Djawadi has explained that the use of seemingly-anachronistic cover versions is intended as "a subconscious reminder of the fact that this world is not real".[5] Having originally come up with the idea of using a player piano to play modern songs,[6] as an allusion to the hosts being machines "created to evoke human emotion",[6]showrunnerJonathan Nolan chooses songs that relate to the narrative,[5] for Djawadi to adapt,without the composer necessarily knowing the details.[7]
With season 2 showing viewers other parks run by Delos,Djawadi was given the opportunity to experiment with South- and East-Asian sounds,for "The Raj" and "Shōgunworld".[5] Using The White Stripes's "Seven Nation Army" to introduce The Raj,[3][5] a British Raj-themed park,and show that it is a Westernized fantasy,[5] Djawadi found it difficult "to master the intonation",playing the melody on a sitar.[5]The Rolling Stones' "Paint It Black" had been used for a heist scene in season 1 and was adapted again,using taiko drums and shakuhachi flutes for a shot-for-shot remake of the heist scene,to show the parallels between Westworld and early-modern Japan-themed Shōgunworld.[3][5][8] The adaptation of Kanye West's "Runaway" was used in the first trailer for season 2,[3] with cacophonous,discordant sounds overwhelming the piano and strings "represent[ing] how quickly things can fall apart now that the park has gone wrong".[5]
While starting each adaptation with a "piano reduction",[5] much as he did when arranging songs as a teen,[9] Djawadi created both a "big orchestral arrangement" of Nirvana's "Heart-Shaped Box" for the series' second trailer,[3] before adapting that back down to a slower piano version for a more emotional scene in the episode "Kiksuya".[5][8] Djawadi has spoken of his respect for Kurt Cobain as a composer and songwriter:"Even without lyrics and just the melody and how recognizable the piece is,it's actually quite incredible how [Heart-Shaped Box] holds up in an orchestral setting like this".[7]
"The Passenger": The track is an orchestral arrangement of the song of the same name by Radiohead.
3:34
29.
"We'll Meet Again"
"The Passenger"
3:10
Total length:
99:16
Reception and accolades
The soundtrack received favorable reviews and peaked at number 23 on the U.S. Billboard 200 chart.[12] Writing for SoundtrackDreams.com, Mihnea Manduteanu described "A New Voice" as being a "pivotal cue ... played with soft, Asian strings, the searing way in which those strings are played, it's another piece that shows how much care the composer had for Maeve and her arc in this season".[13] The score for the episode "Akane no Mai" was nominated for the Outstanding Music Composition for a Series Emmy, but was beaten by Djawadi's own score for the Game of Thrones episode "The Dragon and the Wolf".[14][15]
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