The Sea Lady

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The Sea Lady
TheSeaLady(Pearsons).jpg
First publication in Pearson's Magazine
Author H. G. Wells
Original titleThe Sea Lady: A Tissue of Moonshine
Genre Fantasy
Publisher Methuen
Publication date
July–December 1901
OCLC 639905
Text The Sea Lady at Wikisource

The Sea Lady is a fantasy novel by British writer H. G. Wells, incorporating elements of a fable. It was serialized from July to December 1901 in Pearson's Magazine before being published as a volume by Methuen. The inspiration for the novel came when Wells caught a glimpse of May Nisbet, the daughter of The Times drama critic, in a bathing suit during her visit to Sandgate. Wells had agreed to pay her school fees after her father's death. [1]

Contents

In presenting a creature of legend interacting with the prosaic contemporary genteel English society, the book clearly falls under the definition of contemporary fantasy, or even urban fantasy, although these subgenres were not yet recognized as distinct at the time.

Plot

The intricately narrated story involves a mermaid who comes ashore on the southern coast of England in 1899. Feigning a desire to become part of genteel society under the alias "Miss Doris Thalassia Waters," the mermaid's true intention is to seduce Harry Chatteris, a man she saw "some years ago" in "the South Seas—near Tonga" and who has since captivated her. [2] She reveals this plan in a conversation with the narrator's second cousin Melville, a friend of the family who takes in "Miss Waters." As a supernatural being, she is indifferent to the fact that Chatteris is engaged to the socially ambitious Miss Adeline Glendower and is attempting to redeem his misspent youth by entering politics. With mere words, the mermaid shakes both Chatteris and Melville's faith in their society's norms and expectations, enigmatically telling them that "there are better dreams." In the end, Chatteris is unable to resist her alluring charms, even though succumbing to her supposedly means his death.

Themes

Couched in the language of fantasy and romance, blending with light-hearted social satire, The Sea Lady explores serious themes of nature, sex, the imagination, and the ideal in an Edwardian world where moral restraints are loosening. Wells wrote in Experiment in Autobiography that The Sea Lady reflected his "craving for some lovelier experience than life had yet given me." [3]

In its narrative structure, The Sea Lady cleverly plays with conventions of historical and journalistic research and verification. According to John Clute, "Structurally it is the most complex thing Wells ever wrote, certainly the only novel Wells ever wrote to directly confirm our understanding that he did, indeed, read Henry James." [4] Adam Roberts has argued that The Sea Lady was written in a kind of dialogue with James's The Sacred Fount (1901). [5]

Cultural references

Miss Adeline Glendower, the elder of the Glendower half-sisters, is an avid reader of Mary Augusta Ward (Mrs. Humphry Ward). [6] Her seaside reading material includes Sir George Tressady , [7] and she is compared to the eponymous heroine of Marcella , [8] both novels by Mary Augusta Ward. Marcella (Lady Marcella Maxwell, née Boyce) is a leading character in both novels.

Sarah Grand [9] was a contemporaneous English feminist writer.

See also

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References

  1. Michael Sherborne, H.G. Wells: Another Kind of Life (Peter Owen, 2010), p. 145.
  2. "Symptomatic. § II"  . The Sea Lady (1902)  . I saw him first," she apologised, "some years ago." "Where?" "In the South Seas—near Tonga.
  3. Norman and Jeanne Mackenzie, H.G. Wells: A Biography (New York: Simon and Schuster, 1973), p. 179.
  4. John Clute, Pardon This Intrusion (Beccon Publications 2006), p. 123.
  5. A. Roberts, (2017), 'The Sea Lady', Wells at the World's End
  6. "The Absence and Return of Mr. Harry Chatteris"  . The Sea Lady (1902)  . she was always reading Mrs. Humphry Ward.
  7. "The Coming of the Sea Lady"  . The Sea Lady (1902)  . having found her place in "Sir George Tressady"—a book of which she was naturally enough at that time inordinately fond
  8. "The Absence and Return of Mr Harry Chatteris"  . The Sea Lady (1902)  . She was always attempting to be the incarnation of Marcella.
  9. "The Crisis"  . The Sea Lady (1902)  . She reflected profoundly. "For all women— The child, man! I see now just what Sarah Grand meant by that."

Further reading