Tomas Laurenzo

Last updated
Tomas Laurenzo
Born1977
Uruguay
Known for New media art, Artificial intelligence art
Academic background
Alma mater University of the Republic (Uruguay)
Thesis Decoupling and context in new media art
Doctoral advisor Alvaro Casinelli
Website https://laurenzo.net/

Tomas (Tom) Laurenzo Coronel (Montevideo, 1977) is an Uruguayan artist, engineer, computer scientist, academic, musician, writer, and designer. With a wide range of artistic practices and research interests, Laurenzo's productions often reflect on new technologies, art, and the politics of meaning. [1]

Contents

Career

Tomas Laurenzo received a BSc degree in computer science (CS) from University of the Republic (UdelaR) followed by MSc and PhD degrees in CS from PEDECIBA, a joint program by UdelaR and Uruguay's Ministry of Education and Culture. His doctoral advisor was Alvaro Cassinelli [2] from University of Tokyo. [1]

During his tenure in the private sector, Laurenzo led the design and development of Uruguay's first governmental internet portal and Uruguay's first publicly accessible governmental database. [3]

After completing his first graduate program, Laurenzo's focus shifted from industry to art and education, where he contributed to Uruguay's academic, artistic, and research landscapes. [4] [5] . He subsequently held the position of assistant professor at University of the Republic, where he founded and directed Uruguay's first research group on new media and human-computer interaction (HCI), followed by UdelaR's first Interdisciplinary Group on HCI research (NICHI). [6] [7] [8]

NICHI's reseach conducted to developing alternative interaction methods for the computers used in the One Laptop Per Child (OLPC) program, allowing the inclusion of children with disabilities. [9]

During his years at UdelaR he also advised the first two MSc theses on new media art and exhibited both small and large-scale interactive artworks. Some of these projects led to Laurenzo receiving some of the first-ever international awards for new media art in Uruguay. [10] [11] [12] In 2011 he was awarded the Microsoft Research Fellowship Award. [13]

Laurenzo relocated to Hong Kong in 2014 to assume the role of assistant professor at the School of Creative Media, City University of Hong Kong, under the leadership of the Australian new media artist Jeffrey Shaw.

In 2018 he was nominated for “On the Road”, the unique annual project initiated in 2014 by the Guan Shanyue Art Museum. That year, for the first time, the annual On the Road exhibition was dedicated to New Media Art. [14] [15]

Since 2021, Laurenzo holds the position of associate professor of Critical Media Practices at the College of Communication, Media, Design, and Information at the University of Colorado Boulder.

Laurenzo has also held positions as visiting scientist at the Broad Institute of Harvard and MIT, [16] research fellow at Microsoft Research, visiting scholar at Carnegie Mellon University, guest lecturer at Brunel University London, and visiting artist at University of Iowa, among others. [17]

Artistic Production

Laurenzo's interest in social, political and philosophical topics are often noticeable in his art. Examples include the artworks 5500, Nibia, Be water, Homs and Smile, which explore the topics of illegal immigration, the death by torture of Nibia Sabalsagaray, the 2019–2020 Hong Kong protests,the Siege of Homs, and the destruction of the Gaza Strip, respectively.

Since 2024 his production has focused on the exploration of GenerativeAI art and it's aesthetic and social implications [18] . Laurenzo was awarded first place in the inaugural Colorado State AI Art Competition. [19] As a result, his artwork is now part of the permanent art collection of the Town of Superior in Colorado. [20]

The UNESCO Chair in Human Rights and Human Security for the University of the Republic exhibited during June 2025, Laurenzo's artwork Ave Imperator at the National School of Fine Arts. [21]

Laurenzo has performed or exhibited at Ars Electronica, SIGGRAPH, SIGGRAPH Asia, NIME, ISEA, [22] NeurIPS, [23] ECCV, Sónar+D, MUTEK, [24] TEI, C3A, NYIT, ECCV, Osage Gallery, ANTEL, EAC, UdelaR, MSR, Presidency of Uruguay, Saatchi & Saatchi, Guggenheim Museum Bilbao, Goethe Institut, International Computer Music Conference, K11 Art Foundation, MNAV, Montevideo Exhibition Center, City Theatre, [25] Chapelle des Bernardines, and the Solís Theatre, among others.

