"The Last of the Famous International Playboys" | ||||
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Single by Morrissey | ||||
B-side |
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Released | 30 January 1989 | |||
Genre | Alternative rock | |||
Length | 3:37 | |||
Label | HMV | |||
Songwriter(s) |
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Producer(s) | Stephen Street | |||
Morrissey singles chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
"The Last of the Famous International Playboys" is a 1989 song by British vocalist Morrissey.
Co-written by Morrissey and producer Stephen Street, the song was Morrissey's third release after the 1987 breakup of his earlier group Smiths. Morrissey's lyrics were inspired by gangster brothers the Kray Twins, notorious in London's East End during the 1960s, whom he believed to be an example of the media glamourizing violent criminals. Street wrote the music, which took influence from the post-punk group the Fall and an introduction similar to that of "The Man Who Sold the World" by David Bowie. The single was the first Morrissey solo single to feature his former Smiths bandmates Andy Rourke, Mike Joyce, and Craig Gannon.
"The Last of the Famous International Playboys" was recorded and released following Morrissey's debut album Viva Hate . Upon release, the single became another commercial hit for Morrissey, reaching number six in the UK despite initially mixed reviews. The song later appeared on the 1990 compilation album Bona Drag .
The song was a commercial success upon its release and has since been praised as one of Morrissey's best songs.
In a 1989 interview, Morrissey joked "'The Last of the Famous International Playboys' are Bowie, Bolan, Devoto and me." [2] Lyrically, however, "The Last of the Famous International Playboys" largely mythologizes the notorious pair of vicious London gangsters known as the Kray twins Ronnie and Reggie, who held a tight rein on the East End of London during the 1950s and 1960s. [3] Morrissey explained that he wanted to explore the way that the tabloid press made celebrities out of violent criminals in the song, saying that the Krays "exemplify" the "way notorious people can be quite glamorous." [2] He elaborated in a separate interview:
I think a lot of people, in order to be seen, in order to be famous and in order to be acknowledged, do something destructive or commit murder. In America, the perfect example is serial killers who quite obviously don't mind being caught and don't mind being known as mass-murderers. They want their element of fame, and they get it always. [4]
"The Last of the Famous International Playboys" and follow-up single "Interesting Drug" are notable for featuring three of Morrissey's former colleagues in the Smiths: bassist Andy Rourke, drummer Mike Joyce rhythm guitarist Craig Gannon. For his previous solo work on Viva Hate , Morrissey consciously chose not to work with his former bandmates; Street said "I think he thought it would cloud the issue." [5] All three sidemen also appear on the B-side "Lucky Lisp".
As on Morrissey's previous solo songs, Street composed the music for "The Last of the Famous International Playboys". He wrote the song's bassline despite the presence of Rourke. Street said "The songs I gave them to work on, 'Interesting Drug' and '...International Playboys' you know, they were my bass lines and such. I mean, Andy did his own version of it, but they were my bass lines...Andy is such a lovely guy, he would add to it, and he is such a great bass player." [6] Street described the song "as a Fall type droning dirge," recalling "Morrissey heard it and to my surprise said he'd like to use it. He came back a while later, suggested speeding it up, and presented 'Last of the Famous International Playboys'. I was stunned." [2]
Morrissey said in a 1989 interview that he had high hopes for the single: "'The Last Of Famous International Playboys', is the first record that I feel hysterical about. And I'm very pleased to feel that way. I compare it to 'Shoplifters of the World Unite'. I heard 'Shoplifters of the World Unite' once on the radio, a chart rundown. It was a new entry. They had to play it. They had no choice. And I laughed hysterically as it listened to it. I felt a great sense of victory. And that's the same way I feel about 'The Last of the Famous International Playboys.'" [2]
The single was another commercial success for Morrissey, with James Brown of the NME writing, in early 1989, "I have already heard serious suggestion that 'Last of the Famous Playboys' will be Morrissey's first number one hit record." [2] It reached number 6 on the UK Singles Chart. [7] The song was not featured on one of Morrissey's main studio albums but can be found on the compilation album Bona Drag along with the B-side "Lucky Lisp". The artwork for the single features Morrissey, aged 6, up a tree in Chorlton-on-Medlock, Manchester—literally a boy at play. [3] When asked if he had changed since the photo was taken, Morrissey said "Well, I have a new sweater." [8]
Morrissey first performed the song live at his infamous debut solo concert at Wolverhampton's Civic Hall in December 1988, alongside Rourke, Joyce, and Gannon. [9] That same month, The Guardian described the show as "primarily a showcase for Morrissey's New Year single, 'The Last of the Famous International Playboys.'" [10] The song was performed live by Morrissey on his 1991, 1992, 2007, 2011 and 2018 tours.
