The Woman I Am: The Definitive Collection | ||||
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Compilation album by | ||||
Released | 2006 | |||
Recorded | 1971-1998 | |||
Genre | Vocal Pop/Rock [1] | |||
Length | 1:11:55 | |||
Label | Capitol | |||
Producer | Tom Catalano Kim Fowley Kasha, Lloyd & Curb Bruce Kimmel Earle Mankey Larry Marks John Palladino Helen Reddy Jay Senter Joe Wissert [2] | |||
Helen Reddy chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Woman I Am: The Definitive Collection is a compilation album by Australian-American pop singer Helen Reddy that was released in 2006 by Capitol Records in conjunction with the publication of her autobiography The Woman I Am: A Memoir. Unique to this best-of disc are the live recordings of "The West Wind Circus" and "Mama" from her 1978 concert LP Live in London and the Sunset Boulevard tune "Surrender" from her 1998 album Center Stage .
In his Allmusic review of this compilation, Rob Theakston says, "Complete with liner notes from Reddy herself, this is quite possibly the most comprehensive collection of her material that a casual fan could possibly ever need, and something which die-hard fans will enjoy having around, if only to have all of her most important works together in one volume." [1]
Helen Maxine Reddy was an Australian-American singer, actress, television host, and activist. Born in Melbourne to a showbusiness family, Reddy started her career as an entertainer at age four. She sang on radio and television and won a talent contest on the television program Bandstand in 1966; her prize was a ticket to New York City and a record audition, which was unsuccessful. After a short and unsuccessful singing career in New York, she eventually moved to Chicago, and subsequently, Los Angeles, where she made her debut singles "One Way Ticket" and "I Believe in Music" in 1968 and 1970, respectively. The B-side of the latter single, "I Don't Know How to Love Him", reached number eight on the pop chart of the Canadian magazine RPM. She was signed to Capitol Records a year later.
"Ain't No Way to Treat a Lady" is a 1974 written and first recorded by American singer-songwriter Harriet Schock. It was covered by various other artists, and saw its greatest success when it was covered by Helen Reddy, whose 1975 rendition became a top 10 hit.
Australian-American singer Helen Reddy (1941–2020), often referred to as the "Queen of 70s Pop", recorded 18 studio albums, seven of which have achieved sales of 500,000 units in the US for which they were awarded Gold certification by the Recording Industry Association of America. One of those seven, I Am Woman, eventually went Platinum by reaching sales of one million copies, and her first compilation album, Helen Reddy's Greatest Hits, was awarded Double Platinum status in 1992 for hitting the two million sales mark. The respective US and Canadian album charts in Billboard and RPM magazine each had appearances by 10 of these LPs during the 1970s.
I Don't Know How to Love Him is the debut studio album by Australian-American pop singer Helen Reddy, released on May 10, 1971, by Capitol Records. I Don't Know How to Love Him included her first recording of "I Am Woman". The album made its first appearance on Billboard magazine's Top LP's chart in the issue dated June 5, 1971, and remained there for 37 weeks, peaking at number 100, and got as high as number 40 on the album chart in Canada's RPM magazine. On November 27, 1974, the album received Gold certification from the Recording Industry Association of America, and on March 29, 2005, it was released for the first time on compact disc as one of two albums on one CD, the other album being Reddy's eponymous follow-up that originally came out in the fall of 1971.
Long Hard Climb is the fourth studio album by Australian-American pop singer Helen Reddy, released on July 23, 1973, by Capitol Records and, aside from its primary focus on Top 40-friendly material, had her trying out New Orleans jazz and the English-language version of a recent Charles Aznavour standard. It debuted on Billboard's Top LP's & Tapes chart in the issue dated August 11, 1973, and reached number eight during its 43 weeks there, and in Canada's RPM magazine it peaked at number 14. On September 19 of that year, the Recording Industry Association of America awarded the album with Gold certification for sales of 500,000 copies in the United States. On July 22, 2003, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1972 release I Am Woman.
Love Song for Jeffrey is the fifth studio album by Australian-American pop singer Helen Reddy, released on March 25, 1974, by Capitol Records. The album focused on her family, giving special attention to those who had died within the past year. A tribute on the back cover reads: "In memory of my mother, Stella Lamond Reddy, July 1973, my father, Max Reddy, September 1973, and my beloved aunt, Helen Reddy Sr., January 1974."
Free and Easy is the sixth studio album by Australian-American pop singer Helen Reddy that was released in the fall of 1974 by Capitol Records. The album included rare forays into rock and vaudeville ("Showbiz"). The album debuted on Billboard's Top LP's & Tapes chart in the issue dated November 2, 1974, and reached number eight during its 28 weeks there. The following month, on December 18, the Recording Industry Association of America awarded the album with Gold certification for sales of 500,000 copies in the United States. In the UK it peaked at number 17, and in Canada's RPM magazine it got as high as number nine on its list of the top LPs in the issue dated January 11, 1975. On January 27, 2004, it was released for the first time on compact disc as one of two albums on one CD, the other album being her other 1974 release, Love Song for Jeffrey.
