"We'll Sing in the Sunshine" is a 1964 hit song written and recorded by Gale Garnett which reached No. 2 in Canada, and No. 4 on the U.S. Billboard Hot 100 chart for the week ending 17 October 1964. It also enjoyed success on easy listening and country music radio stations, spending seven weeks at No. 1 on the Billboard Easy Listening chart and No. 42 on the country chart. The Cash Box Top 100 ranked "We'll Sing in the Sunshine" at No. 1 for the week of 31 October 1964, and it also reached No. 1 in Garnett's native New Zealand that November. In Australia, "We'll Sing in the Sunshine" afforded Garnett a Top Ten hit with a No. 10 peak in October 1964. Garnett's sole Top 40 hit, "We'll Sing in the Sunshine" won the Grammy Award for Best Ethnic or Traditional Folk Recording in 1965.
"Leave Me Alone " is a 1973 song written and first recorded by American singer-songwriter Linda Laurie. It was famously covered by Australian-American singer Helen Reddy several months later; Reddy's cover was a million-selling, Gold-certified hit single.
Australian-American singer Helen Reddy (1941–2020), often referred to as the "Queen of 70s Pop", recorded 18 studio albums, seven of which have achieved sales of 500,000 units in the US for which they were awarded Gold certification by the Recording Industry Association of America. One of those seven, I Am Woman, eventually went Platinum by reaching sales of one million copies, and her first compilation album, Helen Reddy's Greatest Hits, was awarded Double Platinum status in 1992 for hitting the two million sales mark. The respective US and Canadian album charts in Billboard and RPM magazine each had appearances by 10 of these LPs during the 1970s.
The Way We Were is the thirty-second studio album by American pop singer Andy Williams, released in the spring of 1974 by Columbia Records and was a return to singing songs that his audience was already familiar with after Solitaire, his previous LP that was less reliant on covers of recent pop hits, did not perform well.
You Lay So Easy on My Mind is the thirty-fourth studio album by American pop singer Andy Williams, released in November 1974 by Columbia Records. The idea for this LP was mentioned in an interview with Williams in the November 3, 1973, issue of Billboard magazine that emphasized his desire to move away from recording albums of Easy Listening covers of hits by other artists, noting that he was "planning an album to be cut in Nashville with Columbia's high-flying country-pop producer, Billy Sherrill." The article coincided with the release of his first attempt to shift directions, Solitaire, which performed poorly. A return to the Easy Listening hits formula, The Way We Were, followed in the spring of 1974 but failed to even chart, so this next attempt to eschew soft rock songs leaned heavily on Country hits.
When Will I See You Again is an album by American pop singer Johnny Mathis that was released in March 1975 by Columbia Records and was again predominantly composed of covers of recent hit songs by other artists.
I Don't Know How to Love Him is the debut studio album by Australian-American pop singer Helen Reddy, released on May 10, 1971, by Capitol Records. I Don't Know How to Love Him included her first recording of "I Am Woman". The album made its first appearance on Billboard magazine's Top LP's chart in the issue dated June 5, 1971, and remained there for 37 weeks, peaking at number 100, and got as high as number 40 on the album chart in Canada's RPM magazine. On November 27, 1974, the album received Gold certification from the Recording Industry Association of America, and on March 29, 2005, it was released for the first time on compact disc as one of two albums on one CD, the other album being Reddy's eponymous follow-up that originally came out in the fall of 1971.
Helen Reddy is the second studio album by Australian-American pop singer Helen Reddy, released on November 8, 1971, by Capitol Records. Reddy's selections include tracks by singer-songwriters Carole King, John Lennon, Randy Newman, and Donovan. It debuted on Billboard magazine's Top LP's chart in the issue dated December 4, 1971, and had a seven-week chart run in which it got as high as number 167. On March 29, 2005, the album was released for the first time on compact disc as one of two albums on one CD, the other album being I Don't Know How to Love Him, Reddy's debut LP that originally came out in the spring of 1971.
I Am Woman is the third studio album by Australian–American pop singer Helen Reddy, released on 13 November 1972, by Capitol Records. The album included her second recording of the song that gave the album its name, which was also the version that spent a week at number one on the Billboard Hot 100. The album debuted on the Billboard Top LPs & Tape chart in the issue dated December 9, 1972, and reached number 14 during a 62-week run, and in Canada's RPM magazine it peaked at number seven. On March 7, 1973, the Recording Industry Association of America awarded the album with Gold certification for sales of 500,000 copies in the United States, and Platinum certification for sales of one million copies came on December 5, 1991. On July 22, 2003, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1973 release Long Hard Climb.
Long Hard Climb is the fourth studio album by Australian-American pop singer Helen Reddy, released on July 23, 1973, by Capitol Records and, aside from its primary focus on Top 40-friendly material, had her trying out New Orleans jazz and the English-language version of a recent Charles Aznavour standard. It debuted on Billboard's Top LP's & Tapes chart in the issue dated August 11, 1973, and reached number eight during its 43 weeks there, and in Canada's RPM magazine it peaked at number 14. On September 19 of that year, the Recording Industry Association of America awarded the album with Gold certification for sales of 500,000 copies in the United States. On July 22, 2003, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1972 release I Am Woman.
