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Sword making, historically, has been the work of specialized smiths or metalworkers called bladesmiths or swordsmiths. Swords have been made of different materials over the centuries, with a variety of tools and techniques. While there are many criteria for evaluating a sword, generally the four key criteria are hardness, strength, flexibility and balance. Early swords were made of copper [ citation needed ], which bends easily. Bronze swords were stronger; by varying the amount of tin in the alloy, a smith could make various parts of the sword harder or tougher to suit the demands of combat service. The Roman gladius was an early example of swords forged from blooms of steel.
A good sword has to be hard enough to hold an edge along a length which can range from 18 in (46 cm) to more than 36 in (91 cm). At the same time, it must be strong enough and flexible enough that it can absorb massive shocks at just about any point along its length and not crack or break. Finally, it should be balanced along its length so that it can be wielded effectively.
Bronze items are typically cast, not forged. Secondary operations involve removing material from the roughcasting, polishing, and the application of decorative elements. Some Chinese swords used high-tin bronze for the edges, since it is harder, and keeps a sharp edge longer, but is more brittle than the softer, lower-tin alloy used for the blade's core. Bronze alloys with lower tin content are tougher, or more resistant to fracturing.
Swords can be shaped by a variety of metalworking techniques. In some times and places, one technique has been used exclusively, in others a combination of techniques have been used. The primary techniques are forging and stock removal.
Forging uses heat to bring the material to a malleable state. The material is then hammered to shape, typically using hammer and anvil together with specialized set and fuller tools depending on the particular technique. There is a variety of forging techniques for sword making and many variations upon those.
Stock removal shapes the sword from prepared stock that is larger in all dimensions than the finished sword by filing, grinding and cutting. While the technique has been available for centuries it was not widely used for making swords until the 19th or 20th century as it is wasteful of the raw material. Where iron and steel are plentiful this method is frequently used as it requires less time. In places and times where iron and steel have been more rare and valuable stock removal has not been used except as part of the finishing process.
In most techniques, the basic materials, generally iron and/or steel, are shaped into a bar or billet first. At this stage, if several metals are to be used they will be combined by welding to form the billet. In some techniques, notably the traditional folded steel blades of China, Korea, and Japan, the billet might be drawn, folded and welded back on itself creating layers of steel of different types. In others longer bars or rods of steel and iron might be welded together, edge to edge, to create the basic billet placing the softer iron inside with the steel at the core and edges. Once the billet is created it is drawn out farther, generally tapering to the edge(s) and point. The technique of fullering might be used to create a ridge or ridges down the length of the blade. Whether single or multiple, the ridge's primary purpose to give the blade greater structural strength relative to its mass.
During fabrication, the metal might be annealed to relieve stresses built up from forging and differential heating, and to make the metal easier to file, engrave or polish.
After the workpiece is done being formed, it is normalized. The blade is then carefully and evenly heated and afterwards cooled slowly. The point of normalizing is to remove the stresses which may have built up within the body of the blade while it was being forged. During the forging process, the blade might be heated and cooled differentially creating stress, some parts might be hammered more than others, some areas hammered enough to harden them. If these stresses are left in the blade they could affect the finishing and when it came time to heat treat the blade, the hardening and tempering might not be as even. Potentially enough stress could be added that the blade would be weak in spots, weak enough that it could fail under enough stress.
As one of the last processes in fabricating a sword is quenching and tempering it. Quenching hardens the metal so it holds an edge longer but this also makes it very brittle. To restore some ductility and durability the sword is tempered. With swords, due to their length, the challenge is greater as in a typical quenching it is possible to bend or warp the blade if it is not introduced to the quenchant smoothly and evenly.
Swords could also be differentially hardened so that some parts, like the cutting edge, are harder than the body.
Finishing encompasses polishing, decorating, and crafting and assembling the hilt, guard and sheath.
The swordsmith would be most concerned with the state of the blade itself and possibly decorating the blade and preparing the guards and pommel. Other artisans would likely be involved in the work of fashioning the hilt, sheath and other furniture; and in any fine decoration.
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It has been speculated by researchers that swordsmithing has been performed in the northern regions of Italy since at least the 10th Century BCE. Especially areas around Tuscany and Brescia had rich iron ore veins and forests that were conducive to the creation of charcoal for high-heat iron smithing. Brescia remained an important swordsmithing and steel manufacturing hub for centuries due to the high manganese content of the local iron ore deposits, which assisted in the creation of high-quality steel. [1]
Japanese smiths discovered, similarly to many others, that iron sand (with little to no sulfur and phosphorus) heated together with coal (carbon) made the steel they called tamahagane . This allows the sword to have the strength and the ability to hold a sharp edge, as well as to cause the sword to tend to bend rather than flex under stress. The process starts in the combining of the iron and carbon, by heating iron sand to 1200-1500 degrees Celsius in a traditional furnace, or tatara, for 72 hours. The tamahagane is then cooled and the smelter selects the best pieces to send to the swordsmith.