NME initially gave the single a negative review, with Stuart Maconie saying the track was "' Panic' without the magnetism and the blinding self-confidence" and concluding "I would still chain myself to a disused railway line in Bacup for him, but the lad can do better" [11] —in a review for Bona Drag one year later, however, Maconie expressed a change of heart, writing, "At the time of its release, I was rather mealy-mouthed about 'Playboys' so let me take this chance of saying I was wrong about this sterling tune full of stomping boot boy romanticism." [12] "The Last of the Famous International Playboys" has seen critical acclaim in the years since its release. In a retrospective review, Ned Raggett of AllMusic was much more favorable, writing "Morrissey's performance is grand and passionate". [1] PopMatters was similarly complimentary, writing "'Such things I do / Just to make myself / More attractive to you / Have I failed? he asks. No, clearly, no again and again." [13] Rolling Stone described it as a "great nonalbum single." [14]
Other music writers have ranked the song as being among Morrissey's better songs. Spin named it Morrissey's seventh best solo song, writing "Unusually wiggy guitar effects add to the unseemly drama." [15] Clash included it in its unranked list of the seven best Morrissey solo singles, writing "A love letter to London's notorious Kray twins, it's playful, hilarious and supremely confident. It rocks too, full of hip swinging swagger and glorious effervescence." [16]
According to Johnny Rogan, Johnny Marr was so impressed with the quality of the song that he sent Morrissey a postcard congratulating him. [17] In a 1991 interview, Marr said "I did send him a note telling him that 'Last of the Famous International Playboys' was really good, a good 'un, something I knew he'd be proud of." [18] Reggie Kray, meanwhile, acknowledged the song in his biography, stating "I liked the tune, but the lyrics in their entirety were lacking a little. They came quite close..." Morrissey, in turn, joked "I can't get away from critics". [19]
The official video was directed by Tim Broad. It stars the actor Jason Rush, who had appeared in the 1987 television drama Two of Us , [4] intercut with footage of the band performing against a green-screen backdrop. In the video, Rush is portrayed as the song's "dear hero imprisoned" in his metaphorical jail of a bedroom with walls decorated with posters of male icons such as Elvis Presley, Jack Nicholson, and George Best. [4] The video later appeared on the compilation Hulmerist , which comprises seven videos made by Broad for Morrissey songs.
7-inch vinyl
12-inch vinyl, CD and cassette
Country | Record label | Format | Catalogue number | Notes |
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UK | HMV | 7-inch vinyl | POP1620 | |
UK | HMV | 12-inch vinyl | 12POP1620 | |
UK | HMV | Compact disc | CDPOP1620 | |
UK | HMV | Cassette | TCPOP1620 |
Chart (1989–1990) | Peak position |
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UK Singles (OCC) [20] | 6 |
US Alternative Airplay ( Billboard ) [21] | 3 |
"The Last of the Famous International Playboys" | ||||
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Single by Morrissey | ||||
Released | 8 April 2013 | |||
Genre | Alternative rock | |||
Length | 3:37 | |||
Label | EMI | |||
Songwriter(s) | Morrissey/Street | |||
Morrissey singles chronology | ||||
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The single was reissued along with a remastered version of his 1991 album Kill Uncle on 8 April 2013. The single was released in three versions, backed by new live Morrissey songs recorded in June 2011 by the BBC. [22]
The 7-inch single included "People Are the Same Everywhere (BBC live version)" while the CD included "Action Is My Middle Name (BBC live version)". "The Kid's a Looker (BBC live version)" was available via digital download. [22]
On 7 February 2013, it was stated on Morrissey's official website that the single would not feature the album artwork it was intended to feature. The cover art was to feature a previously unseen 1992 photo of Morrissey and David Bowie appearing together in New York City, but Bowie had demanded that the photo not be used by EMI UK. [23] Instead a photo of Morrissey and Rick Astley, taken backstage at Top of the Pops in 1989, was used in its place. [24]
The Smiths were an English alternative rock band formed in Manchester in 1982, composed of Morrissey (vocals), Johnny Marr (guitar), Andy Rourke (bass) and Mike Joyce (drums). Morrissey and Marr formed the band’s songwriting partnership. The Smiths are regarded as one of the most important acts to emerge from 1980s British independent music.
John Martin Marr is an English musician, songwriter and singer. He first achieved fame as the guitarist and co-songwriter of the Smiths, who were active from 1982 to 1987. He has since performed with numerous other bands and embarked on a solo career.
Bona Drag is a compilation album by Morrissey released on 15 October 1990. The album features an array of Morrissey's most popular songs from his early solo career, most of which had not been released on any previous album. The album name meaning nice outfits is an example of the subculture slang Polari explored further on the album's first track "Piccadilly Palare". The album was certified Gold by the RIAA on 6 December 2000. In 2010, the album was remastered and expanded to include six bonus tracks.
Best... I is a compilation album by the Smiths. It was released in August 1992 by the new owner of their back catalogue, WEA. It reached number one on the UK Albums Chart; it reached No. 139 on the US Billboard 200. Warner UK used a photograph taken by actor Dennis Hopper titled "Biker Couple, 1961" for the artwork of the two 1992 "best of" compilations by The Smiths.
