The Longing

Last updated

The Longing
TheLongingVideoGame CoverArt.png
Promotional art
Developer(s) Studio Seufz
Publisher(s) Application Systems Heidelberg
Director(s) Anselm Pyta
Producer(s) Stefan Michel
Programmer(s)
  • Thomas Krüger
  • Anselm Pyta
Artist(s) Anselm Pyta
Composer(s)
  • Jan Roth
  • Jürgen Härtenstein
  • Anselm Pyta
Engine Unity
Platform(s)
Release
  • Windows, macOS, Linux
  • March 5, 2020
  • Switch
  • April 14, 2021
  • Android, iOS
  • December 18, 2023
Genre(s) Point-and-click adventure, idle
Mode(s) Single-player

The Longing is a 2020 point-and-click adventure game created by independent developer Studio Seufz. Set in an underground kingdom, the player controls the Shade, a creature tasked with watching over a sleeping king for 400 days. The Shade performs recreational activities, including reading and exploring, as it waits out the 400 days in real time. The in-game timer continues regardless of the player's actions but moves faster if the Shade performs certain actions inside its home, such as decorating the walls with drawings.

Contents

Developer Anselm Pyta conceived of The Longing after hearing the Kyffhäuser legend while visiting the Barbarossa Cave. Pyta sought to explore emotional themes in a narrative-driven story and used time as a game mechanism. The developer was inspired by dungeon synth music, which helped him define the subterranean atmosphere and theme of loneliness. Pyta acted as the primary developer for most of the game's six-year production, having to rely upon personal intuition to design the pacing due to playtesting difficulties.

The Longing was first released for Windows, macOS, and Linux on March 5, 2020. It gained praise for its soundtrack, visuals, and experimental nature, but the slow-paced gameplay divided critics. The game was released during the COVID-19 pandemic, and many commentators compared it to life under quarantine. The Longing was a finalist for the Nuovo Award at the 2020 Independent Games Festival and won the "Best Debut" award at the 2020 Deutscher Computerspielpreis.

Gameplay

The decorations and pastimes within the Shade's home cause the timer to advance faster. TheLongingVideoGame ShadeHome.png
The decorations and pastimes within the Shade's home cause the timer to advance faster.

The Longing is a point-and-click adventure game that takes place in an underground kingdom. The player controls the Shade, a lonely creature serving an elderly king. After the king falls asleep to regain his diminished powers, the Shade is tasked with awakening its master after 400 days in real time. [1] [2] [3] The Shade can explore caves, gather resources to furnish its home, or perform other activities such as reading classical literature and drawing. [2] [4]

Interaction with the world is slow-paced, [5] with the Shade's walking speed being particularly slow. [6] Many aspects of gameplay depend upon the passage of time, including puzzles that require the player to wait for a certain period to progress. [5] Performing actions inside the Shade's home causes time to pass at an increased rate. For example, reading books and decorating the walls with drawings results in the in-game timer advancing more rapidly. [3] [7]

Other mechanics are reminiscent of idle games, [5] which share a common theme of progressing despite little or no interaction, including when the game is closed. [8] The player can cause the Shade to perform several tasks without outside input, such as reading books. [7] Another mechanism called the "bookmark system" can be accessed through a menu, and the player can use it to instruct the Shade to automatically walk to a previously saved location, return to its home, or randomly wander around. [7] [9] The player is provided a to-do list of things to improve the Shade's life, [10] but no interaction is required to advance the timer, and it continues even if the game is not open. [11] As a result, it is possible to finish The Longing by simply starting the game, closing it, and returning after the timer has elapsed. [7] To prevent cheating, players are sent to a dungeon if they attempt to circumvent the time limit by changing their computer's system clock. [5] The Longing features several endings, and not all require the player to wait out the 400 days. [3] [7]

Plot

The Longing begins with an old king informing the Shade that he will sleep for 400 days to recover his powers. After that time has passed, the Shade may awaken its master, and will be rewarded with "a world without longing". The king permits the Shade to wander inside his underground kingdom but warns it against leaving. While waiting to awaken the king, the Shade contemplates its own loneliness and muses over the nature of the king's reward. It considers leaving the kingdom for the outside world and recalls that an exit from the caves exists far above where the king sleeps.

