A weighting filter is used to emphasize or suppress some aspects of a phenomenon compared to others, for measurement or other purposes.
A weighting filter is used to emphasize or suppress some aspects of a phenomenon compared to others, for measurement or other purposes.
In each field of audio measurement, special units are used to indicate a weighted measurement as opposed to a basic physical measurement of energy level. For sound, the unit is the phon (1 kHz equivalent level).
Sound has three basic components, the wavelength, frequency, and speed. In sound measurement, we measure the loudness of the sound in decibels (dB). Decibels are logarithmic with 0 dB as the reference. [1] There are also a range of frequencies that sounds can have. Frequency is the number of times a sine wave repeats itself in a second. [2] Normal auditory systems can usually hear between 20 and 20,000 Hz. [2] When we measure sound, the measurement instrument takes the incoming auditory signal and analyzes it for these different features. Weighting filters in these instruments then filter out certain frequencies and decibel levels depending on the filter. A weighted filters are most similar to natural human hearing. This allows the sound level meter to determine what decibel level the incoming sound would likely be for a normal hearing human's auditory system.
In the measurement of loudness, for example, an A-weighting filter is commonly used to emphasize frequencies around 3–6 kHz where the human ear is most sensitive, while attenuating very high and very low frequencies to which the ear is insensitive. The aim is to ensure that measured loudness corresponds well with subjectively perceived loudness. A-weighting is only really valid for relatively quiet sounds and for pure tones as it is based on the 40-phon Fletcher–Munson equal-loudness contour. [3] The B and C curves were intended for louder sounds (though they are less used) while the D curve is used in assessing loud aircraft noise (IEC 537). B curves filter out more medium loudness levels when compared to an A curves. [3] This curve is rarely ever used in the assessment or monitoring of noise levels anymore. [4] C curves differ from both A and B in the fact that they filter less of the lower and higher frequencies. [3] The filter is a much flatter shape and is used in sound measurement in especially loud and noisy environments. [3] A weighted curves follow a 40 phon curve while C weighted follows a 100 phon curve. [4] The three curves differ not in their measurement of exposure levels, but in the frequencies measured. A weighted curves allow more frequencies equal to or less than 500 Hz through, which is most representative of the human ear. [4]
There are a variety of reasons for measuring sound. This includes following regulations to protect worker's hearing, following noise ordinances, in telecommunications, and many more. At the basis of sound measurement is the idea of breaking down an incoming signal based on its different properties. Every incoming sinusoidal wave of sound has a frequency and amplitude. Using this information, a sound level can be deduced from the root-sums-of-squares of the amplitudes of all the incoming auditory information. [4] Whether using a sound level meter or a noise dosimeter, the processing is somewhat similar. With a calibrated sound level meter, the incoming sounds are going to be picked up by the microphone and then measured by the internal electronic circuits. [5] The sound measurement that the device outputs can be filtered through an A, B, or C weighting curve. The curve used will have slight effects on the resulting decibel level.
In the field of telecommunications, weighting filters are widely used in the measurement of electrical noise on telephone circuits, and in the assessment of noise as perceived through the acoustic response of different types of instrument (handset). Other noise-weighting curves have existed, e.g. DIN standards. The term psophometric weighting , though referring in principle to any weighting curve intended for noise measurement, is often used to refer to a particular weighting curve, used in telephony for narrow-bandwidth voiceband speech circuits.
A-weighted decibels are abbreviated dB(A) or dBA. When acoustic (calibrated microphone) measurements are being referred to, then the units used will be dB SPL (sound pressure level) referenced to 20 micropascals = 0 dB SPL. [6] [nb 1]
The A-weighting curve has been widely adopted for environmental noise measurement, and is standard in many sound level meters (see ITU-R 468 weighting for a further explanation).
