The Farmer's Wife | |
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Directed by | |
Written by |
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Based on | The Farmer's Wife by Eden Phillpotts |
Produced by | Walter C. Mycroft |
Starring | |
Cinematography | Claude Friese-Greene |
Edited by | Flora Newton |
Music by | Guy Jones |
Production company | |
Distributed by | Pathé Pictures |
Release date |
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Running time | 81 minutes |
Country | United Kingdom |
Language | English |
The Farmer's Wife is a 1941 British comedy drama film directed by Norman Lee and Leslie Arliss and starring Basil Sydney, Wilfrid Lawson and Nora Swinburne. [1] [2] It was written by Arliss, J. E. Hunter and Lee based on the 1916 play The Farmer's Wife by Eden Phillpotts which had previously been adapted by Alfred Hitchcock for a 1928 film of the same name. [3] [4] It was produced by ABPC at Welwyn Studios, at a time when the company's main Elstree Studios had been requisitioned for wartime use. The film is not widely known. [5]
Farmer Samuel Sweetland, a widower with two daughters, buys a large neighbouring farm that he has coveted all his life. Now convinced that he needs to remarry, he draws up a list of three possible candidates with the assistance of his housekeeper Araminta Grey. They are Louisa Windeatt, a wealthy and spirited fox-hunting widow; Thirza Tapper, a prim unmarried lady who owns a nearby cottage; and Mary Hearne, an attractive barmaid from London.
Meanwhile, Sweetland's daughters, the forceful, coquettish Petronell and the shyer Sibley, have their own romantic entanglements with the young men of the area. Petronell tips her hat at Richard Coaker, only to discover that he is in love with her younger sister, and she finds eventual comfort in the arms of another suitor, George. Sweetland's own courtships go badly as each of the women reject his offer of marriage. Dejected, it is only then that he realises it his faithful housekeeper Araminta whom he really loves.
The Monthly Film Bulletin wrote: "For those who have seen both, the film suffers by comparison with the play, but the directors have been at pains to make the plot move as best they might, and in doing so have got some lovely exteriors of the English countryside and have made an excellent job of the local Show. Basil Sydney makes Sam Sweetland a very boorish figure, always behaving like a bull in a china shop, Wilfrid Lawson gives an impression of the cunning, poaching old farm hand, and there is one notable scene where he is dressed up as a coachman butler at a garden party. Nora Swinburne makes a pretty mouse of Araminta and Betty Warren is a breezy Widow Windeatt." [6]
Kine Weekly wrote: "The humour in this British comedy rests securely on its neat bucolic wit and the accuracy of its female psychology. Exaggeration is, of course, evident in the characterisation, but caricature is skilfully avoided. Friendly and versatile detail – the stormy love affairs of Sam's daughters are, for instance, amiably imposed on the central theme – is yet another happy factor. Natural, spicy dialogue and authentic and pictorially effective background give the final touch to a picture that is every bit as entertaining and diverting as its successful stage progenitor." [7]
Variety wrote: "Lightweight fare, this modestly budgeted feature from Pathe is unlikely to make much stir at the boxoffice. Eden Philpotts' comedy has retained too much of its stage attire, receiving little decisive action to give it screen momentum and is held down throughout by an ultra talky script." [8]
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