Verona Cathedral (Italian : Cattedrale Santa Maria Matricolare; Duomo di Verona) is a Roman Catholic cathedral in Verona, northern Italy, dedicated to the Blessed Virgin Mary under the designation Santa Maria Matricolare. It is the episcopal seat of the Diocese of Verona.
It was erected after two Palaeo-Christian churches on the same site had been destroyed by an earthquake in 1117. Built in Romanesque style, the cathedral was consecrated on September 13, 1187. The structure was later modified by several renovation interventions, although the plan has remained unchanged.
The façade is divided into three parts, with a pediment and a two storied projecting porch or protiro embellished with sculpture, which is the work of the twelfth-century sculptor Nicholaus, who also executed and signed the entranceway at the abbey church of San Zeno, also in Verona, and Ferrara Cathedral. The portico is supported on the backs of two griffins, similar to those from the dismantled Porta dei Mesi at Ferrara. The lunette depicts the Virgin holding the Christ child in high relief, centered between two low relief scenes, the Annunciation to the Shepherds (left) and the Adoration of the Magi (right). On the lintel in medallions are the three theological virtues, Faith, Charity and Hope. Ten figures of prophets are set in the doorposts and jambs; the four symbols of the Evangelists and the Hand of God are set above in the barrel vault of the first story of the porch. Set into the walls on either side of the portal are figures of Roland and Oliver, who as holy warriors, remind one of the constant need to provide protection to the church.
The Gothic windows in the façade provide evidence of the renovation that took place in the 14th century. The Baroque addition at the upper part of the facade is part of 17th-century additions. On the south side of the church is a second portal executed in the so-called Lombard or Como style. The main apse has retained its integrity and as such is an example of mid-12th-century architecture. The bell tower, begun in the 16th century by Michele Sanmicheli and left unfinished, has two orders of columns with highly decorated capitals, bas-reliefs and traces of 14th-century frescoes. It contains nine bells in the scale of A. The tenor weight is 4566 kg. The bells are rung with the tradition of Veronese bellringing art.
The current appearance of the interior dates from the 15th-century renovations. It has a nave and two aisles divided by tall pilasters in red Verona marble, which support Gothic arcades. The first three chapels on each side are in the same style, and house mostly Renaissance artworks by Veronese artists. The nave ends with the main Chapel (Cappella Maggiore), also by Sanmicheli.
The Chapter Library of Verona Cathedral (Biblioteca Capitolare della Cattedrale di Verona) is claimed to be the world's oldest library in continuous function. [1] Such is its importance that it has been dubbed the "Queen of ecclesiastical collections". [2] Many ancient works of the Classical tradition have survived only because of the Chapter Library, including:
It holds also important early Christian writings, such as:
The following signature in a life of Saint Martin of Tours by a scribe is usually considered to mark the conventional dating of the founding of the Library: "my name is Ursicinus, Lector of the Church of Verona", confirming that he finished the work in the consulship of Agapitus (517). [3]
Michele Sanmicheli, sometimes also transcribed as Sammicheli, Sanmichele or Sammichele, was an Italian architect and urban planner who was a citizen of the Republic of Venice.
Parma Cathedral is a Roman Catholic cathedral in Parma, Emilia-Romagna (Italy), dedicated to the Assumption of the Blessed Virgin Mary. It is the episcopal seat of the Diocese of Parma. It is an important Italian Romanesque cathedral: the dome, in particular, is decorated by a highly influential illusionistic fresco by Renaissance painter Antonio da Correggio.
Genoa Cathedral or Metropolitan Cathedral of Saint Lawrence is a Roman Catholic cathedral in the Italian city of Genoa. It is dedicated to Saint Lawrence, and is the seat of the Archbishop of Genoa. The cathedral was consecrated by Pope Gelasius II in 1118 and was built between the twelfth century and the fourteenth century as fundamentally a medieval building, with some later additions. Secondary naves and side covers are of Romanesque style and the main facade is Gothic from the early thirteenth century, while capitals and columns with interior corridors date from the early fourteenth century. The bell tower and dome were built in the sixteenth century.
Mantua Cathedral in Mantua, Lombardy, northern Italy, is a Roman Catholic cathedral dedicated to Saint Peter. It is the seat of the Bishop of Mantua.
Prato Cathedral, or Cathedral of Saint Stephen, is a Roman Catholic cathedral in Prato, Tuscany, Central Italy, from 1954 the seat of the Bishop of Prato, having been previously, from 1653, a cathedral in the Diocese of Pistoia and Prato. It is dedicated to Saint Stephen, the first Christian martyr.
