"I Will Survive" is a 1970s hit song recorded by American singer Gloria Gaynor, released in October 1978 by Polydor Records as the second single from her sixth album, Love Tracks (1978). It was written by Freddie Perren and Dino Fekaris. The song's lyrics describe the narrator's discovery of personal strength following an initially devastating breakup. The song is frequently regarded as an anthem of female empowerment, as well as a disco staple.
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.
"I'm Every Woman" is a song by American singer Chaka Khan, released in September 1978 by Warner Bros. as her debut solo single from her first album, Chaka (1978). It was Khan's first hit outside her recordings with the funk band Rufus. "I'm Every Woman" was produced by Arif Mardin and written by the successful songwriting team Nickolas Ashford and Valerie Simpson. The single established Chaka's career outside the group Rufus, whom she would leave after their eighth studio album, Masterjam, was released in late 1979.
"You're a Special Part of Me" was a successful duet single for soul singers and Motown label mates Diana Ross & Marvin Gaye, released in 1973. The original duet was one of the few originals featured on their famed album, Diana & Marvin, and was among the most successful of the songs the Motown label mates made reaching #4 on the Billboard R&B Singles chart and #12 on the Billboard Pop Singles chart.
"Turn the Beat Around" is a disco song written by Gerald Jackson and Peter Jackson, and performed by American actress and singer Vicki Sue Robinson in 1976, originally appearing on her debut album, Never Gonna Let You Go (1976). Released as a single, the song went to #10 on the Billboard pop charts, and #73 on the Billboard soul chart. The song earned Robinson a Grammy nomination for Best Female Pop Vocal Performance. The track also went to number one on the Billboard disco chart for four weeks. "Turn the Beat Around" is considered a disco classic and is featured on many compilation albums.
"Chain Reaction" is a song by American singer Diana Ross, released on November 12, 1985 by RCA and Capitol, as the second single from her sixteenth studio album, Eaten Alive (1985). The song was written by the Bee Gees and contains additional vocals from Barry Gibb. Sonically, "Chain Reaction" is an R&B and dance-pop song. According to the Gibbs' biography, the brothers had initial reservations about offering the song to Ross in case it was too Motown-like for her.
The discography of American rhythm and blues singer Diana Ross, the former lead singer of the Supremes, consists of 26 studio albums and 116 singles. Throughout her career, Ross has sold over 100 million records worldwide. Billboard ranked her as the 47th Greatest Artist of all time and the 11th Greatest Hot 100 Female Artist of all time. In 1993, Guinness World Records crowned Ross as the "most successful female artist in music history". Her 11th studio album "Diana" remains the best-selling album of her career, selling more than 10 million copies and album-equivalent units around the world.
"Don't Leave Me This Way" is a song written by Kenneth Gamble, Leon Huff and Cary Gilbert. It was originally released in 1975 by Harold Melvin & the Blue Notes featuring Teddy Pendergrass, an act signed to Gamble & Huff's Philadelphia International label. "Don't Leave Me This Way" was subsequently covered by American singer Thelma Houston in 1976 and British duo the Communards in 1986, with both versions achieving commercial success.
Take Me Higher is the twenty-first studio album by American singer Diana Ross, released on September 5, 1995, by Motown Records. Ross' first regular studio release in four years, following The Force Behind the Power (1991) and the holiday album A Very Special Season (1994), the album features work from urban producers such Narada Michael Walden, Mike Mani, Louis Biancaniello, Jon-John and the Babyface protégés, The Boom Brothers.
"When You Tell Me That You Love Me" is a song by American singer Diana Ross, released on August 20, 1991 as the lead single from her nineteenth studio album, The Force Behind the Power (1991). The song was released on the Motown label in the United States and by EMI Records in the United Kingdom. It was written by Albert Hammond and John Bettis, and produced by Peter Asher. A sentimental ballad, it became the album's biggest hit, peaking at number 37 on the US Billboard R&B singles chart and number two on the UK Singles Chart. Ross considers it one of her signature songs and it was subsequently covered by various artists. The UK release of "When You Tell Me That You Love Me" included her 1985 hit "Chain Reaction".