If the Shade waits all 400 days and awakens its master, the stirring of the king causes a cave-in. Once the event subsides, the king explains that he has given the Shade exactly what he promised and created a world without longing "by destroying everything inside of it". The world ceases to exist, and the king and Shade rule over the endless void of the universe for eternity. Alternatively, if the Shade explores enough of the caves close to the surface world, it discovers a dark cavern at the edge of a bottomless pit. The Shade can either commit suicide by throwing itself into the pit, or continue onward to face the Darkness, a mysterious creature that resembles the Shade in appearance. Depending on how the player previously interacted with the Shade, it will either hide itself from the Darkness by closing its eyes, or be caught by the creature and sent back to its home.

If the Shade hides from the Darkness and continues walking, it arrives at a cave just below the surface. There, the Shade is given the option of abandoning the kingdom by leaving through a well. If the Shade decides to leave, it is taken out of the well by either a young troll, who drops the Shade back down the well to its death, or an elderly man. If the Shade is taken out by the man, the creature follows him to his home and is served dinner by his family. A post-credits scene shows that the Shade's departure has caused the king to die.

Development and release

Developer Anselm Pyta was inspired to create The Longing after exploring the Barbarossa Cave (pictured). Barbarossahohle (17) Neptunsgrotte.jpg
Developer Anselm Pyta was inspired to create The Longing after exploring the Barbarossa Cave (pictured).

Development of The Longing began in 2014 and lasted six years. [4] [12] Developer Anselm Pyta had a background creating flash animations that were released on Newgrounds, until he co-founded Studio Seufz in 2017. [4] The concept for The Longing came from Pyta's experience hiking in the Barbarossa Cave. According to the Kyffhäuser legend, [2] [13] the cave was home to an old king who slept inside for hundreds of years; a related poem mentioned a dwarf checking on the king once per century to see if he would awaken. Perplexed about how the dwarf lived its life with so much waiting, the character stuck with Pyta. [14] He created most of the game alone, including its art, sound design, and mechanics, but received some help with the coding. He used Photoshop to draw the backgrounds, and Adobe Flash to animate the characters; both elements were coded and merged in Unity. [14]

The Longing was influenced by idle games such as Clicker Heroes . Although he was impressed with their ability to progress when not in use, Pyta disliked their lack of endings. [14] He sought to create a story-focused idle game containing elements of adventure games [14] with emotional stakes. [4] Pyta was especially interested in exploring time-based and waiting mechanics, believing that video games are the only medium that could uniquely use extended time to tell a story. [14] Though waiting is often seen as a negative by players, he believed that it could cultivate user investment if combined with a strong story. [4] [5]

Pyta defined The Longing's theme of loneliness while he was studying, and the lonely and subterranean atmosphere was inspired by dungeon synth music. [14] He imagined three possible routes that the player could take: waiting idly for the timer to advance, trying to make the Shade's life comfortable during the 400 days, or abandoning the king and leaving the caves. Waiting offered a stress-free way of playing the game; leaving forced the player to solve puzzles and navigate increasingly dangerous caves. [14] He described the greatest development challenge as coming up with novel ways to use the waiting mechanic without too much repetition. [4]

The Shade was purposefully designed with a cryptic appearance and motivation so the audience could project their own feelings onto the character. [14] Due to the game's long duration, Pyta had difficulty with playtesting, and had to use personal intuition to pace The Longing and ensure that players would not give up. He realized that empathy between the player and the protagonist would be essential to retaining user interest. [4] [5] To show players that progress was being made, he implemented behaviors for the Shade that changed as time passed, such as self-talking and sleeping. Rocks falling in the cave were added to record the passing of time in lieu of a day–night cycle. [5]

Prior to launch, the game was featured at PAX West in 2019. [15] The Longing was published by Application Systems Heidelberg [1] [2] and released on March 5, 2020, to Steam for Windows, macOS, and Linux, [16] [17] followed by a version for Nintendo Switch on April 14, 2021. [18] The launch amid the COVID-19 pandemic caused audience reactions that surprised Pyta, and he thought that the pandemic allowed the player to better connect with the Shade. [8] Ports for Android and iOS were released on December 18, 2023. [19] [20]

