The Moon & Antarctica | ||||
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Studio album by | ||||
Released | June 13, 2000 | |||
Recorded | July–November 1999 | |||
Studio | Clava Studios, Chicago | |||
Genre | ||||
Length | 59:43 | |||
Label | Epic | |||
Producer | Brian Deck | |||
Modest Mouse chronology | ||||
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Alternative cover | ||||
The Moon & Antarctica is the third studio album by American rock band Modest Mouse, released on June 13, 2000, by Epic Records.
The Moon & Antarctica peaked at number 120 on the US Billboard 200, [2] and received acclaim from critics, [3] who praised its subject matter and change in sound from earlier albums and frontman Isaac Brock's introspective lyrics. It was also hailed for being an expansion of the band's sound, much due to their new major label budget as well as the production of Brian Deck. In 2021, NME referred to it as "one of the greatest records ever made". [4]
The album was the band's first released by a major record label, being issued on Epic Records. [5] Despite the fans' common concern that the switch to a major record label would change the band's unique sound, Isaac Brock assured fans that this would not be the case, "I don't think the new album is at all overpolished or anything. We spent more time getting crazy sounds than making things sound polished." [5]
The album was produced by Brian Deck, who first met the band at a concert in Detroit. "We ended up on a bill together at The Magic Stick in Detroit, and we got along really well, we hung out till the end of the night—and maybe consumed a fair amount of beer together" says Deck. [6] Deck and Brock fell out of touch shortly thereafter, but reconnected a few years later, when Brock invited Califone (which included several members of Deck's band Red Red Meat) to hit the road as Modest Mouse's opening act.
The album was the first project to be recorded in Clava Studios in Chicago. [7] When Modest Mouse band members arrived for the recording, the studio was not completely finished. [7] Though Deck was mostly producing under Perishable Records at the time, and the studio was built mostly for Perishable projects, Deck had no problems producing under Epic Records. Despite being under a major label the band "remains largely self-managed and still drive themselves across the country on tour", [5] and Brock was fairly involved in the mixing process. Deck said of Brock's involvement that, "By the end of making the record, he was able to mastermind some cool maneuvers with plug-ins and Pro Tools. It wasn't so much that he was mixing, but he could look at a song, understand the musical event that he wanted to make happen, understand the tools at his disposal, relate it in a way that I could understand, and make it happen pretty quickly." [5]
In the middle of recording, Brock was attacked and had his jaw broken by a group of ruffians hanging out at a park across the street from where the band were staying in Chicago. [8] "It laid him up in the hospital for a week," Deck says. "Then his jaw was wired shut for two or three months." [7]
The recording for the album took 5 months, beginning in July 1999 and running until November 1999. [9]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 82/100 [10] |
Review scores | |
Source | Rating |
AllMusic | [11] |
The Austin Chronicle | [12] |
Houston Chronicle | 4/5 [13] |
The List | [14] |
Melody Maker | [15] |
NME | 7/10 [16] |
Pitchfork | 9.8/10 [17] |
Rolling Stone | [18] |
Select | 4/5 [19] |
The Village Voice | A− [20] |
The Moon & Antarctica was released to acclaim from music critics. Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, reported an average score of 82 based on 22 reviews, indicating "universal acclaim". [10] Stephen Thompson of The A.V. Club felt that The Moon & Antarctica was the band's "weirdest record yet" and would downplay worries that Modest Mouse's move to a major label "would smooth out the edges of the group's brash, jerky sound", calling it a "sort of concept album about cold and distant places" held together by "a strange sort of precision, lending lurching power to the strongest material." [21] Nick Catucci of The Village Voice noted the album's more streamlined production, in contrast to the lo-fi quality of their previous work, and complimented the fact that "the studio scrubbing leaves no noticeable film; even the effects—like the spacey guitar that launches 'Gravity Rides Everything'—ring true." [22] Heather Phares of AllMusic felt that the production enhanced the album's introspective tone and called the album "their most cohesive collection of songs to date" and "an impressive, if flawed, map of Modest Mouse's ambitions and fears." [11] Melody Maker praised The Moon & Antarctica as being "beyond anything else they've ever achieved". [15]
