Susan Morton Blaustein (born 22 March 1953) is an American feminist, international development practitioner, professor, and philanthropist. She is the founder and executive director at WomenStrong International which invests in local women's organizations worldwide, brings them together to learn and share, and amplifies their solutions to improve the lives of urban women and families and to advance progress toward gender equality. [1] Blaustein, who also teaches at Columbia University, was previously a journalist and foreign policy analyst focused on international human rights issues, and a prizewinning American composer, with awards from the National Endowment for the Arts, the Library of Congress, the American Academy of Arts and Letters, and the Guggenheim Foundation. [2]
Susan Blaustein was born in Palo Alto, California, and was raised in Baltimore, Maryland.
Her grandfather, Jacob Blaustein, [3] and great-grandfather, Louis Blaustein, developed the formula for a lead-free, "no-knock" gasoline in 1911 and founded the American Oil Company (AMOCO) to refine and market the product. [4] Her grandfather also was a human rights leader who served as president of the American Jewish Committee, and advised numerous presidents, including Harry S. Truman, John F. Kennedy, and Lyndon B. Johnson on Jewish affairs, lobbied for human rights commitments to be enshrined in the UN charter, and as co-chair of the Jewish Claims Conference Against Germany, helped lead the apportionment of reparations after the Holocaust.
Blaustein attended The Park School, an independent K-12 school in Baltimore, Maryland.
She went on to study music composition at Pomona College with Vienna-born composer Karl Kohn, graduating with a Bachelor of Arts degree in piano and music composition in 1975. She continued her studies in composition with composer Henri Pousseur, at the Conservatoire Royale de Musique in Liège, Belgium; with Seymour Shifrin at Brandeis University; and at the Yale School of Music with Jacob Druckman, Betsy Jolas, and David Lewin, where she earned a DMA in composition in 1986. [5]
While at the Yale School of Music, Blaustein received a number of awards and commissions, including from the National Endowment for the Arts, the Serge Koussevitsky Foundation and the Fromm Foundation at the Library of Congress, the American Composers Orchestra, and several chamber groups and musicians. [5]
She then served as a junior fellow in the Harvard Society of Fellows, where she fulfilled a number of commissioned works, including a cantata on the Song of Songs for mezzo-soprano, tenor, and chamber orchestra, a cello concerto, [6] and a sextet for the New York New Music Ensemble. [7]
Blaustein's career began in music while at Yale University, where she composed her Fantasie for Piano Solo [8] and other chamber works with the help of a grant in 1981 from the National Endowment for the Arts. During her Harvard Junior Fellowship, she completed her Song of Songs, which was premiered by the American Composers Orchestra in 1985; [9] a cello concerto, premiered in 1984 at the Library of Congress by Juilliard Quartet cellist Joel Krosnick with a chamber orchestra conducted by Paul Zukofsky; [10] and several additional solo and chamber pieces.
She served as assistant professor of music at Columbia University from 1985 to 1989, during which time she completed her DMA from the Yale School of Music, composed numerous works, and continued to learn from her senior colleagues, Mario Davidovsky, Jacques-Louis Monod, and George Edwards.
Blaustein said she was "jolted from my ivory tower" in 1988 by her immersion in the challenges facing so many of her neighbors in Manila, Philippines, where she had gone in 1988 to fulfill her Guggenheim Fellowship when her journalist boyfriend-now-husband Alan Berlow opened National Public Radio's first Asia bureau there. It was there, she added, in addition to writing a lot of music, that "she spent time reporting in low-income urban communities and discovered her passion for telling the stories of those battling extreme poverty and injustice." [11]
Blaustein reported on conflict, politics, economics, and social injustice from the Philippines, Cambodia, Vietnam, Myanmar, and Mongolia; she continued to report on policy and injustice from Washington, DC, Huntsville, Texas, and the Balkans, with articles featured in such publications as The New Yorker , Harper's , The Asia Wall Street Journal , Far East Economic Review, The Nation , The New Republic , The Philadelphia Inquirer , Los Angeles Times , and The Washington Post .
In 1998 she began to work with the International Crisis Group, first on Bosnia and then, as a senior consultant, on Kosovo and Serbia, where she worked in coalition with other human rights and humanitarian organizations, and then on the conflict in East Timor. Blaustein moved to the Coalition for International Justice to continue her reporting, together with veteran humanitarian and investigator John Fawcett, on the gross human rights abuses and financial misdeeds perpetrated by alleged war criminals Slobodan Milošević and Saddam Hussein.
