Author | Joan Didion |
---|---|
Language | English |
Genre | Essays |
Publisher | Simon & Schuster |
Publication date | 1979 |
Publication place | United States |
Media type | Print (Hardback & Paperback) |
Pages | 222 |
ISBN | 0-671-22685-1 |
OCLC | 23163086 |
The White Album is a 1979 book of essays by Joan Didion. Like her previous book Slouching Towards Bethlehem , The White Album is a collection of works previously published in magazines such as Life and Esquire . The subjects of the essays range widely and represent a mixture of memoir, criticism, and journalism, focusing on the history and politics of California in the late 1960s and early 70s. With the publication of The White Album, Didion had established herself as a prominent writer on Californian culture. As critic Michiko Kakutani stated, "California belongs to Joan Didion." [1]
The title of the book comes from its first essay, "The White Album", which was chosen as one of the 10 most important essays since 1950 by Publishers Weekly . [2] The opening sentence of this essay—"We tell ourselves stories in order to live"—would become one of Didion's best-known [3] sayings, and was used as the title of a 2006 collection of Didion's nonfiction.
The White Album is organized into five sections. The first section contains only the title essay, while the other four sections are identified by a major topic or theme, such as "California Republic" or "Women."
"The White Album" is an autobiographical literary essay detailing loosely related events in the author's life in the 1960s, primarily in Los Angeles, California. In the course of describing her ongoing psychological difficulties, Didion discusses Black Panther Party meetings, drug-related experiences, a Doors recording session, various other interactions with LA musicians and cultural figures and several prison meetings with Linda Kasabian, a former follower of Charles Manson who was testifying against the group for the grisly Sharon Tate murders. Tate had been an acquaintance of Didion's. The murder trial cast a cloud of fear over Hollywood that seemed to propel many of Didion's insights. The impression conveyed is one of a city and nation pervaded by paranoia and detachment.
Martin Amis wrote critically of the book:
[Didion] stands revealed, in The White Album, as a human being who has managed to gouge another book out of herself, rather than as a writer who gets her living done on the side, or between the lines. The result is a volatile, occasionally brilliant, distinctly female contribution to the new New Journalism, diffident and imperious by turns, intimate yet categorical, self-effacingly listless and at the same time often subtly self-serving. She can still find her own perfect pitch for long stretches, and she has an almost embarrassingly sharp ear and unblinking eye for the Californian inanity. Seemingly obedient, though, to the verdicts of her psychiatric report, Miss Didion writes about everything with the same doom-conscious yet faintly abstract intensity of interest, whether remarking on the dress sense of one of Manson’s henchwomen, or indulging her curious obsession with Californian waterworks in these pieces, Miss Didion’s writing does not "reflect" her moods so much as dramatise them. "How she feels" has become, for the time being, how it is. [4]
In this essay Didion recalls James Pike, the charismatic and controversial fifth Episcopalian Bishop of California at once eulogizing and raising questions about his legacy, unpacking the ways in which the remarkable diversity of accomplishments and passions are riddled with contradictions in a manner that makes his character, in some way, a microcosm for the psychology of the state where he was made bishop. A thinly veiled fictionalized version of this essay is criticized in Philip K. Dick's fictionalized memoir/biography of James Pike, The Transmigration of Timothy Archer which was published posthumously as the third volume in Dick's VALIS Trilogy. In TOTA, Didion and The White Album, respectively, are given the aliases "Jane Marione" and "The Green Cover." [5]
Charles Milles Manson was an American criminal, cult leader, and musician who led the Manson Family, a cult based in California in the late 1960s and early 1970s. Some cult members committed a series of at least nine murders at four locations in July and August 1969. In 1971, Manson was convicted of first-degree murder and conspiracy to commit murder for the deaths of seven people, including the film actress Sharon Tate. The prosecution contended that, while Manson never directly ordered the murders, his ideology constituted an overt act of conspiracy.
