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Martha and the Vandellas were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown.
Mary Esther Wells was an American singer, who helped to define the emerging sound of Motown in the early 1960s.
Kim Weston is an American soul singer, and Motown alumna. In the 1960s, Weston scored hits with the songs "Love Me All the Way" and "Take Me in Your Arms ", and with her duet with Marvin Gaye, "It Takes Two".
"I Want You" is a song written by songwriters Leon Ware and Arthur "T-Boy" Ross and performed by singer Marvin Gaye. It was released as a single in 1976 on his fourteenth studio album of the same name on the Tamla label. The song introduced a change in musical styles for Gaye, who before then had been recording songs with a funk edge. Songs such as this gave him a disco audience thanks to Ware, who produced the song alongside Gaye.
"Can I Get a Witness" is a song composed by Brian Holland, Lamont Dozier, and Eddie Holland and produced by Brian Holland and Lamont Dozier as a non-album single for American recording vocalist Marvin Gaye, who issued the record on Motown's Tamla imprint in September 1963.
"Pride and Joy" is a 1963 single by Marvin Gaye, released on the Tamla label. The single, co-written by William "Mickey" Stevenson, Gaye and Norman Whitfield, and produced by Stevenson, was considered to be a tribute to Gaye's then-girlfriend, Anna Gordy. The album version of the single featured on Gaye's second album, That Stubborn Kinda Fellow is different in parts to the single version presenting a more jazz effect than the gospel-emulated version that became a single. The song was also Gaye's first top ten pop single peaking at number ten on the chart and just missed the top spot of the R&B singles chart peaking at number two. The song also helped continue Gaye's successful hit streak as the singer would score another Top 40 pop hit at the end of that year with "Can I Get a Witness".
"It Takes Two" is a hit single recorded in late 1965 by Marvin Gaye and Kim Weston for Motown's Tamla label.
"Stubborn Kind of Fellow" is a 1962 song recorded by Marvin Gaye for the Tamla label. Co-written by Gaye and produced by William "Mickey" Stevenson, "Stubborn Kind of Fellow" became Gaye's first hit single, reaching the top 10 of the R&B chart and the top 50 of the Billboard Hot 100 in late 1962.
Together is the first and only studio album released by the duo team of American Motown artists Marvin Gaye and Mary Wells. It was released on the Motown label on April 15, 1964. The album brought together the rising star Gaye with Wells, an established star with a number-one pop hit to her name, singing mostly standards and show tunes, in the hopes that Gaye would benefit from the exposure.
That Stubborn Kinda Fellow is the second studio album by Marvin Gaye, released on the Tamla label in 1963. The second LP Gaye released on the label, it also produced his first batch of successful singles for the label and established Gaye as one of the label's first hit-making acts in its early years.
Frederick Earl "Shorty" Long was an American soul singer, songwriter, musician, and record producer for Motown's Soul Records imprint. He was inducted into the Alabama Jazz Hall of Fame in 1980.
Take Two is a duet album by Motown label mates Marvin Gaye and Kim Weston, released August 25, 1966 on the Motown's Tamla label. The album was titled after its most successful selection, the Top 5 R&B/Top 20 Pop hit "It Takes Two", which was to this point Gaye's most successful duet with another singer. The album also featured the modest hit "What Good Am I Without You?".
How Sweet It Is to Be Loved by You is the fifth studio album released by American singer and songwriter Marvin Gaye, released in 1965. The album features the successful title track, which at the time was his best-selling single and was famously covered by James Taylor in 1975. Other hits include "Try It Baby" and "Baby Don't You Do It" . Inspired by Jackie Gleason’s trademark expression.
Greatest Hits is a 1964 greatest hits album, the first for American R&B-soul singer Marvin Gaye, released on the Tamla label. Released during Gaye's first period of success, it was also his first charted album as a solo artist after making his album chart debut with the Mary Wells duet album, Together, the same year.
"Once Upon a Time" is a 1964 single released by Marvin Gaye and Mary Wells from their sole duet album, Together. "Once Upon a Time' was written by Clarence Paul, Barney Ales, Dave Hamilton and William "Mickey" Stevenson. The song's co-writer, Dave Hamilton, also plays the vibraharp solo on the record.
"Baby, I'm for Real" is a soul ballad written by Marvin Gaye and Anna Gordy Gaye, produced by Marvin and recorded and released by American Motown vocal group The Originals for the Soul label issued in 1969.
"I Don't Want to Take a Chance" is a single released by Mary Wells in 1961 on the Motown label. It was the second single release from Wells, who hit the charts with her Jackie Wilson-esque "Bye Bye Baby".
"What Good Am I Without You" is a Motown duet between singers Marvin Gaye and Kim Weston. The song was released as a single in late 1964 and became the first duet Marvin and Kim recorded, a couple of years before the duo recorded the breakthrough hit, "It Takes Two". The song came after the departure of Mary Wells, who had left Motown that year shortly after releasing a successful duet album with Gaye. The single was featured on Gaye and Weston's only LP together, Take Two and peaked at number 61 on the Billboard Hot 100 when it was released. The single was co-written and produced by William "Mickey" Stevenson. The b-side, "I Want You 'Round", was also included on Take Two.
"Soldier's Plea" is a 1962 single released by singer Marvin Gaye as Tamla 54063, and was the last non-charted early single Marvin released prior to releasing his first hit single, "Stubborn Kind of Fellow", later that year.
"I'll Have to Let Him Go" is a 1962 song and single written, composed and produced by William "Mickey" Stevenson and issued on the Gordy (Motown) label. it is notable for being one of two singles that marked the Motown debut of Martha and the Vandellas. The song is about ending a romantic relationship, as its narrator, after seeing her lover kissing and holding another, realizing its over and decides she going “to set him free” even though "it's gonna hurt (her) so".
References
- ↑ What's the Matter with You Baby at Discogs
- 1 2 The Complete Motown Singles Vol 4: 1964 [CD liner notes]. New York: Hip-O Select/Motown/Universal Records.
- ↑ Allmusic review
- ↑ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 225.
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