In 2006, Blaustein co-founded and then led The Millennium Cities Initiative, a decade-long Earth Institute project devoted to helping selected sub-Saharan cities practice sustainable urban development by attaining the Millennium Development Goals. In the course of that work, Blaustein and colleagues observed that across the Millennium Cities, the local women always understood the challenges facing their communities and had solutions to offer, but were rarely heeded and lacked the resources to put their ideas to the test. [12]
In 2014–15, Blaustein and several colleagues used this knowledge to found WomenStrong International, which provides grants and technical assistance to organizations that work to improve the wellbeing of women and girls in urban communities worldwide. The organization has awarded almost $10 million in grants since its founding and currently includes 18 partners across 15 countries. [1]
Blaustein has served on the boards of a number of non-profit organizations, including Physicians for Human Rights, Partners for Dignity and Rights (formerly National Economic and Social Rights Initiative), the School for Ethics and Global Leadership, Millennium Promise, Sidwell Friends School, the Jacob Blaustein Institute for the Advancement of Human Rights at the American Jewish Committee, and two family foundations.
Blaustein received a Guggenheim Fellowship in 1988, a Harvard Junior Fellowship from the Harvard Society of Fellows (1982–85), and has received numerous awards, including from the American Academy of Arts and Letters, BMI (1978), Brandeis University, The Serge Koussevitzsky Foundation at the Library of Congress (1984), and the National Endowment for the Arts (1981).
She has composed works commissioned by numerous artists, including by the American Composers Orchestra, New York New Music Ensemble, Speculum Musicae, cellist Joel Krosnick, and flautist Jayn Rosenfeld, and her music has been premiered by these artists, as well as by the Kronos Quartet, the Contemporary Chamber Ensemble conducted by Arthur Weisberg, baritone Elwood Peterson, mezzo-soprano Janet Steele, and the pianists Alan Feinberg, Martin Goldray and Sally Pinkas.
Blaustein was honored in 2019, as one of the "21 Leaders for the 21st Century" by Women's eNews, [13] and with the Ban Ki-moon Award for Women's Empowerment, awarded by Asia Initiatives in 2018. [14]
Selected works include:
She has written professional articles including: "The Survival of Aesthetics: Books by Boulez, Delio, Rochberg". Perspectives of New Music 27, no. 1 (Winter 1989): 272–303.
Shulamit Ran is an Israeli-American composer. She moved from Israel to New York City at 14, as a scholarship student at the Mannes College of Music. Her Symphony (1990) won her the Pulitzer Prize for Music. She was the second woman to win the Pulitzer Prize for Music, the first being Ellen Taaffe Zwilich in 1983. Ran was a professor of music composition at the University of Chicago from 1973 to 2015. She has performed as a pianist in Israel, Europe and the U.S., and her compositional works have been performed worldwide by a wide array of orchestras and chamber groups.
Charles Peter Wuorinen was an American composer of contemporary classical music based in New York City. He also performed as a pianist and conductor. Wuorinen composed more than 270 works: orchestral music, chamber music, solo instrumental and vocal works, and operas, such as Brokeback Mountain. His work was termed serialist but he came to disparage that idea as meaningless. Time's Encomium, his only purely electronic piece, received the Pulitzer Prize. Wuorinen taught at several institutions, including Columbia University, Rutgers University and the Manhattan School of Music.
George Theophilus Walker was an American composer, pianist, and organist, and the first African American to win the Pulitzer Prize for Music, which he received for his work Lilacs in 1996. Walker was married to pianist and scholar Helen Walker-Hill between 1960 and 1975. Walker was the father of two sons, violinist and composer Gregory T.S. Walker and playwright Ian Walker.
Mario Davidovsky was an Argentine-American composer. Born in Argentina, he emigrated in 1960 to the United States, where he lived for the remainder of his life. He is best known for his series of compositions called Synchronisms, which in live performance incorporate both acoustic instruments and electroacoustic sounds played from a tape.
Marjorie Merryman is an American composer, author, and music educator. She is a member of the composition faculty at the Manhattan School of Music since 2007, where she also served as Interim President, Provost and Senior Vice President at Manhattan School of Music. She previously taught at Boston University and Macalester College.
Melinda Jane Wagner is a US composer, and winner of the 1999 Pulitzer Prize in music. Her undergraduate degree is from Hamilton College. She received her graduates degrees from University of Chicago and University of Pennsylvania. She also served as Composer-in-Residence at the University of Texas (Austin) and at the 'Bravo!' Vail Valley Music Festival. Some of her teachers included Richard Wernick, George Crumb, Shulamit Ran, and Jay Reise.
