The Wailing Dervishes | ||||
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Live album by | ||||
Released | March 1968 | |||
Recorded | June 3, 1967 Village Theatre, New York City | |||
Genre | Crossover jazz, ethno jazz | |||
Length | 41:35 | |||
Label | Atlantic SD 1497 | |||
Producer | Nesuhi Ertegun | |||
Herbie Mann chronology | ||||
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The Wailing Dervishes is a live album by American jazz flautist Herbie Mann recorded at the Village Theatre in New York City for the Atlantic label and released in 1967. [1]
Review scores | |
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Source | Rating |
AllMusic |
AllMusic awarded the album 4½ stars stating "The Wailing Dervishes chases after a fusion that is extremely rare even today - jazz and the Middle East. Believe it or not, it works -- and there are no commercial or ethnic compromises. ...Recorded live, this LP is definitely worth hunting for if you want to hear something really different. [2]
All compositions by Herbie Mann except as indicated
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This is a Herbie Mann discography. Mann spent his early years recording for a number of jazz oriented record labels, and signed with Atlantic Records in 1961. He recorded with them through the 1960s and 1970s, including their subsidiary Cotillion Records, where he ran his own imprint, Embryo Records, in the 1970s, for his records as well as other musicians. Mann also ran two independent record labels, Herbie Mann Music in the 1980s, and during the 1990s, Kokopelli Records. Minor reissues are not noted.
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Hold On, I'm Comin' is a live album by flautist Herbie Mann recorded in 1973 at the New York Jazz Festival, with one track from the Montreux Jazz Festival, and released on the Atlantic label.
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Herbie Mann Returns to the Village Gate is a live album by American jazz flautist Herbie Mann recorded in 1961 for the Atlantic label but not released until 1963.
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Latin Fever is an album by American jazz flautist Herbie Mann recorded for the Atlantic label and released in 1964. The album features tracks from the 1962 sessions that produced Do the Bossa Nova with Herbie Mann with more recent recordings.
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Herbie Mann Plays The Roar of the Greasepaint – The Smell of the Crowd is an album by American jazz flautist Herbie Mann featuring tunes from the Broadway musical by Leslie Bricusse and Anthony Newley, The Roar of the Greasepaint – The Smell of the Crowd, recorded for the Atlantic label and released in 1965.
Standing Ovation at Newport is a live album by American jazz flautist Herbie Mann recorded at the Newport Jazz Festival in 1965 for the Atlantic label.
Monday Night at the Village Gate is a live album by American jazz flutist Herbie Mann recorded at The Village Gate in 1965 and released on the Atlantic label the following year. The album follows Mann's two previously released recordings from the venue five years earlier Herbie Mann at the Village Gate and Herbie Mann Returns to the Village Gate. An additional track from the concert was released on Standing Ovation at Newport.
Latin Mann is an album by American jazz flautist Herbie Mann recorded for the Columbia label and released in 1965. Mann's contract with Atlantic Records allowed him to record the album for another label.
The Herbie Mann String Album is an album by American jazz flautist Herbie Mann recorded for the Atlantic label and released in 1967.
Our Mann Flute is an album by American jazz flautist Herbie Mann released on the Atlantic label in 1966. The album features tracks from sessions that produced the albums The Common Ground (1960), My Kinda Groove (1964) along with more recent recordings.
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