Jainism, also known as Jain Dharma, is an Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras, with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third tirthankara Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth tirthankara Mahavira, around 600 BCE. Jainism is considered an eternal dharma with the tirthankaras guiding every time cycle of the cosmology. The three main pillars of Jainism are ahiṃsā (non-violence), anekāntavāda (non-absolutism), and aparigraha (asceticism).
Hindu deities are the gods and goddesses in Hinduism. Deities in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, even agnostic, atheistic, or humanist. The terms and epithets for deities within the diverse traditions of Hinduism vary, and include Deva, Devi, Ishvara, Ishvari, Bhagavān and Bhagavati.
Lakshmi also known as Shri, is one of the principal goddesses in Hinduism. She is the goddess of wealth, fortune, power, beauty, fertility and prosperity, and associated with Maya ("Illusion"). Along with Parvati and Saraswati, she forms the Tridevi of Hindu goddesses.
Puja is a worship ritual performed by Hindus to offer devotional homage and prayer to one or more deities, to host and honour a guest, or to spiritually celebrate an event. It may honour or celebrate the presence of special guests, or their memories after they die. The word pūjā is Sanskrit, and means reverence, honor, homage, adoration and worship. Puja, the loving offering of light, flowers, and water or food to the divine, is the essential ritual of Hinduism. For the worshipper, the divine is visible in the image, and the divinity sees the worshipper. The interaction between human and deity, between human and guru, is called darshan, seeing.
Chandragupta II, also known by his title Vikramaditya, as well as Chandragupta Vikramaditya, was the third ruler of the Gupta Empire in India. Modern scholars generally identify him with King Chandra of the Delhi iron pillar inscription.
In the Hindu tradition, a murti is a devotional image, such as a statue or icon, of a deity or saint used during puja and/or in other customary forms of actively expressing devotion or reverence - whether at Hindu temples or shrines. A mūrti is a symbolic icon representing Divinity for the purpose of devotional activities. Thus, not all icons of gods and saints are mūrti; for example, purely decorative depictions of Divine figures often adorn Hindu temple architecture in intricately carved doorframes, on colourfully painted walls, and ornately sculpted rooftop domes. A mūrti itself is not God, but it is merely a representative shape, symbolic embodiment, or iconic manifestation of God.
Shaktism is one of the several major Hindu denominations wherein the metaphysical reality, or the godhead, is considered metaphorically to be a woman.
The Heliodorus pillar is a stone column that was erected around 113 BCE in central India in Besnagar. The pillar was called the Garuda-standard by Heliodorus, referring to the deity Garuda. The pillar is commonly named after Heliodorus, who was an ambassador of the Indo-Greek king Antialcidas from Taxila, and was sent to the Indian ruler Bhagabhadra. A dedication written in Brahmi script was inscribed on the pillar, venerating Vāsudeva (krishna), the Deva deva the "God of Gods" and the Supreme Deity. The pillar also glorifies the Indian ruler as "Bhagabhadra the savior". The pillar is a stambha which symbolizes joining earth, space and heaven, and is thought to connote the "cosmic axis" and express the cosmic totality of the Deity.
A Hindu temple, also known as Mandir, Devasthanam, or Koil, is a sacred place where Hindus worship and show their devotion to dieties through worship, sacrifice, and devotion. It is considered the house of the god to whom it is dedicated. The design, structure and symbolism of Hindu temples are deeply rooted in Vedic traditions, which use circles and squares in their architecture. The temple's design also represents the concept of recursion and the equivalence of the macrocosm and the microcosm through astronomical numbers and specific alignments related to the location of the temple and the connection between the deity and the worshipper. A temple incorporates all elements of the Hindu cosmos — presenting the good, the evil and the human, as well as the elements of the Hindu sense of cyclic time and the essence of life — symbolically presenting dharma, artha, kama, moksha, and karma.
The Smartatradition, also called Smartism, is a movement in Hinduism that developed and expanded with the Puranas genre of literature. It reflects a synthesis of four philosophical strands, namely Uttara Mīmāṃsā, Advaita, Yoga, and theism. The Smarta tradition rejects theistic sectarianism, and is notable for the domestic worship of five shrines with five deities, all treated as equal – Ganesha, Shiva, Shakti, Vishnu and Surya. The Smarta tradition contrasted with the older Shrauta tradition, which was based on elaborate rituals and rites. There has been a considerable overlap in the ideas and practices of the Smarta tradition with other significant historic movements within Hinduism, namely Shaivism, Brahmanism, Vaishnavism, and Shaktism.
