Sweet Nell of Old Drury

Last updated

Sweet Nell of Old Drury
Directed by Raymond Longford
Written byRaymond Longford
George Musgrove
Based onplay by Paul Kester
Produced byGeorge Musgrove
Charles Cozens Spencer
Starring Nellie Stewart
Cinematography Ernest Higgins [1] [2]
Production
company
Distributed bySawyers Pictures (USA)
Release date
2 December 1911 [3] [4] 1913 (USA) [5]
Running time
4,800 ft
CountryAustralia
Languages Silent film
English intertitles
Budget£2,000 [6]

Sweet Nell of Old Drury (US: Nell Gwynne) is a 1911 Australian silent film directed by Raymond Longford starring Nellie Stewart about the relationship between Nell Gwynne and King Charles II. It is based on the 1900 play of the same name by Paul Kester which Stewart had performed numerous times on stage. [7] It is considered a lost film.

Contents

Making reference to the film, a 1931 obituary for Stewart described her as Australia's "first screen star" and "the first world celebrity to appear in an Australian film production." [8]

The film was a financial success. [9]

Stewart made only brief reference to the film in her 1923 memoirs, and incorrectly suggested a copy of the film survived - to be released after her death. [10]

Plot

The plot consisted of five acts and 79 scenes. [11] In Restoration England, Judge Jeffries tries to persuade his ward, Lady Olivia Vernon to marry Lord Rochester, but she refuses because she is in love with Sir Robert Fairfax. Rochester calls guards to arrest Fairfax and he runs away, meeting with Nell Gwynne, the orange seller, who helps him escape.

Nell meets King Charles in front of Old Drury and, not knowing who he is, treats him familiarly. She soon captivates the King with her power of mimicry, particularly her take off of Judge Jeffries. She helps Roger and Olivia escape from the clutches of Jeffries' men.

Jeffries is demanding to know the whereabouts of the young couple from Nell when the Kind if announced and Nell recognises who it is. Nell is installed in a palatial mansion.

Lacet, Judge Jeffries' servant, informs his master that Roger is hiding in Nell's new house. Guards are ordered into her house to search for the wanted man. Nell directs the guard's attention to the room into which the King has retired. Olivie is then seen by the guard enterting Nell's room. Jeffries guards enter again and arrest Roger. There is a fight between Nell and Lord Jeffries and Nell wins.

Jeffries determines to destroy Nell and frogs a letter to compromise Nell and Fairfax. Fairfax is arrested for treason, but Nell impersonates Jeffries and releases Fairfax so he can be with Olivia. She also finds evidence to get Jeffries to be dismissed and is reunited with the King. [6] [12]

Cast

Original play

Sweet Nell of Old Drury
Sweet Nell of Old Drury.jpg
Poster from 1909 production of play with Nellie Stewart
Written by Paul Kester
Date premiered1900
Original languageEnglish
Genrehistorical farce

The play was performed on stage in 1900 in London and New York. Julia Neilson became well known for playing it in the United Kingdom. [13]

Nellie Stewart first appeared in it in 1902. She took the role to reinvent herself as a dramatic star after her career as a singer and it was a great success. Stewart played the role of Nell Gwynne on and off until her death in 1931, even touring America with it. Stewart was so identified with the part she was known as "Little Nell". [14]

Production

Development

Spencer arranged for Nellie Stewart to appear in the film version by virtue of an arrangement with George Musgrove. [15] The news was much publicised, the West Australian stating:

This will be the most notable work yet accomplished in Australia for the picture shows, as Miss Nellie Stewart is so essentially Australia's leading and representative actress, and is known as such all the world over, while she is so identified with "Sweet Nell" that it is only right a pictorial record should be kept of her in the part. [16]

Stewart's fee was a reported £1,000 – half the budget – plus a percentage of the profits. [17] [18] (Or US$5,000 [19] ) This helped make the movie among the most expensive shot in Australia to that date. [20]

Nellie Stewart's daughter Nancy was originally announced to play the part of Olivia. [21]

Shooting

Shooting began in October 1911 in Sydney, in and around Elizabeth Bay and Potts Point, and at Spencer's Wonderland City studio in Bondi. [22] [17]

Filming took six weeks. [23] The original director was George Musgrove, but he soon realised he was out of his depth, and Longford – who had written the screenplay – took over. [6] (However advertising would claim that "the whole of the production has been carried out under the personal supervision of Mr George Musgrove". [24] )