Robert Christgau of The Village Voice remarked that Isaac Brock "may be every bit the ass he claims, but basically he seems chagrined that he was ever so inept or unlucky as to get caught up in this, as the saying goes, downward spiral. And unlike other rock pessimists we might name, he's so modest about it that he ends up with an uplifting representation of human life as damn shame." [20] Brent DiCrescenzo of Pitchfork described The Moon & Antarctica as an "intoxicating mix of uncertainty and confidence". [17] LA Weekly 's Rita Neyler called the album "darker and colder" than the band's previous work, but nonetheless representative of "the very particular blend of peculiar lyrics and uncompromising rock that consistently weaves through all their records." [23] In a negative review, Spin 's Chris Ryan felt that "mistaking subject for style, Modest Mouse has chosen to accentuate on a tendency to drift rather than an ability to write emotionally effective songs." [24]
Pitchfork ranked The Moon & Antarctica as the third best album of 2000, trailing Kid A by Radiohead and Ágætis byrjun by Sigur Rós. [25] The album ranked at number 49 on The Village Voice 's Pazz & Jop year-end critics' poll. [26] Pitchfork later named it the seventh best album of the years 2000 through 2004 and the sixth best album of the decade. [27] [28] Tiny Mix Tapes placed it at number 51 on their decade-end list. [29] The Moon & Antarctica was included in Entertainment Weekly's "The New Classics," a list of the one hundred best albums released within 1983 to 2008. [30] Rhapsody ranked the album at number four on its "Alt/Indie's Best Albums of the Decade" list. [31]
As of October 2006 the album has sold 492,000 copies in United States. [32] In March 2009, The Moon & Antarctica was certified gold by the Recording Industry Association of America. [33] In 2015, Vitamin String Quartet paid tribute to the album by covering it in its entirety.
Isaac Brock was dissatisfied with the final mix and the album artwork for The Moon & Antarctica following its original 2000 release. [34] According to an interview given in Filter in 2004, he intended to remix the album "on his own time, using his own money, simply to have a copy he alone could hear". [34] Epic Records then offered to remaster the album to CD, reissuing it on March 9, 2004 with remastered audio, new artwork and four additional tracks from a BBC Radio 1 session. [35] Stephen M. Deusner of Pitchfork rated the remastered edition a 5.0 out of 10, writing highly of the original album itself but questioning the decision to re-release it just four years after its initial release, calling the additional material "paltry offerings" and commenting that "no one was really asking for it, and there's simply not enough here to justify the expense or even a rating as high as the original." [36]
A vinyl and CD reissue was released on April 13, 2010 to celebrate the 10th anniversary of the album, with both versions reverting to the original artwork and track listing. [37] On April 27, 2015, Music on Vinyl reissued the album in two different variations in Europe, with one featuring remastered audio on transparent 180g vinyl in a production run limited to 500 pressings, and the other on standard black vinyl. [38] Both removed the "locked groove" previously found on side 1 at the end of "Perfect Disguise".
All lyrics are written by Isaac Brock; all music is composed by Isaac Brock, Eric Judy, and Jeremiah Green, except where noted
No. | Title | Music | Length |
---|---|---|---|
1. | "3rd Planet" | 4:00 | |
2. | "Gravity Rides Everything" | 4:18 | |
3. | "Dark Center of the Universe" | 5:04 | |
4. | "Perfect Disguise" | 2:43 | |
5. | "Tiny Cities Made of Ashes" | 3:44 | |
6. | "A Different City" | 3:10 | |
7. | "The Cold Part" | 5:03 | |
8. | "Alone Down There" | 2:23 | |
9. | "The Stars Are Projectors" | 8:46 | |
10. | "Wild Packs of Family Dogs" | Brock | 1:45 |
11. | "Paper Thin Walls" | 3:00 | |
12. | "I Came as a Rat" | 3:48 | |
13. | "Lives" | Brock | 3:19 |
14. | "Life Like Weeds" | 6:30 | |
15. | "What People Are Made Of" | 2:13 | |
Total length: | 59:43 |
No. | Title | Length |
---|---|---|
16. | "3rd Planet" (BBC Radio Edit) | 4:00 |
17. | "Perfect Disguise" | 3:00 |
18. | "Custom Concern" (Instrumental) | 2:00 |
19. | "Tiny Cities Made of Ashes" | 3:08 |
|
|
Chart (2000) | Peak position |
---|---|
US Billboard 200 [2] | 120 |
US Heatseekers Albums (Billboard) [39] | 5 |
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [40] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Modest Mouse is an American rock band formed in 1993 in Issaquah, Washington, and currently based in Portland, Oregon. The founding members were lead singer/guitarist Isaac Brock, drummer Jeremiah Green and bassist Eric Judy. They achieved critical acclaim for their albums The Lonesome Crowded West (1997) and The Moon & Antarctica (2000) and found mainstream success with the release of Good News for People Who Love Bad News (2004) and its singles "Float On" and "Ocean Breathes Salty".