A-weighting is also in common use for assessing potential hearing damage caused by loud noise, though this seems to be based on the widespread availability of sound level meters incorporating A-Weighting rather than on any good experimental evidence to suggest that such use is valid. The distance of the measuring microphone from a sound source is often "forgotten", when SPL measurements are quoted, making the data useless. In the case of environmental or aircraft noise, distance need not be quoted as it is the level at the point of measurement that is needed, but when measuring refrigerators and similar appliances the distance should be stated; where not stated it is usually one metre (1 m). An extra complication here is the effect of a reverberant room, and so noise measurement on appliances should state "at 1 m in an open field" or "at 1 m in anechoic chamber". Measurements made outdoors will approximate well to anechoic conditions.[ citation needed ]
A-weighted SPL measurements of noise level are increasingly to be found on sales literature for domestic appliances such as refrigerators and freezers, and computer fans. Although the threshold of hearing is typically around 0 dB SPL, this is in fact very quiet indeed, and appliances are more likely to have noise levels of 30 to 40 dB SPL.
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Human sensitivity to noise in the region of 6 kHz became particularly apparent in the late 1960s with the introduction of compact cassette recorders and Dolby-B noise reduction. A-weighted noise measurements were found to give misleading results because they did not give sufficient prominence to the 6 kHz region where the noise reduction was having greatest effect, and sometimes one piece of equipment would even measure worse than another and yet sound better, because of differing spectral content.
ITU-R 468 noise weighting was therefore developed to more accurately reflect the subjective loudness of all types of noise, as opposed to tones. This curve, which came out of work done by the BBC Research Department, and was standardised by the CCIR and later adopted by many other standards bodies (IEC, BSI/) and, as of 2006 [update] , is maintained by the ITU. Noise measurements using this weighting typically also use a quasi-peak detector law rather than slow averaging. This also helps to quantify the audibility of bursty noise, ticks and pops that might go undetected with a slow rms measurement.
ITU-R 468 noise weighting with quasi-peak detection is widely used in Europe, [7] especially in telecommunications, and in broadcasting particularly after it was adopted by the Dolby corporation who realised its superior validity for their purposes. Its advantages over A-weighting seem to be less well appreciated in the US and in consumer electronics, where the use of A-weighting predominates—probably because A-weighting produces a 9 to 12 dB "better" specification, see specsmanship.[ citation needed ][ neutrality is disputed ] It is commonly used by broadcasters in Britain, Europe, and former countries of the British Empire such as Australia and South Africa.
Though the noise level of 16-bit audio systems (such as CD players) is commonly quoted (on the basis of calculations that take no account of subjective effect) as −96 dB relative to FS (full scale), the best 468-weighted results are in the region of −68 dB relative to Alignment Level (commonly defined as 18 dB below FS) i.e. −86 dB relative to FS.
The use of weighting curves is in no way to be regarded as 'cheating', provided that the proper curve is used. Nothing of relevance is being 'hidden', and even when, for example, hum is present at 50 or 100 Hz at a level above the quoted (weighted) noise floor this is of no importance because our ears are very insensitive to low frequencies at low levels, so it will not be heard. A-weighting is often used to compare and qualify ADCs, for instance, because it more accurately represents the way noise shaping hides dither noise in the ultrasonic range.
In the measurement of gamma rays or other ionising radiation, a radiation monitor or dosimeter will commonly use a filter to attenuate those energy levels or wavelengths that cause the least damage to the human body, while letting through those that do the most damage, so that any source of radiation may be measured in terms of its true danger rather than just its 'strength'. The sievert is a unit of weighted radiation dose for ionising radiation, which supersedes the older unit the REM (roentgen equivalent man).
Weighting is also applied to the measurement of sunlight when assessing the risk of skin damage through sunburn, since different wavelengths have different biological effects. Common examples are the SPF of sunscreen, and the UV index.
Another use of weighting is in television, where the red, green and blue components of the signal are weighted according to their perceived brightness. This ensures compatibility with black and white receivers, and also benefits noise performance and allows separation into meaningful luminance and chrominance signals for transmission.
The decibel is a relative unit of measurement equal to one tenth of a bel (B). It expresses the ratio of two values of a power or root-power quantity on a logarithmic scale. Two signals whose levels differ by one decibel have a power ratio of 101/10 or root-power ratio of 101⁄20.