According to a later report, when Longford wanted to "film a landing, he begged permission to land at Crecy, at Potts Point, Sydney. The mistress of the house was away for the moment, but the maid said she was sure it would be all right. The lady of the house was later much astonished when a gorgeous pageant of lords and ladies, King Charles, Lord Jeffreys and Sweet Nell herself took possession of her lawn, appearing to come from nowhere. She did not know whether she was dreaming or not until reassured that it was only make believe." [25]

Prior to release the Sunday Times reported that "we are informed that Miss Stewart and Mr. George Musgrove had no words save those of praise when Mr. Spencer's artists 'completed their work." [26]

Release

Critical

The movie premiered at Spencer's Lyceum Theatre in Sydney. The critic for the Sydney Morning Herald reported that:

The audience found it hard to express sufficient appreciation of the film... All the scenes of the life of the flower girl that ruled a king... were wonderfully reproduced in the picture, the whole being a great triumph of the Australian artificers that produced it. The music throughout the afternoon and evening performance was excellent, and the variety of scenic, comic and dramatic pictures... tastefully chosen and admirable. [4]

The critic from the Sunday Times wrote that:

The long film is wonderfully sharp and clear. Miss Stewart looks at her best in the third act – the act in which Nell Gwynne waves her monster of a hat as she leaves for Whitehall after the masquerade episode which secures the escape of Lady Olivia Vernon from the clutches of the cruel Chief Justice... So as to introduce outdoor effects a number of scenes have been added [from the play], illustrating episodes of the story that were not included in the stage version. The Australian garden scenes are remarkably good, but the glimpses of the military barracks at Paddington spoil the illusion of far off days in England when Charles the Second was King. [27]

The critic from the Examiner said that:

The result is undoubtedly an artistic triumph... The events are, for the most part, recognised in history, illuminated with touches of romantic license such as are necessary to make the play something more than episodal, and justification for the author's methods is shown by the fact that Miss Nellie Stewart in her presentation of the stage version in this and other continents, has scored in it one of the most remarkable of her successes of her long career. The picture personation of the story is very realistic and dramatic, and has certainly lost none of its charm and interest from the fact that the characters merely move through the historic scenes, and do not talk, for the camera 'has caught the spirit intention' of the actors with a fidelity akin to nature. [28]

The Bulletin called it:

a creditable production which keeps close enough to the stage version, and runs in some outdoor extras, wherein the real scenery gives the play a startling touch of reality. The approach of Nellie Stewart down a narrow bush track wrings cheers from the audience; and when she offers the house an orange, the welkin suffers the usual damage. The pursuit of Fairfax, his march to the prison, Jeffreys' stealthy advance on Nell Gwynn’s house, Olivia’s trip to Whitehall in Jeffreys' chair, and other incidents, are shown amidst real Sydney surroundings. At the end, Charles yearningly pursues the retreating Nell through a fine garden, where he is met and comforted by a page, who brings him two spaniels. [29]

Box office

The film was a major success at the box office, helped by Nellie Stewart making personal appearances at some screenings. Twelve thousand people supposedly saw the film during its first seven sessions. [6] Screenings were often accompanied by a singer who would sing on stage when Nellie Stewart sang. [30] [31]

Status

The movie screened in cinemas for six years, but no copies of it appear to exist today, and it is considered a lost film. [14]

As early as 1931 Everyone's wrote that there was no copy, asking "Where is "Sweet Nell" now? Screen history, not merely of Australia, but of the whole world is woven into its celluloid. If the negative still exists it should merit high regard among the treasures of an industry which has just behan to discover its past,." [8]

USA Release

The film was bought for release in the US by Sawyers Inc, who retitled it Nell Gwynne. [32]

Related Research Articles

<span class="mw-page-title-main">Nell Gwyn</span> English royal mistress and celebrity (1650–1687)

Eleanor Gwyn was an English stage actress and celebrity figure of the Restoration period. Praised by Samuel Pepys for her comic performances as one of the first actresses on the English stage, she became best known for being a long-time mistress of King Charles II of England.

<span class="mw-page-title-main">Nellie Stewart</span> Australian actress and singer

Nellie Stewart, born Eleanor Stewart Towzey was an Australian actress and singer, known as "Our Nell" and "Sweet Nell".

<span class="mw-page-title-main">George Musgrove</span> English-born Australian theatre producer

George Musgrove was an English-born Australian theatre producer.

<span class="mw-page-title-main">Raymond Longford</span> Australian filmmaker and actor (1878–1959)

Raymond Longford was a prolific Australian film director, writer, producer, and actor during the silent era. Longford was a major director of the silent film era of the Australian cinema. He formed a production team with Lottie Lyell. His contributions to Australian cinema with his ongoing collaborations with Lyell, including The Sentimental Bloke (1919) and The Blue Mountains Mystery (1921), prompted the Australian Film Institute's AFI Raymond Longford Award, inaugurated in 1968, to be named in his honour.

