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| Carl Critchlow | |
|---|---|
| Nationality | British |
| Area(s) | Artist, writer |
Notable works | Thrud the Barbarian · Lobster Random · Judge Dredd |
| carlcritchlow | |
Carl Critchlow is a British fantasy and science fiction comic illustrator. He is best known for his character Thrud the Barbarian, which originally appeared in White Dwarf magazine, and for his work for the Lobster Random comics.
Critchlow's comic book career began in the early 1980s, when he contributed to fanzines and informal publications. [1] His professional career began in 1983 when his work was published in Issue 45 of Games Workshop's White Dwarf magazine, [2] where Critchlow first portrayed his fantasy barbarian character, Thrud the Barbarian, in a regular, page-long, black and white, ink-drawn strip of the same name. Thrud was published for over fours years until issue 106; [3] the strip was voted 'most popular feature' for three years running in readers' polls. [1] Thrud the Barbarian often reflected current Games Workshop product lines and borrowed themes from games like Judge Dredd, [4] Blood Bowl [5] and Warhammer 40,000 [6] and Thrud's native fantasy theme. To celebrate the character's status as a popular feature of the publication, Citadel produced a number of metal miniatures of Thrud. [7] Shannon Appelcline referred Critchlow's "Thrud the Barbarian" as one of the comics "for which White Dwarf is probably best known". [8] Critchlow also provided numerous black and white interior illustrations for Games Workshop's Dark Future game, and was featured in an Illuminations exposè in White Dwarf issue 103. [9]
In 1984, Critchlow had his debut in mainstream comic books when he contributed The Black Currant strip for Warrior issue 26. [10] In the 1990s, after the Thrud strip had concluded in White Dwarf, Critchlow began working with 2000AD, and he contributed artwork for Pat Mills' Nemesis & Deadlock strip. Critchlow contributed art for numerous strips in 2000AD, including Tharg's Future Shocks , Judge Dredd , Mean Machine: Son of Mean Machine , Tales of Telguuth, Flesh , and full colour work for the 1995 crossover Judge Dredd/Batman:The Ultimate Riddle. [11] [12]
Critchlow further contributed to the gaming world in 2000, and his work appeared in Dungeons & Dragons third edition books Monster Manual , [13] Monsters of Faerûn , Magic of Faerûn , Lords of Darkness , Tome of Magic and Fiendish Codex I: Hordes of the Abyss . He has also provided illustrations for the Wheel of Time Roleplaying Game and the Star Wars supplements Secrets of Tatooine, Ultimate Alien Anthology and Star Wars Hero's Guide and almost two hundred illustrations for the Magic: The Gathering card game. [14] He also contributed to JLA: Riddle of the Beast , a DC Comics graphic novel by Alan Grant. [15]
In 2000, Critchlow withdrew from mainstream comics; he wrote and drew the Thrud the Barbarian strip for its own comic. The series proved popular with the comic reading public and won the Diamond 2004 Award for Best Small Press title. During this time he also worked as a lecturer and numerous new comics artists, such as Barry Renshaw, credited him for helping and inspiring them. In October 2002, four months after the first issue of Thrud was published, Critchlow started drawing for 2000AD again. His first work was the Judge Dredd story Out of the Undercity written by John Wagner, followed by the introduction of new comic Lobster Random in 2003 with No Gain, No Pain, written by Simon Spurrier. This was followed by Tooth & Claw in 2004 and The Agony & the Ecstasy in 2006. His current work includes ongoing artwork for Lobster Random and artwork for Judge Dredd scripts by Gordon Rennie.[ citation needed ]
Critchlow's early work, including the entire Thrud the Barbarian series in White Dwarf, consisted entirely of black and white ink drawings. The Thrud character originated at art college, where Critchlow was studying under comic artist Bryan Talbot.Critchlow was presented with a comic strip project for the course, and began to develop Thrud. Critchlow was inspired by Robert E. Howard's Conan stories, which he was reading at the time. [14] In an exposè published in White Dwarf towards the end of Thrud's tenure, art editor John Blanche wrote that Critchlow's "unique, chunky comic book technique provides the perfect vehicle for the biffoesque barbarian." [9]
In the 1990s Critchlow began to use colour; his work on the 1995 Batman/Judge Dredd: The Ultimate Riddle was fully painted. At the time, while considered impressive [16] his painting work was also considered forced, confused [16] and muddy. [17] Critic Joseph Szadkowski wrote that Critchlow's 1996 work "Sherlock Joker Strikes Out" shows his "commitment to presenting the Joker in an expressionist style, almost [Ernst Ludwig] Kirchner in a good mood." [18] Critchlow continued to develop his colour work and new stylistic direction [19] as he abandoned paint and began to combine traditional line drawings with computer colouring. [17] However, having been pigeon-holed as a painter he did not believe he could interest anyone in this radically different approach. [19] This new combination of techniques was used in 2000AD for the Judge Dredd story Out of the Undercity and was initially well received and seen as a marked improvement over his previous fully painted style, with clearer figures and atmospheric computer colouring. [17] As the Undercity story developed, however, Critchlow was criticised for using too narrow a palette, with too many greys and blues, although this may have been a result of the story's underground setting. [20] By the end of the series, views on Critchlow's artwork were mixed, although some readers wanted to see him working on a story set above ground and in daylight. [21]
