We the People | |
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Background information | |
Origin | Orlando, Florida, United States |
Genres | Garage rock, psychedelic rock |
Years active | 1966–1970 |
Labels | Hotline, Challenge, RCA, Collectables, Sundazed |
Past members | Randy Boyte David Duff Tommy Talton Wayne Proctor Tom Wynn Lee Ferguson Terry Cox Carl Chambers Skip Skinner |
We the People was an American garage rock band from Orlando, Florida, that was formed in late 1965 and professionally active between 1966 and 1970. [1] [2] Although none of their singles charted nationally in the U.S., a number of them did reach the Top 10 of the local Orlando charts. [2] The band are perhaps best remembered for their song "Mirror of Your Mind", which reached the Top 10 in a number of regional singles charts across the U.S. during 1966. [2] The song has subsequently been included on several compilation albums over the years. [3]
We the People consisted of musicians drawn from a number of different Orlando-based garage bands. [1] In the early 1960s, The Coachmen, a frat rock band who were a popular fixture at local college parties, merged with members of another local group, the Nation Rocking Shadows, to form The Trademarks. [4] Then, in late 1965, Ron Dillman, a writer for the Orlando Sentinel , brought together members of The Trademarks and members of another local group, The Offbeets (formerly known as The Nonchalants), to form a garage rock supergroup of sorts named We the People. [2] [5] The band were notable for having two talented and prolific songwriters, Tommy Talton and Wayne Proctor, with the latter writing most of the band's most popular songs. [1]
With Dillman in place as the band's manager, We the People quickly released "My Brother, the Man" in early 1966 on the local record label, Hotline. [1] [4] The single was a Top 10 hit locally and gained enough airplay to enable the band to sign a publishing deal with Nashville-based producer Tony Moon, which in turn led to a recording contract with Challenge Records. [2] The band's second single, "Mirror of Your Mind" (b/w "The Color of Love"), was released on the label in June 1966. [2] The song is marked by the pounding drums, wailing harmonica, raucous vocals, and crazed fuzz guitar that characterized the band's signature sound. [1] [2] Although the single failed to reach the national charts, it was a big regional hit in a number of locations across the United States, most notably in Nashville and Orlando. [2] During the 1980s, the song was also responsible for posthumously bringing We the People to the attention of music fans all over the world, when it was included on Nuggets, Volume 6: Punk Part Two, the sixth volume of the Nuggets series of albums. [5]
"Mirror of Your Mind" was followed in September 1966 by "He Doesn't Go About It Right", which included "You Burn Me Up and Down" on the B-side. Like "Mirror of Your Mind", "You Burn Me Up and Down" has gone on to become one of the band's most famous songs, due to its inclusion on various garage rock compilation albums. [6] [7] We the People's fourth single, "In the Past" (b/w "St. John's Shop"), was released in late 1966 and featured the sound of a locally made musical instrument that the band used instead of the sitar, which was becoming popular on records at that time. [4] The eight-stringed instrument, dubbed the "octachord" by the band, had been made by a friend's grandfather and looked like a large mandolin. [4] The octachord was played on the record and at live concert appearances by the band's lead guitarist, Wayne Proctor, who still has the instrument in his possession today. [4] Despite "In the Past" being released as the band's fourth single, local radio stations preferred to play the softer B-side over the more psychedelic sounding A-side, which resulted in "St. John's Shop" reaching No. 2 on the local Orlando charts. [5] "In the Past" was later covered in 1968 by The Chocolate Watchband on their second album, The Inner Mystique . [1] [8]
We the People suffered a major setback in early 1967 when songwriter and lead guitarist Wayne Proctor left the band and returned to college in an attempt to avoid the draft for the Vietnam War. [4] The band issued a further three singles on RCA Records throughout 1967 and 1968 before the band's second songwriter, Tommy Talton, left in mid-1968. This departure, coupled with the expiration of their RCA recording contract, effectively ended the band's recording career. [1] We the People limped on throughout 1969 and into 1970, until Ron Dillman decided to disband the group following a Halloween concert on October 31, 1970. [5] After leaving the band, Proctor went on to write the minor hit "Follow the Yellow Brick Road" for The Lemonade Charade and today plays with local bands in South Carolina. [4] [5] Tommy Talton went on to form the country rock/southern rock band Cowboy with Scott Boyer and was consequently the only member of We the People to have a professional music career after the 1960s. [1]
Although We the People did not release an album during the 1960s, a handful of compilations by the band have appeared over the years. [9] The first of these, Declaration of Independence, was issued in 1983 by Eva Records and later re-released on CD by Collectables Records in 1993. [10] Declaration of Independence consists of tracks that originally appeared on the band's singles. [9] In 1998 Sundazed Records released an exhaustive 2-CD retrospective titled Mirror of Our Minds, which again featured the band's singles along with previously unreleased material and songs by other related bands. [11] This was followed in 2007 by a limited edition vinyl-only LP release titled In the Past, which appeared on the South Korean label, Wohn Records. [12] In 2008, Sundazed issued a second compilation, titled Too Much Noise, which brought together tracks from the band's Challenge Records era in an approximation of an official album, as it might have appeared had the band released one during the 1960s. [13]
Their single "My Brother, the Man" was covered by the long-running Garage Rock Revival band The Fuzztones and reworked by The Horrors with the song "Count in Fives". Spanish garage band Wau y los Arrrghs!!! released a Spanish-language version of the song with different lyrics entitled "Niña" on their 2005 album "Cantan en Español." In 1995, a laundry detergent television commercial broadcast on the ABC network used the distinct guitar riff from the song.
Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
The Shadows of Knight were an American rock band from Chicago, Illinois, that played a version of British blues influenced by their native city. When they began recording in 1965, the band's self-description was "the Stones, Animals and the Yardbirds took the Chicago blues and gave it an English interpretation. We've taken the English version of the Blues and re-added a Chicago touch," to which rock critic Richie Unterberger commented: "The Shadows of Knight's self-description was fairly accurate."
The Knickerbockers were an American garage rock band formed in Bergenfield, New Jersey in 1964. They released the 1965 hit "Lies", which was known for its resemblance to the Beatles. The band was formed in 1964 by the brothers Beau Charles and John Charles
The Music Machine was an American rock band formed in Los Angeles, California in 1966. Fronted by chief songwriter and lead vocalist Sean Bonniwell, the band cultivated a characteristically dark and rebellious image reflected in an untamed musical approach. Sometimes it made use of distorted guitar lines and hallucinogenic organ parts, punctuated by Bonniwell's distinctively throaty vocals. Although they managed to attain national chart success only briefly with two singles, the Music Machine is today considered by many critics to be one of the groundbreaking acts of the 1960s. Their style is now recognized as a pioneering force in proto-punk; yet within a relatively short period of time, they began to employ more complex lyrical and instrumental arrangements that went beyond the typical garage band format.
Thomas Harvey "Sean" Bonniwell was an American singer-songwriter/guitarist, who was known as the creative force behind the 1960s garage rock band, The Music Machine.
The Chesterfield Kings are a rock band from Rochester, New York, who began as a retro '60s inspired garage band, and evoking the sounds and styles of 1960s psychedelic rock music. The current lineup features longtime members: Andy Babiuk, Mike Boise, Jeff Okolowicz, Ted Okolowicz, and newcomer John Cammarosano. Former singer Greg Prevost left the band in 2009 to pursue a solo career. The band, named after a brand of unfiltered cigarette, was instrumental in sparking the 1980s garage band revival that launched such groups as the Unclaimed, Marshmallow Overcoat, The Fuzztones, The Pandoras, Mystic Eyes, The Cynics, the Secret Service, and the Stomachmouths.
The Remains were a mid-1960s American garage rock group from Boston, Massachusetts, led by Barry Tashian. Although the Remains never achieved national success, they were very popular in New England, and were one of the opening acts on the Beatles' final US tour in 1966.
The Cryan' Shames are an American garage rock band from Hinsdale, Illinois. Originally known as The Travelers, the band was formed by Tom Doody ("Toad"), Gerry Stone ("Stonehenge"), Dave Purple ("Grape") of The Prowlers, Denny Conroy from Possum River, and Jim Fairs from The Roosters, Jim Pilster, and Bill Hughes. The band's most successful song was their cover of The Searchers' "Sugar and Spice".
The Human Expression was an American garage and psychedelic rock band from Los Angeles that released three well-regarded singles, and made additional demo recordings between 1966 and 1967.
The Inner Mystique is the second album by the American garage rock band The Chocolate Watchband, and was released in 1968 by Tower Records.
Butch Engle & the Styx was an American rock band formed in 1963 in Mill Valley, California. Originally named The Showmen, the members were Butch Engle (vocals), Bob Zamora, Mike Pardee (organ), Harry "Happiness" Smith (bass), and Rich Morrison (drums). The band released three singles before breaking up in 1968. A compilation album featuring all of the band's recordings, No Matter What You Say: The Best of Butch Engle & the Styx, was released in 2000.
The Crusaders was an American garage rock band, whose 1966 album Make a Joyful Noise with Drums and Guitars is considered one of the first gospel rock releases, or even "the first record of Christian rock".
"Pushin' Too Hard", originally titled "You're Pushing Too Hard", is a song by American rock group The Seeds, written by vocalist Sky Saxon and produced by Saxon with Marcus Tybalt. It was released as a single in 1965, re-issued the following year, and peaked at number 36 on the Hot 100 in February 1967 and number 44 in Canada in March.
"Diddy Wah Diddy" is a song written by Willie Dixon and Ellas McDaniel, known as Bo Diddley, and recorded by the latter in 1956. The song shares only its title with Blind Blake's song "Diddie Wah Diddie" recorded in 1929. Over the years, the Bo Diddley song has been covered by many bands and artists, including the Astronauts, Captain Beefheart and his Magic Band, the Remains, the Twilights, Taj Mahal, the Sonics, the Fabulous Thunderbirds, Ty Segall Band, and the Blues Band among others.
"The Little Black Egg" is a song first performed by Daytona Beach, Florida garage band the Nightcrawlers in 1965. It was a minor hit in both the US and Canada, reaching number 85 on the US Billboard charts in 1967, while doing slightly better in Canada, where it hit number 74. The song has been since covered by multiple artists including Inner City Unit, the Lemonheads, Neighb'rhood Childr'n, Tarnation, the Primitives and the Cars. It was the Nightcrawlers' only hit.
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The Bruthers were an American garage rock band from Pearl River, New York, active in the mid to late 1960s, and whose membership consisted the four brothers, Alf, Frank, Mike, and Joe of the Delia family. They recorded several songs for RCA records, of which, "Bad Way to Go" is the best known. The song is included on the compilation album, Pebbles Vol. 8, and is regarded by enthusiasts and collectors as a classic in the genre.
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The Remains is the debut album by the American garage rock band the Remains, released on Epic Records in September 1966. Though the album was largely overlooked at the time of its original release, The Remains has since received recognition as one of the more cohesive efforts of the era.
The E-Types were an American garage rock band formed in Salinas, California, in 1965. The group's sound combined striking three-part vocal harmonies and Jody Wence's jangling keyboards, with professional production techniques that were outside of the garage band norm. During the E-Types' recording career, the band released five singles, including their most notable record "Put the Clock Back on the Wall". Although the band was short-lived, the E-Types had a profound presence in San Francisco's live scene and, years after their disbandment, the group recorded a reunion album.