The Lonesome Crowded West is the second studio album by American rock band Modest Mouse, released on November 18, 1997, by Up Records. The two towers pictured on the album's cover are The Westin Seattle.
Good News for People Who Love Bad News is the fourth studio album by American rock band Modest Mouse, released on April 6, 2004, by Epic Records. Founding member Jeremiah Green did not perform on this album due to his temporary absence from the band, and it would be the only release during his time with Modest Mouse that he would not appear on.
This Is a Long Drive for Someone with Nothing to Think About is the debut studio album by American rock band Modest Mouse. It was released on April 16, 1996, through Up Records.
Isaac Kristofer Brock is an American musician and singer-songwriter. He is the lead vocalist, principal songwriter, guitarist and only constant member of the indie rock band Modest Mouse, as well as his side project band, Ugly Casanova.
Everywhere and His Nasty Parlour Tricks is a 2001 EP by the alternative rock band Modest Mouse. It collects the earlier Night on the Sun EP along with unreleased tracks from the recording sessions for The Moon & Antarctica.
Sad Sappy Sucker is a 2001 studio album released by alternative rock band Modest Mouse. Originally slated to be Modest Mouse's debut album in 1994, Sad Sappy Sucker was shelved for several years until its eventual release in 2001, following the popularity of the band's third album The Moon & Antarctica. Several songs were recorded at Olympia, Washington's Dub Narcotic Studios by Beat Happening frontman Calvin Johnson. The record was officially released by Johnson's label K Records on April 24, 2001, available in both Compact Disc and vinyl LP, and containing nine additional tracks added to the original track listing of 15 songs.
Ugly Casanova was an American indie rock band signed to Sub Pop Records. The band has released one album, Sharpen Your Teeth.
Building Nothing Out of Something is a compilation album released in January 2000 by American indie rock band Modest Mouse, comprising non-album tracks from various points in the band's career. Most of the tracks are A- and B-sides from 7" singles, but it also includes three tracks from the Interstate 8 EP, and "Baby Blue Sedan" from the vinyl version of The Lonesome Crowded West. All songs were originally released from 1996 to 1998. In 2015, Brock's Glacial Pace re-released the album for CD and Vinyl.
Sharpen Your Teeth is the only studio album by the indie rock band Ugly Casanova. Brainchild of Modest Mouse lead singer Isaac Brock, Ugly Casanova was his attempt to try new methods and genres outside the realms of Modest Mouse. The album sees Brock performing on more instruments and using a more stripped down method of recording. The story given is that an eccentric character named Edgar Graham met with Modest Mouse while on tour. During their time together, Graham and the band recorded a few songs together, and Graham completely disappeared. In an attempt to get Graham to resurface, Brock took the recordings to Sub Pop Records, redid them in the studio, and had them released as Sharpen Your Teeth. It has since been revealed that Brock fabricated the story himself, using Ugly Casanova as a method of writing music whilst not being recognized instantly as Modest Mouse.
Dann Michael Gallucci is an American songwriter, producer, musician and audio engineer best known for his work with Modest Mouse, The Murder City Devils, and Cold War Kids. Born and raised in the Pacific Northwest, Gallucci met Modest Mouse's Isaac Brock in Seattle, Washington in 1993, playing guitar with the band intermittently before joining full-time to record several singles that would eventually appear on the album Sad Sappy Sucker, released by independent record label K Records in 2001.
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The perfect indie pop album?
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