September 10, 1950(1950-09-10)– December 25, 1955(1955-12-25)
The Colgate Comedy Hour is an American comedy-musical variety series that aired live on the NBC network from 1950 to 1955. The show featured many notable comedians and entertainers of the era as guest stars. Many of the scripts of the series are archived at the UCLA Library in their Special Collections.
The program evolved from NBC's first TV variety showcase, Four Star Revue, sponsored by Motorola. The "running gag" sketches were dropped in favor of more performing acts. The weekly show was proposed to be hosted by four comedians in a four-week rotation to provide competition for Ed Sullivan's Toast of the Town on CBS. The first episode, starring Hans Conried, Rosemary DeCamp and Dick Foran, was written and produced by the then 22-year-old Peggy Webber, who appeared in over 100 episodes of Dragnet with Jack Webb.
The new format was heavily backed by its sponsor, Colgate-Palmolive, to the tune of $3 million in the first year, and the 8:00p.m. ET, Sunday evening format show was a spectacular success, particularly for Eddie Cantor and the Martin & Lewis and Abbott & Costello duos. In his autobiography, Jerry Lewis wrote that the show premiered Sunday, September 17, 1950, with Martin & Lewis and was telecast from the Park Theatre off Columbus Circle in New York City.[1] As theatres are known by different names over history, it is possible that this was the now-demolished International Theatre at 5 Columbus Circle, the broadcast location of another NBC show of the era, Your Show of Shows with Sid Caesar and Imogene Coca.[2] In fact, Eddie Cantor hosted the first Colgate Comedy Hour on September 10, 1950.[3]
During the 1950–51 season, AT&T put into regular service a coast-to-coast coaxial/microwave interconnection service which allowed live telecasts from across the nation. Three production units were quickly set up, one in New York City, one in Chicago, and one in Los Angeles.[4] Martin & Lewis[5] and Abbott & Costello anchored the West Coast, broadcasting from the El Capitan Theater in Hollywood (today known as Avalon Hollywood; other shows that originated here include The Hollywood Palace), while Eddie Cantor anchored from New York City. This gave NBC a substantial edge over Ed Sullivan, since top-grade talent from motion pictures could also do network TV on the West Coast Colgate Comedy Hour, while Sullivan had to work with whoever happened to be in New York City at the time that a particular episode aired.
During the 1952–53 season, Cantor suffered a heart attack immediately after a Colgate Comedy Hour broadcast in September. Although he quickly recovered and returned in January 1953, he was reluctant to move on with the show. By the fourth season, the sponsor was providing $6,000,000, but the performers were finding difficulty in offering fresh material. Ratings hence began to decline. Cantor had become too ill to continue in the hosting role, and the travel was too stressful and painful for him.[6] His final Colgate appearance was in May 1954. Vic Schoen was hired as the musical director in 1954.
In 1954, Tony Martinez, later cast as the farmhand on The Real McCoys, made his television debut on The Colgate Comedy Hour.
Martin and Lewis in a February 1955 skit from the show
In June 1955, the show changed its name to the Colgate Variety Hour to reflect a move away from pure comedy. A number of the earlier hosts had left by the end of the 1953–54 season (with the exception of Martin & Lewis) as the show shifted toward mini-musicals, starring hosts including Ethel Merman and Frank Sinatra, who paired together in truncated version of Cole Porter's "Anything Goes". The show was also performing on the road, unlike other seasons where the shows were transmitted from New York City or Los Angeles at 8 p.m. Gordon MacRae often served as host during this period. On December 11, 1955, Sam Levene guest starred in a Salute to George Abbott. Recurring guest stars included Pat Sheehan,[7] Joy Langstaff,[8] Doris Gildart, and Connie Russell.
However, ratings continued to slide while The Ed Sullivan Show got stronger. The final show, emceed by the series' last continuing host Robert Paige, aired as a Christmas special on December 25, 1955, with Fred Waring and his "Pennsylvanians" choral ensemble. The Colgate Comedy Hour was replaced on January 8, 1956, with the NBC Comedy Hour, hosted by Leo Durocher for the first three shows. After Durocher, the regular hosts changed, and after 18 broadcasts, the final show aired in June. Regular supporting casts always co-starred in each of the episodes. Jonathan Winters was featured on the show. On May 11, 1967, NBC broadcast a special Colgate Comedy Hour revival (pre-empting The Dean Martin Show, which Colgate sponsored at the time), with guests Nanette Fabray, Kaye Ballard, Edie Adams, Carl Reiner and Mel Brooks (performing one of their "2000 Year Old Man" routines), Phyllis Diller, Bob Newhart, Nipsey Russell, and Dan Rowan and Dick Martin. None of the performers who had performed in the original 1950–1956 shows appeared. The special, produced by George Schlatter, also served as a television pilot for a possible revival of the series, which never happened.
Notable guest stars who went on to find success in entertainment included Vera Miles, costar of Alfred Hitchcock's thriller Psycho, Bob Fosse, later a noted choreographer and director who won multiple Tonys and an Academy Award for his work, and a child-age Christopher Walken, who became an Oscar-winning actor and screen star, appeared alongside Jerry Lewis in a sketch (albeit under his given name, Ronald).