No Way to Treat a Lady is the seventh studio album by Australian-American pop singer Helen Reddy that was released in the summer of 1975 by Capitol Records and found Reddy tackling country pop, bossa nova and blues. The album debuted on Billboard's Top LP's & Tapes chart in the issue dated July 12, 1975, and peaked at number 11 over the course of 34 weeks, and on the album chart in Canada's RPM magazine it got as high as number 13. On January 19, 1976, the Recording Industry Association of America awarded the album with Gold certification for sales of 500,000 copies in the United States, and on August 23, 2005, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1976 release, Music, Music.
Helen Reddy's Greatest Hits is a compilation album by Australian-American pop singer Helen Reddy. It was released in 1975 by Capitol Records.
Music, Music is the eighth studio album by Australian-American pop singer Helen Reddy that was released in the summer of 1976 by Capitol Records and later described by J. Scott McClintock for AllMusic: "There are breezy, Bacharach-ian excursions, bluesy numbers, light country ('Mama'), jazzy ballads, and even a little Philly soul. On August 2 of that year the Recording Industry Association of America awarded the album with Gold certification for sales of 500,000 copies in the United States. It debuted on Billboard's Top LP's & Tapes chart that same month, in the issue dated August 14, and got as high as number 16 during its 13 weeks there, and in Canada's RPM magazine it peaked at number 14. The third album recorded by Reddy with producer Joe Wissert, Music, Music was cited in 1977 by Reddy as a personal favorite from among her albums. On August 23, 2005, Music, Music was released for the first time on compact disc as one of two Helen Reddy albums on one CD, the other album being her 1975 studio release, No Way to Treat a Lady.
Ear Candy is the ninth studio album by Australian-American pop singer Helen Reddy, released on 25 April 1977 by Capitol Records. The album included a modern take on the doo-wop genre, a Cajun number that gave the Melbourne native her first and only appearance on Billboard magazine's Country chart, and a dark self-parody on which Reddy proclaims: "I don't take no shit from nobody". Unusually, half of the songs recorded for Ear Candy were co-written by Reddy herself, including the second single: "The Happy Girls", Reddy's first self-penned A-side single since "I am Woman". The album's first single, a remake of the 1964 Cilla Black hit "You're My World", gave Reddy a final Top 40 hit.
We'll Sing in the Sunshine is the tenth studio album by Australian-American pop singer Helen Reddy that was released in 1978 by Capitol Records. The album included two songs that were also covered by Johnny Mathis in the first half of that year: "All I Ever Need", which came out on his March release, You Light Up My Life, and "Ready or Not", on which he duetted with Deniece Williams for their June release, That's What Friends Are For. Reddy also ventures into Beatles territory with their rockabilly number "One After 909" and takes on Jeff Lynne's "Poor Little Fool" with accompaniment in the vein of Electric Light Orchestra. This was her first album not to reach Billboard's Top LP's & Tapes chart. On February 23, 2010, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1977 release, Ear Candy. "Blue" was originally featured on the 1977 animated film Raggedy Ann & Andy: A Musical Adventure.
Live in London is the first live album by Australian-American pop singer Helen Reddy that was released in 1978 by Capitol Records and, as with her previous release, did not reach Billboard magazine's Top LP's & Tapes chart. On June 25, 2002, the album was released for the first time on compact disc.
Feel So Young is the fifteenth studio album by Australian-American pop singer Helen Reddy, released in 1990 by her own record label, Helen Reddy, Inc.. The album included new recordings of some of her hits and two songs from her 1983 Imagination album as well as four new songs. It has been reissued by many other independent labels under various names and with varying track lists, some of which include some or all of three additional re-recordings of "Delta Dawn", "I Don't Know How to Love Him", and "Leave Me Alone ".
All-Time Greatest Hits is a compilation album by Australian-American pop singer Helen Reddy that was released in 1991 by EMI-Capitol Special Markets and reissued by various labels with different covers on multiple occasions since.
The Best of Helen Reddy is a compilation album by Australian-American pop singer Helen Reddy that was released in 1991 by EMI and focuses exclusively on her first seven LPs. The 20 songs selected are evenly balanced between chart hits such as "I Am Woman", "Delta Dawn", and "Angie Baby", and lesser-known album tracks, including "Summer of '71" and "Tulsa Turnaround".
I Am Woman: The Essential Helen Reddy Collection is a compilation album by Australian-American pop singer Helen Reddy that was released in 1998 by Razor & Tie and, in addition to the title track, includes three additional songs written or cowritten by Reddy as well as rare compilation appearances by "Bluebird", "The Fool on the Hill", and two recordings from her brief time with MCA Records.
Center Stage is the sixteenth studio album by Australian-American pop singer Helen Reddy that was released in 1998 by Varèse Sarabande. Reddy describes the album as the perfect melding of two areas of her career: "the recording studio and the theatrical stage. I tried to select songs from various songwriters in different eras. I've also included a song from each of the musical shows I've performed in."
Absolutely the Best of Helen Reddy is a compilation album by Australian-American pop singer Helen Reddy that was released in 2003 by Varèse Sarabande and includes both the original and hit single versions of "I Am Woman" in addition to several of her other popular recordings.
Rarities from the Capitol Vaults is a compilation album by Australian-American pop singer Helen Reddy that was released in 2009 by EMI Music Special Markets and boasts 10 previously unreleased songs as well as two lesser-known recordings.