The swordsmith takes the tamahagane nuggets and forges them into a block. In the process of forming, the block is heated to around 900 degrees Celsius. Taken out of the fire and hammered into a thinner block, the block is scored in the center with an axe and folded over, making it thick again. The block is then placed back in the fire. The steel can be folded transversely or longitudinally. Often both folding directions are used to produce the desired grain pattern. This process, called the shita-kitae, is repeated from 8 to as many as 16 times. After 20 foldings, there is too much diffusion in the carbon content; the steel becomes almost homogeneous in this respect, and the act of folding no longer gives any benefit to the steel. [2]
Depending on the amount of carbon introduced, this process forms either the very hard steel for the edge called hagane, or the slightly less hardenable spring steel called kawagane, which is often used for the sides and the back. Once the sword took the shape the swordsmith wanted, the swordsmith would clay the spine of the sword, called tsuchioki, and heat it once more. Once the sword was red hot the swordsmith took the newly formed sword and quenched it in water, hardening the blade. Then he would pass it on to a polisher and finisher.
Once the blade had been heat-treated, a sword would be ground with progressively finer abrasives, typically different types of rock. Some grinding rocks can range in the thousands of dollars today. They would polish and sharpen the sword until the desired finish was achieved. This process is long and tedious, but a good polisher was of great value to the swordsmith and was often paid well. After the sword was polished, the fine tip could be sharpened. The sharpness of a sword, and ability to keep that edge, is based on the angle of the edge and the width of the body of the sword. How long it can hold the edge is also dependent on the material used.
Swords are still being made by modern artisans. Some pursue the traditional methods while others apply modern tools, techniques and materials to the craft. The vast majority of commercially available swords have been made with modern tools and materials as it brings greater profit and less time than hand forging. Most commercially available swords have been manufactured by stock removal.
Damascus steel is the forged steel of the blades of swords smithed in the Near East from ingots of carbon steel imported from Southern India or made in production centers in Sri Lanka or Khorasan, Iran. These swords are characterized by distinctive patterns of banding and mottling reminiscent of flowing water, sometimes in a "ladder" or "rose" pattern. Such blades were reputed to be tough, resistant to shattering, and capable of being honed to a sharp, resilient edge.
A Japanese sword is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period, though most people generally refer to the curved blades made from the Heian period (794–1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the uchigatana, tachi, ōdachi, wakizashi, and tantō.
Pattern welding is the practice in sword and knife making of forming a blade of several metal pieces of differing composition that are forge-welded together and twisted and manipulated to form a pattern. Often mistakenly called Damascus steel, blades forged in this manner often display bands of slightly different patterning along their entire length. These bands can be highlighted for cosmetic purposes by proper polishing or acid etching. Pattern welding was an outgrowth of laminated or piled steel, a similar technique used to combine steels of different carbon contents, providing a desired mix of hardness and toughness. Although modern steelmaking processes negate the need to blend different steels, pattern welded steel is still used by custom knifemakers for the cosmetic effects it produces.
Steel is an alloy of iron and carbon with improved strength and fracture resistance compared to other forms of iron. Because of its high tensile strength and low cost, steel is one of the most commonly manufactured materials in the world. Steel is used in buildings, as concrete reinforcing rods, in bridges, infrastructure, tools, ships, trains, cars, bicycles, machines, electrical appliances, furniture, and weapons.
A blacksmith is a metalsmith who creates objects primarily from wrought iron or steel, but sometimes from other metals, by forging the metal, using tools to hammer, bend, and cut. Blacksmiths produce objects such as gates, grilles, railings, light fixtures, furniture, sculpture, tools, agricultural implements, decorative and religious items, cooking utensils, and weapons. There was an historical distinction between the heavy work of the blacksmith and the more delicate operation of a whitesmith, who usually worked in gold, silver, pewter, or the finishing steps of fine steel. The place where a blacksmith works is called variously a smithy, a forge or a blacksmith's shop.
Differential heat treatment is a technique used during heat treating of steel to harden or soften certain areas of an object, creating a difference in hardness between these areas. There are many techniques for creating a difference in properties, but most can be defined as either differential hardening or differential tempering. These were common heat treatment techniques used historically in Europe and Asia, with possibly the most widely known example being from Japanese swordsmithing. Some modern varieties were developed in the twentieth century as metallurgical knowledge and technology rapidly increased.
Forging is a manufacturing process involving the shaping of metal using localized compressive forces. The blows are delivered with a hammer or a die. Forging is often classified according to the temperature at which it is performed: cold forging, warm forging, or hot forging. For the latter two, the metal is heated, usually in a forge. Forged parts can range in weight from less than a kilogram to hundreds of metric tons. Forging has been done by smiths for millennia; the traditional products were kitchenware, hardware, hand tools, edged weapons, cymbals, and jewellery.
Heat treating is a group of industrial, thermal and metalworking processes used to alter the physical, and sometimes chemical, properties of a material. The most common application is metallurgical. Heat treatments are also used in the manufacture of many other materials, such as glass. Heat treatment involves the use of heating or chilling, normally to extreme temperatures, to achieve the desired result such as hardening or softening of a material. Heat treatment techniques include annealing, case hardening, precipitation strengthening, tempering, carburizing, normalizing and quenching. Although the term heat treatment applies only to processes where the heating and cooling are done for the specific purpose of altering properties intentionally, heating and cooling often occur incidentally during other manufacturing processes such as hot forming or welding.