Kinescopes of the 28 shows hosted by Martin & Lewis have been airing Saturday evenings on the classic television network RTV since June 30, 2012.[9]
Color
The episode broadcast on November 22, 1953, hosted by Donald O'Connor, was the first color television broadcast in the NTSC color system (used in the U.S. until the change to digital in June 2009). There were few other color broadcasts in the 1953–1954 season, and all of them were transmitted by NBC. The series was also used earlier in the season to demonstrate the final form of RCA's "Compatible" color system to members of the Federal Communications Commission (FCC). Two sets were in the room: an experimental color model and a standard black-and-white unit. Eddie Cantor hosted the program with guests including Frank Sinatra, Eddie Fisher, and Brian Donlevy.
Abbott and Costello were an American comedy duo composed of comedians Bud Abbott and Lou Costello, whose work in radio, film, and television made them the most popular comedy team of the 1940s and 1950s, and the highest-paid entertainers in the world during the Second World War. Their patter routine "Who's on First?" is considered one of the greatest comedy routines of all time, a version of which appears in their 1945 film The Naughty Nineties.
The year 1967 in television involved some significant events. Below is a list of television-related events in 1967.
The year 1955 in television involved some significant events. Below is a list of television-related events during 1955.
The year 1954 in television involved some significant events. Below is a list of television-related events in 1954.
The year 1953 in television involved some significant events. Below is a list of television-related events during 1953.
Texaco Star Theater is an American comedy-variety show, broadcast on radio from 1938 to 1949 and telecast from 1948 to 1956. It was one of the first successful examples of American television broadcasting, remembered as the show that gave Milton Berle the nickname "Mr. Television".
Eddie Cantor was an American comedian, actor, dancer, singer, songwriter, film producer, screenwriter and author. Familiar to Broadway, radio, movie, and early television audiences, this "Apostle of Pep" was regarded almost as a family member by millions because his top-rated radio shows revealed intimate stories and amusing anecdotes about his wife, Ida, and five daughters. Some of his hits include "Makin' Whoopee", "Ida ", "If You Knew Susie", "Ma! He's Making Eyes at Me", “Mandy”, "My Baby Just Cares for Me”, "Margie", and "How Ya Gonna Keep 'em Down on the Farm ?" He also wrote a few songs, including "Merrily We Roll Along", the Merrie Melodies Warner Bros. cartoon theme.
Buddy Hackett was an American actor and comedian. His best remembered roles include Marcellus Washburn in The Music Man (1962), Benjy Benjamin in It's a Mad, Mad, Mad, Mad World (1963), Tennessee Steinmetz in The Love Bug (1968), and the voice of Scuttle in The Little Mermaid (1989).
Variety show, also known as variety arts or variety entertainment, is entertainment made up of a variety of acts including musical performances, sketch comedy, magic, acrobatics, juggling, and ventriloquism. It is normally introduced by a compère or host. The variety format made its way from the Victorian era stage in Britain and America to radio and then television. Variety shows were a staple of English language television from the late 1940s into the 1980s.
Dinah Shore was an American singer, actress, and television personality, and the chart-topping female vocalist of the 1940s. She rose to prominence as a recording artist during the Big Band era. She achieved even greater success a decade later in television, mainly as the host of a series of variety programs for the Chevrolet automobile company.
Martin and Lewis were an American comedy duo, comprising singer Dean Martin and comedian Jerry Lewis. They met in 1945 and debuted at Atlantic City's 500 Club on July 25, 1946; the team lasted ten years to the day. Before they teamed up, Martin was a nightclub singer, while Lewis performed a comedy act lip-synching to records.
Ziv Television Programs, Inc. was an American production company that specialized in productions for first-run television syndication in the 1950s.
Sam Patrello was an American nightclub and movie comedian best known as a Jerry Lewis imitator.
The Abbott and Costello Show is an American television sitcom starring the comedy team of Bud Abbott and Lou Costello. The program premiered in syndication in the fall of 1952 and ran two seasons to the spring of 1954. Each season ran 26 episodes.
The 1955–56 network television schedule for the four major English language commercial broadcast networks in the United States. The schedule covers primetime hours from September 1955 through March 1956. The schedule is followed by a list per network of returning series, new series, and series cancelled after the 1954–55 season.
The following is the 1950–51 network television schedule for the four major English language commercial broadcast networks in the United States. The schedule covers primetime hours from September 1950 through March 1951. The schedule is followed by a list per network of returning series, new series, and series cancelled after the 1949–50 season. This season became the first in which primetime was entirely covered by the networks. It was also the inaugural season of the Nielsen rating system. Late in the season, the coast-to-coast link was in service.
Jimmy Wallington was an American radio personality.
The Eddie Cantor Comedy Theatre is a half-hour filmed American comedy series produced by Eddie Cantor and made at Ziv Television Programs, Inc. for first-run syndication. Cantor hosted and performed on each show. Thirty-nine episodes were produced and aired in 1955 before Cantor decided the show was too much for him to continue doing.
The Durante-Moore Show was an old-time radio show that ran on NBC with episodes running from March 25, 1943–October 28, 1943 and on CBS with episodes running from October 8, 1943–June 27, 1947.
The Jerry Lewis Show is the name of several separate but similar American variety, talk and comedy programs starring comedian Jerry Lewis that aired non-consecutively between 1963 and 1984. The original version of the series aired on ABC from September 21, 1963 – December 21, 1963. A second series of the same name aired on NBC from September 12, 1967 – May 27, 1969. A final version also of the same name aired in first-run syndication for one week in June 1984.
References
↑ Autobiography: Jerry Lewis in Person, coauthored with Herb Gluck. (New York: Atheneum, 1982), p. 182
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