Reception

Reception of the game was largely positive. On the review aggregate website Metacritic, the PC and Switch versions received generally favorable reviews. [21] [22] Some critics praised The Longing's experimental premise. [3] [27] Adventure Gamers recommended it to players who liked unusual gameplay, or enjoyed video games as an art form. [3] PC Gamer in Swedish called it a "fascinating experiment" with plenty of atmosphere. [27] The Washington Post said that it demonstrated the potential of what video games could do. [2]

The slow-paced gameplay divided reviewers. The Washington Post praised the slowness for allowing the player's mind to wander, comparing it to the works of filmmaker Béla Tarr. [2] Similarly, Hardcore Gamer said that the appeal of the Shade helped pass the time, and eased the player into the pacing naturally. [6] On the other hand, many critics thought that players would become impatient while playing, and the sedate pacing would not be for everyone. [3] [9] [28] Nintendo Life shared this opinion, and although the reviewer liked its reflection on loneliness, he criticized the wait times as tedious. [11] Other critics enjoyed caring for the Shade, [8] [29] and positively compared the protagonist to the Tamagotchi virtual pet. [8] [30] [31]

The Longing's artistic direction was subject to significant commentary. Journalists variously described the game's atmosphere as "gloomy", [9] "lonely" [32] and "eerie". [8] The visuals were highlighted as a strength. [9] [28] [33] Nintendo World Report felt that the caves were well-drawn and distinct. [33] 4Players and Der Spiegel compared the art to that of German cartoonist Walter Moers. [9] [30] In a more critical review, Nintendo Life commended the art and sounds for their boldness, but found the atmosphere to be dull and uninteresting. [11] The soundtrack also received praise from critics. [3] [28] Adventure Gamers appreciated the music for representing a medley of emotions, feeling that the songs expressed the Shade's small size in such a large subterranean kingdom. [3] The Games Machine similarly felt that the sound effectively blended the movement of the Shade with the overall atmosphere. [28]

Due to the release during the COVID-19 pandemic, commentators frequently compared the game experience to life under quarantine. [3] [8] [29] GamesRadar+ likened The Longing to experiencing a COVID-19 lockdown, saying it "best sums up life in the 2020 pandemic". [29] Adventure Gamers suggested that the game's release during the lockdown made the theme of loneliness more relevant, thus enhancing the game's appeal. [3] Wired wrote that the Shade felt alive in a magical way, and that The Longing best captured "2020's sad and surreal lockdown energy". The reviewer also felt that the game acted as a refuge from the attention economy that commercial games orient themselves around. [8]

The Longing won the "Best Debut" award at the 2020 Deutscher Computerspielpreis [34] and was a finalist for the Nuovo Award at the 2020 Independent Games Festival. [35]

Related Research Articles

<i>The Legend of Zelda</i> Video game series

The Legend of Zelda is an action-adventure game franchise created by the Japanese game designers Shigeru Miyamoto and Takashi Tezuka. It is primarily developed and published by Nintendo, although some portable installments and re-releases have been outsourced to Flagship, Vanpool, and Grezzo. Its gameplay incorporates action-adventure and elements of action RPG games.

Universe of <i>The Legend of Zelda</i> Fictional universe

The Legend of Zelda is a video game franchise created by Japanese video game designers Shigeru Miyamoto and Takashi Tezuka and mainly developed and published by Nintendo. The universe of the Legend of Zelda series consists of various lands, the most predominant being Hyrule. The franchise is set within a fantasy world reminiscent of medieval Europe which consists of several recurring locations, races and creatures. The most prominent race in the series are the Hylians, a humanoid race with elfin features identifiable by their long, pointed ears. The series' lore contains a creation myth, several fictional alphabets, the most prominent being Hylian, and a fictional universal currency, the rupee. Most games in The Legend of Zelda series follow a similar storyline, which involves the protagonist Link battling monsters to save Princess Zelda and defeat a villain, which is often the series' main antagonist, Ganon. Nintendo developed the series' lore into a timeline that spans thousands of years across its history.

<i>Luigis Mansion</i> 2001 video game

Luigi's Mansion is a 2001 action-adventure game developed and published by Nintendo. The game was a launch title for the GameCube and was the first game in the Mario franchise to be released for the console; it was released in Japan on September 14, 2001, in North America on November 18, 2001, in Europe on May 3, 2002, and in Australia on May 17, 2002. It is the third video game in which Luigi is the main character instead of Mario, after Mario Is Missing! and Luigi's Hammer Toss. Players control him as he explores a haunted mansion, searches for Mario and deals with ghosts by capturing them through a vacuum cleaner supplied by Professor E. Gadd.