Free and Easy is the sixth studio album by Australian-American pop singer Helen Reddy that was released in the fall of 1974 by Capitol Records. The album included rare forays into rock and vaudeville ("Showbiz"). The album debuted on Billboard's Top LP's & Tapes chart in the issue dated November 2, 1974, and reached number eight during its 28 weeks there. The following month, on December 18, the Recording Industry Association of America awarded the album with Gold certification for sales of 500,000 copies in the United States. In the UK it peaked at number 17, and in Canada's RPM magazine it got as high as number nine on its list of the top LPs in the issue dated January 11, 1975. On January 27, 2004, it was released for the first time on compact disc as one of two albums on one CD, the other album being her other 1974 release, Love Song for Jeffrey.
No Way to Treat a Lady is the seventh studio album by Australian-American pop singer Helen Reddy that was released in the summer of 1975 by Capitol Records and found Reddy tackling country pop, bossa nova and blues. The album debuted on Billboard's Top LP's & Tapes chart in the issue dated July 12, 1975, and peaked at number 11 over the course of 34 weeks, and on the album chart in Canada's RPM magazine it got as high as number 13. On January 19, 1976, the Recording Industry Association of America awarded the album with Gold certification for sales of 500,000 copies in the United States, and on August 23, 2005, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1976 release, Music, Music.
Helen Reddy's Greatest Hits is a compilation album by Australian-American pop singer Helen Reddy. It was released in 1975 by Capitol Records.
Music, Music is the eighth studio album by Australian-American pop singer Helen Reddy that was released in the summer of 1976 by Capitol Records and later described by J. Scott McClintock for AllMusic: "There are breezy, Bacharach-ian excursions, bluesy numbers, light country ('Mama'), jazzy ballads, and even a little Philly soul. On August 2 of that year the Recording Industry Association of America awarded the album with Gold certification for sales of 500,000 copies in the United States. It debuted on Billboard's Top LP's & Tapes chart that same month, in the issue dated August 14, and got as high as number 16 during its 13 weeks there, and in Canada's RPM magazine it peaked at number 14. The third album recorded by Reddy with producer Joe Wissert, Music, Music was cited in 1977 by Reddy as a personal favorite from among her albums. On August 23, 2005, Music, Music was released for the first time on compact disc as one of two Helen Reddy albums on one CD, the other album being her 1975 studio release, No Way to Treat a Lady.
Ear Candy is the ninth studio album by Australian-American pop singer Helen Reddy, released on 25 April 1977 by Capitol Records. The album included a modern take on the doo-wop genre, a Cajun number that gave the Melbourne native her first and only appearance on Billboard magazine's Country chart, and a dark self-parody on which Reddy proclaims: "I don't take no shit from nobody". Unusually, half of the songs recorded for Ear Candy were co-written by Reddy herself, including the second single: "The Happy Girls", Reddy's first self-penned A-side single since "I am Woman". The album's first single, a remake of the 1964 Cilla Black hit "You're My World", gave Reddy a final Top 40 hit.
We'll Sing in the Sunshine is the tenth studio album by Australian-American pop singer Helen Reddy that was released in 1978 by Capitol Records. The album included two songs that were also covered by Johnny Mathis in the first half of that year: "All I Ever Need", which came out on his March release, You Light Up My Life, and "Ready or Not", on which he duetted with Deniece Williams for their June release, That's What Friends Are For. Reddy also ventures into Beatles territory with their rockabilly number "One After 909" and takes on Jeff Lynne's "Poor Little Fool" with accompaniment in the vein of Electric Light Orchestra. This was her first album not to reach Billboard's Top LP's & Tapes chart. On February 23, 2010, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1977 release, Ear Candy. "Blue" was originally featured on the 1977 animated film Raggedy Ann & Andy: A Musical Adventure.
Live in London is the first live album by Australian-American pop singer Helen Reddy that was released in 1978 by Capitol Records and, as with her previous release, did not reach Billboard magazine's Top LP's & Tapes chart. On June 25, 2002, the album was released for the first time on compact disc.
Reddy is the eleventh studio album release by Australian-American pop singer Helen Reddy. Between 1971 and 1978, Reddy had ten studio albums released by Capitol Records, the label also having issued her Greatest Hits album and a concert album: Live in London, the latter issued in December 1978 - which same month Reddy filed suit claiming Capitol Records had shortchanged her $1,793,000, the suit being an apparent bid to win release from the label. However Reddy, issued in June 1979, would be released by Capitol Records, Reddy's tenure with the label extending to include her twelfth studio album: Take What You Find, issued in 1980.
Take What You Find is the twelfth studio album by Australian-American pop singer Helen Reddy that was released in 1980 by Capitol Records. It was her last album while under contract with the aforementioned record label before signing with MCA Records. Like the previous three -- We'll Sing in the Sunshine, Live In London, and Reddy—it failed to sell enough copies to reach Billboard magazine's list of the 200 Top LP's & Tapes of the week in the US but also became her first studio LP that didn't have a single appearing on either the Billboard Hot 100 or the magazine's Easy Listening chart.
Play Me Out is the thirteenth studio album by Australian-American pop singer Helen Reddy that was released in 1981 by MCA Records. Having recorded 12 studio albums at Capitol Records over a 10-year period, she felt the move was "'long overdue... For the last three years I didn't feel I was getting the support from them.'" Whatever support she received from the new label was not enough to get the album onto Billboard magazine's Top LPs & Tape chart.
