The Versus de Verona, also Carmen Pipinianum or Rhythmus Pipinianus (Ritmo Pipiniano), was a medieval Latin poetic encomium on the city of Verona, composed during the Carolingian Renaissance, between 795 and 806. It was modeled on the Laudes Mediolanensis civitatis (c.738), which is preserved today only in a Veronese manuscript. The anonymous Versus have been ascribed to Pacificus, archdeacon at Verona from 803 until his death in 846, but this ascription is unlikely. [1] The poem consists of thirty-three strophes and three verses.
Contextually, the Versus were composed in a city that had undergone a recent ecclesiastical reform—under its bishops Eginus (c.780) and Ratold (799)—and the establishment of an abbey and basilica dedicated to the patron Saint Zeno outside the walls of the city and the establishment of the orthodox Cathedral of Maria Matricolare within the walls. In 799 Pippin of Italy had moved his royal court from Pavia to Verona. [2] At the time Verona possessed newly rebuilt walls, studded with forty regular towers and eighth tall ones at the gates, referred to in lines 4–6. The poet of the Versus, probably a monk, stresses not only the glory of Verona's Christian present, but departs from his model, the Versum, to praise its pagan past: fana, tempora, constructa a deorum nomina ("its shrines and temples were built and dedicated to the gods", line 13). The monuments specifically referred to are the Roman amphitheatre and the Ponte di Pietra. [1] The Versus can form a valuable source for early medieval Verona, since the city was partially destroyed by the earthquake of 3 January 1117.
In lines 22–24, the Veronese poet does lament the evil of the city's pagan founders. Thereafter the Versus is dedicated to the thirty-five saints, forty martyrs, and twelve apostles associated with Verona. [3] The list of Veronese bishops after line 40 does not appear to be based on the earlier Sermo de Vita S. Zenonis or Vita Zenonis , but is similar to a list of bishops embroidered on the Velo di Classe of bishop Anno (c.760). The return of the relics of Firmus and Rusticus, which had first been taken to Africa, then to Capodistria and finally to Trieste, before bishop Anno brought them back around 760 and re-buried them in their original sarcophagus, inspired reference to these saints. [4] The anonymous poet, in competition with Milan, lists some Milanese saints (lines 63–64) and some cities which praise Verona, "the gateway to the bounds of Liguria": Aquileia, Mantua, Brescia, Pavia, Rome, and Ravenna; Milan is notably omitted. [1]
The anonymous poet was inventive in his use of language. He praises Verona in line 2 for its pre-eminence among the cities in partibus Venetiarum, ut docet Isidorus, "in the area of the Veneto, as Isidore teaches." In fact, Isidore teaches no such thing, and the plural form Venetiarum is an invention of the poet. In general, the poet's non-classical usages contrast with his evident learnedness. His verses are marked by "syllabic irregularities" among other anomalies. [1]
The Versus are sometimes classified as "popular" poetry, on the basis of their vulgarisms. [5] This generally assumes that the poet was writing in an uneducated manner, but this is unsatisfactory in the case of the Veronese writer, who often deliberately moves away (grammatically) from his source. Rather, the poet is constructing a Latin more accessible to his clerical audience, based on their spoken Latin. There is a parallel between this and the similar vulgarising of Paulinus II of Aquileia. [1]
Alcuin of York – also called Ealhwine, Alhwin, or Alchoin – was a Northumbrian scholar, clergyman, poet, and teacher from York, Northumbria. He was born around 735 and became the student of Archbishop Ecgbert at York. At the invitation of Charlemagne, he became a leading scholar and teacher at the Carolingian court, where he remained a figure in the 780s and 790s. "The most learned man anywhere to be found", according to Einhard's Life of Charlemagne, he is considered among the most important intellectual architects of the Carolingian Renaissance. Among his pupils were many of the dominant intellectuals of the Carolingian era.
Paul the Deacon, also known as Paulus Diaconus, Warnefridus, Barnefridus, or Winfridus, and sometimes suffixed Cassinensis, was a Benedictine monk, scribe, and historian of the Lombards.
Verona is a city on the Adige River in Veneto, Italy, with 258,031 inhabitants. It is one of the seven provincial capitals of the region. It is the largest city municipality in the region and the second largest in northeastern Italy. The metropolitan area of Verona covers an area of 1,426 km2 (550.58 sq mi) and has a population of 714,310 inhabitants. It is one of the main tourist destinations in northern Italy because of its artistic heritage and several annual fairs and shows as well as the opera season in the Arena, an ancient Roman amphitheater.
Pepin or Pippin, born Carloman, was the son of Charlemagne and King of the Lombards (781–810) under the authority of his father.
Zeno of Verona was either an early Christian Bishop of Verona or a martyr. He is a saint in the Roman Catholic Church and in the Orthodox Church.
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Saint Paulinus II was a priest, theologian, poet, and one of the most eminent scholars of the Carolingian Renaissance. From 787 to his death, he was the Patriarch of Aquileia. He participated in a number of synods which opposed Spanish Adoptionism and promoted both reforms and the adoption of the Filioque into the Nicene Creed. In addition, Paulinus arranged for the peaceful Christianisation of the Avars and the alpine Slavs in the territory of the Aquileian patriarchate. For this, he is also known as the apostle of the Slovenes.
The Diocese of Verona is a Roman Catholic ecclesiastical territory in northern Italy. The diocese belongs to the Ecclesiastical Province of Venice. The bishop of Verona has his seat in Verona, Veneto. The episcopal throne is in the cathedral, which had originally been dedicated to S. Maria Matricolare and S. George.
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The March of Friuli was a Carolingian frontier march, established in 776 as the continuation of the Lombard Duchy of Friuli, established against the Slavs and Avars. It was ceded to the Duchy of Bavaria as the March of Verona in 952. Its territory comprised parts of modern-day Italy, Slovenia and Croatia.
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Laudes Mediolanensis civitatis, also known as the Versum de Mediolano civitate or Versus in laudem mediolanensis civitatis, is an early medieval Latin poem, which describes and praises the Italian city of Milan. It dates from the mid-8th century, during the era of the Lombard Kingdom. The poet is unknown. The poem is an encomium, an example of the urban eulogy genre. It celebrates not only the Christian heritage of Milan, but also its pagan Roman history. It is considered to be the earliest surviving medieval description of a city. The poem served as a model for the Carolingian Versus de Verona, a similar encomium to its rival Verona, written around 50 years later.
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Moduin, Modoin, or Mautwin was a Frankish churchman and Latin poet of the Carolingian Renaissance. He was a close friend of Theodulf of Orléans, a contemporary and courtier of the emperors Charlemagne and Louis the Pious, and a member of the Palatine Academy. In signing his own poems he used the pen name Naso in reference to the cognomen of Ovid. From 815 until his death he was the Bishop of Autun.
Angelbert was a Frankish soldier and poet, possibly from Aquitaine. His "Verses on the Battle that was Fought at Fontenoy" are a first-hand description of the Battle of Fontenoy of 25 June 841, in which he participated with the army of Lothair I. They are an important piece of battle literature from the twilight of the Carolingian Renaissance. Historian Bernard Bachrach has examined them as a source for the emotional effects of battle during the ninth century.
Dubthach maccu Lugair, is a legendary Irish poet and lawyer who supposedly lived at the time of St Patrick's mission in Ireland and in the reign of Lóegaire mac Néill, high-king of Ireland, to which Dubthach served as Chief Poet and Brehon. In contrast to the king and his druids, he is said to have readily accepted the new religion. This event has played a major part in Hiberno-Latin and Irish sources as representing the integration of native Irish learning with the Christian faith.
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