Prozac Nation is a memoir by American writer Elizabeth Wurtzel published in 1994. The book describes the author's experiences with atypical depression, her own character failings and how she managed to live through particularly difficult periods while completing college and working as a writer. Prozac is a trade name for the antidepressant fluoxetine. Wurtzel originally titled the book I Hate Myself and I Want To Die but her editor convinced her otherwise. It ultimately carried the subtitle Young and Depressed in America: A Memoir.
Joan Didion was an American writer and journalist. She is considered one of the pioneers of New Journalism, along with Gay Talese, Hunter S. Thompson, and Tom Wolfe.
John Gregory Dunne was an American writer. He began his career as a journalist for Time magazine before expanding into writing criticism, essays, novels, and screenplays. He often collaborated with his wife, Joan Didion.
Susan Denise Atkins was an American convicted murderer who was a member of Charles Manson's "Family". Manson's followers committed a series of nine murders at four locations in California over a period of five weeks in the summer of 1969. Known within the Manson family as Sadie, Sadie Glutz, Sadie Mae Glutz or Sexy Sadie, Atkins was convicted for her participation in eight of these killings, including the most notorious, the Tate murders in 1969. She was sentenced to death, which was subsequently commuted to life imprisonment when the California Supreme Court invalidated all death sentences issued prior to 1972. Atkins was incarcerated until her death in 2009. At the time of her death, she was California's longest-serving female inmate, long since surpassed by fellow Manson family members Leslie Van Houten and Patricia Krenwinkel.
Charles Denton "Tex" Watson is an American murderer who was a central member of the "Manson Family" led by Charles Manson. On August 9, 1969, Watson, Patricia Krenwinkel, and Susan Atkins murdered pregnant actress Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger, and Steven Parent at 10050 Cielo Drive in Benedict Canyon, Los Angeles. The next night, Watson traveled to Los Feliz, Los Angeles, and participated in the murders of Leno and Rosemary LaBianca. Watson was convicted of murder in 1971 and sentenced to death. As a result of a 1972 California Supreme Court decision on the constitutionality in the state of the death penalty, he avoided execution but has remained incarcerated ever since.
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Michiko Kakutani is an American writer and retired literary critic, best known for reviewing books for The New York Times from 1983 to 2017. In that role, she won the Pulitzer Prize for Criticism in 1998.
Slouching Towards Bethlehem is a 1968 collection of essays by Joan Didion that mainly describes her experiences in California during the 1960s. It takes its title from the poem "The Second Coming" by W. B. Yeats. The contents of this book are reprinted in Didion's We Tell Ourselves Stories in Order to Live: Collected Nonfiction (2006).
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Where I Was From is a 2003 book by Joan Didion. It concerns the history and culture of California, where Didion was born and spent much of her life. The book combines aspects of historical writing, journalism, and memoir to present a history of California as well as Didion's own experiences in that state.
We Tell Ourselves Stories in Order to Live: Collected Nonfiction is a 2006 collection of nonfiction by Joan Didion. It was released in the Everyman's Library, a series of reprinted classic literature, as one of the titles chosen to mark the series' 100th anniversary. The title is taken from the opening line of Didion's essay "The White Album" in the book of the same name. We Tell Ourselves Stories in Order to Live includes the full content of her first seven volumes of nonfiction. The contents range in style, including journalism, memoir, and cultural and political commentary.
Robert Hilburn is an American pop music critic, author, and radio host. As music critic and editor at the Los Angeles Times from 1970 to 2005, his reviews, essays, and profiles have appeared in publications worldwide. A member of the nominating committee for the Rock and Roll Hall of Fame for 20 years, he has written five books, including biographies of Johnny Cash, Paul Simon and Randy Newman.
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The Tate–LaBianca murders were a series of murders perpetrated by members of the Manson Family during August 9–10, 1969, in Los Angeles, California, United States, under the direction of Tex Watson and Charles Manson. The perpetrators killed five people on the night of August 8–9: pregnant actress Sharon Tate and her companions Jay Sebring, Abigail Folger, and Wojciech Frykowski, along with Steven Parent. The following evening, the Family also murdered supermarket executive Leno LaBianca and his wife, Rosemary, at their home in the Los Feliz section of Los Angeles.
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This is a list of works by and on American author Joan Didion.