Partial list of exhibited artworks

References

  1. 1 2 "Tomas Laurenzo". College of Media, Communication and Information. November 16, 2020.
  2. "Alvaro CASSINELLI – CityU Scholars | A Research Hub of Excellence". scholars.cityu.edu.hk. Retrieved 2023-06-29.
  3. todouy.com. "Todo.com.uy – La Guía del Uruguay". todo.com.uy (in Spanish). Retrieved 2023-09-30.
  4. "Entrevista a Delma Rodriguez – Uruguay". Bienal Kosice (in Spanish). 2014-01-24. Retrieved 2023-10-28.
  5. "Daniel Argente: Las nuevas tecnologías y el arte" (PDF). La Pupila. October 2009. pp. 3–6. Archived (PDF) from the original on 27 Feb 2021. Retrieved 27 Oct 2023.
  6. "Interacción Persona-Computadora (NICHI)". Patio | Facultad de Arquitectura, Diseño y Urbanismo | Udelar. 13 December 2012. Retrieved 2023-09-30.
  7. "Events Calendar". Boulder Daily Camera. 2019-03-19. Retrieved 2023-06-29.
  8. "Creative Tech Week". www.ctw.nyc. Retrieved 2023-06-29.
  9. Bonilla, Marcela; Marichal, Sebastian; Armagno, Gustavo; Laurenzo, Tomas (November 2010). "Designing Interfaces for Children with Motor Impairments: An Ethnographic Approach". 2010 XXIX International Conference of the Chilean Computer Science Society. pp. 246–251. doi:10.1109/SCCC.2010.34. ISBN   978-1-4577-0073-6.
  10. "Udelar Expedient". www.expe.edu.uy. Retrieved 2023-09-30.
  11. "Facing Interaction". Microsoft Research. 2012-12-20. Retrieved 2023-09-30.
  12. "Udelar Expedient". www.expe.edu.uy. Retrieved 2023-09-30.
  13. "Facing Interaction". Microsoft Research. 2012-12-20. Retrieved 2025-08-14.
  14. "in the Landscape of Chinese Contemporary Art". MoBen. 2018-03-23. Retrieved 2025-08-14.
  15. "Introduction". www.cityu.edu.hk. Retrieved 2025-08-14.
  16. "Tomas LAURENZO CORONEL 2018". Global Community Bio Summit. Retrieved 2023-06-29.
  17. "Art (and Politics) in Hong Kong, Dr. Laurenzo Visiting Artist in Animation". events.uiowa.edu. Retrieved 2023-06-29.
  18. Laurenzo, Tomas. "Tomas Laurenzo | CVPR AI Art" . Retrieved 2025-08-14.
  19. ArtCall.org. "Home | Colorado AI Art Competition". coai.artcall.org. Retrieved 2025-08-14.
  20. "Public Art Collection".
  21. "Del 16 al 22/06 – Exposición de la obra de Tomás Laurenzo "Ave Imperator" – Facultad de Artes" (in Spanish). Retrieved 2025-08-14.
  22. "Ciborgues da contrarrevolução". Revista Select (in Brazilian Portuguese). 2016-06-20. Retrieved 2023-06-29.
  23. "tomas laurenzo Archives". AI Art Gallery. Retrieved 2023-06-29.
  24. "MUTEK.AR develó la primera ola de artistas confirmados". www.djmagla.com (in Spanish). Retrieved 2023-06-29.
  25. "Performances". www.cs.cmu.edu. Retrieved 2023-12-07.
  26. "Monte Video Digital". 19 June 2025.
  27. "Tomas Laurenzo | CVPR AI Art".
  28. "Del 16 al 22/06 – Exposición de la obra de Tomás Laurenzo "Ave Imperator" – Facultad de Artes".
  29. "Tomas Laurenzo | CVPR AI Art".
  30. NeurIPS Creativity 2019 (2019-12-15), laurenzo-smile-featured , retrieved 2023-06-29 via Flickr
  31. "Arts Machine". Arts Machine.
  32. Laurenzo, Tomas (4 December 2018). "Memoirs of the blind". SIGGRAPH Asia 2018 Art Gallery. New York, NY: Association for Computing Machinery. p. 1. doi:10.1145/3282805.3282817. ISBN   978-1-4503-6059-3.
  33. Coronel, Tomas LAURENZO (2017-05-28). "Ekphrasis". Proceedings of the Taboo, Transgression and Transcendence in Art & Science Conference, TTT2017. Ionian University.
  34. Laurenzo, Tomas. "Simple Background Noise: Movement and Stillness". soundMIGRATION – selection 2018. Archived from the original on 23 March 2023. Retrieved 8 August 2025.
  35. "Tomas Laurenzo | Metal Magazine". metalmagazine.eu.
  36. "Tomas Laurenzo llega a Sant Antoni de mano del BLOOP Festival". Periódico de Ibiza y Formentera (in Spanish). 2016-08-10. Retrieved 2023-06-29.
  37. ibiza, redacción | (2016-08-09). "Una videoinstalación y un corto en Sa Punta des Molí". Diario de Ibiza (in Spanish). Retrieved 2023-06-29.
  38. "The Vision Machine – Sónar+D · – Sónar Hong Kong 2017". Sónar Hong Kong.
  39. "On the Basis of Face: Biometric Art as Critical Practice, its History and Politics « INC Longform" . Retrieved 2023-06-29.
  40. "Elephant (with Tony Tackling)" via soundcloud.com.
  41. Laurenzo, Tomas (1 June 2016). 5500: performance, control, and politics. In Proceedings of the International Conference on New Interfaces for Musical Expression. Queensland Conservatorium Griffith University. doi:10.5281/zenodo.1176058.
  42. "Lituania Lituania".
  43. Facultad de Ingenieria. "Celebra at UdelaR". fing.edu.uy.
  44. "CMMR 2013 | Marseille". cmmr2013.prism.cnrs.fr. Retrieved 2023-06-29.
  45. "Interactive Performance". www.cs.cmu.edu. Retrieved 2023-06-29.
  46. "son". 31 October 2013 via www.youtube.com.
  47. "Medialab // Net". www.fing.edu.uy. Retrieved 2023-10-06.
  48. "Projet de spécialité Ensimag – Suivi de personnes pour une installation interactive". iihm.imag.fr. Retrieved 2023-06-29.
  49. ""Ribbons: a live cinema instrument" presented by Coronel" . Retrieved 2023-06-29.