<i>The Legend of Zelda: Ocarina of Time</i> 1998 video game

The Legend of Zelda: Ocarina of Time is a 1998 action-adventure game developed and published by Nintendo for the Nintendo 64. It was released in Japan and North America in November 1998 and in PAL regions the following month. Ocarina of Time is the first game in The Legend of Zelda series with 3D graphics.

<i>Pokémon Red</i>, <i>Blue</i>, and <i>Yellow</i> 1996 video games

Pokémon Red Version and Pokémon Blue Version are 1996 role-playing video games (RPGs) developed by Game Freak and published by Nintendo for the Game Boy. They are the first installments of the Pokémon video game series. They were first released in Japan in 1996 as Pocket Monsters Red and Pocket Monsters Green, with the special edition Pocket Monsters Blue released in Japan later that year. The games were released as Pokémon Red and Pokémon Blue in North America and Australia in 1998 and Europe in 1999. Pokémon Red and Pokémon Blue combined Red, Green and Blue for release outside of Japan.

<i>Pikmin 2</i> 2004 video game

Pikmin 2 is a 2004 real-time strategy puzzle video game developed and published by Nintendo for the GameCube. It is the direct sequel to the 2001 game Pikmin and the second game in the Pikmin series. In the game, Olimar returns to the Pikmin planet to collect valuable treasure after learning that the company he works for—Hocotate Freight—is on the verge of bankruptcy.

<i>Kirbys Adventure</i> 1993 video game

Kirby's Adventure is a 1993 platform game developed by HAL Laboratory and published by Nintendo for the Nintendo Entertainment System (NES). It is the second game in the Kirby series after Kirby's Dream Land (1992) on the Game Boy and the first to include the Copy Ability, which allows the main character Kirby to gain new powers by eating certain enemies. The game centers around Kirby traveling across Dream Land to repair the Star Rod after King Dedede breaks it apart and gives the pieces to his minions.

<i>Kirby Super Star</i> 1996 video game

Kirby Super Star, released as Kirby's Fun Pak in PAL regions, is an anthology platform video game developed by HAL Laboratory and published by Nintendo for the Super Nintendo Entertainment System in 1996. It is part of the Kirby series of video games by HAL Laboratory. The game was advertised as a compilation featuring eight games: seven short subsections with the same basic gameplay, and two minigames.

<i>Cave Story</i> 2004 video game

Cave Story is a 2004 Metroidvania platform-adventure video game for Microsoft Windows. It was developed over five years by Japanese independent developer Daisuke "Pixel" Amaya in his free time. Cave Story features 2D platform mechanics and is reminiscent of the games Amaya played in his youth, such as Metroid and Castlevania. After its initial self-published release, the game slowly gained popularity on the internet. It received widespread critical acclaim for many polished aspects of its design, such as its compelling characters, setting, story, and gameplay. Cave Story is considered by many as the quintessential indie game because of its one-person development team and influence on the video gaming world.

<i>Tails Adventure</i> 1995 video game

Tails Adventure is a platform game developed by Aspect and published by Sega in 1995 for the Game Gear. The game stars Tails from the Sonic the Hedgehog series in a solo adventure, as he collects an array of items to help him explore Cocoa Island and defeat the enemies inhabiting it. The gameplay is more slow-paced than other Sonic games, with Tails only capable of walking and flying at a moderate speed. The stages are explored in a non-linear fashion, with newly collected items opening up pathways in previous areas.

<i>Kirby</i> (series) Video game series

Kirby is an action-platform video game series developed by HAL Laboratory and published by Nintendo. The series centers around the adventures of a bubblegum pink round hero named Kirby as he fights to protect and save his home on the distant Planet Popstar from a variety of threats. The majority of the games in the series are side-scrolling platformers with puzzle-solving and beat 'em up elements. Kirby has the ability to inhale enemies and objects into his mouth, spitting them out as a projectile or eating them. If he inhales certain enemies, he can gain the powers or properties of that enemy manifesting as a new weapon or power-up called a Copy Ability. The series is intended to be easy to pick up and play even for people unfamiliar with action games, while at the same time offering additional challenge and depth for more experienced players to come back to.