Padua Cathedral, or Basilica Cathedral of Saint Mary of the Assumption, is a Catholic church and minor basilica located on the east end of Piazza Duomo, adjacent to the bishop's palace in Padua, Veneto, Italy.
The Basilica di San Zeno is a minor basilica of Verona, northern Italy constructed between 967 and 1398 AD. Its fame rests partly on its Romanesque architecture and partly upon the tradition that its crypt was the place of the marriage of Shakespeare's Romeo and Juliet.
The chiesa di Sant'Anastasia, or the Basilica of Saint Anastasia is a church built by the Dominican Order in Verona, northern Italy. In Gothic style, it is the largest church in the city, located in its most ancient district, near the Ponte Pietra.
Ferrara Cathedral is a Roman Catholic cathedral and minor basilica in Ferrara, Northern Italy. Dedicated to Saint George, the patron saint of the city, it is the seat of the Archbishop of Ferrara and the largest religious building in the city.
Saint Justus of Trieste is a saint venerated in the Eastern Orthodox Church and Roman Catholic Church.
The Codex Veronensis, designated by the siglum b or 4, is a 5th-century Latin manuscript of the four Gospels, written on vellum which has been dyed purple. The text is written in silver and occasionally gold ink, and is a version of the old Latin New Testament Gospels. The Gospels follow in the Western order.
Amalfi Cathedral is a medieval Roman Catholic cathedral in the Piazza del Duomo, Amalfi, Italy. It is dedicated to the Apostle Saint Andrew whose relics are kept here. Formerly the archiepiscopal seat of the Diocese of Amalfi, it has been since 1986 that of the Diocese of Amalfi-Cava de' Tirreni.
Udine Cathedral is a Catholic cathedral located in Udine, north-eastern Italy. It is the seat of the Archbishop of Udine.
Cagliari Cathedral is a Roman Catholic cathedral in Cagliari, Sardinia, Italy, dedicated to the Virgin Mary and to Saint Cecilia. It is the seat of the archbishop of Cagliari.
Barletta Cathedral is a Roman Catholic cathedral in Barletta, Apulia, southern Italy. Formerly the seat of the archbishops of Barletta and Nazareth, it is currently a co-cathedral in the Archdiocese of Trani-Barletta-Bisceglie. It was built in two different styles, Romanesque and Gothic, from the 12th century to the 14th century.
Ancona Cathedral is a Roman Catholic cathedral in Ancona, central Italy, dedicated to Saint Cyriacus. It is the seat of the Archbishop of Ancona. The building is an example of mixed Romanesque-Byzantine and Gothic elements, and stands on the site of the former acropolis of the Greek city, the Guasco hill which overlooks Ancona and its gulf.
The church of Sant'Eufemia is a Catholic place of worship located in the heart of Verona's historic center. It straddles an ancient Roman cardo, where a church building probably already existed in the 6th century. The foundation of the present church is owed to the Della Scala family, who brought Augustinian hermit monks to Verona in 1262 so that they could be closer to the community and granted them permission to build a monastery, located at the time in the Capitani quarter of the Scaliger city. Through bequests and donations, particularly that of Alberto della Scala, the building could be consecrated in 1331 by the bishop of Verona Nicolò. The building activity, however, did not end, and in the following years the monastery's rooms continued to be expanded in order to accommodate the increasing number of monks who arrived there attracted by the great prestige the community boasted. A permit granted by Mastino II della Scala in 1340 made it possible to further enlarge the church by building the vast apse that still distinguishes it today. From the end of the fourteenth century work continued on the various chapels and minor altars.
Comacchio Cathedral, also the Basilica of San Cassiano, is a Baroque Roman Catholic cathedral and minor basilica dedicated to Saint Cassian of Imola in the city of Comacchio, in the province of Ferrara, Emilia-Romagna, Italy. Formerly the seat of the bishops of Comacchio, it has been since 1986 a co-cathedral in the Archdiocese of Ferrara-Comacchio.
The monuments of Verona are a vast number of architecturally, archaeologically, historically, and artistically significant cultural assets that characterize the city of Verona. Precisely because of the richness of its monuments and the urban evolution that has developed seamlessly over the centuries, UNESCO declared the city a World Heritage Site in 2000.
The churches of Verona are the places of Catholic worship that have been built within the administrative boundaries of the municipality of Verona, evidence of the ups and downs that the city has experienced throughout its history.
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