The Obsessed is an American doom metal band from Potomac, Maryland, led by Scott "Wino" Weinrich. Formed in 1980, they recorded a few demos and played a handful of live shows until they first split up in 1986 when Weinrich joined as lead vocalist for Saint Vitus, but reformed four years later. After releasing three albums, the Obsessed broke up for a second time in 1995. After briefly reuniting for some shows in 2012 and 2013, the Obsessed announced their third reunion in March 2016.
Spirit Caravan was an American doom metal / stoner rock band featuring guitarist and vocalist Scott "Wino" Weinrich.
Saint Vitus is an American doom metal band formed in Los Angeles in 1978. They are considered to be one of the first doom metal bands, and have been labeled as one of the "big four" of that genre, along with Candlemass, Pentagram and Trouble. Having released nine studio albums to date, Saint Vitus never achieved a popular breakthrough, but have exerted great influence on the development of doom metal, sludge metal, and stoner rock.
Scott Thomas Reeder is an American musician best known as the former bass player of stoner rock bands Across the River, Kyuss and The Obsessed, as well as the current bass player for Fireball Ministry.
The Sound of Perseverance is the seventh and final studio album by American death metal band Death, released on August 31, 1998, by Nuclear Blast. The album features a whole new lineup of members except Chuck Schuldiner; it is the only album to feature guitarist Shannon Hamm, drummer Richard Christy, and bassist Scott Clendenin. It is also Death's final commercial release, as Chuck Schuldiner would die due to brain cancer-related issues in 2001, and Death would subsequently disband.
Robert Scott Weinrich, better known as Wino, is an American singer and guitarist. He has been highly influential in helping develop and codify doom metal's trademark sound, and is also considered an influential figure in the stoner rock genre.
The Hidden Hand was an American stoner rock and doom metal band from Maryland, formed in 2002 and dissolved in 2007.
Nativity in Black: A Tribute to Black Sabbath is a series of two Black Sabbath tribute albums, released in 1994 and 2000 respectively. The albums feature various heavy metal groups performing cover versions of Black Sabbath songs in tribute to the band.
Incarnate is a compilation album by American doom metal band The Obsessed. It consists of tracks taken from a number of rare and unreleased sources, namely their Sodden Jackal and Altamont Nation 7"s, the Hellhound Records What the Hell! compilation, and some unreleased demos. There are also two cover songs -- "On the Hunt" and "Inside-Looking Out". The track "Streetside" is a video clip.
Born Too Late is the third studio album by American doom metal band Saint Vitus, released in 1986. It was the first Saint Vitus album featuring The Obsessed singer Scott "Wino" Weinrich. It is generally cited as their greatest effort.
V is the fifth studio album by American doom metal band Saint Vitus, released in 1990. Its title is a reference to the Roman numeral five, not the letter "V" from the English alphabet. The album was the band's first release not on SST Records and the last one to feature singer Scott "Wino" Weinrich.
Live is the first live album by the American doom metal band Saint Vitus, recorded on November 10, 1989, at Germany's Circus Gammelsdorf. The album was released in 1990 on Hellhound Records. It was re-released by Southern Lord Records (SUNN43) in 2005. This was the final release to feature singer Scott "Wino" Weinrich until he rejoined Saint Vitus some years later, performing on their 2012 album Lillie: F-65.
Lunar Womb is the second studio album by American heavy metal band The Obsessed. It was released in 1991 by Hellhound Records and reissued in 2006 by MeteorCity. The painting on the cover is entitled Saturn Devouring His Son by Francisco de Goya.
The Church Within is the third studio album by American metal band The Obsessed. It was released in 1994 by Columbia Records and Hellhound Records, and was their final album before their 16-year breakup from 1995 to 2011. Columbia Records released two promo singles to support the album, "Streetside"/"Blind Lightning" and "To Protect and to Serve"/"Mental Kingdom".
Scorn Defeat is the first full-length album by the Japanese black metal band Sigh, released in 1993 by Deathlike Silence Productions. It is the band's most traditional black metal album, taking on a formula lyrically compared to their Scandinavian peers. The album takes its title from a line in the title track from Venom's 1981 album Welcome to Hell. On Scorn Defeat, the line itself is said on "At My Funeral".
Sodden Jackal is the title of the debut EP/single released by doom metal band The Obsessed on 7" vinyl. All three songs from the EP were eventually included on The Obsessed's Incarnate compilation.
Shrinebuilder was an American stoner/doom metal supergroup consisting of various established musicians, particularly of the doom metal subgenre. Their first and only album, Shrinebuilder, was released in October 2009.
With Vision is the second studio album release by Place of Skulls. It was released in 2003 on the Southern Lord Records label. The recording of this album was marked by numerous personnel changes before the final staff was assembled. This is the only Place of Skulls album to feature Scott Weinrich on vocals and second guitar. He left to concentrate on The Hidden Hand. Writing credits are far more widely distributed among the band members than on their previous album.
Premonition 13 is a project by The Obsessed and Saint Vitus' vocalist/guitarist Scott "Wino" Weinrich. The project started in 2009 with Wino's jam colleague of 20 years Jim Karow. Matthew Clark was later brought in to play drums.
Man's Gin is a dark folk rock band, led by multi-instrumentalist Erik Wunder of the black metal band Cobalt. Wunder is the vocalist, lyricist, guitarist, drummer, and composer of the band. Man’s Gin began in 2005 as a two-man project in Fort Collins, Colorado, consisting of Erik Wunder and guitarist friend Clint Kamerzell. The two focused on the interaction of voice and guitars and building expansive epic songs on simplistic platforms. ‘The Rum Demos’ was recorded in the winter months of 2006, receiving praise and recognition in many circles of the local Colorado underground scene.
