Thrud the Barbarian

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Thrud the Barbarian
Thrud painted cover.jpg
Thrud in a Frank Frazetta-inspired pose in Critchlow's painted style [1] on the cover of issue 1 of the Thrud the Barbarian full-length comic.
Publication information
Publisher Games Workshop (1983–1988), Carl Critchlow (2002–2007)
First appearance Arken Sword (1981)
Created by Carl Critchlow
In-story information
SpeciesBarbarian
Team affiliationsNone
AbilitiesStrength of a rhinoceros
Speed of a jungle cat
Intelligence of a garden snail [2]

Thrud the Barbarian is a comics character created by British artist Carl Critchlow in 1981. Although Thrud himself is a parody of Conan the Barbarian, [1] [3] particularly as depicted in the Arnold Schwarzenegger films, inspiration for the character's adventures and adversaries has been drawn from several fantasy sources. [4]

Comics Creative work in which pictures and text convey information such as narratives

Comics is a medium used to express ideas through images, often combined with text or other visual information. Frequently, comics takes the form of sequences of panels of images. Often textual devices such as speech balloons, captions, and onomatopoeia indicate dialogue, narration, sound effects, or other information. The size and arrangement of panels contribute to narrative pacing. Cartooning and similar forms of illustration are the most common image-making means in comics; fumetti is a form which uses photographic images. Common forms include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, comic albums, and tankōbon have become increasingly common, while online webcomics have proliferated in the 21st century with the advent of the internet.

Carl Critchlow is a British fantasy and science fiction comic illustrator. He is best known for his character Thrud the Barbarian, which originally appeared in White Dwarf magazine, and for his work for the Lobster Random comics.

Conan the Barbarian fictional character created by Robert E. Howard

Conan the Barbarian is a fictional sword and sorcery hero who originated in pulp magazines and has since been adapted to books, comics, several films, television programs, video games, role-playing games, and other media. The character was created by writer Robert E. Howard in 1932 for a series of fantasy stories published in Weird Tales magazine.

Contents

During the 1980s, a Thrud comic strip was a regular and popular feature in the roleplay and wargame magazine White Dwarf with Thrud's grotesque and comic antics forming a memorable part of the magazine's golden age. [5] In 2002, continued interest in the character from role-playing enthusiasts and a desire to be free to experiment with a new artistic style [6] prompted Critchlow to self-publish a series of award-winning [7] full-length Thrud the Barbarian comics.

Comic strip Short serialized comics

A comic strip is a sequence of drawings arranged in interrelated panels to display brief humor or form a narrative, often serialized, with text in balloons and captions. Traditionally, throughout the 20th century and into the 21st, these have been published in newspapers and magazines, with horizontal strips printed in black-and-white in daily newspapers, while Sunday newspapers offered longer sequences in special color comics sections. With the development of the internet, they began to appear online as webcomics. There were more than 200 different comic strips and daily cartoon panels in American newspapers alone each day for most of the 20th century, for a total of at least 7,300,000 episodes.

Role-playing game Game in which players assume the roles of characters in a fictional setting

A role-playing game is a game in which players assume the roles of characters in a fictional setting. Players take responsibility for acting out these roles within a narrative, either through literal acting, or through a process of structured decision-making regarding character development. Actions taken within many games succeed or fail according to a formal system of rules and guidelines.

<i>White Dwarf</i> (magazine) fantasy games magazine

White Dwarf is a magazine published by British games manufacturer Games Workshop, which has long served as a promotions and advertising platform for Games Workshop and Citadel Miniatures products.

Since October 2002, Critchlow has continued to develop his new artistic style in several different 2000 AD stories, contributing to the success of Lobster Random in particular. [8] While Critchlow's use of muted palettes has been criticised, his style has received praise for being highly recognisable [8] and unique. [9] [10]

<i>2000 AD</i> (comics) comics magazine from Britain

2000 AD is a weekly British science fiction-oriented comic magazine. As a comics anthology it serialises stories in each issue and was first published by IPC Magazines in 1977, the first issue dated 26 February. IPC then shifted the title to its Fleetway comics subsidiary, which was sold to Robert Maxwell in 1987 and then to Egmont UK in 1991. Fleetway continued to produce the title until 2000, when it was bought by Rebellion Developments.

Lobster Random

Lobster Random is a character in the comic book 2000 AD. He was created by Simon Spurrier and artist Carl Critchlow.

