"Have I Told You Lately That I Love You?" is a popular song written by Scotty Wiseman for the 1944 musical film, Sing, Neighbor, Sing and performed by Lulu Belle and Scotty. It was their greatest hit and one of the first country music songs to attract major attention in the pop music field. Although the song was featured in the movie, it was not released by Lulu Belle and Scotty until 1947. The first released version of this song was by Gene Autry in 1945.
"I Can't Hear You No More" is a composition written by Gerry Goffin and Carole King. It was originally recorded as "I Can't Hear You" in 1964 by Betty Everett. The most successful version was the 1976 top 40 single by Helen Reddy.
"Summer Breeze" is a song written and originally recorded by American soft rock duo Seals and Crofts. It is the title track of their fourth studio album, and was released as the album's lead single in August 1972. The song reached No. 6 on the Billboard Hot 100 chart in the US. In 2013, it was ranked No. 13 in Rolling Stone′s "Best Summer Songs of All Time". The song also became a hit for the Isley Brothers in 1974.
Diamond Girl is the fifth studio album by pop/folk duo Seals and Crofts. It was released in 1973 on Warner Bros. Records.
"This Masquerade" is a song written by American singer and musician Leon Russell. It was originally recorded in 1972 by Russell for his album Carney and as a B-side for the album's hit single "Tight Rope". The song was then covered on Helen Reddy's 1972 album, I Am Woman. It was then recorded by American vocal duo, the Carpenters, for their 1973 album Now & Then and as the B-side of the Carpenters's single "Please Mr. Postman". Three years later, "This Masquerade" was recorded by American singer and guitarist George Benson, who released it on his 1976 album, Breezin'. Benson's version, featuring Jorge Dalto on piano, was released as a single and became the first big hit of his career.
"Wear My Ring Around Your Neck" is a song written by Bert Carroll and Russell Moody, performed by Elvis Presley, which was released in 1958. It was particularly notable for breaking a string of ten consecutive number 1 hits for Presley achieved in just two years. Although it was Presley's 6th number-one hit in the American R&B Charts, it only peaked at number 2 on the American Pop Charts.
When It All Goes South is the nineteenth studio album by American country music band Alabama, released in 2001. It produced the singles "When It All Goes South", "Will You Marry Me" and "The Woman He Loves". This became Alabama's final studio album of original materials until 2015's Southern Drawl. It ranked at No. 37 in Billboard Album Charts and No. 4 on Country Album Chart.
"Never Be the Same" is the title of the third single by singer-songwriter Christopher Cross, released from his debut Grammy Award-winning album Christopher Cross. It was the singer's third consecutive single to reach the Top 40 on the Billboard Hot 100 chart, where it peaked at No. 15 in 1980. The song was a No. 1 hit on the adult contemporary chart, remaining there for two weeks.
Australian-American singer Helen Reddy (1941–2020), often referred to as the "Queen of 70s Pop", recorded 18 studio albums, seven of which have achieved sales of 500,000 units in the US for which they were awarded Gold certification by the Recording Industry Association of America. One of those seven, I Am Woman, eventually went Platinum by reaching sales of one million copies, and her first compilation album, Helen Reddy's Greatest Hits, was awarded Double Platinum status in 1992 for hitting the two million sales mark. The respective US and Canadian album charts in Billboard and RPM magazine each had appearances by 10 of these LPs during the 1970s.
I Don't Know How to Love Him is the debut studio album by Australian-American pop singer Helen Reddy, released on May 10, 1971, by Capitol Records. I Don't Know How to Love Him included her first recording of "I Am Woman". The album made its first appearance on Billboard magazine's Top LP's chart in the issue dated June 5, 1971, and remained there for 37 weeks, peaking at number 100, and got as high as number 40 on the album chart in Canada's RPM magazine. On November 27, 1974, the album received Gold certification from the Recording Industry Association of America, and on March 29, 2005, it was released for the first time on compact disc as one of two albums on one CD, the other album being Reddy's eponymous follow-up that originally came out in the fall of 1971.
Helen Reddy is the second studio album by Australian-American pop singer Helen Reddy, released on November 8, 1971, by Capitol Records. Reddy's selections include tracks by singer-songwriters Carole King, John Lennon, Randy Newman, and Donovan. It debuted on Billboard magazine's Top LP's chart in the issue dated December 4, 1971, and had a seven-week chart run in which it got as high as number 167. On March 29, 2005, the album was released for the first time on compact disc as one of two albums on one CD, the other album being I Don't Know How to Love Him, Reddy's debut LP that originally came out in the spring of 1971.
