The Last Judgement Triptych (Klontzas)

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The Last Judgment Triptych
Greek: Τρίπτυχο Δευτέρα Παρουσία,
Italian: Il Giudizio Universale
Detail of the Last Judgment Triptych (Klontzas) panel 1.png
Detail of the Last Judgment Triptych (Klontzas) panel 2.png
Detail of the Last Judgment Triptych (Klontzas) panel 3.png
Artist Georgios Klontzas
Yearc.1560 – c.1608
Mediumgold enamel, egg tempera, gold leaf on wood
Movement Cretan School
SubjectThe Last Judgement
Dimensions67 cm× 26.4 cm(79 in× 31.1 in)
Location Hellenic Institute of Venice, Venice
Owner Hellenic Institute of Venice
Website Official Website (Greek)

The Last Judgement Triptych is a triptych by Georgios Klontzas. Klontzas was a post-Byzantine Greek painter and prominent member of the Cretan school. He is likened to El Greco and Michael Damaskinos. He painted between 1550 and 1608, with a workshop in Heraklion, Crete. He created many forms of art such as triptychs, portable icons or paintings, and manuscripts. Klontzas created several versions of the Last Judgment or Second Coming. His The Last Judgment also features the same subject but is a single panel painting, not a triptych. Klontzas also created other triptychs. [1] [2] [3]

Contents

The final and infinite judgment by God is believed to be the Second Coming. People of every nation will be judged resulting in the approval of some and the penalizing of others. This triptych is a pictorial representation of that event. Greek and Italian Byzantine artists used the theme in countless works of art. The Italian artist Fra Angelico created many triptychs of The Last Judgement. Klontzas may have been exposed to Italian prototypes. Both the triptych and The Last Judgement are in the collection of the Hellenic Institute of Venice in Italy. [4] [5]

Description

The triptych was gilded with gold, the painting material was egg tempera and gold leaf on three separate wood panels. The width is 79 cm (31.1 in) and the height is 67 cm (26.4 in). The gilded metallic portion was made with elaborate decorations. Throughout the three panels, naked figures are mixed with nobility and clergy. Klontzas makes a distinction between the saved and the damned. All Twelve Apostles are visible in the left and right panel.

On the first panel to the viewer's left in the upper archway, six apostles are seated in heavenly thrones. Below the apostles in the first panel, Constantine I and Helena stand by the True Cross. Saint Catherine stands by the wooden wheel. The remaining figures participate in the dance of the last judgment. The hierarchs, military saints, monks, and holy women are present. At the bottom of the panel, a scene depicts the resurrection of the dead. [6]

On the second panel, below the holy trio, Adam and Eve hold the cross as they gaze upon hell. To the right of the cross, Noah carries the Ark over his head; to the left of the cross, Moses is holding the Ten Commandments. On the same side as Noah, Abraham, and Isaac are present. Isaac carries the wood of sacrifice on his back. He is escorted by two lions. [7] Below the group, there is the Angelic Choir playing instruments, and the Book of Life is opened. Two archangels appear at the center bottom of the image: Archangel Michael holds a scale depicting the weighing of souls, and Archangel Gabriel, positioned behind Archangel Michael, has a sword. Winged demons are also present. The demon characters resemble his other works, namely The Last Judgment. [8] The upper portion features scenes from Genesis in fifteen small circles. In the central upper archway, right below the scenes of Genesis, Jesus appears, the Virgin Mary is to his right, and John the Baptist appears to his left, resembling The Last Judgment painting of Klontzas. The trio is surrounded by flying heads. [9]

On the third panel to the viewer's right, the upper archway features the remaining six apostles. Below the apostles, clergy, and nobles, a huge scene depicting hell occupies over half of the panel. Abraham, Lazarus, and Isaac sit on top of a stone building, which is crowded with demons. A figure reminiscent of Greek mythology resembling Charon appears. A wooden boat carries the damned to the mouth of hell. [10]

References

  1. Panayiotis Kabanis (May 27, 2019). "The Second Coming by Georgios Klontzas". Greek City Culture. Retrieved November 13, 2021.
  2. Speake, Graham (2021). Georgios Klontzas Encyclopedia of Greece and the Hellenic Tradition. London And New York: Rutledge Taylor & Francis Group. p. 893. ISBN   9781135942069.
  3. Hatzidakis, Manolis; Drakopoulou, Evgenia (1997). Έλληνες Ζωγράφοι μετά την Άλωση (1450-1830). Τόμος 2: Καβαλλάρος - Ψαθόπουλος [Greek Painters after the Fall of Constantinople (1450-1830). Volume 2: Kavallaros - Psathopoulos]. Athens: Center for Modern Greek Studies, National Research Foundation. pp. 89–91. hdl:10442/14088. ISBN   960-7916-00-X.
  4. Staff Writers (October 28, 2021). "Greek Art Catalogue". Digitized Archive of the Hellenic Institute of Venice. Retrieved October 28, 2021.
  5. Paliouras, Athanasios D. (1976). A Guide to the Museum of Icons and the Church of St. George. Venice, Italy: Hellenic Institute of Venice. p. 40.
  6. Siopis, 2016, pp. 33-35
  7. Siopis, Ioannis (2016). A Detailed History of the Second Coming (Last Judgment) in Greek Paintings (Greek) (PDF). Thessaloniki, Greece: Aristotle University of Thessaloniki School of Philosophy Division of Archaeology and History. p. 33-35.
  8. Eugenia Drakopoulou (November 13, 2021). "The Second Coming (triptych, central part)". National Hellenic Research Foundation. Retrieved November 13, 2021.
  9. Speake, 2021, p. 893-894
  10. Siopis, 2016, pp. 33-35