Gentle Julia | |
---|---|
Directed by | Rowland V. Lee |
Written by | Donald W. Lee (adaptation, screenplay) |
Based on | Gentle Julia (novel) by Booth Tarkington |
Produced by | William Fox |
Starring | Bessie Love |
Cinematography | G.O. Post |
Distributed by | Fox Film Corporation |
Release date |
|
Running time | 60 minutes; 6 reels [1] (5,837 feet) [2] |
Country | United States |
Language | Silent (English intertitles) |
Gentle Julia is a 1923 American silent romantic drama film based on the popular novel Gentle Julia by Booth Tarkington. Directed by Rowland V. Lee, the film starred Bessie Love. It was produced and distributed by Fox Film Corporation, and is considered a lost film. [3]
Julia Atwater (Love) is the most popular girl in her Midwestern small town. She has many suitors, but she chooses an older man, Mr. Crum (Elliott). When he takes her back to his home in Chicago, she finds out he is married. She leaves him, returning to neighbor Noble Dill (Goodwin). [3] [4] [5] [6] [7] [8]
Love was cast because she was "the last girl in Hollywood with long hair", although she was unaware of this and got an "Eton crop" haircut before filming commenced. [10]
The film was well received. [11] [12] [13] Love's performance drew mixed reviews, with some giving her praise, and others deeming her as miscast. [1] [11] Arthur's performance as the young niece drew rave reviews. [7]
Frank Elliott was an English film actor. He appeared in more than 70 films between 1915 and 1966. He was born in Cheshire, England.
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The Impossible Mrs. Bellew is a 1922 American silent drama film directed by Sam Wood and starring Gloria Swanson. The film is based on the 1916 novel of the same name by David Lisle.
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Torment is a 1924 American silent crime drama film produced and directed by Maurice Tourneur and distributed by Associated First National. This film stars Bessie Love, Owen Moore, and Jean Hersholt. The film is based on a story by William Dudley Pelley with script by Fred Myton and titles by Marion Fairfax. It is a lost film.
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Slave of Desire is a 1923 American silent drama film directed by George D. Baker, produced and distributed by Goldwyn Pictures. It was based on the novel La Peau de chagrin by Honoré de Balzac, first published in 1831. The Balzac novel had previously been filmed in 1909 as The Wild Ass's Skin, which was more faithful to the original novel.
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Pegeen is a 1920 American silent drama film based on the 1915 novel of the same name by Eleanor Hoyt Brainerd. It was produced by Vitagraph Studios and directed by David Smith. It stars Bessie Love in the title role.
Penny of Top Hill Trail is a 1921 American silent Western comedy film based on the 1919 novel by Belle Kanaris Maniates. It was directed by Arthur Berthelet and stars Bessie Love. The film was produced by Andrew J. Callaghan Productions and distributed by Federated Film Exchanges of America. The film is presumed lost.
Deserted at the Altar is a 1922 American silent film melodrama directed by William K. Howard and produced by Phil Goldstone Productions. It stars Bessie Love and Tully Marshall.
Three Who Paid is a 1923 American silent Western film directed by Colin Campbell, and starring Dustin Farnum, with Bessie Love and Frank Campeau. The film was based on the 1922 short story by George Owen Baxter, and was produced and distributed through Fox Film.
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The Silent Watcher is a lost 1924 American silent melodrama film directed by Frank Lloyd. It stars Glenn Hunter and Bessie Love. It was produced by Frank Lloyd Productions/First National and distributed by First National Pictures. It was based on the story "The Altar on the Hill" by Mary Roberts Rinehart.
Gentle Julia is a 1936 American drama film directed by John G. Blystone and starring Jane Withers, Tom Brown and Marsha Hunt. It is an adaptation of the 1922 novel of the same title by Booth Tarkington.
The Monkey's Paw is a 1923 British silent horror film directed by Manning Haynes and starring Moore Marriott, Marie Ault, and Charles Ashton. It is an adaptation of W. W. Jacobs's 1902 short story "The Monkey's Paw". The short story was made into a 1907 one-act play by Louis N. Parker, elements of which were also incorporated into this 1923 British film by screenwriter Lydia Hayward.