Forge welding (FOW), also called fire welding, is a solid-state welding process that joins two pieces of metal by heating them to a high temperature and then hammering them together. It may also consist of heating and forcing the metals together with presses or other means, creating enough pressure to cause plastic deformation at the weld surfaces. The process, although challenging, has been a method of joining metals used since ancient times and is a staple of traditional blacksmithing. Forge welding is versatile, being able to join a host of similar and dissimilar metals. With the invention of electrical welding and gas welding methods during the Industrial Revolution, manual forge-welding has been largely replaced, although automated forge-welding is a common manufacturing process.
In materials science, quenching is the rapid cooling of a workpiece in water, gas, oil, polymer, air, or other fluids to obtain certain material properties. A type of heat treating, quenching prevents undesired low-temperature processes, such as phase transformations, from occurring. It does this by reducing the window of time during which these undesired reactions are both thermodynamically favorable and kinetically accessible; for instance, quenching can reduce the crystal grain size of both metallic and plastic materials, increasing their hardness.
Case-hardening or Carburization is the process of introducing carbon to the surface of a low carbon iron or much more commonly low carbon steel object in order to enable the surface to be hardened.
Tempering is a process of heat treating, which is used to increase the toughness of iron-based alloys. Tempering is usually performed after hardening, to reduce some of the excess hardness, and is done by heating the metal to some temperature below the critical point for a certain period of time, then allowing it to cool in still air. The exact temperature determines the amount of hardness removed, and depends on both the specific composition of the alloy and on the desired properties in the finished product. For instance, very hard tools are often tempered at low temperatures, while springs are tempered at much higher temperatures.
Tamahagane (玉鋼) is a type of steel made in the Japanese tradition. The word tama means 'precious', and the word hagane means 'steel'. Tamahagane is used to make Japanese swords, daggers, knives, and other kinds of tools.
Knife making is the process of manufacturing a knife by any one or a combination of processes: stock removal, forging to shape, welded lamination or investment cast. Typical metals used come from the carbon steel, tool, or stainless steel families. Primitive knives have been made from bronze, copper, brass, iron, obsidian, and flint.
Bladesmithing is the art of making knives, swords, daggers and other blades using a forge, hammer, anvil, and other smithing tools. Bladesmiths employ a variety of metalworking techniques similar to those used by blacksmiths, as well as woodworking for knife and sword handles, and often leatherworking for sheaths. Bladesmithing is an art that is thousands of years old and found in cultures as diverse as China, Japan, India, Germany, Korea, the Middle East, Spain and the British Isles. As with any art shrouded in history, there are myths and misconceptions about the process. While traditionally bladesmithing referred to the manufacture of any blade by any means, the majority of contemporary craftsmen referred to as bladesmiths are those who primarily manufacture blades by means of using a forge to shape the blade as opposed to knifemakers who form blades by use of the stock removal method, although there is some overlap between both crafts.
Induction hardening is a type of surface hardening in which a metal part is induction-heated and then quenched. The quenched metal undergoes a martensitic transformation, increasing the hardness and brittleness of the part. Induction hardening is used to selectively harden areas of a part or assembly without affecting the properties of the part as a whole.
In swordsmithing, hamon (刃文) is a visible effect created on the blade by the hardening process. The hamon is the outline of the hardened zone which contains the cutting edge. Blades made in this manner are known as differentially hardened, with a harder cutting edge than spine. This difference in hardness results from clay being applied on the blade prior to the cooling process (quenching). Less or no clay allows the edge to cool faster, making it harder but more brittle, while more clay allows the center and spine to cool slower, thus retaining its resilience.
Japanese swordsmithing is the labour-intensive bladesmithing process developed in Japan beginning in the sixth century for forging traditionally made bladed weapons (nihonto) including katana, wakizashi, tantō, yari, naginata, nagamaki, tachi, nodachi, ōdachi, kodachi, and ya (arrow).
Honyaki (本焼) is the name for the Japanese traditional method of metalwork construction most often seen in kitchen knives by forging a blade, with a technique most similar to the tradition of nihonto, from a single piece of high-carbon steel covered with clay to yield upon quench a soft, resilient spine, a hamon, and a hard, sharp edge. Honyaki as a term alone can refer to either mizu honyaki (water-quench) or abura honyaki. The goal is to produce a sharper, longer lasting edge than is usually achievable with the lamination method. The term has been adapted to describe high-end mono-stainless in Japan and carbon blades by non-Japanese bladesmiths that have a hamon but are made with Western steel, heat treat, equipment, finishing, and design.
A katana is a Japanese sword characterized by a curved, single-edged blade with a circular or squared guard and long grip to accommodate two hands. Developed later than the tachi, it was used by samurai in feudal Japan and worn with the edge facing upward. Since the Muromachi period, many old tachi were cut from the root and shortened, and the blade at the root was crushed and converted into a katana. The specific term for katana in Japan is uchigatana (打刀) and the term katana (刀) often refers to single-edged swords from around the world.
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