Giovanni Boccaccio was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was sometimes simply known as "the Certaldese" and one of the most important figures in the European literary panorama of the fourteenth century. Some scholars define him as the greatest European prose writer of his time, a versatile writer who amalgamated different literary trends and genres, making them converge in original works, thanks to a creative activity exercised under the banner of experimentalism.
Francesco Petrarca, commonly anglicized as Petrarch, was a scholar and poet of early Renaissance Italy, and one of the earliest humanists.
The Roman triumph was a civil ceremony and religious rite of ancient Rome, held to publicly celebrate and sanctify the success of a military commander who had led Roman forces to victory in the service of the state or in some historical traditions, one who had successfully completed a foreign war.
Terza rima is a rhyming verse form, in which the poem, or each poem-section, consists of tercets with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the tercet that follows. The poem or poem-section may have any number of lines, but it ends with either a single line or a couplet, which repeats the rhyme of the middle line of the previous tercet.
Italian literature is written in the Italian language, particularly within Italy. It may also refer to literature written by Italians or in other languages spoken in Italy, often languages that are closely related to modern Italian, including regional varieties and vernacular dialects. Italian literature begins in the 12th century, when in different regions of the peninsula the Italian vernacular started to be used in a literary manner. The Ritmo laurenziano is the first extant document of Italian literature.
Charles Bagot Cayley (1823–1883) was an English linguist, best known for translating Dante into the metre of the original, with annotations. He also made metrical versions of the Iliad, the Prometheus of Æschylus, the Canzoniere of Petrarch.
Italian poetry is a category of Italian literature. Italian poetry has its origins in the thirteenth century and has heavily influenced the poetic traditions of many European languages, including that of English.
The Loves of the Gods is a monumental fresco cycle, completed by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese, now the French Embassy, in Rome. The frescoes were greatly admired at the time, and were later considered to reflect a significant change in painting style away from sixteenth century Mannerism in anticipation of the development of Baroque and Classicism in Rome during the seventeenth century.
Il Canzoniere, also known as the Rime Sparse, but originally titled Rerum vulgarium fragmenta, is a collection of poems by the Italian humanist, poet, and writer Petrarch.
Africa is an epic poem in Latin hexameters by the 14th-century Italian poet Petrarch. It tells the story of the Second Punic War, in which the Carthaginian general Hannibal invaded Italy, but Roman forces were eventually victorious after an invasion of north Africa led by Publius Cornelius Scipio Africanus, the epic poem's hero.
De viris illustribus is an unfinished collection of biographies, written in Latin, by the 14th century Italian author Francesco Petrarca. These biographies are a set of Lives similar in idea to Plutarch's Parallel Lives. The works were unfinished. However he was famous enough for these and other works to receive two invitations to be crowned poet laureate. He received these invitations on exactly the same day, April 8, 1341, one being from the Paris University and the other from the Roman Senate. He accepted the Roman invitation.
Laura de Noves (1310–1348) was the wife of Count Hugues de Sade.
The sonnets of Petrarch and Shakespeare represent, in the history of this major poetic form, the two most significant developments in terms of technical consolidation—by renovating the inherited material—and artistic expressiveness—by covering a wide range of subjects in an equally wide range of tones. Both writers cemented the sonnet's enduring appeal by demonstrating its flexibility and lyrical potency through the exceptional quality of their poems.
Nationality words link to articles with information on the nation's poetry or literature.
The Triumph of Life was the last major work by Percy Bysshe Shelley before his death in 1822. The work was left unfinished. Shelley wrote the poem at Casa Magni in Lerici, Italy in the early summer of 1822. He modelled the poem, written in terza rima, on Petrarch's Trionfi and Dante's Divine Comedy.
Anna Hume was a Scottish translator, poet and writer.
Amorosa visione is a narrative poem by Boccaccio, full of echoes of the Divine Comedy and consisting of 50 canti in terza rima. It tells of a dream in which the poet sees, in sequence, the triumphs of Wisdom, Earthly Glory, Wealth, Love, all-destroying Fortune, and thereby becomes worthy of the now heavenly love of Fiammetta. The triumphs include mythological, classical and contemporary medieval figures. Their moral, cultural and historical architecture was without precedent, and led Petrarch to create his own Trionfi on the same model. Among contemporaries Giotto and Dante stand out, the latter being celebrated above any other artist, ancient or modern.
This famed double portrait by Piero della Francesca is often mistitled The Duke and Duchess of Urbino—as it appears on the website of the Uffizi Gallery, which owns it. Since Battista Sforza died in 1472 and Federico da Montefeltro was not made duke until 1474, however, Battista never attained the title of duchess.
The Triumph of Fame is a tapestry made in Flanders in the 1500s. It is in the collection of the Metropolitan Museum of Art.
The Cypriot Canzoniere (Song-book) οr the Cypriot Rime d'Amore is a collection of 16th century poems in the Cypriot dialect influenced by the Italian Renaissance poetry and especially Petrarchism. They were written by a one or more, anonymous Cypriot poets that were directly influenced by Italian poetry. The manuscript consists of 156 poems focusing mostly on love themes. Some of the poems are direct translations of Petrarch and Sannazaro. They are the first poems directly influenced by the Renaissance in the Greek language, for example they introduced the ottava and terza. The societal, cultural and musical norms in Venetian Cyprus are documented by the chronicler Etienne Lusignan and help shed light into the references of the poems.
