Author | Joan Didion |
---|---|
Language | English |
Publisher | Farrar, Straus and Giroux |
Publication date | 1970 |
Publication place | United States |
Media type | Print (hardcover and paperback) |
Pages | 214 |
ISBN | 0-374-52171-9 |
OCLC | 312968389 |
Play It as It Lays is a 1970 novel by American writer Joan Didion. Time magazine included the novel in its list of the "100 Best English-Language Novels from 1923 to 2005". [1] The novel has been credited for helping define modern American Fiction [2] and has been described as an "instant classic". [3] It is known for depicting the nihilism and the illusory glamor of life in Hollywood, [4] as well as capturing the landscape and culture of 1960s Los Angeles.
The book was adapted into a 1972 film starring Tuesday Weld as Maria and Anthony Perkins as BZ. Didion co-wrote the screenplay with her husband, John Gregory Dunne.
31-year-old Maria Wyeth's story begins as she is recovering from an implied mental breakdown in a psychiatric hospital in the Los Angeles area. Her journey oscillates between dizzying and domestic, as her acting career slows and her personal life collapses. Her story is revealed though flashbacks and flash forwards.
Maria contrasts her life in Los Angeles with her childhood in Silver Wells, Nevada, a small town so inconsequential that it no longer exists. The daughter of a neurotic mother and a gambling father, who bet on a mine and lost, Maria moves to New York to become an actress. In New York, Maria works temporarily as a model and meets Ivan Costello, a psychopathic blackmailer who has no hesitation exploiting Maria.
In New York, Maria receives news of her mother's death in a car wreck, possibly a suicide. Her father dies soon after, leaving useless mineral rights to his business partner and friend Benny Austin. Maria withdraws from acting and modeling, splits up with Ivan, and eventually meets Carter and moves to Hollywood. Later, we find that she and Carter have a four-year-old daughter Kate. Kate is in a treatment facility for an unspecified "aberrant chemical in her brain". [note 1] Maria loves Kate, as indicated by her tender descriptions, her frequent hospital visits, and her determination "to get her out".
When Maria discovers she is pregnant, she is unsure if her husband, Carter or her lover, Les Goodwin, is the father and she tells Carter the truth. Carter urges Maria to have an abortion, and suggests that if she chooses to have the child, he will take full custody of their daughter. Set in a time before the legalization of abortion, Maria must find a doctor who will perform an illegal abortion. Maria follows steps to covertly contact and visit the only doctor who does "clean work" in Los Angeles. Maria has an illegal abortion, performed with local anesthetic, in a house where there are newspapers on the floor. Feeling distress after her abortion, Maria begins to have vivid nightmares about dying infants and rattlesnakes.
An inevitable divorce, and the ensuing social chaos bring Maria to indulge in self-destructive behavior. Maria disengages from her social world as she plunges into long days of compulsive driving, wandering Southern California's freeways, through motels and casinos, drinking and chancing sexual encounters with actors and ex-lovers. After a series of disasters for Maria, infidelity among her friends adds further chaos to her life.
The plot reaches a climax when Maria's friend BZ commits suicide in her presence, choosing to overdose on sleeping pills (Seconal) and Maria does not stop him, despite fully understanding what he is doing. Before overdosing, he offers to share his pills with Maria, implying that he could help her die by suicide as well. Maria chooses not to take the pills, and does not stop BZ as he proceeds to swallow them. His final words are "hold onto me", after which they fall asleep on the bed together. Maria awakens to the sound of BZ's wife, Helene screaming as she discovers his dead body next to Maria. Maria ignores the screaming and holds tighter onto BZ's lifeless hand. In not preventing his suicide, Maria is blamed for his death by her friends.
Maria is institutionalized for her inaction in stopping BZ's suicide, under doctors' and friends' assumption that she must have been disconnected from reality at the time the suicide occurred. It is implied that Maria doesn't try to escape her position, but accepts it apathetically. Her institutionalization can be seen as her choice to withdraw from the outside world, rather than a consequence of an actual mental illness or breakdown. [6] From her hospital, Maria turns her visitors away, and plans for a day she might see her daughter again.