<i>Sonic Chronicles: The Dark Brotherhood</i> 2008 video game

Sonic Chronicles: The Dark Brotherhood is a 2008 role-playing video game developed by BioWare and published by Sega for the Nintendo DS. It is a part of the Sonic the Hedgehog series, and is its only RPG entry. Sonic Chronicles initially focuses on the events surrounding the kidnapping of Knuckles and the disappearance of the Chaos Emeralds after the defeat of Doctor Eggman, before moving on to follow the cast of characters across two dimensions as they encounter a new ally, Shade the Echidna, and seek to stop the invasion of their world by Ix, the leader of Shade's tribe, the Nocturnus. The game is mainly played using the DS stylus, with players either exploring the overworld, or attacking with multiple characters in combat.

<i>Kirby Super Star Ultra</i> 2008 video game remake

Kirby Super Star Ultra is an anthology platform video game developed by HAL Laboratory and published by Nintendo for the Nintendo DS in 2008. The game is an enhanced remake of Kirby Super Star, originally released for the Super Nintendo Entertainment System in 1996, to commemorate the Kirby series' 15th anniversary. The remake retains all game modes found in the original, and adds four major new ones, along with adding updated visuals and full-motion video cutscenes.

<span class="mw-page-title-main">Toad (Nintendo)</span> Fictional character in Nintendos Mario franchise

Toad, known in Japan as Kinopio, is a character from the Mario franchise. The character was created by Japanese video game designer Shigeru Miyamoto, and is portrayed as a citizen of the Mushroom Kingdom and one of Princess Peach's attendants. Toad is typically a non-player character who assists Mario and his friends, but he occasionally appears as a protagonist.

<i>Link: The Faces of Evil</i> and <i>Zelda: The Wand of Gamelon</i> 1993 video games

Link: The Faces of Evil and Zelda: The Wand of Gamelon are action-adventure games developed by Animation Magic and published by Philips Interactive Media for the CD-i on October 10, 1993 in North America and December 25 of the same year in Europe. They were released on the same day, were developed simultaneously, and look and play similarly because they use the same graphic engine. Both games are based on Nintendo's The Legend of Zelda franchise, but are not acknowledged as official, canonical entries and are the first two games of three Zelda games released for the CD-i. The third, Zelda's Adventure, was developed separately and plays differently.

<i>Pac-Man and the Ghostly Adventures</i> (video game) 2013 video game

Pac-Man and the Ghostly Adventures, also known in Japan as Pac-World is a 3D platform video game based on the TV series of the same name which aired on Disney XD from 2013 to 2015. It was released for the Xbox 360, Windows, PlayStation 3, and Wii U in October 2013, and was later released for the Nintendo 3DS in November of that year. The console and PC versions were developed by Monkey Bar Games and the 3DS version was developed by Inti Creates. Both versions were published by Namco Bandai Games.

Paper Mario is a video game series and part of the Mario franchise, developed by Intelligent Systems and produced by Nintendo. It combines elements from the role-playing, action-adventure, and puzzle genres. Players control a paper cutout version of Mario, usually with allies, on a quest to defeat the antagonist, primarily Bowser. The series consists of six games and one spin-off; the first, Paper Mario (2000), was released for the Nintendo 64, and the most recent, Paper Mario: The Origami King (2020), for the Nintendo Switch.

<i>Ice Age: Scrats Nutty Adventure</i> 2019 video game

Ice Age: Scrat's Nutty Adventure is a 2019 action-adventure game developed by Just Add Water and Climax Studios, published by Outright Games. It originally released for PlayStation 4, PlayStation 5, Nintendo Switch, Xbox One, and Windows, with a Google Stadia port in 2021. It is based on the Ice Age franchise by 20th Century Fox and Blue Sky Studios, and was the first video game in the series to be released following Disney's 2019 acquisition of 21st Century Fox. The game focuses on Scrat, who has to complete obstacles, puzzles and beating some old foes in an attempt to retrieve The Acorn.

<i>Paper Mario: The Origami King</i> 2020 video game

Paper Mario: The Origami King is a 2020 role-playing game developed by Intelligent Systems and published by Nintendo for the Nintendo Switch console. It is the sixth game in the Paper Mario series, which is part of the larger Mario franchise. The story follows Mario and his friends as he sets out on a journey to prevent the Mushroom Kingdom from being transformed into origami. To do so, Mario must free Princess Peach's castle from five decorative streamers that extend across the kingdom.

