"Everyday Is Like Sunday" | ||||
---|---|---|---|---|
Single by Morrissey | ||||
from the album Viva Hate | ||||
B-side |
| |||
Released | 30 May 1988 [1] | |||
Genre | Alternative rock | |||
Length | 3:33 | |||
Label |
| |||
Songwriter(s) | ||||
Producer(s) | Stephen Street | |||
Morrissey singles chronology | ||||
| ||||
Morrisseysingles chronology | ||||
| ||||
Music video | ||||
"Everyday Is Like Sunday" on YouTube |
"Everyday Is Like Sunday" is the third track of Morrissey's debut solo album, Viva Hate ,and the second single to be released by the artist. Co-written by Morrissey and former Smiths producer Stephen Street,the song was Morrissey's second release after the Smiths break-up. Morrissey was inspired lyrically by Nevil Shute's On the Beach to lament the drudgery of a seaside town. Street,who had originally sought to contribute his musical ideas to Morrissey to use for Smiths B-sides,also contributed bass guitar,which he contends was inspired by Echo &the Bunnymen.
"Everyday Is Like Sunday" was featured on Morrissey's debut album, Viva Hate ,and the compilation album Bona Drag . Upon release,the single,featuring the B-sides "Disappointed","Will Never Marry",and "Sister I'm a Poet",saw commercial and critical success,reaching number nine in the UK and garnering rave reviews for its evocative lyrics and bombastic music. Encouraged by the success of the single,Morrissey would continue working with Street for subsequent singles and the rest of Viva Hate.
Since its release,"Everyday Is Like Sunday" has become one of Morrissey's most successful songs and remains critically acclaimed by modern writers. It has also inspired the cult Canadian film Everyday Is Like Sunday .
"Everyday Is Like Sunday" was co-written by Morrissey and Stephen Street,the songwriting team behind Morrissey's debut solo single "Suedehead". Street,who initially believed the Smiths would reunite within a few months of breaking up,initially sent demos of his instrumental tracks to Morrissey as possible ideas for Smiths B-sides. [2] The song's lyrics,which commemorate the dreariness of a seaside town in the off-season, [3] were reportedly inspired by Nevil Shute's On the Beach , [4] a novel about a group of people waiting for nuclear devastation in Melbourne,Australia. Of the song's lyrics,Morrissey commented,"The British holiday resort is just like a symbol of Britain's absurdity really. The idea of a resort in Britain doesn't seem natural." [5]
In addition to composing the song's music,Stephen Street performed bass on the song. He commented,"'Everyday Is Like Sunday' was me trying to be the bass player of Echo &the Bunnymen! The chords are quite simple,but again the bassline was a big part of the songwriting." [6] Street recruited drummer Andrew Parisi and guitarist Vini Reilly to round out the studio band. Street recalled of the latter,"Vini turned around and said to me 'I'm not playing that song,it's too bloody simple' –well that song was 'Everyday Is Like Sunday'! He's a musical snob in some respects –he's incredibly frustrating." [7]
According to Street,"Everyday Is Like Sunday" was recorded in his second session with Morrissey. [8] The song features a six-piece string section,led by violinist Fenella Barton. [9]
"Everyday Is Like Sunday" was,like "Suedehead," noted as a potential single early in the song's recording process. Street recalled,"Obviously ['Sunday'] has such a great classic vibe to it. I think those two songs did kind of stand out as the most single-like tracks on [Viva Hate]." [8]
The single was released in May 1988,with the B-sides "Disappointed","Will Never Marry",and "Sister I'm a Poet". Written after the Viva Hate sessions,these B-sides would be hailed by Street as him "really getting into gear" [2] and Morrissey as "a progression from Viva Hate" and "quite magical." [10] The single,featuring artwork of Morrissey that Sounds compared to "a stubbleless George Michael", [10] achieved similar commercial success to its predecessor,reaching number nine on the UK Singles Chart. [11] In addition to appearing on his first solo album Viva Hate ,"Everyday Is Like Sunday" appeared on the 1990 compilation album Bona Drag . "Disappointed" and "Will Never Marry" also appeared on Bona Drag.
On 27 September 2010,the single was re-issued on CD and two 7-inch formats,including the unreleased "November the Second",an alternative mix of "November Spawned a Monster". This re-issue debuted at number 42 on the UK singles chart. It coincided with the 20th-anniversary re-issue of his 1990 compilation Bona Drag .
