Thomas the Impostor | |
---|---|
Directed by | Georges Franju |
Screenplay by |
|
Based on | A novel by Jean Cocteau [1] |
Produced by | Eugene Lepicier [1] |
Starring |
|
Cinematography | Marcel Fradetal [1] |
Edited by | Gilbert Natot [1] |
Music by | Georges Auric [1] |
Production company | Filmel [1] |
Release date |
|
Running time | 93 minutes [1] |
Country | France [2] [1] |
Thomas the Impostor (French : Thomas l'imposteur) is a 1965 French drama film directed by Georges Franju and starring Emmanuelle Riva, Fabrice Rouleau, Sophie Dares, Jean Marais and Charles Aznavour. It is based on a novel of the same name by Jean Cocteau.
The film is set during World War I, as Paris is expected to fall to the Germans. The Princesse de Bormes, a widow, helps wounded soldiers by evacuating them from the front and bringing them to her villa in Paris for medical care. However, the authorities will not give the Princess and the soldiers passes to return to Paris. The situation changes when an innocent 16-year-old boy, Guillaume Thomas de Fontenoy, joins the authorities and is mistaken as the nephew of the popular General de Fontenoy. Thomas is able to use his position of posing as the general's nephew to cut through the red tape, in order to help the Princess. She is entranced by Thomas, and her daughter, Henriette, falls in love with him. However, Thomas feels impelled to see more war action. Later, he is caught behind enemy lines when he is moved with a military unit into the heat of battle.
Thomas the Impostor was released in France on 5 May 1965. [2]
In a contemporary review from the Monthly Film Bulletin , noted that film treated war as "fantasy" with Franju's film as being an "almost fairy-tale fantasy of figures moving in a mystical land where everything seems predetermined" and noted that "Emmanuele Riva gives a hauntingly beautiful performance as the Princess, and Fabrice Rouleau looks exactly right as Thomas; and the commentary, finely spoken by Jean Marais, is for once in accord with the images and mood of the film." [1] The review concluded that "Franju has captured the spirit of Cocteau's novel, the point at which the surface glamour of war becomes the awful reality of its suffering." [1]
Jean Maurice Eugène Clément Cocteau was a French poet, playwright, novelist, designer, film director, visual artist and critic. He was one of the foremost artists of the surrealist, avant-garde, and Dadaist movements and an influential figure in early 20th-century art. The National Observer suggested that, "of the artistic generation whose daring gave birth to Twentieth Century Art, Cocteau came closest to being a Renaissance man."
Orpheus is a 1950 French romantic fantasy drama film directed by Jean Cocteau and starring Jean Marais. It is the central part of Cocteau's Orphic Trilogy, alongside The Blood of a Poet (1930) and Testament of Orpheus (1960). Set in contemporary Paris, the film is a variation on the Greek myth of Orpheus and Eurydice, and is partially based on Cocteau's 1926 play of the same title.
Louis Philippe I, Duke of Orléans, known as le Gros, was a French royal of a cadet branch of the House of Bourbon. The First Prince of the Blood after 1752, he was the most senior male at the French court after the immediate royal family. He was the father of Philippe Égalité. He greatly augmented the already huge wealth of the House of Orléans.
Jean-Alfred Villain-Marais, known professionally as Jean Marais, was a French actor, film director, theatre director, painter, sculptor, visual artist, writer and photographer. He performed in over 100 films and was the lover, muse and friend of acclaimed director Jean Cocteau. In 1996, he was awarded the French Legion of Honor for his contributions to French cinema.
La Princesse de Clèves is a French novel which was published anonymously in March 1678. It was regarded by many as the beginning of the modern tradition of the psychological novel and a classic work. Its author is generally held to be Madame de La Fayette.
André Hunebelle was a French maître verrier and film director.
Donkey Skin is a 1970 French musical fantasy comedy film directed by Jacques Demy, based on Donkeyskin, a 1695 fairy tale by Charles Perrault about a king who wishes to marry his own daughter. It stars Catherine Deneuve and Jean Marais, with music by Michel Legrand. Donkey Skin proved to be Demy's biggest success in France, with a total of 2,198,576 tickets sold.
Les Parents terribles is a 1938 French play written by Jean Cocteau. Despite initial problems with censorship, it was revived on the French stage several times after its original production, and in 1948 a film adaptation directed by Cocteau was released. English-language versions have been produced under various titles including Intimate Relations and Indiscretions.
Silvia Monfort was a French actress and a theatre director. She was the daughter of the sculptor Charles-Maurice Favre-Bertin and wife of Pierre Gruneberg. She was named a Knight of the Legion of Honour in 1973, an Officer of Arts and Letters in 1979 and Commander of Arts and Letters in 1983. She is buried in Père Lachaise Cemetery.
Emmanuelle Riva was a French actress, best known for her roles in the films Hiroshima mon amour (1959) and Amour (2012).
Thérèse Desqueyroux is a 1962 French drama film directed by Georges Franju, based on the 1927 novel of the same name by François Mauriac. Written by Franju, François Mauriac and Claude Mauriac, it stars Emmanuelle Riva and Philippe Noiret.
Isild Le Besco is a French actress and filmmaker. She is of French and Algerian descent on her mother's side, and Vietnamese and Breton on her father's.
Louise Henriette de Bourbon, Mademoiselle de Conti at birth, was a French princess, who, by marriage, became Duchess of Chartres (1743–1752), then Duchess of Orléans (1752–1759) upon the death of her father-in-law. On 4 February 1752, her husband became the head of the House of Orléans, and the First Prince of the Blood, the most important personage after the immediate members of the royal family.
The Eagle with Two Heads is a 1948 French drama film directed by Jean Cocteau. It was adapted from his own play L'Aigle à deux têtes which was first staged in Paris in October 1946, retaining the principal actors Edwige Feuillère and Jean Marais from the original theatre production.
Les Parents terribles is a 1948 film adaptation directed by Jean Cocteau from his own stage play Les Parents terribles. Cocteau used the same cast who had appeared in a successful stage revival of the play in Paris in 1946. The film has sometimes been known by the English title The Storm Within.
Head Against the Wall, also titled The Keepers, is a 1959 French drama film directed by Georges Franju starring Pierre Brasseur, Paul Meurisse, Jean-Pierre Mocky, Anouk Aimée, and Charles Aznavour. It was director Franju's debut feature film. The story follows an aimless young man who is institutionalized for defying his wealthy father, and in the process airs several questions about how society defines and treats mental illness.
The Musée de la Vie romantique is one of three literary museums in Paris. It is located at the foot of Montmartre hill in the 9th arrondissement of Paris.
The Années folles was the decade of the 1920s in France. It was coined to describe the social, artistic, and cultural collaborations of the period. The same period is also referred to as the Roaring Twenties or the Jazz Age in the United States. In Germany, it is sometimes referred to as the Golden Twenties because of the economic boom that followed World War I.