...Best II is a compilation album by the Smiths. It was released on November 2, 1992, by the new owner of their back catalogue, WEA. Its highest British chart position was #29; it did not chart in the U.S.
Singles is the seventh compilation album by the English rock band the Smiths, pitched as a compilation of previously issued singles. It was released in February 1995 by the new owner of their back catalogue, WEA. Its highest British chart position was #5; it did not chart in the United States. Blender magazine listed the album among the "500 CDs You Must Own" on their website.
The Very Best of The Smiths is a compilation album by English rock band The Smiths. It was released in June 2001 by WEA in Europe, without consent or input from the band. It reached number 30 on the UK Albums Chart. The album was not released in the United States.
Craig Gannon is an English guitarist, best known as the second guitarist in the Smiths (1986). He is now a composer for film and television.
Andrew Michael Rourke was an English musician best known as the bassist of the 1980s indie rock band the Smiths. Regarded as one of the greatest bassists of his generation, he was known for his melodic and funk-inspired approach to bass playing.
Michael Adrian Paul Joyce is an English drummer. He is best known for being the drummer for the Smiths from October 1982 to 1987.
"Panic" is a song by the English rock band the Smiths, released in 1986 and written by singer Morrissey and guitarist Johnny Marr. The first recording to feature new member Craig Gannon, "Panic" bemoans the state of contemporary pop music, exhorting listeners to "burn down the disco" and "hang the DJ" in retaliation. The song was released by Rough Trade as a single and reached No. 7 on the Irish Singles Chart and No. 11 in the UK Chart. Morrissey considered the song's appearance on daytime British radio a "tiny revolution" in its own way, as it aired amongst the very music it criticised.
"Interesting Drug" is a song by English singer-songwriter Morrissey, released as a non-album single on 17 April 1989. Co-written by Morrissey and former Smiths producer Stephen Street, the song was Morrissey's fourth release after the Smiths break-up. Morrissey was inspired lyrically by the drug culture in the English lower class, which he felt was being clamped down on by the power-hungry Thatcher government. These political themes were further explored in its music video. The single was the second and final Morrissey solo single to feature his former Smiths bandmates Andy Rourke, Mike Joyce, and Craig Gannon.
"November Spawned a Monster" is a song by the English singer Morrissey, released as a single in April 1990 by HMV. It was written by Morrissey and Clive Langer and features one of Morrissey's former colleagues from the Smiths, Andy Rourke, on bass guitar. The single reached number 12 on the UK Singles Chart. The track and its B-side "He Knows I'd Love to See Him" appear on his compilation album Bona Drag (1990).
"Ask" is a song recorded by the English rock band the Smiths. It was released as a single on 20 October 1986 through Rough Trade Records. Credited to vocalist Morrissey and guitarist Johnny Marr, "Ask" is an ostensibly upbeat, positive pop song built around major chords. Its lyrics discuss shyness and encourage listeners to overcome their inhibitions. Its multiple guitar parts and complex production led to disagreements regarding its final mix. Craig Gannon, who at the time was rhythm guitarist for the group, has claimed he wrote – and was denied credit for – the song's chord structure.
"Ouija Board, Ouija Board" is a song by English singer-songwriter Morrissey, released as a single in November 1989. The track appears along with its B-side "Yes, I Am Blind" on the compilation album Bona Drag. A shorter edit, omitting a verse, appeared on the 2010 reissue of Bona Drag. The single was poorly received by the music press and the public; its highest position on the UK Singles Chart was No. 18, making it the first solo Morrissey single not to reach the top 10. "Yes, I Am Blind" was composed by Morrissey's ex-Smiths partner Andy Rourke, and the picture on the sleeve was taken by Anton Corbijn.
"I Started Something I Couldn't Finish" is a song by the English rock band The Smiths, written by singer Morrissey and guitarist Johnny Marr and released on the group's 1987 album Strangeways, Here We Come. Featuring a glam rock-inspired guitar riff, the song emerged from a jam during the "Sheila Take a Bow" sessions.
"Stop Me If You Think You've Heard This One Before" is a song by the English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. The song was first released on the group's 1987 album Strangeways, Here We Come. Marr's music features a larger sound, courtesy of a 12-string Gibson ES-335, and one of his few guitar solos with the Smiths. Morrissey's lyrics allude to alcohol and deception.
"Hairdresser on Fire" is a song by Morrissey, first released as a B-side to his debut solo single "Suedehead". Co-written by Morrissey and producer Stephen Street, the song features lyrics expressing Morrissey's frustration with being unable to see his hairdresser.
"The Queen Is Dead" is a 1986 song by English alternative rock band the Smiths, appearing on their third studio album of the same name. Written by Morrissey and Johnny Marr, the song features anti-monarchist lyrics that attracted controversy in the UK music press. Musically, the song was a result of experimentation and jamming, with Marr and rhythm section Andy Rourke and Mike Joyce using technology in the studio to enhance their performances.