Appearances

Initial publications

The character of Thrud was created by the then 18-year-old Critchlow in 1981 while he was at foundation art college. His graphic design tutor, Bryan Talbot, gave him the project of producing a comic strip. At the time, Critchlow was reading the Conan books by Robert E. Howard, and this inspired him to produce Thrud.[ citation needed ] The initial five-page strip was published in comics fanzine Arken Sword . When Critchlow moved on to art college in Liverpool, Thrud made a further appearance in the comic Dead 'Ard, which Critchlow co-authored with artist Euan Smith. [11] Dead 'Ard also featured a strip titled The Black Currant, subsequently re-published in the 26th and final issue of the Warrior comic anthology. [12] The Black Currant would later appear as one of Thrud's many enemies.

Bryan Talbot artist

Bryan Talbot is a British comics artist and writer, best known as the creator of The Adventures of Luther Arkwright and its sequel Heart of Empire, as well as the Grandville series of books. He collaborated with his wife, Mary M. Talbot to produce Dotter of Her Father's Eyes, which won the 2012 Costa biography award.

Robert E. Howard American author

Robert Ervin Howard was an American author who wrote pulp fiction in a diverse range of genres. He is well known for his character Conan the Barbarian and is regarded as the father of the sword and sorcery subgenre.

Thrud from his origin story in the Thrud the Barbarian Graffik Novel and illustrating Critchlow's early inked style Thrud ink.jpg
Thrud from his origin story in the Thrud the Barbarian Graffik Novel and illustrating Critchlow's early inked style

White Dwarf

On seeing an advertisement in White Dwarf magazine asking for cartoonists, Critchlow submitted some of his Thrud strips and was hired. [11] Thrud the Barbarian became a monthly feature in White Dwarf between issue 45 in September 1983 [13] and issue 105 in September 1988. [14] During this time, the black-and-white single-page strip was voted "Most popular feature" for three consecutive years. [15]

Cartoonist Visual artist who makes cartoons

A cartoonist is a visual artist who specializes in drawing cartoons. This work is often created for entertainment, political commentary, or advertising. Cartoonists may work in many formats, such as booklets, comic strips, comic books, editorial cartoons, graphic novels, manuals, gag cartoons, graphic design, illustrations, storyboards, posters, shirts, books, advertisements, greeting cards, magazines, newspapers, and video game packaging.

In 1987, a collection of Thrud strips was published in a Thrud the Barbarian Graffik Novel by Games Workshop. [16] In addition to strips that had been printed in White Dwarf, this anthology included a re-drawn version of the original Arken Sword strip [11] and an origin story for Thrud. [17]

Games Workshop British maker of miniature wargames

Games Workshop Group PLC is a British manufacturer of miniature wargames, based in Nottingham, England. Its best-known products are Warhammer Age of Sigmar and Warhammer 40,000. It is listed on the London Stock Exchange and is a constituent of the FTSE 250 Index.

In book publishing, an anthology is a collection of literary works chosen by the compiler; it may be a collection of plays, poems, short stories, songs or excerpts by different authors. In genre fiction, the term "anthology" typically categorizes collections of shorter works such as short stories and short novels, by different authors, each featuring unrelated casts of characters and settings, and usually collected into a single volume for publication.

Full-length comic

Once the Thrud strip had run its course in White Dwarf, Critchlow worked on other comics including the Judge Dredd/Batman crossover story The Ultimate Riddle, first published in 1995. [18] His work on this story was fully painted, and while considered impressive [19] was also criticised as being forced, confused [19] and muddy. [20] Critchlow was developing a new style [6] based on line-drawings with computer colouring, [20] but having been pigeon-holed as a painter did not believe that he would be able to interest anyone in this very different style. [6]

When attending gaming conventions, Critchlow found that he was often remembered for his work on Thrud and recognised that there was still an interest in the character. He therefore decided to create and self-publish a full-length Thrud the Barbarian comic as a way to get his new style noticed. [6] A total of five Thrud the Barbarian comics were published:

Thrud in issue 1 of the Thrud the Barbarian full-length comic and illustrating Critchlow's developing computer-drawn style Thrud cg.jpg
Thrud in issue 1 of the Thrud the Barbarian full-length comic and illustrating Critchlow's developing computer-drawn style
  1. Carborundum Capers – June 2002
  2. Ice 'n' a Slice – January 2003
  3. Lava Louts – June 2004
  4. Thrud Rex! – June 2005
  5. Bungle in the Jungle – January 2007

Critchlow found that, by organising distribution through comic shops and a devoted Thrud website, he was able to break even financially. [6] His new style was also noticed and received positive comments. [1]

The cover images for each of the first four comics were hand-painted in contrast to the computer-coloured line art used in the comic itself. [1] For issue 5, Critchlow also used his new style for the cover image. [21]

Fictional character biography

An origin story for Thrud was printed in the Thrud the Barbarian Graffik Novel. [17] The story tells of a group of mercenaries who, lost and searching for a pub, stumble across an abandoned baby in a deserted village. The mercenaries decide to raise the baby as one of their own, teaching him how to fight and drink beer.