Play It as It Lays was author Joan Didion's second novel, after her debut Run, River was published in 1963. Didion gained public attention for her non-fiction collection Slouching Towards Bethlehem in 1968. [7] Published on July 13, 1970, by Farrar, Straus & Giroux, [7] [8] Didion said about the novel, "I didn't think it was going to make it [...] And suddenly it did make it, in a minor way. And from that time on I had more confidence." [9]
The book bears some resemblance to Didion's life, as Didion also had a daughter with a psychological disorder and drove the same car as Maria, a yellow Corvette Stingray. [10] [11] Like the protagonist, Didion lived in New York before moving to California. [12] However, Didion asserted that the book was not autobiographical. [13]
This theme occurs frequently throughout the novel, especially in reference to gambling and casino games. Having grown up around casinos with her gambling father, Maria sees life as a game in which every player chooses a strategy, or chooses to stop playing. [14] Describing her upbringing she says, "My father advised me that life itself was a crap game: it was one of the two lessons I learned as a child. The other was that overturning a rock was apt to reveal a rattlesnake. As lessons go those two seem to hold up, but not to apply."
The title of the book, Play it as it Lays is a reference to advice from Maria's father on playing craps: "it goes as it lays, don't do it the hard way", an idiom with meaning similar to "playing with the cards you are dealt". At the exposition of the novel, Maria describes the recent events of life as such, "I was holding all the aces, but what was the game?".
Furthermore, social interactions can be seen as a kind of game. Maria tries to be a good "player" when she speaks to her doctors: "There are only certain facts, I say, trying again to be an agreeable player of the game."
Death can be seen as the choice to stop playing the game of life. As he is about to commit suicide, BZ says to Maria, "you're still playing [...] Some day you'll wake up and you just won't feel like playing". By choosing to die, BZ decides to stop playing. Meanwhile Maria references her choice to keep living, and continuing to "play" the game of life despite its meaninglessness, in the famous quote: "I know what 'nothing' means, and keep on playing."
Throughout the novel Maria and other characters reveal a belief in the meaninglessness of life. This theme may be ascribed to depression which the characters experience, to the emptiness of working in Hollywood or as an overarching philosophical theme on life. Many scenes in the book can be seen as an encounter with absurdity and nothingness, [15] as Maria has odd encounters with strangers whom she never sees again. Maria's dark view of life is revealed in quotes such as, "Maria did not particularly believe in rewards, only in punishments, swift and personal."
The concept of nothing occurs in many contexts, such as Maria marking "nothing applies" on her hospital documents, and repeating this thought when revisiting memories of her past. When speaking to Benny about their now-destroyed hometown, Maria says, "there is no Silver Wells", suggesting that finding meaning in past memories is futile. [16] The line "Maria said nothing" occurs repeatedly in several dialogues, suggesting that Maria considers it pointless to explain herself to others. [6]
Maria does not try to find greater meaning in suffering, nor does she ask questions about why suffering occurs and if there is a purpose to it. This view is presented in her opening monologue, "Carter and Helene still ask questions. I used to ask questions, and I got the answer: nothing. The answer is 'nothing.'"
Play It As It Lays is considered a classic Los Angeles novel, containing many literary motifs associated with Los Angeles and California.
The interstate freeway plays an important part in both the setting and the plot of the novel, as the protagonist spends her days driving on the freeway as a form of escapism, a motif that is popular in Los Angeles novels. Los Angeles, known as "a city on wheels", [17] has a unique identity as a city designed for cars, due to its flat terrain and relatively late urbanization. [18] [19]
The philosophical themes of the novel have been described as "freeway existentialism" [20] as Maria goes on drives without a destination in mind. Maria fulfills the literary trope of a drifter, a common trope in Los Angeles novels, where protagonists are often depicted driving, either as a way to chase their dreams or to escape their problems. [17] Driving a fast car on the open road is often considered a literary symbol of the illusion of freedom, which is easily achieved in Southern California, where there is a well developed, multi-lane freeway. [17]
Some of the plot developments occur while driving. For instance Maria informs Carter that she is pregnant when they are driving on the freeway. When driving to the house where her illegal abortion is to occur, Maria and the man in the "duck pants" discuss their cars, which brings a sense of normalcy and relief to Maria, "In the past few minutes he had significantly altered her perception of reality: she saw now that she was not a woman on her way to have an abortion. She was a woman parking a Corvette [...] while a man in white pants talked about buying a Camaro. There was no more to it than that."
An ongoing theme is that Maria avoids her problems by driving away from them, and as she sinks deeper into a nihilistic depression, she drives further distances, driving between California and Nevada.