"He's on the Phone" is a song by British pop group Saint Etienne in collaboration with French singer-songwriter Étienne Daho, released in October 1995 by Heavenly and MCA as a single from their third compilation album, Too Young to Die (1995). A fast-paced dance track, it is one of Saint Etienne's biggest hits, reaching number 11 on the UK Singles Chart, number 31 in Iceland, number 41 in Sweden and number 33 on the US Billboard Dance Club Songs chart. The lyrics tell of an "academia girl" trying to escape from a relationship with a married man: He's on the phone / And she wants to go home, / Shoes in hand, / Don't make a sound, / It's time to go. At the centre of the track is a spoken-word section by Daho.
"The Boss" is a 1979 song written and produced by Ashford & Simpson and recorded by American singer Diana Ross, who released it as a single on the Motown label. It was the first release from the album of the same title (1979). The song was released on May 22, 1979, a day before the album release.
"Shoot Me with Your Love" is a song by Northern Irish music group D:Ream, released in June 1995 by Magnet and FXU as the first single from their second album, World (1995). Co-written by frontman Peter Cunnah with Tim Hegarty, the song was the first of a three-single UK Top 40 run in 1995 for the band and also the highest peaking, reaching number seven on the UK Singles Chart and number three on the UK Dance Singles Chart. The follow-ups, "Party Up the World" and "The Power ", reached number 20 and 40, respectively. A music video was also produced to promote the single.
"Forever Came Today" is a 1968 song written and produced by the Motown collective of Holland–Dozier–Holland, and was first made into a hit as a single for Diana Ross & the Supremes in early 1968. A disco version of the song was released as a single seven years later by Motown group the Jackson 5.
"Shy Guy" is a song by Jamaican recording artist and songwriter Diana King for the movie soundtrack album Bad Boys. It also appeared on King's debut studio album, Tougher Than Love (1995). The song was written by King, Kingsley Gardner and Andy Marvel, who produced the song as well. It was released by Sony Music worldwide in March 1995 as the lead single from Tougher Than Love. The song contains a sample from "School Boy Crush" by Average White Band.
"Touch Me (All Night Long)" is a 1984 song by American singer Fonda Rae and American band Wish. It was a minor hit for Rae and the band, and was featured in the 1985 slasher film A Nightmare on Elm Street 2: Freddy's Revenge. In the original, it is alternately spelled as "Tuch Me (All Night Long)" or simply just "Tuch Me".
"Dreamer" is a song by Italian house group Livin' Joy, written and recorded by Janice Robinson and produced by brothers Paolo and Gianni Visnadi. Originally released in August 1994, it was re-released in 1995 by MCA and topped the UK Singles Chart at the number one spot that May, ending 1995 as the UK's 40th-biggest-selling single of 1995. In the United States, it went to number-one on the Billboard Hot Dance Club Play chart. It was a sleeper hit on pop radio, but finally managed to peak at number 72 on the Billboard Hot 100 and number 75 on the Cash Box Top 100.
"Your Loving Arms" is a song by German singer-songwriter Billie Ray Martin, the former lead singer of Electribe 101. It was released by Magnet and Sire in October 1994 as the first single from the singer's debut solo album, Deadline for My Memories (1995). Written by Martin and David Harrow, it received critical acclaim and is known to be one of her most notable singles. It was produced by English electronic dance group the Grid and was originally released on October 31. The track found greater chart success in 1995, when it peaked at number one in Italy and on the US Billboard Hot Dance Club Songs chart, and number six on the UK Singles Chart. There were made two different music videos for the song. The success of "Your Loving Arms" earned Martin the prize for Best New Dance Solo Artist of 1995 at the International Dance Music Awards in Miami, and Mixmag featured it in the magazine's "100 Greatest Dance Singles of All Time" list.
"It Should Have Been Me" is a 1963 song written by William "Mickey" Stevenson and Norman Whitfield for Kim Weston. It has been performed by Yvonne Fair, Gladys Knight & the Pips and Adeva among others. Knight's version peaked at number 40 on the Billboard Hot 100 in 1968 and number 33 in Canada. Fair had her only hit single with her recording of the song in 1976, reaching number 5 in the UK, number 85 in the US and number 10 in Australia.
"Take Me Back to Love Again" is a 1992 song by American singer-songwriter Kathy Sledge. It was written by Kenny Harris and Mark Holden, and was the first single from Sledge's first solo album, Heart (1992). The producers were Charles Farrar and Troy Taylor. The single went to number-one on the US Billboard dance chart for one week. It did not make the Billboard Hot 100 but went to number 24 on the Billboard soul singles chart. In Europe, it peaked at number 62 on the UK Singles Chart and number 12 on the UK Dance Singles Chart.