Review scores | |
---|---|
Source | Rating |
AllMusic | [12] |
Upon its release, "Everyday Is Like Sunday" saw critical acclaim. NME praised the song as "glorious, swooning pop," writing, "It's the one song on the album that would stand up as an instrumental and lyrically it confirms its writer's reputation as one of the most skillful chroniclers of all that is shabby and drab and joyless in this sceptered isle". [13] Sounds named it one of the "perfect moments" on Viva Hate calling it "a perfect rebuff to the Cliff Richard 'Summer Holiday' hit syndrome with its drizzly chorus, 'Everyday is like Sunday/Everyday is silent and grey'." [10]
Since then, the song has been recognized as one of Morrissey's best. Ned Raggett of AllMusic called the song "the unquestioned highlight of Viva Hate" as well as "one of Morrissey's most memorable numbers in and out of the Smiths." He elaborated, "Street's orchestrations fit the melancholic surge of the music to a T, while Morrissey's portrait of a "seaside town that they forgot to bomb" is evocative and given a bravura vocal." [12] Spin listed it as the number one Morrissey solo song, writing, "This is the Platonic ideal of Morrissey songs. ... While some may roll their eyes, few songs illuminate the alienation and boredom of suburbia (or small-town life) better than this." [14] The Guardian also named it first on their list of top Morrissey songs, writing, "The reason it's one of his strongest early singles is because it exists in a masterfully imagined, ennui-laden world of its own. Here, in the 'seaside town that they forgot to bomb', there’s no acrimony or draining divorce – just drudgery in the world's snooziest holiday destination." [15]
"Everyday Is Like Sunday" has also seen great acclaim from Morrissey's contemporary musicians. In a September 1992 edition of Q magazine, Pretenders frontwoman Chrissie Hynde (who would later record her own version of the song) said that the "lyric to 'Everyday Is Like Sunday' is, to me, a masterful piece of prose." In the same piece, Bananarama's Siobhan Fahey described it as her "all-time top song". [16] In Morrissey's autobiography, he recalls that REM's Michael Stipe told him that he was "very jealous" of "Everyday Is Like Sunday" and that it made him consider going solo. [17]
A music video directed by Tim Broad was created for "Everyday Is Like Sunday." The location used for the video was Southend-on-Sea. [9] Throughout, Morrissey appears in the background of the video in roles such as a cyclist, a cafe customer, and a shop assistant. Author David Bret asserts that this was based on the film Jacques Brel Is Alive and Well and Living in Paris , a film where Brel appeared in cameos intermittently throughout performances of his song by other musicians. [9] Billie Whitelaw appears in a supporting role as does Cheryl Murray and Lucette Henderson as a young fan. Henderson had previously appeared in the video for the Smiths' video for "Stop Me If You Think You've Heard This One Before," while Whitelaw featured on the single artwork for "William, It Was Really Nothing." The video also features clips from the film Carry On Abroad , a favourite of Morrissey. [18]
Morrissey performed the song on his solo debut on Top of the Pops , appearing in a The Queen Is Dead T-shirt and a blazer. [17] The song has since been performed live by Morrissey on his 1991, 1992 (Festival Dates), 2002, 2004, 2006, 2007 and 2008 tours, and on his 2012 tour of Australia and New Zealand. In 2004 the song was played in a medley with the first verse of "Subway Train" by the New York Dolls. [18]
7-inch vinyl
12-inch vinyl, compact disc and cassette
Compact disc
7-inch single 1
7-inch single 2
|
|
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [27] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
Country | Record label | Format | Catalogue number |
---|---|---|---|
UK | HMV | 7-inch vinyl | POP1619 |
UK | HMV | 12-inch vinyl | 12POP1619 |
UK | HMV | Compact disc | CDPOP1619 |
UK | HMV | Cassette | TCPOP1619 |
"Everyday Is Like Sunday" was covered by the Pretenders for the soundtrack to the film Boys on the Side . Morrissey commented at the time, "I do know that Chrissie Hynde is doing 'Everyday Is Like Sunday.' I've heard a demo version and, well, my cheeks are moist." [28] The song has also been covered by 10,000 Maniacs (as a B-side to their single "Candy Everybody Wants"); the Estonian pop group Mr. Lawrence; the Armageddon Dildos (on the "Come Armageddon" maxi-single) and Mikel Erentxun (on his album Acrobatas). Colin Meloy of The Decemberists included the song on Colin Meloy Sings Morrissey . The Mexican tribute act Mexrrissey featured it (as "Cada Día Es Domingo") on their 2015 No Manchester album, and Canadian band The Tea Party released a cover as a bonus track on their 2021 album Blood Moon Rising.
A mostly instrumental version (containing only the title lyric) was used in the NFL Network's "When all you want is football" television ad campaign. [29]
The Smiths were an English rock band formed in Manchester in 1982, composed of Morrissey (vocals), Johnny Marr (guitar), Andy Rourke (bass) and Mike Joyce (drums). Morrissey and Marr formed the band’s songwriting partnership. The Smiths are regarded as one of the most important acts to emerge from 1980s British independent music.
Bona Drag is a compilation album by Morrissey released on 15 October 1990. The album features an array of Morrissey's most popular songs from his early solo career, most of which had not been released on any previous album. The album name meaning nice outfits is an example of the subculture slang Polari explored further on the album's first track "Piccadilly Palare". The album was certified Gold by the RIAA on 6 December 2000. In 2010, the album was remastered and expanded to include six bonus tracks.
