Tuscan Red | |
---|---|
Color coordinates | |
Hex triplet | #7C3030 |
sRGB B (r, g, b) | (124, 48, 48) |
HSV (h, s, v) | (0°, 61%, 49%) |
CIELChuv (L, C, h) | (31, 55, 12°) |
Source | Maerz and Paul [1] |
ISCC–NBS descriptor | Dark red |
B: Normalized to [0–255] (byte) |
Tuscan red is a shade of red that was used on some railroad cars, particularly passenger cars.
The color is most closely associated with the Pennsylvania Railroad, which used it on passenger cars and on its TrucTrain flatcars. It also was used extensively by the New South Wales Government Railways in Australia, in a similar fashion to the PRR. [2] The Norfolk and Western Railway used it as an accent color on its J class steam locomotives. The Canadian Pacific Railway used it historically and painted its luxury revival cars in this color. [3] It is also a Prismacolor colored pencil.
The first recorded use of Tuscan red as a color name in English was in the early 1800s (exact date uncertain). [5]
The color was popular in the late 19th century but non-standardized. It became the ‘signature color’ of the Pennsylvania Railroad, which instituted specifications for its formulation. [6] : 36 [7] Before the 1880s, pigments extracted from Brazil wood were used in its manufacture, but these proved inadequate in terms of hiding power and stability. [7]
A 1917 US National Bureau of Standards circular describes it as based on Indian red, a variety of iron oxide red. The color was then modified by treatment with an alizarin lake pigment. The pigment's stability lent itself to hard use in applications such as rail cars, steam pipes, radiators, and machinery. [8] Lower-cost imitations were made without iron oxides by using gypsum or whiting as a base and adding aniline dyes. [9]
The traditional color Tuscan red is shown above. The lighter tones of Tuscan red tend toward tan and beige. The darker tones of Tuscan red tend toward purplish tones. These purplish tones of Tuscan red are exemplified by the color deep Tuscan red, shown below.
Tuscan | |
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Color coordinates | |
Hex triplet | #FAD6A5 |
sRGB B (r, g, b) | (250, 214, 165) |
HSV (h, s, v) | (35°, 34%, 98%) |
CIELChuv (L, C, h) | (88, 47, 56°) |
Source | ISCC-NBS |
ISCC–NBS descriptor | Light yellow |
B: Normalized to [0–255] (byte) |
Displayed at right is the color Tuscan.
The first recorded use of Tuscan as a color name in English was in 1887. [10]
Tuscany | |
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Color coordinates | |
Hex triplet | #C09999 |
sRGB B (r, g, b) | (192, 153, 153) |
HSV (h, s, v) | (0°, 20%, 75%) |
CIELChuv (L, C, h) | (67, 25, 12°) |
Source | Pantone TPX [11] |
ISCC–NBS descriptor | Light grayish red |
B: Normalized to [0–255] (byte) |
The color Tuscany is displayed at right.
The first recorded use of Tuscany as a color name in English was in 1922. [12]
The source of this color is the "Pantone Textile Paper eXtended (TPX)" color list, color #16-1219 TPX—Tuscany. [13]
Tuscan Tan | |
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Color coordinates | |
Hex triplet | #A67B5B |
sRGB B (r, g, b) | (166, 123, 91) |
HSV (h, s, v) | (26°, 45%, 65%) |
CIELChuv (L, C, h) | (55, 41, 41°) |
Source | ISCC-NBS |
ISCC–NBS descriptor | Light brown |
B: Normalized to [0–255] (byte) |
Displayed at right is the color Tuscan tan.
The first recorded use of Tuscan tan as a color name in English was in 1926. [14]
The normalized color coordinates for Tuscan tan are identical to café au lait and French beige, which were first recorded as color names in English in 1839 [15] and 1927, [16] respectively.
Tuscan Brown | |
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Color coordinates | |
Hex triplet | #6F4E37 |
sRGB B (r, g, b) | (111, 78, 55) |
HSV (h, s, v) | (25°, 50%, 44%) |
CIELChuv (L, C, h) | (36, 30, 39°) |
Source | ISCC-NBS |
ISCC–NBS descriptor | Moderate brown |
B: Normalized to [0–255] (byte) |
Displayed at right is the color Tuscan brown.
