The Man From Home | |
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Directed by | George Fitzmaurice |
Written by | Ouida Bergère |
Based on | The Man from Home by Booth Tarkington and Harry Leon Wilson |
Starring | James Kirkwood |
Cinematography | Roy F. Overbaugh |
Distributed by | Famous Players–Lasky British Producers |
Release date |
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Running time | 70 minutes |
Country | United Kingdom |
Language | Silent (English intertitles) |
The Man From Home is a 1922 British drama film directed by George Fitzmaurice, adapted from a play of the same name by Booth Tarkington and Harry Leon Wilson. The story had been filmed before in 1914 by Cecil B. DeMille as The Man From Home . Alfred Hitchcock was credited as a title designer on the 1922 production. [1] The film survives in Netherlands Filmmuseum Amsterdam (EYE Institut). [2] It was shown publicly in September 2015, possibly for the first time since the 1920s, during the British Silent Film Festival at Leicester. [3]
As described in a film magazine, [4] Genevieve Granger-Simpson (Nilsson), belle and heiress of her town of Kokomo, Indiana, is given a farewell party on the eve of her departure with her brother Horace (Kerr) to Italy. Her guardian Daniel Forbes Pike (Kirkwood) is downcast until he learns that Genevieve loves him, and then the farewell is less hard to bear. In Italy Genevieve is dazzled by the attentions of Prince Kinsillo (Kerry), a member of one of the impoverished fragments of nobility that infest Italy. With his father and sister's aid, he schemes to land the American heiress. Horace is also flattered by the attentions of the Prince, and soon the sister is drawn into an engagement. She writes to Daniel asking for a pittance of $50,000 for her dowry. Daniel realizes he is needed and starts posthaste to Europe. Prince Kinsillo has had an affair with the flower girl Faustina (Benson), and she discovers his attentions to the American heiress. Her unsuspecting husband (Ruben) adores her, but she wants only her noble lover. One night, while the husband is gone, she invites the Prince to her home and stabs him, and he kills her. Meanwhile, Daniel has arrived in Italy, helped the King (Miltern) of a neighboring principality who was traveling incognito with some motor trouble, and, not knowing he is consorting with royalty, is the King's guest at the hotel where his wards are staying. Genevieve takes Daniels's interference haughtily until the Prince's true character is finally disclosed through the efforts of her guardian. She acknowledges her love for him and they plan to return to the United States together.
The Pleasure Garden is a 1926 British-German silent drama film directed by Alfred Hitchcock in his feature film directorial debut. Based on the 1923 novel by Oliver Sandys, the film is about two chorus girls at the Pleasure Garden Theatre in London and their troubled relationships.
Anna Quirentia Nilsson was a Swedish-American actress who achieved success in American silent movies.
Lila Lee was a prominent screen actress, primarily a leading lady, of the silent film and early sound film eras.
Isobel Elsom was an English film, theatre, and television actress. She was often cast as aristocrats or upper-class women.
Peg o' My Heart is a 1922 American silent drama film directed by King Vidor and starring Laurette Taylor. It is based on the 1912 play written by Taylor's husband J. Hartley Manners. The play starred Laurette Taylor and famously ran a record number of performances on Broadway. Six reels of the original eight reels survive at the Library of Congress.
Three Live Ghosts is a 1922 British comedy film directed by George Fitzmaurice. Alfred Hitchcock is credited as a title designer. The film is based on a 1920 Broadway play, Three Live Ghosts, by Frederic S. Isham and Max Marcin. Actor Cyril Chadwick is the only performer from the play to appear in the film. A copy of the film, thought to be lost, was found in a Russian archive and shown publicly in 2015. This version had however been radically re-edited by Soviet censors in the 1920s, making the film a searing critique of post-war Britain, including its relations with Ireland, which achieved Dominion status in the year the film was first shown.
Love's Boomerang is a 1922 British crime film directed by John S. Robertson. Alfred Hitchcock is credited as a title designer. The film is now lost.
The Man from Home is a 1914 American drama film based on a play written by Booth Tarkington and Harry Leon Wilson. It was directed by Cecil B. DeMille. In 1922, the story was remade in the UK by George Fitzmaurice as The Man From Home, and released by Famous Players–Lasky. The stage play was a big hit for actor William Hodge in the role of Pike in the 1908 Broadway season.
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Who Is The Man? (1924) is a British silent film drama directed by Walter Summers. The film was based on the successful French play Daniel by Louis Verneuil and is notable as the first screen appearance of John Gielgud.
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Ebb Tide is a 1922 American silent adventure film produced by Famous Players–Lasky and distributed by Paramount Pictures, directed by George Melford, and based on the 1894 novel The Ebb-Tide by Robert Louis Stevenson and his step-son Lloyd Osbourne. The story had been filmed before in 1915 by the Selig Polyscope Company.
Let's Get a Divorce is a 1918 American silent comedy film starring Billie Burke and written for the screen by husband and wife team John Emerson and Anita Loos. The film was produced by the Famous Players–Lasky company and distributed through Paramount Pictures.
Her Final Reckoning is a lost 1918 American silent drama film directed by Émile Chautard and written by Jules Claretie and Charles E. Whittaker. The film stars Pauline Frederick, John Miltern, Robert Cain, Warren Cook, Joseph W. Smiley, and James Laffey. The film was released on June 23, 1918, by Paramount Pictures.
A Sporting Chance is a lost 1919 American silent comedy film directed by George Melford and written by Will M. Ritchey based upon a story by Roger Hartman. The film stars Ethel Clayton, Jack Holt, Herbert Standing, Anna Q. Nilsson, and Howard Davies. The film was released on July 13, 1919, by Paramount Pictures.
Broadway After Dark is a 1924 American silent comedy film directed by Monta Bell and starring Adolphe Menjou, Norma Shearer, and Anna Q. Nilsson.
In the Heart of a Fool is a 1920 American silent drama film directed by Allan Dwan. It is based on a novel by William Allen White.
Hearts Aflame is a 1923 American silent melodrama film directed by Reginald Barker and starring Frank Keenan, Anna Q. Nilsson, and Craig Ward. The son of a retired timber baron meets and falls in love with a Michigan woman who refuses to sell her land unless the buyer promises to replant to replace the trees that are to be cut down.
The Black Bag is a lost 1922 American silent mystery film directed by Stuart Paton and starring Herbert Rawlinson. It was produced and distributed by the Universal Film Manufacturing Company.
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