Geogaddi is the second studio album by Scottish electronic music duo Boards of Canada. It was released on 13 February 2002 in Japan, then five days later in Europe, by Warp. The album is darker in tone than their previous studio album Music Has the Right to Children (1998), and it has subsequently been praised as a standout album in the duo's discography.
Daniel Victor Snaith is a Canadian composer, musician, and recording artist. He has released 10 studio albums since 2000 and has recorded and performed under the stage names Caribou, Manitoba, and Daphni.
Turn On the Bright Lights is the debut studio album by American rock band Interpol. It was released in the United Kingdom on August 19, 2002, and in the United States the following day, through independent record label Matador Records. The album was recorded in November 2001 at Tarquin Studios in Bridgeport, Connecticut, and was co-produced, mixed and engineered by Peter Katis and Gareth Jones. Its title is taken from a repeated line in the song "NYC".
Picaresque is the third studio album from The Decemberists. It was released in 2005 on the Kill Rock Stars record label. The word "picaresque" refers to a form of satirical prose originating in Spain, depicting realistically and often humorously the adventures of a low-born, roguish hero living by their wits in a corrupt society.
Rounds is the third solo album by British electronic musician Kieran Hebden, released under his alias Four Tet on 5 May 2003 by Domino Recording Company. Wanting to make a more personal record, Hebden recorded and produced the album in his North London flat over ten months using a desktop computer and a home hi-fi system. Its ten tracks feature elements of hip hop, jazz and folk; apart from a guitar part recorded for "Slow Jam", the music is composed from between 200 and 300 samples, many processed beyond recognition.
Destroyer's Rubies is the seventh studio album by Canadian indie rock band Destroyer, released on February 21, 2006 on Merge Records, Scratch Records, Acuarela Discos, Architecture, and Rough Trade Records.
Insignificance is the second singer-songwriter album by Jim O'Rourke, originally released on November 19, 2001 by Drag City. It is named after the Nicolas Roeg film of the same name. It peaked at number 35 on the UK Independent Albums Chart.
The Leaf Label is a British independent record label based in Yorkshire, England. Initially an electronic music label, releasing mainly instrumental music, the company's approach now features artists spanning jazz and post-punk.
Start Breaking My Heart is the debut studio album by Canadian musician Dan Snaith, released under the moniker Manitoba on March 27, 2001, by The Leaf Label.
The Milk of Human Kindness is the third studio album by Canadian musician Dan Snaith, released under the moniker Caribou on April 18, 2005, by The Leaf Label and Domino Recording Company. It is Snaith's first album credited under Caribou, with Snaith having dropped his previous moniker Manitoba following the release of Up in Flames in 2003 due to a threatened lawsuit by Handsome Dick Manitoba of The Dictators.
Hell Hath No Fury is the third studio album by hip hop duo Clipse. The album was released on November 28, 2006 in the United States by Re-Up, Star Trak and Jive. Recording sessions for the album took place over a period of several years, and suffered numerous delays prior to release. Production was handled by The Neptunes.
Person Pitch is the third solo album by American recording artist Noah Lennox under his alias Panda Bear, released on March 20, 2007 by Paw Tracks. Departing stylistically from his prior work as both a member of Animal Collective and a solo artist, the album was recorded using the Boss SP-303 sampler, with instrumentation largely composed of manipulated samples and loops, accompanied by Lennox's layered vocals. He described it as a collection of "super dubby and old sounding" songs inspired by his then-recent marriage, fatherhood, and move to Portugal.
Andorra is the fourth studio album by Canadian musician Dan Snaith, released under the stage name Caribou. It is Snaith's fourth album and his second as Caribou, following The Milk of Human Kindness. It was released in Germany on August 17, 2007 and in the United Kingdom on August 20 by City Slang, and in the United States on August 21 by Merge.
Swim is the fifth studio album by Canadian musician Dan Snaith, released under the moniker Caribou on April 20, 2010 by City Slang and Merge. It is his third album credited under Caribou and deviated from the psychedelic pop of his recent work and toward dance music.
Jiaolong is the sixth studio album by Canadian musician Daniel Snaith, released on October 16, 2012 by Merge. It is the first album in Snaith's discography credited under the moniker Daphni, and is more dancefloor oriented than his work as Caribou.
Our Love is the seventh studio album by Canadian musician Dan Snaith, released under the moniker Caribou on October 6, 2014 by City Slang worldwide and October 7, 2014 by Merge in North America and South America. It is Snaith's fourth album as Caribou, having released his previous album, Jiaolong, as Daphni in 2012. It features collaborations with Jessy Lanza and Owen Pallett.
Natalie Laura Mering, known professionally as Weyes Blood, is an American singer, songwriter, and musician. She was primarily raised in Doylestown, Pennsylvania. She has been performing her own material under variations of the name Weyes Blood since 2003.
Joli Mai is the ninth studio album by Canadian musician Dan Snaith, and third album under the moniker Daphni. It was self-released through Snaith's label Jiaolong on October 6, 2017, and includes tracks from his FabricLive.93 contribution.
Suddenly is the tenth studio album by Canadian musician Dan Snaith, released under the moniker Caribou by Merge Records and City Slang on February 28, 2020. It is Snaith's fifth album as Caribou, and his first since Our Love (2014).
White Blood Cells is the third studio album by American rock duo the White Stripes, released on July 3, 2001. The album was recorded in less than one week at Easley-McCain Recording in Memphis, Tennessee, and was produced by frontman and guitarist Jack White. It was the band's final record released independently on Sympathy for the Record Industry. The album explores themes of love, hope, betrayal, and paranoia, which were inspired by the increased media attention the group were receiving.
