What Were We Thinking Of

Last updated

"What Were We Thinking Of"
Barbra Streisand "What Were We Thinking Of".png
Single by Barbra Streisand
from the album Till I Loved You
B-side "Why Let It Go?"
ReleasedFebruary 1989
Genre Pop
Length4:27
Label Columbia
Songwriter(s)
Producer(s) Denny Diante
Barbra Streisand singles chronology
"All I Ask of You"
(1988)
"What Were We Thinking Of"
(1989)
"We're Not Makin' Love Anymore"
(1989)

"What Were We Thinking Of" is a song recorded by American singer Barbra Streisand for her 25th studio album, Till I Loved You (1988). It was released as the album's third and final single in February 1989 by Columbia Records. The track was written by Antonina Armato and Scott Cutler and produced by Denny Diante. It features guest vocals from the singer's then-boyfriend Don Johnson, who had previously collaborated with Streisand on her 1988 single "Till I Loved You".

Contents

The physical release of "What Were We Thinking Of" includes the B-side track "Why Let It Go?", which is also featured on the parent album. A pop song, the track is about the end of a relationship that has soured over time. Critically, the song was well-received with several music critics calling it one of the best tracks on Till I Loved You. On Billboard 's Adult Contemporary chart in the United States, "What Were We Thinking Of" peaked at number 32.

Recording and release

"What Were We Thinking Of" was taken from Streisand's 25th studio album, Till I Loved You (1988). [1] The song was written by Antonina Armato and Scott Cutler, [2] and among the first ones to be penned by Armato. [3] While recording songs for the album, Streisand's then-boyfriend Don Johnson, decided to serve as a featured artist on the album's title track, "Till I Loved You". The singer remarked that she enjoyed duetting with him because he is "very musical and has a unique sounding voice"; she was also interested in their collaborations due to the fact that he was able "act" out the lyrics while singing. [4] Because of the success they had found while creating the aforementioned track, it was decided that Johnson would also lend his voice for background vocals on "What Were We Thinking Of". In order to return the favor to him, Streisand would later contribute guest vocals for his second studio album, Let It Roll (1989). [5]

The track was released by Columbia Records in February 1989 as the final of the three singles from Till I Loved You. [6] [7] The standard 7" single and cassette single features B-side track "Why Let It Go?", which was taken from the parent album. [8] [9] A promotional version of the release, exclusive to the United States, used "What Were We Thinking Of" as both the A-side and B-side on the 7" record. [10] In Spain, a single-sided format featuring just the album version of the song was also created. [11]

Lyrics and production

Like the majority of the songs on Till I Loved You, "What Were We Thinking Of" is a "nontheatrical pop song". [12] According to the official sheet music published by the Warner Music Group, the song is written in the key of B major with a moderately fast beat consisting of 138 beats per minute. [13] Since Till I Loved You is a concept album based on the beginnings and ends of relationships, "What Were We Thinking Of" was placed towards the end of the album's track listing where the accompanying songs' lyrics discuss break-ups and how to eventually move on from them. [14] Lyrics from the track include: "Where did we go wrong? Is it really over? / Where does my heart belong if it's not with you?". [13] To accompany the production, a number of instruments are present on the track, including a saxophone played by Dave Boruff, a guitar played by Michael Thompson, and drums played by Randy Waldman and Cutler. [1]

Reception

Responses from music critics suggested that "What Were We Thinking Of" was a standout track on Till I Loved You. Paul Grein, a writer for the Los Angeles Times , considered the song and "Some Good Things Never Last" as the two best cuts on side two of the parent album. [15] Despite claiming that Streisand's album varied deeply in terms of quality, author Allison J. Waldman, who wrote The Barbra Streisand Scrapbook in 2001, listed the single in addition to album tracks "On My Way to You" and "Two People" as the three "especially fine cuts" included on Till I Loved You. [16]

The single did not enter the Billboard Hot 100 in the United States, but did reach the same publication's Adult Contemporary chart. It spent a total of seven weeks on the chart and peaked at number 32 on May 13, 1989. [17]

