A wedding sari is a traditional South Asian wedding dress.
Wedding saris are usually red, a colour associated with married women, although colour combinations vary by region, caste, and religion. The sari can consist of a combination of red and green with golden brocade. Non-Brahmin women in Tamil Nadu traditionally wear red-and-white checked saris. [1] The Padmasali wedding sari is a white sari that has been dyed with turmeric. [1] Gujarati women wear red and white panetar saris. [2]
Sari fabric is also traditionally silk. Over time, colour options and fabric choices for Indian brides have expanded. Today fabrics like lycra, organza, khadi, chiffon, linen, lace, velvet, brocade, crêpe, Georgette, tissue, cotton and satin are used.
Types of wedding saris include Kanchipuram silk sari, Banarasi wedding sari, Sambalpuri sari, Assam silk, Gota sari, Resham sari, Zardosi sari, paithani sari, Bandhani sari, Neriyathum sari, as well as Jamdani, Dhakai, Katan and Rajshahi usually in red.
The kimono is a traditional Japanese garment and the national dress of Japan. The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn left side wrapped over right, unless the wearer is deceased. The kimono is traditionally worn with a broad sash, called an obi, and is commonly worn with accessories such as zōri sandals and tabi socks.
A sari is a women's garment from the Indian subcontinent. It consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end attached to the waist, while the other end rests over one shoulder as a stole, sometimes baring a part of the midriff. It may vary from 4.1 to 8.2 metres in length, and 60 to 120 centimetres in breadth, and is a form of ethnic wear in Bangladesh, India, Sri Lanka, Nepal, and Pakistan. There are various names and styles of sari manufacture and draping, the most common being the Nivi style. The sari is worn with a fitted bodice also called a choli and a petticoat called ghagra, parkar, or ul-pavadai. It remains fashionable in the Indian subcontinent today.
A wedding dress or bridal gown is the dress worn by the bride during a wedding ceremony. The color, style and ceremonial importance of the gown can depend on the religion and culture of the wedding participants. Wedding dresses hold a significant place in fashion, symbolizing personal expression, and cultural traditions and societal values. In Western culture, the wedding dress is most commonly white, a fashion made popular by Queen Victoria when she married in 1840. In Eastern cultures, brides often choose red to symbolize auspiciousness. These wedding dresses often represent a blend of heritage and contemporary trends, making them a pivotal aspect of bridal fashion and a reflection of evolving style in society.
Clothing in India varies with the different ethnicities, geography, climate, and cultural traditions of the people of each region of India. Historically, clothing has evolved from simple garments like kaupina, langota, achkan, lungi, sari, to perform rituals and dances. In urban areas, western clothing is common and uniformly worn by people of all social levels. India also has a great diversity in terms of weaves, fibers, colors, and the material of clothing. Sometimes, color codes are followed in clothing based on the religion and ritual concerned. The clothing in India also encompasses a wide variety of Indian embroidery, prints, handwork, embellishments, and styles of wearing clothes. A wide mix of Indian traditional clothing and western styles can be seen in India.
A kebaya is an upper garment traditionally worn by women in Southeast Asia, notably in Brunei, Indonesia, Malaysia, Singapore, and Southern Thailand.
A Banarasi sari is a sari made in Varanasi, an ancient city in the Bhojpur-Purvanchal region, which is also called Benares (Banaras). The saris are among the finest saris in India and are known for their gold and silver brocade or zari, fine silk and opulent embroidery. The saris are made of finely woven silk and are decorated with intricate designs, and, because of these engravings, are relatively heavy.
Huipil is the most common traditional garment worn by indigenous women from central Mexico to Central America.
The wrapper, lappa, or pagne is a colorful garment widely worn in West Africa by both men and women. It has formal and informal versions and varies from simple draped clothing to fully tailored ensembles. The formality of the wrapper depends on the fabric used to create or design it.
Embroidery in India includes dozens of embroidery styles that vary by region and clothing styles. Designs in Indian embroidery are formed on the basis of the texture and the design of the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle, and permutations and combinations of these constitute the design.