<i>Nell Gwyn</i> (1926 film) 1926 film by Herbert Wilcox

Nell Gwyn is a 1926 British silent romance film directed by Herbert Wilcox and starring Dorothy Gish, Randle Ayrton and Juliette Compton. It was based on the 1926 novel Mistress Nell Gwyn by Marjorie Bowen and follows the life of Nell Gwynne, the mistress of Charles II. Wilcox later made a second version of the film in 1934, Nell Gwynn which starred Anna Neagle.

Nell Gwyn (1650–1687) was an actress and long-time mistress of King Charles II of England.

<span class="mw-page-title-main">Arthur Shirley</span> Australian actor

Arthur Shirley was an Australian actor, writer, producer, and director of theatre and film. He experienced some success as a film actor in Hollywood between 1914 and 1920.

The Fatal Wedding is a play by Theodore Kremer and a 1911 Australian silent film directed by Raymond Longford based on the melodrama, which he and Lottie Lyell had toured around Australia.

<i>The Romantic Story of Margaret Catchpole</i> 1911 Australian film

The Romantic Story of Margaret Catchpole, generally referred to as Margaret Catchpole, is a 1911 Australian silent film directed by Raymond Longford and starring Lottie Lyell. It is based on the true story of Margaret Catchpole, an adventurer and convict.

The Tide of Death is a 1912 Australian silent film directed by Raymond Longford based on an original story by Longford. This was rare at the time because most Australian silent films were based on plays or novels.

<i>The Midnight Wedding</i> 1912 Australian film

The Midnight Wedding is a 1912 Australian silent film directed by Raymond Longford based on a popular Ruritanian stage play in which Longford had appeared. It is considered a lost film.

On Our Selection is a 1920 Australian silent film directed by Raymond Longford based on the Dad and Dave stories by Steele Rudd.

<span class="mw-page-title-main">Alfred Rolfe (director)</span>

Alfred Rolfe, real name Alfred Roker, was an Australian stage and film director and actor, best known for being the son-in-law of the celebrated actor-manager Alfred Dampier, with whom he appeared frequently on stage, and for his prolific output as a director during Australia's silent era, including Captain Midnight, the Bush King (1911), Captain Starlight, or Gentleman of the Road (1911) and The Hero of the Dardanelles (1915). Only one of his films as director survives today.

Charles Cozens Spencer was a British-born film exhibitor and producer, who was a significant figure in the early years of the Australian film industry. He produced films under the name Spencer's Pictures and was an early backer of the films of Raymond Longford. He was also instrumental in the creation of "The Combine".

The Life of Rufus Dawes is a 1911 Australian silent film based on Alfred Dampier's stage adaptation of the 1874 novel For the Term of His Natural Life produced by Charles Cozens Spencer.

<i>Dan Morgan</i> (film) 1911 film

Dan Morgan is a 1911 Australian film from Charles Cozens Spencer about the bushranger Daniel Morgan. It was said to be starring "Alfred Rolfe and company". Rolfe directed three movies for Spencer, all starring himself and his wife Lily Dampier so there is a chance he may have directed this one and that it starred his wife. A prospectus for the Australian Photo Play Company said he directed it. It is considered a lost film.

The Shepherd of the Southern Cross is a 1914 Australian silent film about an Englishwoman torn between two men. It was the first feature film produced by Australasian Films.

Augustus Neville was a New Zealand-born actor who appeared in a number of the early films for director Raymond Longford but was best known for his stage career in Australia, particularly in works by William Shakespeare. He worked for many years with Alfred Dampier and Allan Wilkie.

<span class="mw-page-title-main">Gustave Slapoffski</span> English musician

Gustave Slapoffski was an English musician who performed as a violinist and conductor in Britain for two decades, followed by a conducting and film scoring career in Australia over the next three decades.

Richard Stewart was an English stage actor who settled in Australia. He is best remembered as the father of Nellie Stewart.