A noise weighting is a specific amplitude-vs.-frequency characteristic that is designed to allow subjectively valid measurement of noise. It emphasises the parts of the spectrum that are most important.
The phon is a logarithmic unit of loudness level for tones and complex sounds. Loudness is measured in sones, a linear unit. Human sensitivity to sound is variable across different frequencies; therefore, although two different tones may present an identical sound pressure to a human ear, they may be psychoacoustically perceived as differing in loudness. The purpose of the phon is to provide a logarithmic measurement for perceived sound magnitude, while the primary loudness standard methods result in a linear representation. A sound with a loudness of 1 sone is judged equally loud as a 1 kHz tone with a sound pressure level of 40 decibels above 20 micropascal. The phon is psychophysically matched to a reference frequency of 1 kHz. In other words, the phon matches the sound pressure level (SPL) in decibels of a similarly perceived 1 kHz pure tone. For instance, if a sound is perceived to be equal in intensity to a 1 kHz tone with an SPL of 50 dB, then it has a loudness of 50 phons, regardless of its physical properties. The phon was proposed in DIN 45631 and ISO 532 B by Stanley Smith Stevens.
Audio system measurements are a means of quantifying system performance. These measurements are made for several purposes. Designers take measurements so that they can specify the performance of a piece of equipment. Maintenance engineers make them to ensure equipment is still working to specification, or to ensure that the cumulative defects of an audio path are within limits considered acceptable. Audio system measurements often accommodate psychoacoustic principles to measure the system in a way that relates to human hearing.
In acoustics, loudness is the subjective perception of sound pressure. More formally, it is defined as the "attribute of auditory sensation in terms of which sounds can be ordered on a scale extending from quiet to loud". The relation of physical attributes of sound to perceived loudness consists of physical, physiological and psychological components. The study of apparent loudness is included in the topic of psychoacoustics and employs methods of psychophysics.
An equal-loudness contour is a measure of sound pressure level, over the frequency spectrum, for which a listener perceives a constant loudness when presented with pure steady tones. The unit of measurement for loudness levels is the phon and is arrived at by reference to equal-loudness contours. By definition, two sine waves of differing frequencies are said to have equal-loudness level measured in phons if they are perceived as equally loud by the average young person without significant hearing impairment.
A weighting curve is a graph of a set of factors, that are used to 'weight' measured values of a variable according to their importance in relation to some outcome. An important example is frequency weighting in sound level measurement where a specific set of weighting curves known as A-, B-, C-, and D-weighting as defined in IEC 61672 are used. Unweighted measurements of sound pressure do not correspond to perceived loudness because the human ear is less sensitive at low and high frequencies, with the effect more pronounced at lower sound levels. The four curves are applied to the measured sound level, for example by the use of a weighting filter in a sound level meter, to arrive at readings of loudness in phons or in decibels (dB) above the threshold of hearing.
In digital and analog audio, headroom refers to the amount by which the signal-handling capabilities of an audio system can exceed a designated nominal level. Headroom can be thought of as a safety zone allowing transient audio peaks to exceed the nominal level without damaging the system or the audio signal, e.g., via clipping. Standards bodies differ in their recommendations for nominal level and headroom.
A rumble is a continuous deep, resonant sound, such as the sound made by heavy vehicles or thunder. In the context of audio reproduction rumble refers to a low frequency sound from the bearings inside a turntable. This is most noticeable in low quality turntables with ball bearings. Higher quality turntables use slide bearings, minimizing rumble.
An audiogram is a graph that shows the audible threshold for standardized frequencies as measured by an audiometer. The Y axis represents intensity measured in decibels (dB) and the X axis represents frequency measured in hertz (Hz). The threshold of hearing is plotted relative to a standardised curve that represents 'normal' hearing, in dB(HL). They are not the same as equal-loudness contours, which are a set of curves representing equal loudness at different levels, as well as at the threshold of hearing, in absolute terms measured in dB SPL.