Joel Krosnick is an American cellist who has performed as a soloist, recitalist, and chamber musician throughout the world for over 40 years. As a member of the Juilliard String Quartet from 1974 to 2016, he performed the great quartet literature throughout North America, Europe, Asia, and Australia.
Yehudi Wyner is an American composer, pianist, conductor and music educator.
Karen P. Thomas, composer and conductor, is the Artistic Director and Conductor of Seattle Pro Musica and Director of Music at University Unitarian Church. With Seattle Pro Musica she has produced six CD recordings, and has received the Margaret Hillis Award for Choral Excellence and the ASCAP-Chorus America Award for Adventuresome Programming of Contemporary Music. Ms. Thomas has guest conducted at international festivals in Europe and North America, and has served on the boards of the American Choral Director's Association for Washington State, the Conductor's Guild, the League-ISCM and the International Alliance for Women in Music. Ms. Thomas is a recipient of grants and awards from the National Endowment for the Arts, American Academy and Institute of Arts and Letters, and ASCAP, among others. Her compositions have been awarded prizes in various competitions, and her commissions include works for the Grand Jubilee 2000 in Rome, the American Guild of Organists, and the Goodwill Arts Festival. Her compositions are regularly performed internationally, by groups such as The Hilliard Ensemble, and have been praised as "superb work of the utmost sensitivity and beauty." Her conducting has received critical praise for its "integrity and high purpose...delivered with taste and impeccable musicianship."
The Group for Contemporary Music is an American chamber ensemble dedicated to the performance of contemporary classical music. It was founded in New York City in 1962 by Joel Krosnick, Harvey Sollberger and Charles Wuorinen and gave its first concert on October 22, 1962 in Columbia University's MacMillin Theatre. Krosnik left the ensemble in 1963. It was the first contemporary music ensemble based at a university and run by composers.
Stephen Jaffe is an American composer of contemporary classical music. He lives in Durham, North Carolina, United States, and serves on the music faculty of Duke University, where he holds the post of Mary and James H. Semans Professor of Music Composition; his colleagues there include composers Scott Lindroth, John Supko, and Anthony Kelley. Jaffe graduated summa cum laude from the University of Pennsylvania in 1977; he received a master's degree the following year from the same institution. During his time in Pennsylvania, he studied with George Crumb, George Rochberg, and Richard Wernick.
Paul Zukofsky was an American violinist and conductor known for his work in the field of contemporary classical music.
Odaline de la Martinez is a Cuban-American composer and conductor, currently residing in the UK. She is the artistic director of Lontano, a London-based contemporary music ensemble which she co-founded in 1976 with New Zealander flautist Ingrid Culliford, and was the first woman to conduct at the BBC Promenade Concerts in 1984. As well as frequent appearances as a guest conductor with leading orchestras throughout Great Britain, including all the BBC orchestras, she has conducted several leading ensembles around the world, including the Ensemble 2e2m in Paris; the New Zealand Symphony Orchestra; the Australian Youth Orchestra; the OFUNAM and the Camerata of the Americas in Mexico; and the Vancouver Chamber Orchestra. She is also known as a broadcaster for BBC Radio and Television and has recorded extensively for several labels.
Shih-Hui Chen is a Taiwanese composer who lives and works in the United States.
Mona Lyn Reese is an American composer, best known for her operas and choral music. Her work is melodic and accessible with an emphasis on driving or complex rhythms, movement, and contrasting textures. Her music communicates and expresses emotions traditionally or experimentally without allowing a prevailing fashion to dictate style, form, or harmony.
Valerie Coleman is an American composer and flutist as well as the creator of the wind quintet Imani Winds. Coleman is a distinguished artist of the century who was named Performance Today's 2020 Classical Woman of the year and was listed as “one of the Top 35 Women Composers” in the Washington Post. In 2019, Coleman's orchestral work, Umoja, Anthem for Unity, was commissioned and premiered by the Philadelphia Orchestra. Coleman's Umoja is the first classical work by a living African American woman that the Philadelphia Orchestra has performed.
Anthony Korf is an American composer, artistic director and conductor. While his output spans vocal and chamber music, his primary focus has been the orchestra, among which Goldkind, a work for young audiences written in collaboration with Sabina Sciubba, three symphonies, a piano concerto and a requiem, the latter commissioned and premiered by The San Francisco Symphony, figure most prominently. Other commissions include The American Composers Orchestra, The Koussevitzky Music Foundation, The Howard Hanson Fund, and The National Endowment for the Arts.
Kathryn Alexander is a Guggenheim Award-winning American composer and a professor of composition at Yale University.
Ann Loomis Silsbee was an American composer and poet who composed two operas, published three books of poetry, and received several awards, commissions, and fellowships.