In India, about 97% of the raw mulberry silk is produced in the Indian states of Karnataka, Andhra Pradesh, Tamil Nadu and West Bengal. Mysore and North Bangalore, the upcoming site of a US$20 million "Silk City", contribute to a majority of silk production. Another emerging silk producer is Tamil Nadu in the place in where mulberry cultivation is concentrated in Salem, Erode and Dharmapuri districts. Hyderabad, Andhra Pradesh and Gobichettipalayam, Tamil Nadu were the first locations to have automated silk reeling units.
Ilkal sari is a traditional form of sari which is a common feminine wear in India. Ilkal sari takes its name from the town of Ilkal in the Bagalkot district of Karnataka state, India. Ilkal saris are woven using cotton warp on the body and art silk warp for border and art silk warp for pallu portion of the sari. In some cases instead of art silk, pure silk is also used.
Khmer traditional clothing refers to the traditional styles of dress worn by the Khmer people throughout history. Tracing their origins back to the early Common Era, the customary styles of dress worn by Khmer people predate the indianization of Southeast Asia. The evolution of these clothing customs can be traced through archaeological artifacts from the 6th century to the post-Angkorian period, evolving from the simple pre-Angkorian Sampot to vibrant and intricately embroidered silk garments.
Ghagra choli is a type of ethnic clothing for women from India, notably in the Indian states of Rajasthan, Gujarat, Madhya Pradesh, Uttar Pradesh, Bihar, Haryana, Punjab, Himachal Pradesh, Uttarakhand, Jammu and Kashmir. In Punjab, the lehenga is traditionally worn with a kurti. It is a combination of the ‘’ghagra or lehenga and the choli (blouse). In contemporary and modern usage lehenga choli is the widely used term by fashion designers, trend setters, and boutiques in India, since ghagra is synonymous with the half-slip (petticoat) worn as an undergarment below the sari.
Indian wedding clothes refer to the traditional attire worn by a wedding couple and wedding guests.
Pagri, sometimes also transliterated as pagari, is the term for turban used in the Indian subcontinent. It specifically refers to a headdress that is worn by men and women, which needs to be manually tied. Other names include sapho.
The boteh, is an almond or pine cone-shaped motif in ornament with a sharp-curved upper end. Though of Persian origin, it is very common and called buta in India, Azerbaijan, Turkey and other countries of the Near East. Via Kashmir shawls it spread to Europe at least in the 19th century, where patterns using it are known since 1960s as paisleys, as Paisley, Renfrewshire in Scotland was a major centre imitating them.
Sindhi clothing are a part of the Sindhi culture. Sindhi women and men wear the Shalwar Qameez or the Kurta with Pyjama. Women also wear Sari or ghagra. However, before the adoption of the Shalwar kameez, kurta, the Sari as well as other articles of clothing, Sindhis had their own traditional costumes.
Handloom saris are a traditional textile art of Bangladesh and India. The production of handloom saris is important for economic development in rural India.
Odisha Ikat, is a kind of ikat known as Bandhakala and Bandha, a resist dyeing technique, originating from Indian state of Odisha. Traditionally known as "Bandhakala"', "Bandha", '"Bandha of Odisha", it is a geographically tagged product of Odisha since 2007. It is made through a process of tie-dyeing the warp and weft threads to create the design on the loom prior to weaving. It is unlike any other ikat woven in the rest of the country because of its design process, which has been called "poetry on the loom". This design is in vogue only at the western and eastern regions of Odisha; similar designs are produced by community groups called the Bhulia, Kostha Asani, and Patara. The fabric gives a striking curvilinear appearance. Saris made out of this fabric feature bands of brocade in the borders and also at the ends, called anchal or pallu. Its forms are purposefully feathered, giving the edges a "hazy and fragile" appearance. There are different kinds of bandha saris made in Odisha, notably Khandua, Sambalpuri, Pasapali, Kataki and Manibandhi.
Tissue is a thin, transparent, and lightweight material. Tissue fabric is a suitable material for designing various types of garments, including saris. Tissue is characterized by the use of metallic yarns for decorative purposes. The tissue sari is composed of silk threads in the warp and zari in the weft.