Woodwind instrument | |
---|---|
Classification | Single-reed |
Hornbostel–Sachs classification | 422.212-71 (Single-reed aerophone with keys) |
Inventor(s) | Benedikt Eppelsheim |
Developed | First derived in 1999 from the contrabass saxophone |
Playing range | |
Tubax is a transposing instrument in treble clef; E♭ tubax sounds two octaves and a major sixth lower, to D♭1; the B♭ tubax three octaves and a second lower, to A♭0 | |
Related instruments | |
Sizes: Orchestral saxophones: Specialty saxophones: | |
Musicians | |
Builders | |
Benedikt Eppelsheim |
The tubax is a modified contrabass saxophone developed in 1999 by the German instrument maker Benedikt Eppelsheim. Although it has the same fingering as the saxophone, Eppelsheim's design reduces the amount of expansion of its conical bore in relation to the length of tubing, resulting in a smaller volume of resonant air column. This allows for it to use a smaller mouthpiece (baritone or bass, instead of a larger contrabass mouthpiece), and more compactly folded tubing. The tubax exists in E♭ contrabass and B♭ or C subcontrabass sizes. Its name is a combination of the words "tuba" and "sax". [1]
Eppelsheim's first conception of the tubax came in 1992 or 1993, while working at Bavarian instrument maker Münchner Blech. Prior to this time, while working in Franz Traut's workshop in Munich, he had spent much time experimenting with bocals and repairing saxophones, and built two experimental instruments. At Münchner Blech he was able to work on contrabass and bass saxophones, as well as sarrusophones. Noting that there were no contrabass saxophones in modern production, he had the idea to build one in a shape reminiscent of the sarrusophone, or the saxophone bourdon on Adolphe Sax's original patent drawing. [1]
The process from idea to production took about seven years. The initial design took about a week, followed by four weeks of building a prototype. Most of the time was spent calculating the scale length and tone hole positions, based on principles described in Cornelis Johannes Nederveen's Acoustical aspects of woodwind instruments and Arthur H. Benade's Fundamentals of musical acoustics. [1]
The first size of tubax to be developed was the E♭ (contrabass) tubax, introduced at the Musikmesse Frankfurt in 1999 and intended as a more practical alternative to the contrabass saxophone. [2] The larger B♭ (subcontrabass) tubax appeared soon after and is equivalent to the subcontrabass saxophone (which, although envisioned as the saxophone bourdon by Adolphe Sax in his 1846 patent, was only first built in 2010 by Brazilian manufacturer J'Élle Stainer). [3] The subcontrabass tubax is also available in C, but only one model has been manufactured, sold to Thomas Mejer of Switzerland in July 2002.[ citation needed ]
The E♭ and B♭ tubax have the same lengths of tubing as the contrabass and subcontrabass saxophones respectively, but are much more compact. [4] They are built with a narrower conical bore, somewhere between a regular saxophone and a contrabass sarrusophone, and use comparatively smaller baritone or bass saxophone mouthpieces. While saxophones are folded a maximum of three times, rendering saxophones larger than the baritone tall and unwieldy, the tubax is folded four times, to stand only 114 centimetres (3 ft 9 in) high for the E♭ tubax, not much taller than a baritone saxophone, yet an octave lower. [5] Similarly, the B♭ tubax stands 145 centimetres (4 ft 9 in) tall, nearly half of the enormous 2.74-metre (9 ft 0 in) height of an equivalent subcontrabass saxophone. [6] [7] Despite this, the tubax retains identical fingering to a standard saxophone, including an altissimo F♯ key. This required completely redesigned keywork, which also brings the hands to a more comfortable position. The smaller size and more accessible key placements result in more portable and ergonomic instruments. [5] The tubax also has a more focused and compact timbre than that of the full-sized saxophones.
Given its short history and rarity, little has been specifically written for the tubax, but it can readily be used for any material intended for bass or contrabass saxophone. The tubax, like the saxophone, is a transposing instrument notated in treble clef. The E♭ and B♭ models have identical ranges to the contrabass and subcontrabass saxophones, respectively. Built without the low A key found on some low saxophones, the lowest note of the E♭ tubax is thus D♭1, an octave below the lowest note of the baritone saxophone. The lowest note of the B♭ tubax is A♭0, a semitone below the lowest note on the piano keyboard (A0).
Notable performers:
The saxophone is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. A person who plays the saxophone is called a saxophonist or saxist.
The tuba is the largest and lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibration – a buzz – into a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band, and largely replaced the ophicleide. Tuba is Latin for "trumpet".