<i>The Legend of Zelda: Tears of the Kingdom</i> 2023 video game

The Legend of Zelda: Tears of the Kingdom is a 2023 action-adventure game developed and published by Nintendo for the Nintendo Switch. The player controls Link as he searches for Princess Zelda and fights to prevent Ganondorf from destroying Hyrule. Tears of the Kingdom retains the open-world gameplay and setting of its predecessor, Breath of the Wild (2017), and features new environments including the Sky, an area composed of floating islands, and an expansive cavern beneath Hyrule known as the Depths. The player has access to various devices that aid combat or exploration, and which can be used to construct vehicles.

References

  1. 1 2 Studio Seufz (March 5, 2020). The Longing (Linux, macOS, Nintendo Switch, Windows). Application Systems Heidelberg. Level/area: Introduction Credits.
  2. 1 2 3 4 5 6 Byrd, Christopher (March 5, 2020). "Review | The Longing: Patience (and Lots of It) Is Required, but It's Worth Every Minute". The Washington Post . Archived from the original on April 11, 2020. Retrieved May 1, 2020.
  3. 1 2 3 4 5 6 7 8 9 10 Aickman, Will (January 29, 2021). "The Longing Review". Adventure Gamers . Archived from the original on November 30, 2022. Retrieved October 30, 2022.
  4. 1 2 3 4 5 6 7 Valentine, Rebekah (February 27, 2020). "Designing the End of all Longing". GamesIndustry.biz . Archived from the original on October 27, 2022. Retrieved October 27, 2022.
  5. 1 2 3 4 5 6 7 Jackson, Gita (December 18, 2020). "One Way to Beat This Upcoming Puzzle Game Is to Wait 400 Days". Kotaku . Archived from the original on March 6, 2020. Retrieved May 1, 2020.
  6. 1 2 Cunningham, James (March 6, 2020). "The Longing Completes Its Yearning for Release". Hardcore Gamer. Archived from the original on June 15, 2020. Retrieved May 3, 2020.
  7. 1 2 3 4 5 MacLeod, Riley (March 9, 2020). "The Longing, Which Can Take Over A Year To Finish, Encourages You To Embrace Waiting". Kotaku . Archived from the original on March 25, 2020. Retrieved May 1, 2020.
  8. 1 2 3 4 5 6 7 Gordon, Lewis (December 15, 2020). "The Longing Is a Video Game of Transcendent Slowness". Wired . ISSN   1059-1028. Archived from the original on October 30, 2022. Retrieved October 31, 2022.
  9. 1 2 3 4 5 Verfondern, Maja (March 5, 2020). "The Longing – Test, Adventure". 4Players (in German). Archived from the original on October 26, 2021. Retrieved November 4, 2022.
  10. ↑ Bell, Alice (January 13, 2020). "The First Week of The Longing: Depressing Royalist Art and Talking Walls". Rock, Paper, Shotgun . Archived from the original on December 22, 2022. Retrieved December 22, 2022.
  11. 1 2 3 Gipp, Stuart (April 30, 2021). "Review: The Longing – Tedious By Design, and Incredibly Successful At It". Nintendo Life . Archived from the original on May 16, 2021. Retrieved October 31, 2022.
  12. ↑ Ewins, Henry (June 10, 2020). "The Real Beauty of Secrets In Games like The Longing Is to Share Them". Rock, Paper, Shotgun . Archived from the original on October 29, 2022. Retrieved October 28, 2022.
  13. ↑ Reuben, Nic (February 24, 2023). "Why Real-Time Idle Adventure Games have "Radical Potential"". Rock, Paper, Shotgun . Retrieved April 12, 2023.
  14. 1 2 3 4 5 6 7 8 Couture, Joel (February 18, 2020). "Road to the IGF: Studio Seufz's The Longing". Game Developer . Archived from the original on October 29, 2022. Retrieved October 29, 2022.
  15. ↑ Green, Holly (September 3, 2019). "In The Longing, Time Is Everything". Paste Magazine . Archived from the original on January 31, 2021. Retrieved October 28, 2022.
  16. ↑ "Pass 400 Days Underground in IGF-nominee The Longing, Coming to Steam on March 5 (Win/Mac/Linux Review Copies Available Now)". Game Developer . Archived from the original on January 14, 2020. Retrieved June 14, 2020.