Criticism of Critchlow's subdued colouring style continued with his work on the Lobster Random debut in 2003, [22] but as appreciation for the story grew, the two-toned colouring and scratchy line style were viewed by some as well-suited to the character. [23] In one instalment, in which the protagonist is drugged, Critchlow introduced more colour into the strip, used sumptuous Day-Glo colours and experimented with unconventional panel layouts, moves that were well received. [24] By the conclusion, Critchlow's style was recognised as unique, and even the previously criticised blues and greys were viewed as working well with other coloured elements. [25]
In 2004, Critchlow's work on the Judge Dredd story, Cincinnati was praised for showing further stylistic improvements and introducing more colour than had previously been used. [26] Critchlow's work on two further Lobster Random stories in 2004 and 2006 was very well received. Tooth & Claw was praised for its character designs and use of colour, [27] and The Agony & the Ecstasy was considered immediately recognisable with its "volume, colour and verve". [28]
Critchlow named Frank Frazetta as his principle formative influences, and he was inspired by seeing the work of Bryan Talbot's Luthor Arkwright series first hand. His other favourite artists from the comic book genre include Mike McMahon, Mike Mignola, Duncan Fegredo, Jamie Hewlett, Simon Davis, Nicolas de Crecy and Masamune Shirow. [14]
2000 AD is a weekly British science fiction-oriented comic magazine. As a comics anthology it serialises stories in each issue and was first published by IPC Magazines in 1977, the first issue dated 26 February. Since 2000 it has been published by Rebellion Developments.
John Wagner is an American-born British comics writer. Alongside Pat Mills, he helped revitalise British comics in the 1970s, and continues to be active in the British comics industry, occasionally also working in American comics. He is the co-creator, with artist Carlos Ezquerra, of the character Judge Dredd.
Simon Bisley is a British comic book artist best known for his 1990s work on ABC Warriors, Lobo and Sláine.
Alan Grant was a British comic book writer known for writing Judge Dredd in 2000 AD as well as various Batman titles from the late 1980s to the early 2000s. He was the co-creator of the characters Anarky, Victor Zsasz, and the Ventriloquist.
Michael McMahon is a British comics artist best known for his work on 2000 AD characters such as Judge Dredd, Sláine and ABC Warriors, and the mini-series The Last American.
Simon "Si" Spurrier is a British comics writer and novelist, who has previously worked as a cook, a bookseller, and an art director for the BBC.
Thrud the Barbarian is a comics character created by British artist Carl Critchlow in 1981. Although Thrud himself is a parody of Conan the Barbarian, particularly as depicted in the Arnold Schwarzenegger films, inspiration for the character's adventures and adversaries has been drawn from several fantasy sources.
Judge Dredd: The Megazine is a monthly British comic magazine, launched in September 1990. It is a sister publication to 2000 AD. Its name is a play on words, formed from "magazine" and Judge Dredd's locale Mega-City One.
Mark Simpson, known by the pen name Jock, is a Scottish cartoonist, best known for his work in 2000 AD, The Losers, and more recently Batman and Wolverine. He is also known for Wytches by Image Comics.
Arthur James Ranson is an English comic book illustrator, known for his work on Look-in, Anderson: Psi Division, Button Man and Mazeworld. His work on Cassandra Anderson has been called "photo-realistic".
Charles Adlard is a British comic book artist known for his work on books such as The Walking Dead and Savage.
Steve Yeowell is a British comics artist, well known for his work on the long-running science fiction and fantasy weekly comic 2000 AD.
Campbell ("Cam") Kennedy is a Scottish comics artist. He is best known for his work on 2000 AD, especially the flagship titles Judge Dredd and Rogue Trooper.
The Eagle Awards were a series of awards for comic book titles and creators. They were awarded by UK fans voting for work produced during the previous year. Named after the UK's seminal boys' comic Eagle, the awards were launched in 1977 for comics released in 1976.
Duncan Fegredo is a British comic book artist.
John Higgins is an English comic book artist and writer. He did significant work for 2000 AD, and he has frequently worked with writer Alan Moore, most notably as colourist for Watchmen.
Peter Doherty is a British comic book artist and colourist.
This is a list of works by Scottish author Alan Grant.
Dave Taylor is a British comic book creator. He is best known for his work on Force Works, as well as Batman and Judge Dredd stories.
Batman/Judge Dredd: Judgment on Gotham is the first of four Batman and Judge Dredd crossover comic books, published by DC Comics and Fleetway Publications in 1991. It was written by John Wagner and Alan Grant, with art by Simon Bisley.
Judge Critchlow lays down the law
Carl Critchlow throws the long bomb
Only a real Carl Critchlow can eat three shredded Space Marines
Hot metal and oil – in ink
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