References

  1. ↑ "SWEET NELL OF OLD DRURY". The Mercury . Hobart, Tas.: National Library of Australia. 26 February 1912. p. 3. Retrieved 20 September 2013.
  2. ↑ "Production of Moving Pictures – In America and Australia". Australian Town and Country Journal . Vol. XCVIII, no. 2555. New South Wales, Australia. 18 December 1918. p. 20. Retrieved 21 November 2023– via National Library of Australia.
  3. ↑ "Raymond Longford", Cinema Papers, January 1974 p51
  4. 1 2 "THE LYCEUM.—SPENCER'S THEATRESCOPE". The Sydney Morning Herald . National Library of Australia. 4 December 1911. p. 4. Retrieved 19 September 2013.
  5. ↑ "Moving Picture World - Lantern: Search, Visualize & Explore the Media History Digital Library".
  6. 1 2 3 4 Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, 30.
  7. ↑ The Australian woman's mirror, The Bulletin Newspaper, 1924, retrieved 20 April 2019
  8. 1 2 3 "Nellie Stewart, Our First Screen Star". Everyones. 24 June 1931. Retrieved 6 June 2022.
  9. ↑ Everyones, Everyones Ltd, 1920, retrieved 20 April 2019
  10. ↑ Nellie Stewart, My Life Story, John Sands, 1923 p 197
  11. ↑ ""SWEET NELL OF OLD DRURY."". Maitland Daily Mercury . NSW: National Library of Australia. 23 March 1912. p. 2. Retrieved 20 September 2013.
  12. ↑ "AMUSEMENTS. LENARD'S PICTUHES". The Barrier Miner . Broken Hill, NSW: National Library of Australia. 23 March 1912. p. 5. Retrieved 20 September 2013.
  13. ↑ The Playgoer and Society Illustrated Vol 5, No. 29 (1911) at Stagebeauty.net. Retrieved 4 December 2012
  14. 1 2 Cooper, Ross, 'Stewart, Eleanor Towzey (Nellie) (1858–1931)', Australian Dictionary of Biography, National Centre of Biography, Australian National University. Retrieved 10 April 2012
  15. ↑ "LYCEUM—SPENCER'S PICTURES". The Sunday Times . Sydney: National Library of Australia. 1 October 1911. p. 2. Retrieved 19 September 2013.
  16. ↑ "MUSICAL AND DRAMATIC NOTES". The West Australian . Perth: National Library of Australia. 14 October 1911. p. 9. Retrieved 19 September 2013.
  17. 1 2 "It All Began With a Feature Movie on the Kelly Gang". The News . Adelaide: National Library of Australia. 16 November 1946. p. 2. Retrieved 20 February 2014.
  18. ↑ "AUSTRALIAN FILMS". The Daily News . Perth: National Library of Australia. 18 December 1931. p. 11 Edition: HOME (FINAL) EDITION. Retrieved 4 August 2012.
  19. ↑ "Film Year Book: The 1922-23 Film Daily Year Book of Motion Pictures" p 171. Retrieved 24 June 2015
  20. ↑ "PRINCESS THEATRE". The Examiner . Launceston, Tas.: National Library of Australia. 12 February 1912. p. 3 Edition: DAILY. Retrieved 19 September 2013.
  21. ↑ "THE LADIES' PAGE". Sunday Times . Perth: National Library of Australia. 15 October 1911. p. 34. Retrieved 19 September 2013.
  22. ↑ "SWEET NELL OF OLD DRURY."." Barrier Miner (Broken Hill, NSW) 24 Nov 1913: 6. Retrieved 8 December 2011
  23. ↑ "CINEMATOGRAPHY". The Examiner . Launceston, Tas.: National Library of Australia. 6 January 1912. p. 8 Edition: DAILY. Retrieved 19 September 2013.
  24. ↑ "Advertising". The Sydney Morning Herald . National Library of Australia. 25 November 1911. p. 2. Retrieved 19 September 2013.
  25. ↑ Everyones, Everyones Ltd, 1920, retrieved 25 March 2019
  26. ↑ "NELLIE STEWART IN PICTURES". The Sunday Times . Sydney: National Library of Australia. 26 November 1911. p. 2. Retrieved 19 September 2013.
  27. ↑ "THE THEATRES". The Sunday Times . Sydney: National Library of Australia. 3 December 1911. p. 2. Retrieved 19 September 2013.
  28. ↑ "SPENCER'S PICTURES". The Examiner . Launceston, Tas.: National Library of Australia. 14 February 1912. p. 3 Edition: DAILY. Retrieved 10 April 2012.
  29. ↑ The bulletin, John Haynes and J.F. Archibald, 1880, retrieved 19 April 2019
  30. ↑ "The BUSKER". Sunday Times . Perth: National Library of Australia. 18 February 1912. p. 21. Retrieved 9 April 2012.
  31. ↑ "LYCEUM—SPENCER'S PICTURES". The Sunday Times . Sydney: National Library of Australia. 10 December 1911. p. 2. Retrieved 19 September 2013.
  32. ↑ "Motion Picture News - Lantern: Search, Visualize & Explore the Media History Digital Library".
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.