  17. ↑ Beckhelling, Imogen (March 5, 2020). "The Longing Released Today, Inviting You to Wait 400 Days to Escape a Cave". Rock, Paper, Shotgun . Archived from the original on December 20, 2022. Retrieved December 20, 2022.
  18. ↑ Craddock, Ryan (April 14, 2021). "The Longing Makes You Wait 400 Real-Life Days To See The End, Launching On Switch Today". Nintendo Life . Archived from the original on October 30, 2022. Retrieved October 30, 2022.
  19. ↑ Nelson, Jared (December 11, 2023). "'The Longing' is an Idle-ish Adventure that Can Take 400 Real-Life Days to Complete, Coming to Mobile Next Week". TouchArcade . Retrieved December 20, 2023.
  20. ↑ AG Staff (December 6, 2023). "The Longing: From PC to Pocket". Adventure Gamers . Retrieved December 20, 2023.
  21. 1 2 "The Longing for PC Reviews". Metacritic . Archived from the original on September 9, 2021. Retrieved November 24, 2022.
  22. 1 2 "The Longing for Switch Reviews". Metacritic . Archived from the original on July 16, 2021. Retrieved July 13, 2021.
  23. ↑ Verfondern, Maja (March 5, 2020). "The Longing – Test, Adventure". 4Players (in German). Archived from the original on October 26, 2021. Retrieved May 1, 2020.
  24. ↑ Gipp, Stuart (April 30, 2021). "The Longing (Switch eShop)". Nintendo Life . Archived from the original on May 16, 2021. Retrieved July 13, 2021.
  25. ↑ Robin, Joshua (April 29, 2021). "The Longing (Switch) Review". Nintendo World Report. Archived from the original on May 1, 2021. Retrieved July 13, 2021.
  26. ↑ Dellosa, Catherine (January 18, 2024). "The Longing mobile review - "A seemingly excruciating pace that's totally worth the wait"". Pocket Gamer . Archived from the original on January 18, 2024. Retrieved April 29, 2024.
  27. 1 2 3 Kilman, Joakim (March 5, 2020). "The Longing – Recension" [The Longing – Review]. Svenska PC Gamer (in Swedish). Archived from the original on June 15, 2020. Retrieved May 1, 2020.
  28. 1 2 3 4 Emanuele, Feronato (May 3, 2020). "The Longing – Recensione". The Games Machine (in Italian). Archived from the original on April 11, 2020. Retrieved June 14, 2020.
  29. 1 2 3 Weber, Rachel (April 3, 2020). "The Longing Is the Indie Game that Sums Up Self-Isolation Perfectly". GamesRadar+ . Archived from the original on April 6, 2020. Retrieved May 1, 2020.
  30. 1 2 Sigl, Rainer (March 16, 2020). "Computerspiel "The Longing": 400 Tage in Isolation". Der Spiegel (in German). ISSN   2195-1349. Archived from the original on January 10, 2023. Retrieved December 17, 2022.
  31. ↑ Michel, Dennis (April 28, 2021). "In The Longing Für Switch Müsst Ihr 400 Tage Warten – In Echtzeit!". GamePro (in German). Archived from the original on December 17, 2022. Retrieved December 17, 2022.
  32. ↑ Watts, Rachel (March 9, 2020). "My Review of The Longing Will Be Ready May 2021, At the Earliest". PC Gamer . Archived from the original on October 31, 2022. Retrieved October 31, 2022.
  33. 1 2 Robin, Joshua (April 29, 2021). "The Longing – Review". Nintendo World Report. Archived from the original on October 30, 2022. Retrieved October 30, 2022.
  34. ↑ "Nachwuchspreise: Bestes Debüt The Longing". Deutscher Computerspielpreis (in German). March 28, 2020. Archived from the original on April 27, 2020. Retrieved May 4, 2020.
  35. ↑ "Finalists and Winners". Independent Games Festival . September 22, 2016. Archived from the original on April 1, 2020. Retrieved May 1, 2020.
Listen to this article (4 minutes)
Sound-icon.svg
This audio file was created from a revision of this article dated 16 May 2020 (2020-05-16), and does not reflect subsequent edits.
(Audio help  · More spoken articles)
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.