Hard science fiction is a category of science fiction characterized by concern for scientific accuracy and logic. The term was first used in print in 1957 by P. Schuyler Miller in a review of John W. Campbell's Islands of Space in the November issue of Astounding Science Fiction. The complementary term soft science fiction, formed by analogy to hard science fiction, first appeared in the late 1970s. The term is formed by analogy to the popular distinction between the "hard" (natural) and "soft" (social) sciences, although there are examples generally considered as "hard" science fiction such as Isaac Asimov's Foundation series, built on mathematical sociology. Science fiction critic Gary Westfahl argues that neither term is part of a rigorous taxonomy; instead they are approximate ways of characterizing stories that reviewers and commentators have found useful.
John Kilian Houston Brunner was a British author of science fiction novels and stories. His 1968 novel Stand on Zanzibar, about an overpopulated world, won the 1969 Hugo Award for best science fiction novel and the BSFA award the same year. The Jagged Orbit won the BSFA award in 1970.
Science fiction is a genre of speculative fiction, which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life. It is related to fantasy, horror, and superhero fiction and contains many subgenres. Its exact definition has long been disputed among authors, critics, scholars, and readers.
The New Wave was a science fiction style of the 1960s and 1970s, characterized by a great degree of experimentation with the form and content of stories, greater imitation of the styles of non-science fiction literature, and an emphasis on the psychological and social sciences as opposed to the physical sciences. New Wave authors often considered themselves as part of the modernist tradition of fiction, and the New Wave was conceived as a deliberate change from the traditions of the science fiction characteristic of pulp magazines, which many of the writers involved considered irrelevant or unambitious.
Utopian and dystopian fiction are subgenres of speculative fiction that explore social and political structures. Utopian fiction portrays a setting that agrees with the author's ethos, having various attributes of another reality intended to appeal to readers. Dystopian fiction offers the opposite: the portrayal of a setting that completely disagrees with the author's ethos. Some novels combine both genres, often as a metaphor for the different directions humanity can take depending on its choices, ending up with one of two possible futures. Both utopias and dystopias are commonly found in science fiction and other types of speculative fiction.
The Whole Man is a 1964 science fiction novel by John Brunner. It was nominated for a Hugo Award for Best Novel in 1965. In the UK, it was published under the title Telepathist.
John Frederick Clute is a Canadian-born author and critic specializing in science fiction and fantasy literature who has lived in both England and the United States since 1969. He has been described as "an integral part of science fiction's history" and "perhaps the foremost reader-critic of science fiction in our time, and one of the best the genre has ever known." He was one of eight people who founded the English magazine Interzone in 1982.
Futures studies, futures research, futurism, or futurology is the systematic, interdisciplinary and holistic study of social/technological advancement, and other environmental trends; often for the purpose of exploring how people will live and work in the future. Predictive techniques, such as forecasting, can be applied, but contemporary futures studies scholars emphasize the importance of systematically exploring alternatives. In general, it can be considered as a branch of the social sciences and an extension to the field of history. Futures studies seeks to understand what is likely to continue and what could plausibly change. Part of the discipline thus seeks a systematic and pattern-based understanding of past and present, and to explore the possibility of future events and trends.
Social science fiction is a subgenre of science fiction, usually soft science fiction, concerned less with technology/space opera and more with speculation about society. In other words, it "absorbs and discusses anthropology" and speculates about human behavior and interactions.
Inter Ice Age 4 is an early science fiction novel by Japanese writer Kōbō Abe originally serialized in the journal Sekai from 1958 to 1959. In 1970 the book became the first Japanese science fiction novel to appear in English, in a translation by American scholar E. Dale Saunders.
The Jagged Orbit is a science fiction novel by British writer John Brunner. It is similar to his earlier novel Stand on Zanzibar in its narrative style and dystopic outlook. It has exactly 100 titled chapters, which vary from several pages to part of one word. It was first published in 1969 with cover art by Leo and Diane Dillon, in the Ace Science Fiction Specials line issued by Ace Books.
The Sheep Look Up is a science fiction novel by British author John Brunner, first published in 1972. The novel is decidedly dystopian; the book deals with the deterioration of the environment in the United States. It was nominated for the Nebula Award for Best Novel in 1972.
Swastika Night is a futuristic novel by British writer Katharine Burdekin, writing under the pseudonym Murray Constantine. First published in 1937 and subsequently as a Left Book Club selection in 1940, the novel depicts a world where Adolf Hitler's claim that Nazism would create a "Thousand Year Reich" is realised. Forgotten for many years, until republication in 1985 in England and the United States, literary historian Andy Croft has described Swastika Night as "the most original of all the many anti-fascist dystopias of the late 1930s."
The 27th World Science Fiction Convention (Worldcon), also known as St. Louiscon, was held on 28 August–1 September 1969 at the Chase Park Plaza Hotel in St. Louis, Missouri, United States.
Immortality is a common theme in fiction. The concept has been depicted since the Epic of Gilgamesh, the oldest known work of fiction. Originally appearing in the domain of mythology, it has later become a recurring element in the genres of horror, science fiction, and fantasy. For most of literary history, the dominant perspective has been that the desire for immortality is misguided, albeit strong; among the posited drawbacks are ennui, loneliness, and social stagnation. This view was challenged in the 20th century by writers such as George Bernard Shaw and Roger Zelazny. Immortality is commonly obtained either from supernatural entities or objects such as the Fountain of Youth or through biological or technological means such as brain transplants.
Comets have appeared in works of fiction since at least the 1830s. They primarily appear in science fiction as literal objects, but also make occasional symbolical appearances in other genres. In keeping with their traditional cultural associations as omens, they often threaten destruction to Earth. This commonly comes in the form of looming impact events, and occasionally through more novel means such as affecting Earth's atmosphere in different ways. In other stories, humans seek out and visit comets for purposes of research or resource extraction. Comets are inhabited by various forms of life ranging from microbes to vampires in different depictions, and are themselves living beings in some stories.
"Genre" is the fifth episode in the third season of the HBO science fiction dystopian thriller television series Westworld. The episode aired on April 12, 2020. It was written by Karrie Crouse and Jonathan Nolan, and directed by Anna Foerster.
The near future has been used as a setting in many works, usually but not limited to the genre of science fiction. It has become increasingly common in works from the 18th century onward, with some of the classic works in the genre being Jules Verne's Journey to the Centre of the Earth (1864) and H. G. Wells' The War of the Worlds (1898). 20th century saw works such as George Orwell's Nineteen Eighty-Four (1949) or the novels of William Gibson, the latter representing the emergence of the popular cyberpunk genre. While some, particularly early, works of this genre are optimistic showcases of technological and societal progress, many others are discussing emergent social problems such as environmental problems, overpopulation, oppressive political regimes or the possibility of a nuclear holocaust.
The Best of John Brunner is a collection of science fiction short stories by British author John Brunner. It was first published in paperback by Ballantine/Del Rey in November 1988 as a volume in its Classic Library of Science Fiction.