At the age of five, Thrud is sent to Crom the Destroyer Orthodox Pagan Infants School, where he towers above the teachers and his fellow students. When one of the children shoots him with a pea shooter, Thrud's reaction is to kill and maim twenty-seven pupils and three teachers, leading to his expulsion from the school. Choosing to return to the wilderness rather than his adoptive parents, Thrud lives alone until, one day, he stumbles across a hidden burial chamber. Finding a small helmet and a large axe, Thrud arms himself. Finding gold and gems, he decides to return to civilisation with his newfound wealth, quickly establishing himself a reputation as a violent warrior.

Many years later, Thrud the Barbarian becomes Thrud the King, but finds the mundane duties of kingship tiresome without opportunities to fight. To put a halt to Thrud's constant mutterings of, "Kill! Death! Maim! Mutilate! Destroy!", the wise men of his kingdom collect stories of heroism from around the land and read them to him long into the night.

Characterisation

Endowed with the strength of a rhinoceros, the speed and agility of a jungle cat and the intelligence of a garden snail, [2] Thrud is a one-dimensional character [1] who engages in mindless slaughter and strikes Frank Frazetta-style poses [3] while remaining ignorant of plot points. [22] Depicted as an 8-foot-tall (2.4 m) barbarian with a hugely exaggerated, muscular physique and a very small head, [3] [5] and dressed in large furry boots and a loincloth, Thrud is a caricature of Arnold Schwarzenegger's Conan the Barbarian. [4]

Thrud is also a heavy drinker, frequenting The Hobbit's Armpit tavern and regularly causing mayhem when he is unable to have his desired flavour of crisps. [11] [23] These and other annoyances often cause Thrud to invoke the author of the Conan the Barbarian books with the battle cry, "By the sacred jockstrap of Robert E. Howard you'll pay for this, Hellspawn!" [23] [24] [25]

Supporting characters

The Black Currant

First appearing in Dead 'Ard and Warrior, [11] The Black Currant returned in a series of White Dwarf Thrud strips titled Thrud the Destroyer. In this story, The Black Currant is the leader of a horde of warriors who attack a small village, looting the homes, burning the women, raping the livestock and eating the babies. [26] The Black Currant returned again in issue 3 of Critchlow's self-published Thrud the Barbarian comic as the leader of a group of bandits laying siege to a small town. The Black Currant is depicted in heavy black armour, wearing a helmet provided with a pair of exceedingly long, horizontally extending horns. [27]

Carl Critchlow

Critchlow himself appears in a number of Thrud strips, occasionally as a narrator although more often as a drinking companion for Thrud. Critchlow depicts himself with lank hair and a large cap pulled down low over his eyes.

Croneman the Cimpletan posing in the Thrud the Destroyer story. Croneman is depicted as resembling Arnold Schwarzenegger, a common satirical target in the Thrud strips and comics Croneman.jpg
Croneman the Cimpletan posing in the Thrud the Destroyer story. Croneman is depicted as resembling Arnold Schwarzenegger, a common satirical target in the Thrud strips and comics

Croneman the Cimpletan

Croneman claims to be the mightiest barbarian of the northern tribes and honorary chief of the savage bezerkers of Nid. Known also as Amoron, the Wombat, he is a slayer, a reaver, a corsair, a usurper, and a conqueror. [28] Depicted as resembling Schwarzenegger, he is also a bodybuilder with a very silly accent. [29] On first meeting Croneman, Thrud slices him in half with a sword. When Croneman returns to join a group of mercenaries fighting The Black Currant in Thrud the Destroyer, he is depicted with a line of sutures running down the middle of his face and chest.

Lymara, the She Wildebeeste

Thrud first encounters Lymara when he sees her chasing away a wasp by waving a small cloth from her tower bedroom. Thinking her to be a damsel in distress, Thrud storms the tower, killing Lymara's father, five brothers, two uncles, ten cousins and fiance in the process. [24] Seeking revenge, Lymara attempts to poison Thrud with a bottle of Acme "Mammoth Poison", but succeeds only in putting him to sleep as part of The Three Tasks of Thrud series of strips. [30] Subsequently, Lymara joins Thrud as one of the group of mercenaries brought in to fight The Black Currant in Thrud the Destroyer. [29] In this latter series of strips, Lymara is depicted with oversized breasts barely covered by an off-the-shoulder leather bra.