Didion is often credited for capturing the atmosphere of Hollywood in the 1960s. Play It As it Lays depicts Hollywood as a "broken paradise" as seen from the point of view of a disenchanted actress, [21] in contrast to the more common, utopian view of Hollywood. [22] The novel depicts the scheming, exploitation, and elitism common in the film industry at that time. In the same way that movie makers manufacture stories, the characters in the film industry manufacture their own image to attain status and fame. [11]
Though themes of narcissism and self-destruction among the wealthy are old themes, seen in novels such as The Great Gatsby, the focus on the inner workings of movie production at the end of Golden Era Hollywood, establish Play It As It Lays as a classic Los Angeles novel. Maria's acting career is on the decline because she walked away from a movie set, damaging her reputation in an industry where reputation is highly important. This leads her to become more detached and apathetic to the social culture around her, and she begins to disregard social conventions and isolate herself from her acquaintances, rejecting invitations to parties and choosing to be alone instead.
Many dialogues between Maria and other characters portray the superficiality and strategy associated with the film industry, as characters choose words carefully to achieve an aim or to avoid direct communication. The few dialogues which depict genuine, heartfelt interactions stand out, such as BZ telling Maria, "hold onto me" before overdosing.
Considered a classic work of American fiction, the novel has received largely positive reviews from literary critics, but often draws mixed reviews from the public due to its bleak content and unlikable protagonist. [23] The plot has been described by critics as having "cinematic nihilism", [24] and being a "ruthless dissection of American life in the 1960s." It has been positively described as a "terrifying book." [25] In a review of the novel, Joseph Epstein described Joan Didion as a novelist: "her vision is dark, her views are bleak, but she is richly talented." [20] J. Frakes, reviewing the novel in the Book World column of The Washington Post, described the novel as a "scathing novel, distilling venom in tiny drops, revealing devastation in a sneer and fear in a handful of atomic dust." Library Journal described it as, "intelligent, well-structured, witty, irresistibly relentless." [26]
Didion's writing style in this novel has been applauded for breaking from literary tradition and making use of a precise, minimalist style, [27] [20] composed of short chapters, some of which are only a few sentences long, leaving the page mostly blank. The style has been described as "short, laser-focused chapters that come in hot and burn out just as quickly like a firework." [28]
The novel continues to be a prominent work in popular culture. The book has been referenced in the Netflix television series, You. [29] In a 2023 survey among writers by the LA Times, Play It As It Lays was voted the third most popular LA book. [30] Literary Hub listed the novel in its list of 10 Essential Books That Capture Los Angeles in All Its Sublime, Beautiful Darkness. [31] The independent editorial website Book Riot, included the novel in its list, 10 of the Best Books About Los Angeles, describing Didion, "when people think of Los Angeles authors, Joan Didion is almost always the first name that pops into their minds." [32] The novel is frequently listed as a popular Los Angeles novel by popular culture websites. [33] [34]
The book was adapted into a 1972 film directed by Frank Perry, starring Tuesday Weld as Maria and Anthony Perkins as BZ. [35] Didion co-wrote the screenplay with her husband, John Gregory Dunne. [36]
Patricia Highsmith was an American novelist and short story writer widely known for her psychological thrillers, including her series of five novels featuring the character Tom Ripley. She wrote 22 novels and numerous short stories throughout her career spanning nearly five decades, and her work has led to more than two dozen film adaptations. Her writing derived influence from existentialist literature, and questioned notions of identity and popular morality. She was dubbed "the poet of apprehension" by novelist Graham Greene.
Mercè Rodoreda i Gurguí was a Spanish novelist, who wrote in Catalan.
Joan Alexandra Molinsky, known professionally as Joan Rivers, was an American comedian, actress, producer, writer, and television host. She was noted for her blunt, often controversial comedic persona that was heavily self-deprecating and acerbic, especially towards celebrities and politicians, delivered in her signature New York accent. She is considered a pioneer of women in comedy. She received an Emmy Award and a Grammy Award, as well as nomination for a Tony Award.
Joan Didion was an American writer and journalist. She is considered one of the pioneers of New Journalism, along with Gay Talese, Hunter S. Thompson, and Tom Wolfe.
John Gregory Dunne was an American writer. He began his career as a journalist for Time magazine before expanding into writing criticism, essays, novels, and screenplays. He often collaborated with his wife, Joan Didion.
Judith Eva Barsi was an American child actress. She began her career in television, making appearances in commercials and television series, as well as the 1987 film Jaws: The Revenge. She also provided the voices of Ducky in The Land Before Time and Anne-Marie in All Dogs Go to Heaven, both released after her death. She and her mother, Maria, were killed in July 1988 in a double murder–suicide committed in their home by her father, József Barsi.
The Young Philadelphians is a 1959 American legal drama film directed by Vincent Sherman and starring Paul Newman, Barbara Rush, Robert Vaughn and Alexis Smith. The film is based on the 1956 novel The Philadelphian, by Richard P. Powell.
