"I Can't Help Myself (Sugar Pie Honey Bunch)" is a 1965 hit song recorded by the Four Tops for the Motown label.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
"Walk On By" is a song composed by Burt Bacharach, with lyrics by Hal David, for singer Dionne Warwick in 1963. The song peaked at number 6 on the US Billboard Hot 100 and number 1 on the Cash Box Rhythm and Blues Chart In June 1964 and was nominated for a 1965 Grammy Award for the Best Rhythm and Blues Recording. Isaac Hayes recorded the song five years later, in 1969, and reached number 30 on the Hot 100 chart and number 13 in the R&B charts with his version. "Walk On By" has since charted numerous times in various countries, with wildly different arrangements.
"You Mean the World to Me" is a song by American singer-songwriter Toni Braxton. It was written and produced by Antonio "L.A." Reid, Kenneth "Babyface" Edmonds, and Daryl Simmons for her self-titled debut album (1993). Selected as the album's fourth single, it was released on CD on April 22, 1994 by LaFace and Arista Records. It peaked at number seven on the US Billboard Hot 100 and number three on the Billboard Hot R&B Singles chart, while reaching the top ten of the Canadian Singles Chart.
"Parents Just Don't Understand" is the second single from DJ Jazzy Jeff & The Fresh Prince's second studio album, He's the DJ, I'm the Rapper. The song won a Grammy Award for Best Rap Performance at the 1989 Grammy Awards, one of the two songs to do so before the award was discontinued in 1991. It peaked at number 12 on the Billboard Hot 100. The song was released as a single in spring 1988. The song was referenced several times in the television show The Fresh Prince Of Bel-Air. The song was ranked number 96 on VH1's 100 Greatest Songs of Hip Hop, and featured in The Parent Trap, Malibu's Most Wanted and Jersey Girl. A sample of the opening to Peter Frampton's "Won't you be my friend?" can be heard at the beginning and all throughout the song.
"Power of Love/Love Power" is a single by American singer-songwriter Luther Vandross. It was released on April 9, 1991 as the lead single from his 1991 album of the same name. The hit song spent two weeks at number one on the US R&B chart, and peaked at number four on the US pop chart, becoming his biggest pop solo hit.
Changing Faces is the self-titled debut studio album by American R&B duo Changing Faces. It was released by Big Beat and Atlantic Records on August 23, 1994 in the United States. Changing Faces peaked at twenty-five on the US Billboard 200. By October 1994, it was certified gold in sales by the Recording Industry Association of America (RIAA), after sales exceeding 500,000 copies in the United States.
"It Only Takes a Minute" is a 1975 song by American soul/R&B group Tavares, released as the first single from their third album, In the City (1975). The song was the group's only top-10 pop hit in the United States, peaking at number 10, and their second number one song on the American soul charts. On the US Disco chart, "It Only Takes a Minute" spent five weeks at number two and was the first of four entries on the chart. The song was subsequently covered by Jonathan King performing as 100 Ton and a Feather in 1976 and by boy band Take That in 1992.
"La-La " is an R&B/soul song by American vocal group the Delfonics. Released originally in December, 1967 by Philly Groove Records, the song was written by Thom Bell and William Hart, and produced by Bell and Stan Watson.
"It's Ecstasy When You Lay Down Next to Me" is a hit song by American singer Barry White. The song was written by Ekundayo Paris and Nelson Pigford, and arranged by Barry White.
"Thank You" is a new jack swing song by American R&B/soul group Boyz II Men, released as the third single from their second studio album, II (1994). The song was co-produced by Dallas Austin and Boyz II Men. It did not perform as well as its predecessor and reached a peak position of #21 on the US Billboard Hot 100 and the Hot Singles Sales on March 18, 1995, and March 25, 1995, respectively, and also reached #17 on the US Billboard Hot R&B/Hip-Hop songs. "Thank You" performed moderately well in the UK eventually peaking at #26 on the UK Singles Chart. The song also peaked at #17 on the New Zealand RIANZ singles chart, #27 on the French singles chart and #33 on the Australian ARIA Singles Chart. The album version of the song is a cappella, consisting only of sounds created by the human voice, bringing to mind one of their first hit songs, "Motownphilly".
"Hot Shot" is a 1978 song written and produced by Andrew Kahn and Kurt Borusiewicz, and recorded by American singer Karen Young. The song was included on her debut studio album of the same name.
"Stop to Love" is a song by American recording R&B/soul artist Luther Vandross. Released in 1986 as the lead single from his album Give Me the Reason. It was his first number-one single on the R&B chart since "Never Too Much" in 1981. The upbeat single was also a crossover hit, peaking at number fifteen on the Billboard Hot 100.
"Divine Emotions" is a 1988 single by Narada Michael Walden, from the album Divine Emotion. A successful producer, Walden billed himself as Narada for his later music releases. After producing acts like Aretha Franklin and Whitney Houston in the mid-1980s, Walden released "Divine Emotions," in 1988. The single went to number one on the Billboard dance club play chart for one week. Although the single did not chart on the Hot 100, it peaked at number twenty-one on the soul singles chart. Overseas, "Divine Emotions", was a Top Ten hit in the UK, peaking at #8, and in the Netherlands, peaking at #4 in the Dutch Top40.
"If You Should Ever Be Lonely" is a song by American singer Val Young, it was released in 1985 as the first single from her album Seduction issued by label Motown. The single peaked at number twenty-one on the U.S. Billboard R&B Songs chart. "If You Should Ever Be Lonely" was more successful on the US Dance Songs chart, hitting number-one for three weeks.
"Foolin' Around" is a song by American R&B duo Changing Faces which was recorded for their debut album Changing Faces (1994). The song was released as the album's second single in November 1994.
"You Are the Universe" is a song by British acid jazz and funk group the Brand New Heavies, released in June 1997. The composition was issued as the third single taken from their fourth album, Shelter (1997), which remains the only Brand New Heavies album recorded with American singer Siedah Garrett, who afterwards left the group to concentrate on her own songwriting. The song charted at number twenty-one in UK, and at number eleven within the British Chart-Track.
"I'm Not Over You" is a song by American singer-songwriter and former beauty queen CeCe Peniston, originally recorded for her second album, Thought 'Ya Knew (1994), which was released on A&M Records. The single achieved number two on the Billboard Dance Club Songs chart, and number ten on the Billboard Hot R&B/Hip-Hop Songs chart. On the Billboard Hot 100, the song charted at number forty-one. The B-side of the single included "Searchin'", which was previously released only for promotional purposes.
"Two Hearts'" is a hit duet sung by American R&B singers Stephanie Mills and Teddy Pendergrass, from Mills' fifth studio album Stephanie (1981). The song was written and produced by James Mtume, Reggie Lucas and Tawatha Agee. Released in January 1981, the single reached number 40 on the US Billboard Hot 100 in 1981. On the US Billboard R&B chart, "Two Hearts" reached number three.
"Give It Up" is a song by American hip hop group Public Enemy. It was released in July 1994 as the first single from their fifth album, Muse Sick-n-Hour Mess Age. It was their highest-peaking song on the US Billboard Hot 100, reaching number 33.