To-Me Ku-Pa

To-Me Ku-Pa (a name phonetically similar to that of British comedian Tommy Cooper) is an evil necromancer who regularly crosses paths with Thrud and is depicted as a bald man wearing a large cloak. Thrud first encounters To-Me Ku-Pa in an early White Dwarf strip and is turned into a frog. [31] Subsequently, in The Three Tasks of Thrud, To-Me Ku-Pa takes advantage of Thrud's drugged state, following Lymara's failed assassination attempt, to hypnotise him and force him to obtain three items necessary for a spell. [30]

In Thrud the Destroyer, To-Me Ku-Pa is revealed as being in service to The Black Currant and is providing him with an army of warriors drawn from throughout time, including daleks [32] and Imperial stormtroopers. [33] To-Me Ku-Pa also appears as the villain in issue 1 of the full-length Thrud the Barbarian comic. [25]

Merchandise

Collection of Thrud miniatures released by Citadel Miniatures Thrud miniatures.jpg
Collection of Thrud miniatures released by Citadel Miniatures

A range of Thrud merchandise has been produced since the character's inception, including a Thrud T-shirt and badge [34] as well as a series of miniatures. Citadel Miniatures produced five different metal miniatures of Thrud, starting in 1984 with a "White Dwarf Personality" miniature. [35] Three numbered limited edition miniatures followed consisting of "LE12, Thrud the Barbarian", in 1986, [36] "LE19, Thrud and Female Admirer" in 1987, [37] and "LE104, Thrud scratching head". [38] Thrud was also introduced as a Blood Bowl player [39] and Jervis Johnson commissioned an appropriate miniature. [40] Heresy Miniatures has also produced three Thrud miniatures, [35] including a limited edition "Strolling Thrud" that sold out within three weeks of release. [41] On 29 March 2007, [42] another limited edition of 1000 resin miniatures was released. [43]

Reception and awards

Thrud the Barbarian was one of the best loved pieces in White Dwarf over the five years that the strip ran, being voted "Most popular feature" for three consecutive years [1] during the magazine's golden age. [5] Long-term fans of Thrud were excited and nostalgic to see him return in his own full-length comic, but were concerned that the idea would not stretch to 24 pages. In reviewing issue 1, Jez Higgins, writing on TRS2, and Robert Clark of Strike to Stun, considered the comic a success that was more than one joke spread thin [3] and which was not limited by the single page brevity of the original strip. [1] Steven Maxwell of Bulletproof Comics, however, found that what worked well within the constraints of a single page seemed stretched when spun out over 24. [4] Issue 2 received similarly mixed reviews, with Clark criticising the comic for being much the same, with the same themes and joke as issue 1 [22] while Glenn Carter of Comics Bulletin found it to be well written light reading with quite a few elements of humour. [10] Overall, the comic was deemed a success, with even the more negative reviewers awarding it 6 out of 10 [4] and looking forward to more issues. [22]

Although the writing received mixed reviews, the reception of the artwork was almost entirely positive. Higgins, recalling the heavy blacks and bold outlines of the original strip, found Critchlow's new style to be much more open and expressive. [3] Maxwell also praised Critchlow's development as an artist, judging the comic to be beautifully drawn and coloured with a clear line style. [4] Carter thought that the art was a little flat in places, but nevertheless praised it for being unique with a lot of character. [10]

Critchlow was also commended for the risky [4] decision to write, draw and publish the comic himself. The comic was compared favourably with professional quality comics, with its lack of adverts viewed as an advantage over those offerings. [1] The high production values were also praised, with the glossy cover and high quality paper used for the inner pages. [10]

In 2004, Thrud the Barbarian won the Eagle Award for "Favourite British Small Press Title". [7] In 2006 Thrud was nominated for the "Favourite Colour Comicbook – British" Eagle Award, but lost out to 2000 AD. [44]

Legacy

In October 2002, four months after Thrud issue 1 was published, Critchlow returned to 2000AD using his new computer-drawn style. His first story was the Judge Dredd, Out of the Undercity story written by John Wagner. The new style was initially well received by 2000AD Review and seen as a marked improvement over his previous fully painted style with clearer figures and atmospheric colouring. [20] As the Undercity story developed, however, Critchlow was criticised for using too narrow a palette, with too many greys and blues, although this might have been as a result of the story being set underground. [45]

2000AD Review's criticism of Critchlow's subdued colouring continued with the 2003 Lobster Random story, No Gain, No Pain. [46] By the conclusion, however, Critchlow's style was recognised as being truly unique and even the previously criticised blues and greys were seen to work well when used with other coloured elements. [9] The artwork in two further Lobster Random stories, Tooth & Claw in October 2004 and The Agony & the Ecstasy in April 2006 was again very well received. Tooth & Claw was praised for its character designs [47] while Critchlow's style in The Agony & the Ecstasy was said to be easily recognisable, having "volume, colour and verve". [8]

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References

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Bibliography