The sarrusophones are a family of metal double reed conical bore woodwind instruments patented and first manufactured by French instrument maker Pierre-Louis Gautrot in 1856. Gautrot named the sarrusophone after French bandmaster Pierre-Auguste Sarrus (1813–1876), whom he credited with the concept of the instrument, though it is not clear whether Sarrus benefited financially. The instruments were intended for military bands, to serve as replacements for oboes and bassoons which at the time lacked the carrying power required for outdoor marching music. Although originally designed as double-reed instruments, single-reed mouthpieces were later developed for use with the larger bass and contrabass sarrusophones.
Contrabass refers to several musical instruments of very low pitch—generally one octave below bass register instruments. While the term most commonly refers to the double bass, many other instruments in the contrabass register exist.
The contrabass clarinet (also pedal clarinet, after the pedals of pipe organs) and contra-alto clarinet are the two largest members of the clarinet family that are in common usage. Modern contrabass clarinets are transposing instruments pitched in B♭, sounding two octaves lower than the common B♭ soprano clarinet and one octave below the bass clarinet. Some contrabass clarinet models have extra keys to extend the range down to low written E♭3, D3 or C3. This gives a tessitura written range, notated in treble clef, of C3 – F6, which sounds B♭0 – E♭4. Some early instruments were pitched in C; Arnold Schoenberg's Fünf Orchesterstücke specifies a contrabass clarinet in A, but there is no evidence such an instrument has ever existed.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
The baritone saxophone is a member of the saxophone family of instruments, larger than the tenor saxophone, but smaller than the bass. It is the lowest-pitched saxophone in common use — the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E♭.
The rothphone is a metal double reed conical bore wind instrument similar to the sarrusophone, but built with a saxophone shape.
The soprillo is the smallest saxophone, developed as an extension to the saxophone family in the late 1990s by German instrument maker Benedikt Eppelsheim. It is 33 cm (13 in) long including the mouthpiece, and pitched in B♭ one octave above the soprano saxophone.
The subcontrabass saxophone is the largest of the family of saxophones that Adolphe Sax described in his 1846 patent. He called it the saxophone bourdon, named after the very low-pitched 32′ bourdon pedal stop on large pipe organs. Although Sax planned to build one, the first playable instrument was only built in 2010. It is a transposing instrument pitched in B♭ one octave below the bass saxophone, two octaves below the tenor, and three octaves and a major second below its written pitch.
The contrabass saxophone is the second-lowest-pitched extant member of the saxophone family proper. It is pitched in E♭ one octave below the baritone saxophone, which requires twice the length of tubing and bore width. This renders a very large and heavy instrument, standing approximately 2 metres tall and weighing around 20 kilograms (44 lb). Despite this, it was used in marching bands in the early 20th century.
The sopranino saxophone is the second-smallest member of the saxophone family. It is tuned in the key of E♭, and sounds an octave higher than the alto saxophone. A sopranino in F was also described in Adolphe Sax's patent, an octave above an F alto (mezzo-soprano), but there are no known built instruments.
Benedikt Eppelsheim was a German instrument maker of extreme high- and low-voiced woodwind instruments. He lived in Munich, Germany
The contrabass sarrusophone is the deepest of the family of sarrusophones, built in three sizes pitched in E♭, C or B♭. It was made in the 19th and early 20th centuries, primarily in France by its inventor and Parisian instrument maker Pierre-Louis Gautrot and his successor Couesnon & Co., and Evette & Schaeffer. It was also made in Italy by Milan manufacturers Romeo Orsi and Rampone & Cazzani, and in the United States by C. G. Conn, who built instruments in E♭ for US military bands. Romeo Orsi and the German instrument maker Benedikt Eppelsheim make individual contrabass sarrusophones on request.
The baritone sarrusophone is the baritone member of the sarrusophone family of metal double reed conical bore wind instruments. Sometimes colloquially known as the combat bassoon, it is pitched in E♭ and has the same range as the baritone saxophone, and is about the same height as a bassoon. Its body is wrapped around only once, whereas the contrabass sarrusophone wraps around twice.
The subcontrabass tuba is a rare instrument of the tuba family built an octave or more below the modern contrabass tuba. Only a very small number of these large novelty instruments have ever been built. Most are pitched in thirty-six-foot (36′) BBB♭ an octave lower than the BB♭ contrabass tuba, their fundamental note B♭-1 corresponding to a frequency of 15 Hz – such a slow vibration that it can scarcely be perceived as a note.
J'Élle Stainer is a musical instrument manufacturer specialising in large saxophones based in Italy and São Paulo, Brazil. They are notable for building some of the first subcontrabass saxophones, the largest of the family of instruments conceived of by its Belgian inventor in the 1840s, Adolphe Sax.