in the 1480s.
The medieval genre of speculum literature, popular from the twelfth through the sixteenth centuries, was inspired by the urge to encompass encyclopedic knowledge within a single work. However, some of these works have a restricted scope and function as instructional manuals. In this sense, the encyclopedia and the speculum are similar but they are not the same genre.
Colard Mansion was a 15th-century Flemish scribe and printer who worked together with William Caxton. He is known as the first printer of a book with copper engravings, and as the printer of the first books in English and French.
The Life of the Virgin, showing narrative scenes from the life of Mary, the mother of Jesus, is a common subject for pictorial cycles in Christian art, often complementing, or forming part of, a cycle on the Life of Christ. In both cases the number of scenes shown varies greatly with the space available. Works may be in any medium: frescoed church walls and series of old master prints have many of the fullest cycles, but panel painting, stained glass, illuminated manuscripts, tapestries, stone sculptures and ivory carvings have many examples.
Jean Miélot, also Jehan, was an author, translator, manuscript illuminator, scribe and priest, who served as secretary to Philip the Good, Duke of Burgundy from 1449 to Philip's death in 1467, and then to his son Charles the Bold. He also served as chaplain to Louis of Luxembourg, Count of St. Pol from 1468, after Philip's death. He was mainly employed in the production of de luxe illuminated manuscripts for Philip's library. He translated many works, both religious and secular, from Latin or Italian into French, as well as writing or compiling books himself, and composing verse. Between his own writings and his translations he produced some twenty-two works whilst working for Philip, which were widely disseminated, many being given printed editions in the years after his death, and influenced the development of French prose style.
Bible translations in the Middle Ages went through several phases, all using the Vulgate. In the Early Middle Ages, they tended to be associated with royal or episcopal patronage, or with glosses on Latin texts; in the High Middle Ages with monasteries and universities; in the Late Middle Ages, with popular movements which caused, when the movement were associated with violence, official crackdowns of various kinds on vernacular scripture in Spain, England and France.
The Old English Hexateuch, or Aelfric Paraphrase, is the collaborative project of the late Anglo-Saxon period that translated the six books of the Hexateuch into Old English, presumably under the editorship of Abbot Ælfric of Eynsham. It is the first English vernacular translation of the first six books of the Old Testament, i.e. the five books of the Torah and Joshua. It was probably made for use by lay people.
John of Wales, also called John Waleys and Johannes Guallensis, was a Franciscan theologian who wrote several well-received Latin works, primarily preaching aids.
Tripus Aureus or The Golden Tripod is an alchemical book by Michael Maier published in 1618 by Lucas Jennis. It contains three alchemical texts: The "twelve keys" of Basil Valentine, Thomas Norton's Ordinal of Alchemy (1477), and The Testament of Cremer.
Adoration of the Magi is an oil on panel painting from the early 1520s by the Dutch Renaissance artist Jan Mostaert in the collection of the Rijksmuseum, Amsterdam, where in 2020 it was on display in room 0.1. The panel measures 51 cm × 36.5 cm, and the painted surface a little less at 48.5 cm × 34 cm. It is often called the Mostaert Amsterdam Adoration in art history, to distinguish it from the multitude of other paintings of the Adoration of the Magi.
Jacob van Liesvelt or Jacob van Liesveldt, was a Flemish printer, publisher and bookseller. His printing press put out publications in a wide range of genres, including poetry by Anna Bijns, Roman Catholic literature such as an anti-heresy decree, and publications that conflicted with Catholic teachings. He published the first complete Dutch translation of the Bible in 1526, largely based on Martin Luther's translation. He was eventually executed for publishing unauthorised versions of the Bible.