I Am Woman is the third studio album by Australian–American pop singer Helen Reddy, released on 13 November 1972, by Capitol Records. The album included her second recording of the song that gave the album its name, which was also the version that spent a week at number one on the Billboard Hot 100.
Long Hard Climb is the fourth studio album by Australian-American pop singer Helen Reddy, released on July 23, 1973, by Capitol Records and, aside from its primary focus on Top 40-friendly material, had her trying out New Orleans jazz and the English-language version of a recent Charles Aznavour standard. It debuted on Billboard's Top LP's & Tapes chart in the issue dated August 11, 1973, and reached number eight during its 43 weeks there, and in Canada's RPM magazine it peaked at number 14. On September 19 of that year, the Recording Industry Association of America awarded the album with Gold certification for sales of 500,000 copies in the United States. On July 22, 2003, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1972 release I Am Woman.
Love Song for Jeffrey is the fifth studio album by Australian-American pop singer Helen Reddy, released on March 25, 1974, by Capitol Records. The album focused on her family, giving special attention to those who had died within the past year. A tribute on the back cover reads: "In memory of my mother, Stella Lamond Reddy, July 1973, my father, Max Reddy, September 1973, and my beloved aunt, Helen Reddy Sr., January 1974."
No Way to Treat a Lady is the seventh studio album by Australian-American pop singer Helen Reddy that was released in the summer of 1975 by Capitol Records and found Reddy tackling country pop, bossa nova and blues. The album debuted on Billboard's Top LP's & Tapes chart in the issue dated July 12, 1975, and peaked at number 11 over the course of 34 weeks, and on the album chart in Canada's RPM magazine it got as high as number 13. On January 19, 1976, the Recording Industry Association of America awarded the album with Gold certification for sales of 500,000 copies in the United States, and on August 23, 2005, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1976 release, Music, Music.
Helen Reddy's Greatest Hits is a compilation album by Australian-American pop singer Helen Reddy. It was released in 1975 by Capitol Records.
Ear Candy is the ninth studio album by Australian-American pop singer Helen Reddy, released on 25 April 1977 by Capitol Records. The album included a modern take on the doo-wop genre, a Cajun number that gave the Melbourne native her first and only appearance on Billboard magazine's Country chart, and a dark self-parody on which Reddy proclaims: "I don't take no shit from nobody". Unusually, half of the songs recorded for Ear Candy were co-written by Reddy herself, including the second single: "The Happy Girls", Reddy's first self-penned A-side single since "I am Woman". The album's first single, a remake of the 1964 Cilla Black hit "You're My World", gave Reddy a final Top 40 hit.
We'll Sing in the Sunshine is the tenth studio album by Australian-American pop singer Helen Reddy that was released in 1978 by Capitol Records. The album included two songs that were also covered by Johnny Mathis in the first half of that year: "All I Ever Need", which came out on his March release, You Light Up My Life, and "Ready or Not", on which he duetted with Deniece Williams for their June release, That's What Friends Are For. Reddy also ventures into Beatles territory with their rockabilly number "One After 909" and takes on Jeff Lynne's "Poor Little Fool" with accompaniment in the vein of Electric Light Orchestra. This was her first album not to reach Billboard's Top LP's & Tapes chart. On February 23, 2010, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1977 release, Ear Candy. "Blue" was originally featured on the 1977 animated film Raggedy Ann & Andy: A Musical Adventure.
Reddy is the eleventh studio album release by Australian-American pop singer Helen Reddy. Between 1971 and 1978, Reddy had ten studio albums released by Capitol Records, the label also having issued her Greatest Hits album and a concert album: Live in London, the latter issued in December 1978 - which same month Reddy filed suit claiming Capitol Records had shortchanged her $1,793,000, the suit being an apparent bid to win release from the label. However Reddy, issued in June 1979, would be released by Capitol Records, Reddy's tenure with the label extending to include her twelfth studio album: Take What You Find, issued in 1980.
Imagination is the fourteenth studio album by Australian-American pop singer Helen Reddy and was released in February 1983 as her second LP for MCA Records. As with the first of the two, 1981's Play Me Out, it did not reach Billboard magazine's Top LP's & Tapes chart. MCA ended their contract with her afterward; in her 2006 autobiography, The Woman I Am: A Memoir, Reddy wrote, "I was not surprised when I received a form letter from [MCA]'s legal department telling me that I'd been dropped from the label."