Maria Bamford is an American actress and stand-up comedian. Her work often uses self-deprecating and dark topics, including her dysfunctional family, depression, anxiety, suicide, and mental illness.
Helena Maria Viramontes is an American fiction writer and professor of English. She is known for her two novels, Under the Feet of Jesus and Their Dogs Came With Them, and is considered one of the most significant figures in the early canon of Chicano literature. Viramontes is currently the Goldwin Smith Professor of English at Cornell University.
The Last Thing He Wanted is a novel by Joan Didion. It was published by Alfred A. Knopf in 1996. The story centers on Elena McMahon, a reporter for The Washington Post who quits her job covering the 1984 United States presidential election to care for her father after her mother's death. In an unusual turn of events, she inherits his position as an arms dealer for the U.S. Government in Central America. In this sparsely written, quick-paced narrative, Elena struggles to cope with the spies, American military personnel, and the consequences of her father's errors that are waiting for her on a small island in the Lesser Antilles.
Democracy is a 1984 novel by the American author Joan Didion. Set in Hawaii and Southeast Asia at the end of the Vietnam War, the book tells the story of Inez Victor, wife of U.S. Senator and one-time presidential hopeful Harry Victor, and her enduring romance with Jack Lovett, a CIA agent/war profiteer whom Inez first met as a teenager living in Hawaii.
Joan Cooper, known by her pen name, J. California Cooper, was an American playwright and author. She wrote 17 plays and was named Black Playwright of the Year in 1978 for her play Strangers. Cooper also received an American Book Award in 1989, a James Baldwin Writing Award (1988), and a Literary Lion Award (1988) from the American Library Association.
Yiyun Li is a Chinese-born writer and professor in the United States. Her short stories and novels have won several awards, including the PEN/Hemingway Award and Guardian First Book Award for A Thousand Years of Good Prayers, the 2020 PEN/Jean Stein Book Award for Where Reasons End, and the 2023 PEN/Faulkner Award for Fiction for The Book of Goose. Her short story collection Wednesday's Child was a finalist for the Pulitzer Prize. She is an editor of the Brooklyn-based literary magazine A Public Space.
Sara Davidson is an American journalist, novelist, and screenwriter. She is the author of the best-selling Loose Change. It was adapted as a television mini-series. In addition, she has written other series and served as producer.
Shrink is a 2009 American independent black comedy-drama film about a psychiatrist who treats members of the entertainment industry in Los Angeles, California. It is directed by Jonas Pate, written by Thomas Moffett, and stars Kevin Spacey with an ensemble cast. The film premiered at the 2009 Sundance Film Festival and includes music by Jackson Browne. Shrink received negative reviews from critics, praising Spacey's performance but critical of the film's scripting and directing.
Return to Peyton Place is a 1961 American drama film in color by De Luxe and CinemaScope, produced by Jerry Wald, directed by José Ferrer, and starring Carol Lynley, Tuesday Weld, Jeff Chandler, Eleanor Parker, Mary Astor, and Robert Sterling. The screenplay by Ronald Alexander is based on the 1959 novel Return to Peyton Place by Grace Metalious. The film was distributed by 20th Century Fox and is a sequel to their earlier film Peyton Place (1957).
Play It as It Lays is a 1972 American drama film directed by Frank Perry from a screenplay by Joan Didion and John Gregory Dunne, based on the 1970 novel of the same name by Didion. The film stars Tuesday Weld and Anthony Perkins, who previously starred together in the 1968 film Pretty Poison.
Joan Kahn was a New York City-based American author, anthologist, and editor, widely regarded as the preeminent mystery/suspense editor of her time. Described variously as the "doyenne of suspense," "the doyenne of mystery editors," and "publishing's grande dame of detective stories," Kahn first came to prominence during her extended reign (1946-1980) at Harper & Brothers, much of it spent creating and overseeing the longstanding "Harper Novel of Suspense" series. The Joan Kahn imprint, instituted during her Harper tenure, soon became a sought-after imprimatur for mystery connoisseurs. Some of Kahn's more celebrated signings include John Creasey, Patricia Highsmith, Julian Symons, Dick Francis, and Tony Hillerman.
Joan Didion: The Center Will Not Hold is a 2017 documentary film about Joan Didion and her work.
Merritt Tierce is an American short story author, story editor, essayist, activist, and novelist. Tierce was born in Texas and attended the Iowa Writers' Workshop, receiving her MFA in Fiction in 2011. She previously taught at the University of Iowa. She was a founding board member of the Texas Equal Access Fund and previously worked as Executive Director of the TEA. She currently resides in Los Angeles and is a writer for Orange is the New Black.