Track listings

Charts

Chart (1989)Peak
position
US Adult Contemporary ( Billboard ) [17] 32

Related Research Articles

<span class="mw-page-title-main">The Way We Were (song)</span> Song by Marvin Hamlisch with lyrics by Alan and Marilyn Bergman

"The Way We Were" is a song by American singer Barbra Streisand from her fifteenth studio album of the same name. It was released as the album's lead single on September 27, 1973 through Columbia Records. The 7" single was distributed in two different formats, with the standard edition featuring B-side track "What Are You Doing the Rest of Your Life?"; the Mexico release instead included an instrumental B-side. The song was written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch, while production was solely handled by Marty Paich. "The Way We Were" was specifically produced for the record, in addition to three other tracks, including her then-upcoming single "All in Love Is Fair" (1974).

<i>The Movie Album</i> (Barbra Streisand album) 2003 studio album by Barbra Streisand

The Movie Album is the thirtieth studio album by American singer Barbra Streisand, released on October 14, 2003, by Columbia Records. Overall, her sixtieth release with her record label, it was executively produced by Streisand and her manager, Jay Landers. A concept album, it contains twelve songs from the singer's favorite films ranging in release from 1935 to 1988. While curating the album, Streisand was inspired by her marriage to actor James Brolin to record songs about love and relationships. To better fit her needs, songwriting duo Alan and Marilyn Bergman were commissioned to add lyrics to several of the songs Streisand had chosen to record.

<i>A Collection: Greatest Hits...and More</i> 1989 greatest hits album by Barbra Streisand

A Collection: Greatest Hits...and More is the third greatest hits album recorded by American vocalist Barbra Streisand. It was released on October 3, 1989 by Columbia Records. The compilation features ten songs from Streisand's career, dating from 1975 to 1988, plus two previously unreleased songs: "We're Not Makin' Love Anymore" was released as the album's lead single on September 14, 1989, and "Someone That I Used to Love" was distributed as the second and final one in 1989. Both singles charted on several record charts internationally.

<span class="mw-page-title-main">All I Ask of You</span> 1986 single by Sarah Brightman and Cliff Richard

"All I Ask of You" is a song from the 1986 English musical The Phantom of the Opera, between characters Christine Daaé and Raoul, originally played on stage by Sarah Brightman and Steve Barton, respectively. It was written by Andrew Lloyd Webber, Charles Hart and Richard Stilgoe, and solely produced by Lloyd Webber. An operatic pop piece, its lyrics serve as dialogue between the two characters and discuss themes such as commitment and romance. Like Lloyd Webber's song "The Music of the Night", "All I Ask of You" was compared to the music found in Giacomo Puccini's 1910 opera La fanciulla del West.

<i>The Way We Were</i> (Barbra Streisand album) 1974 studio album by Barbra Streisand

The Way We Were is the fifteenth studio album recorded by American singer Barbra Streisand. Following the commercial success of its lead single "The Way We Were", the album was released in January 1974. Three additional songs were newly recorded for the album, while six of the tracks salvaged material from previously unreleased Streisand projects. Following distribution of a soundtrack album for the 1973 film of the same name, Columbia added a caption to Streisand's LP in order to minimize confusion between the two albums.

<i>A Love Like Ours</i> 1999 studio album by Barbra Streisand

A Love Like Ours is the twenty-eighth studio album by American singer Barbra Streisand. It was released in North America on September 21, 1999, and Europe on September 20, 1999. It is her 23rd Top 10 album in the US. This was Streisand's first commercial release since her marriage to actor James Brolin. Much of the material was inspired by this event. As such, the disc booklet contains images of her and Brolin.

<i>Lazy Afternoon</i> (Barbra Streisand album) 1975 studio album by Barbra Streisand

Lazy Afternoon is the seventeenth studio album recorded by American singer Barbra Streisand. It was released on October 14, 1975 by Columbia Records. Following a mixed critical response to her previous studio album, ButterFly (1974), the singer began working with new musicians for the project. Recorded in April 1975 in Los Angeles, Lazy Afternoon contains pop standards. Producer Rupert Holmes wrote three songs on the album, and co-wrote a fourth, "By the Way", with Streisand. She also included a few cover songs, such as Four Tops' "Shake Me, Wake Me ", Stevie Wonder's "You and I", and Libby Holman's "Moanin' Low".