The first recorded use of Tuscan brown as a color name in English was in 1913. [17]
The normalized color coordinates for Tuscan brown are identical to coffee, which was first recorded as a color name in English in 1695. [18]
Medium Tuscan Red | |
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Color coordinates | |
Hex triplet | #79443B |
sRGB B (r, g, b) | (121, 68, 59) |
HSV (h, s, v) | (9°, 51%, 47%) |
CIELChuv (L, C, h) | (35, 39, 20°) |
Source | ISCC-NBS |
ISCC–NBS descriptor | Moderate reddish brown |
B: Normalized to [0–255] (byte) |
Medium Tuscan red is that tone of Tuscan red that is called Tuscan red in the ISCC-NBS color list.
Tan is a pale tone of brown. The name is derived from tannum used in the tanning of leather.
Beige is variously described as a pale sandy fawn color, a grayish tan, a light-grayish yellowish brown, or a pale to grayish yellow. It takes its name from French, where the word originally meant natural wool that has been neither bleached nor dyed, hence also the color of natural wool. It has come to be used to describe a variety of light tints chosen for their neutral or pale warm appearance.
Lavender is a light shade of purple or violet. It applies particularly to the color of the flower of the same name. The web color called lavender is displayed at right—it matches the color of the very palest part of the lavender flower; however, the more saturated color shown below as floral lavender more closely matches the average color of the lavender flower as shown in the picture and is the tone of lavender historically and traditionally considered lavender by the average person as opposed to those who are website designers. The color lavender might be described as a medium purple or a light pinkish-purple. The term lavender may be used in general to apply to a wide range of pale, light, or grayish-purples, but only on the blue side; lilac is pale purple on the pink side. In paints, the color lavender is made by mixing purple and white paint.
Red-violet refers to a rich color of high medium saturation about 3/4 of the way between red and magenta, closer to magenta than to red. In American English, this color term is sometimes used in color theory as one of the purple colors—a non-spectral color between red and violet that is a deep version of a color on the line of purples on the CIE chromaticity diagram.
Carmine color is the general term for some deep red colors that are very slightly purplish but are generally slightly closer to red than the color crimson is. Some rubies are colored the color shown below as rich carmine. The deep dark red color shown at right as carmine is the color of the raw unprocessed pigment, but lighter, richer, or brighter colors are produced when the raw pigment is processed, some of which are shown below.
Spring green is a color that was traditionally considered to be on the yellow side of green, but in modern computer systems based on the RGB color model is halfway between cyan and green on the color wheel.
Taupe is a dark gray-brown color. The word derives from the French noun taupe meaning "mole". The name originally referred only to the average color of the French mole, but beginning in the 1940s, its usage expanded to encompass a wider range of shades.
In optics, orange has a wavelength between approximately 585 and 620 nm and a hue of 30° in HSV color space. In the RGB color space it is a secondary color numerically halfway between gamma-compressed red and yellow, as can be seen in the RGB color wheel. The complementary color of orange is azure. Orange pigments are largely in the ochre or cadmium families, and absorb mostly blue light.
Spring bud is the color that used to be called spring green before the X11 web color spring green was formulated in 1987 when the X11 colors were first promulgated. This color is now called spring bud to avoid confusion with the web color.
Varieties of the color green may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a green or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.
Varieties of the color red may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a red or other hue mixed with white, a shade being mixed with black. A large selection of these various colors are shown below.
Pink colors are usually light or desaturated shades of reds, roses, and magentas which are created on computer and television screens using the RGB color model and in printing with the CMYK color model. As such, it is an arbitrary classification of color.
The color magenta has notable tints and shades. These various colors are shown below.
Varieties of the color yellow may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a yellow or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.
Varieties of the color blue may differ in hue, chroma, or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a blue or other hue mixed with white, a shade being mixed with black. A large selection of these colors are shown below.
Coffee is a brownish color that is a representation of the color of a roasted coffee bean. Different types of coffee beans have different colors when roasted—the color coffee represents an average.
Violet is a color term derived from the flower of the same name. There are numerous variations of the color violet, a sampling of which are shown below.
There are numerous variations of the color purple, a sampling of which are shown below.
Azure is a variation of blue that is often described as the color of the sky on a clear day.
Rose is the color halfway between red and magenta on the HSV color wheel, also known as the RGB color wheel.