Stephen Brian Street is an English record producer best known for his work with the Smiths, the Cranberries and Blur. Street collaborated with Morrissey on his debut album Viva Hate following the split of the Smiths.
Viva Hate is the debut solo studio album by English singer Morrissey. It was released on 14 March 1988 by HMV, six months after the final studio album by the Smiths, Strangeways, Here We Come (1987).
Kill Uncle is the second solo studio album by the English alternative rock singer Morrissey, released on 4 March 1991 by EMI Records and HMV Records. The title comes from the black comedy film Let's Kill Uncle (1966).
Suedehead: The Best of Morrissey is a compilation album by English singer Morrissey, released on 8 September 1997. It contains material released during Morrissey's EMI period.
Andrew McGibbon, is an English comedian, actor, writer, musician and composer. He has also produced and directed extensively, chiefly for radio.
"This Charming Man" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and singer Morrissey. Released as the group's second single in October 1983 on the independent record label Rough Trade, it is defined by Marr's jangle pop guitar riff and Morrissey's characteristically morose lyrics, which revolve around the recurrent Smiths themes of sexual ambiguity and lust. A different version, from the John Peel Show on BBC Radio 1, was included on the compilation album Hatful of Hollow in 1984.
"Suedehead" is the debut solo single by English singer Morrissey, released on 15 February 1988. Co-written by Morrissey and former Smiths producer Stephen Street, the song was Morrissey's first solo release after the Smiths break-up. Morrissey was inspired lyrically by the suedehead subculture, recalling an individual from his teenage years in the context of the movement. Street, who had originally sought to contribute his musical ideas to Morrissey to use for Smiths B-sides, also contributed bass guitar, while Vini Reilly and Andrew Paresi rounded out his new solo band.
"The Last of the Famous International Playboys" is a 1989 song by British vocalist Morrissey.
"Interesting Drug" is a song by English singer-songwriter Morrissey, released as a non-album single on 17 April 1989. Co-written by Morrissey and former Smiths producer Stephen Street, the song was Morrissey's fourth release after the Smiths break-up. Morrissey was inspired lyrically by the drug culture in the English lower class, which he felt was being clamped down on by the power-hungry Thatcher government. These political themes were further explored in its music video. The single was the second and final Morrissey solo single to feature his former Smiths bandmates Andy Rourke, Mike Joyce, and Craig Gannon.
"Ouija Board, Ouija Board" is a song by English singer-songwriter Morrissey, released as a single in November 1989. The track appears along with its B-side "Yes, I Am Blind" on the compilation album Bona Drag. A shorter edit, omitting a verse, appeared on the 2010 reissue of Bona Drag. The single was poorly received by the music press and the public; its highest position on the UK Singles Chart was No. 18, making it the first solo Morrissey single not to reach the top 10. "Yes, I Am Blind" was composed by Morrissey's ex-Smiths partner Andy Rourke, and the picture on the sleeve was taken by Anton Corbijn.
"Sister I'm a Poet" is a song by Morrissey, first released as a B-side to "Everyday Is Like Sunday". The lyric and title have been interpreted as a homage to Tennessee Williams' The Glass Menagerie.
"We Hate It When Our Friends Become Successful" is a song by English singer-songwriter Morrissey from his third studio album, Your Arsenal (1992). It was released as the lead single from the album on 27 April 1992 by His Master's Voice (HMV). It was the first Morrissey single to be co-written with guitarist Alain Whyte and produced by glam rock guitarist Mick Ronson, known for his work with David Bowie as one of the Spiders from Mars. The song peaked at No. 17 on the UK Singles Chart and No. 9 in Ireland.
"Stop Me If You Think You've Heard This One Before" is a song by the English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. The song was first released on the group's 1987 album Strangeways, Here We Come. Marr's music features a larger sound, courtesy of a 12-string Gibson ES-335, and one of his few guitar solos with the Smiths. Morrissey's lyrics allude to alcohol and deception.
The CD Singles '88–91' is a box set of Morrissey's first ten singles as a solo artist, from "Suedehead" (1988) to "Pregnant for the Last Time" (1991).
"Hairdresser on Fire" is a song by Morrissey, first released as a B-side to his debut solo single "Suedehead". Co-written by Morrissey and producer Stephen Street, the song features lyrics expressing Morrissey's frustration with being unable to see his hairdresser.
Very Best of Morrissey is a compilation album by Morrissey, containing material he released during the 1980s and 1990s on EMI. It was released on 25 April 2011.
Steven Patrick Morrissey, known mononymously as Morrissey, is an English singer and songwriter. He came to prominence as the frontman and lyricist of rock band the Smiths, who were active from 1982 to 1987. Since then, he has pursued a successful solo career. Morrissey's music is characterised by his baritone voice and distinctive lyrics with recurring themes of emotional isolation, sexual longing, self-deprecating and dark humour, and anti-establishment stances.