<i>Live Concert at the Forum</i> 1972 live album by Barbra Streisand

Live Concert at the Forum is the second live album by American singer Barbra Streisand, released physically on October 1, 1972 by Columbia Records. Produced by long-time collaborator Richard Perry, it was recorded at The Forum in Inglewood, part of Greater Los Angeles, on April 15, 1972, during Four for McGovern, a concert held in benefit for George McGovern's 1972 presidential campaign. A CD version of Live Concert at the Forum was released on September 6, 1989.

<i>ButterFly</i> (Barbra Streisand album) 1974 studio album by Barbra Streisand

ButterFly is the sixteenth studio album by American singer Barbra Streisand. Released on October 1, 1974, by Columbia Records, it marked Streisand's first album of entirely new material in over three years. Primarily a contemporary pop record recorded throughout 1974, it also incorporates music from the reggae and R&B genres. All of the tracks on ButterFly are cover songs produced by Streisand's then-boyfriend Jon Peters, originating from artists like Bob Marley, David Bowie, Evie Sands, and Graham Nash.

<i>Barbra Streisand...and Other Musical Instruments</i> 1973 studio album by Barbra Streisand

Barbra Streisand...and Other Musical Instruments is the fourteenth studio album by American singer Barbra Streisand. It was released on November 2, 1973 by Columbia Records. The album was made available following a 1973 live television special promoted to improve Streisand's image and sound. With world music as the primary genre, the album's instrumentation varies greatly; even items such as kitchen utensils were used to create melodies and beats. With a majority of the songs on the album being cover songs, Streisand also re-recorded various tracks that originated earlier in her career. Her manager, Martin Erlichman, was credited as the album's sole and executive producer.

<span class="mw-page-title-main">Didn't We (Richard Harris song)</span> 1968 song by Richard Harris

"Didn't We" is a song recorded by Irish singer and actor Richard Harris for his debut studio album, A Tramp Shining (1968). It was written and produced by Jimmy Webb and originally served as the B-side to Harris' 1968 single "MacArthur Park". "Didn't We" was then distributed as the record's single by Dunhill Records, also in 1968. A traditional pop song, Harris sings about his life in the past. Commercially, it charted at lower positions of both the United States and Canada, and in the higher ranks of their Adult Contemporary component charts. Harris featured "Didn't We" on several of his greatest hits albums, including The Richard Harris Collection: His Greatest Performances from 1973. That same year, the song was reissued as a promotional single paired alongside his 1971 single "My Boy".

<i>On a Clear Day You Can See Forever</i> (soundtrack) 1970 soundtrack album by Barbra Streisand and Yves Montand

On a Clear Day You Can See Forever is the soundtrack album to the 1970 American film of the same name. It was released by Columbia Records on July 1, 1970 and features singing by Barbra Streisand and Yves Montand, in addition to choral arrangements and live orchestration. No commercial singles were released from the soundtrack, but the reprise version of the title track was released as a promotional single on 7" vinyl by Columbia. Executively and solely produced by Wally Gold, the album's ten tracks were written by Alan Jay Lerner while the music was written by Burton Lane. The album was reissued on compact disc in 2008.

<span class="mw-page-title-main">All in Love Is Fair</span> Song by Stevie Wonder

"All in Love Is Fair" is a song by American singer-songwriter Stevie Wonder recorded for his sixteenth studio album, Innervisions (1973). Written and produced by Wonder, it was released as a 7" single in Brazil in 1974. The song is a pop ballad with lyrics that describe the end of a relationship through the use of clichés. Critical reaction to the song was varied: Matthew Greenwald of AllMusic wrote that it was among Wonder's "finest ballad statements", but Robert Christgau felt that the singer's performance was "immature". Wonder has included it on several of his greatest hits albums, including the most recent, 2005's The Complete Stevie Wonder.