ITU-R 468 is a standard relating to noise measurement, widely used when measuring noise in audio systems. The standard, now referred to as ITU-R BS.468-4, defines a weighting filter curve, together with a quasi-peak rectifier having special characteristics as defined by specified tone-burst tests. It is currently maintained by the International Telecommunication Union who took it over from the CCIR.
The process of weighting involves emphasizing the contribution of particular aspects of a phenomenon over others to an outcome or result; thereby highlighting those aspects in comparison to others in the analysis. That is, rather than each variable in the data set contributing equally to the final result, some of the data is adjusted to make a greater contribution than others. This is analogous to the practice of adding (extra) weight to one side of a pair of scales in order to favour either the buyer or seller.
Programme level refers to the signal level that an audio source is transmitted or recorded at, and is important in audio if listeners of Compact Discs (CDs), radio and television are to get the best experience, without excessive noise in quiet periods or distortion of loud sounds. Programme level is often measured using a peak programme meter or a VU meter.
A sound level meter is used for acoustic measurements. It is commonly a hand-held instrument with a microphone. The best type of microphone for sound level meters is the condenser microphone, which combines precision with stability and reliability. The diaphragm of the microphone responds to changes in air pressure caused by sound waves. That is why the instrument is sometimes referred to as a sound pressure level meter (SPL). This movement of the diaphragm, i.e. the sound pressure, is converted into an electrical signal. While describing sound in terms of sound pressure, a logarithmic conversion is usually applied and the sound pressure level is stated instead, in decibels (dB), with 0 dB SPL equal to 20 micropascals.
Measurement of wow and flutter is carried out on audio tape machines, cassette recorders and players, and other analog recording and reproduction devices with rotary components This measurement quantifies the amount of 'frequency wobble' present in subjectively valid terms. Turntables tend to suffer mainly slow wow. In digital systems, which are locked to crystal oscillators, variations in clock timing are referred to as wander or jitter, depending on speed.
Audio noise measurement is a process carried out to assess the quality of audio equipment, such as the kind used in recording studios, broadcast engineering, and in-home high fidelity.
In audio signal processing, auditory masking occurs when the perception of one sound is affected by the presence of another sound.
A-weighting is the most commonly used of a family of curves defined in the International standard IEC 61672:2003 and various national standards relating to the measurement of sound pressure level. A-weighting is applied to instrument-measured sound levels in an effort to account for the relative loudness perceived by the human ear, as the ear is less sensitive to low audio frequencies. It is employed by arithmetically adding a table of values, listed by octave or third-octave bands, to the measured sound pressure levels in dB. The resulting octave band measurements are usually added to provide a single A-weighted value describing the sound; the units are written as dB(A). Other weighting sets of values – B, C, D and now Z – are discussed below.
In physics, sound is a vibration that propagates as an acoustic wave through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the reception of such waves and their perception by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of 17 meters (56 ft) to 1.7 centimeters (0.67 in). Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges.
Effective perceived noise in decibels (EPNdB) or Effective Perceived Noise Level (EPNL) is a measure of the relative noisiness of an individual aircraft pass-by event. It is used for aircraft noise certification and applies to an individual aircraft, not the noise exposure from an airport. Separate ratings are stated for takeoff, overflight and landing events, and represent the integrated power sum of noisiness during the event. Instantaneous value of noisiness is computed with the PNL or PNdB metric over the period within which the noise from the aircraft is within 10 dB of the maximum noise It is defined, with computational instructions, in Annex 16 of the Convention on International Civil Aviation and in Part 36 of the US Federal Aviation Regulations. The scaling is such that the EPNdB rating represents the integrated noisiness over a ten-second period; EPNdB of 100 dB means that the event has the same integrated noisiness as a 100 PNdB sound lasting ten seconds. Direct comparison with A-weighted sound pressure level, which is used for many other environmental sound measurements, is not possible because PNdB is a noisiness metric rather than a sound pressure metric.
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