The Udayagiri Caves are twenty rock-cut caves near Vidisha, Madhya Pradesh primarily denoted to the Hindu gods Vishnu and Shiva from the early years of the 3rd century CE to 5th century CE. They contain some of the oldest surviving Hindu temples and iconography in India. They are the only site that can be verifiably associated with a Gupta period monarch from its inscriptions. One of India's most important archaeological sites, the Udayagiri hills and its caves are protected monuments managed by the Archaeological Survey of India.
Hinduism is currently practiced by a minority of residents of China. The religion itself has a very limited presence in modern mainland China, but archaeological evidence suggests a significant presence of Hinduism in different provinces of medieval China. Hindu influences were also absorbed in to Buddhism and got mixed with Chinese mythology over its history. Practices originating in the Vedic tradition of ancient India such as yoga and meditation are also popular in China.
The Kalabhra dynasty, also called Kaḷabrar, Kaḷappirar, Kallupura or Kalvar, were rulers of all or parts of Tamil region sometime between the 3rd century and 6th century CE, after the ancient dynasties of the early Cholas, the early Pandyas and Chera. Information about the origin and reign of the Kalabhras is uncertain and scarce. It is believed by historians that the Kalabhras belonged to the Vellalar community of warriors who were possibly once the feudatories of the Cholas and the Pallavas. Their proposed roots vary from southeast region of modern Karnataka, Kalappalars of Vellalar community, to Kalavar chieftains. This age is generally called "The Augustan age of Tamil Literature", in a 1922 book by the name "Studies in South Indian Jainism" written by M. S. Ramaswami Ayyangar and B. Seshagiri Rao. The Kalabhra era is sometimes referred to as the "dark period" of Tamil history, and information about it is generally inferred from any mentions in the literature and inscriptions that are dated many centuries after their era ended.
Udayagiri and Khandagiri Caves, formerly called Kattaka Caves or Cuttack caves, are partly natural and partly artificial caves of archaeological, historical and religious importance near the city of Bhubaneswar in Odisha, India. The caves are situated on two adjacent hills, Udayagiri and Khandagiri mentioned as Kumari Parvata in the Hathigumpha inscription. They have a number of finely and ornately carved caves built during the 1st century BCE. It is believed that most of these caves were carved out as residential blocks for Jain monks during the reign of King Kharavela. Udayagiri means "Sunrise Hill" and has 18 caves while Khandagiri has 15 caves.
Shankhalipi or "conch-script" is a term used by scholars to describe presently undeciphered ornate spiral characters assumed to be Brahmi derivative that resemble conch shells which can tentatively be assigned a new script family. They are found in inscriptions across various parts of India except the far south and date to between the 4th and 8th centuries CE. Both Shankhalipi and ornate Brahmi were stylised scripts used primarily for names and signatures.
Michael Willis is an Indologist and historian based in London, England.
Dhupa (धुप) is, in Indian religions, the ritual offering of incense during puja to an image of a deity, or other object of veneration. It is also the Sanskrit word for incense or perfume itself.
The Lakulisa Mathura Pillar Inscription is a 4th-century CE Sanskrit inscription in early Gupta script related to the Shaivism tradition of Hinduism. Discovered near a Mathura well in north India, the damaged inscription is one of the earliest evidences of murti (statue) consecration in a temple made to celebrate gurus. It is, according to the Indologist Michael Willis, crucial to understanding the "history of Pashupata Shaivism" and a floruit for the antiquity of its practices. The Lakulisha Mathura inscription is one of the earliest epigraphical evidence of a developed Shaiva initiation tradition.
Gudrun Bühnemann is a professor in the Department of Asian Languages and Cultures at the University of Wisconsin, Madison. She is an Indologist whose research interests include Sanskrit language and literature, Buddhism, Hinduism, Tantrism and yoga studies. Her work has especially attracted the interest of scholars working on South Asian iconography and ritual and of scholars of the emerging discipline of Yoga Studies for her discovery of early illustrated manuscripts including the Joga Pradīpikā showing sets of 84 asanas.
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose".