<span class="mw-page-title-main">We're Not Makin' Love Anymore</span> 1989 single by Barbra Streisand

"We're Not Makin' Love Anymore" is a song recorded by American singer Barbra Streisand for her fourth greatest hits album, A Collection: Greatest Hits...and More (1989). It was released on September 14, 1989 by Columbia Records on 7-inch, 12-inch, cassette, and CD. It was written by Michael Bolton and Diane Warren and produced by Narada Michael Walden. Bolton's inspiration for the song was derived from his divorce; he and Warren debated what singer would be able to sing their work well and ultimately decided that Streisand would be the right fit. The song is a ballad that is similar in sound to Streisand's "Comin' In and Out of Your Life" (1981).

<span class="mw-page-title-main">I Won't Be the One to Let Go</span> 2002 single by Barbra Streisand and Barry Manilow

"I Won't Be the One to Let Go" is a song recorded by American singers Barbra Streisand and Barry Manilow for the former's sixth compilation album, Duets (2002). It was released as the album's only single on November 4, 2002, by Columbia Records. The track was written and produced by Richard Marx with additional songwriting coming from Manilow and additional production handled by Walter Afanasieff. Initially an airplay and streaming-only single in the United States, a promotional CD single of "I Won't Be the One to Let Go" was released and includes the radio edit and album version of the song.

<span class="mw-page-title-main">Stranger in a Strange Land (Barbra Streisand song)</span> 2005 single by Barbra Streisand

"Stranger in a Strange Land" is a song recorded by American singer Barbra Streisand for her 31st studio album, Guilty Pleasures (2005). It was released as the album's lead single on August 16, 2005, by Columbia Records. The track was written by Ashley Gibb, Barry Gibb and Stephen Gibb while production was handled by Barry Gibb and John Merchant. It serves as the first of 11 reunion collaborations with Barry Gibb, who Streisand had last collaborated with on Guilty (1980). The single was released digitally and physically distributed on CD and DVD, with some editions including the song's official music video.

<span class="mw-page-title-main">Night of My Life (Barbra Streisand song)</span> 2005 single by Barbra Streisand

"Night of My Life" is a song recorded by American singer Barbra Streisand for her 31st studio album, Guilty Pleasures (2005). It was released as the album's second single on September 27, 2005, by Columbia Records. The track was written by Ashley Gibb and Barry Gibb while production was handled by Barry Gibb and John Merchant. It serves as one of Streisand's first of 11 reunion collaborations with Barry Gibb since their work on her album Guilty in 1980. It was released digitally and on 12" and CD in five different formats, each including various remixes of the single.

<i>Funny Lady</i> (soundtrack) 1975 soundtrack album by Barbra Streisand

Funny Lady is the soundtrack album of the 1975 musical film of the same name, starring Barbra Streisand. Released by Arista Records on March 15, 1975, arranged, conducted, and coordinated by Peter Matz, the album's fifteen tracks are performed by Streisand, James Caan, and Ben Vereen. A sequel to the 1968 musical comedy-drama Funny Girl, the songs extend the semi-biographical account of the life of American performer Fanny Brice. Funny Lady also included songs written by Brice's third husband Billy Rose. New music by Kander and Ebb included "How Lucky Can You Get", the album's only single, released in April 1975.

<i>Nuts</i> (soundtrack) 1987 soundtrack album by Barbra Streisand

Nuts is the soundtrack album to the 1987 American film of the same name. It was released by Columbia Records on December 21, 1987, and features five instrumental compositions by American singer Barbra Streisand. Nuts is the singer's first release since her live album One Voice, earlier in 1987, and her first soundtrack since Yentl (1983). She insisted on creating the film's score after acquiring the movie through her production company, Barwood Films.

<span class="mw-page-title-main">On a Clear Day (You Can See Forever)</span>

"On a Clear Day " is a song written by Burton Lane (music) and Alan Jay Lerner (lyrics) for the 1965 musical On a Clear Day You Can See Forever. It was subsequently performed by American actress and vocalist Barbra Streisand in the 1970 film adaptation of the musical.

References

Citations

  1. 1 2 Till I Loved You (Liner notes). Barbra Streisand. Columbia. 1988. CK 40880. Where did we go wrong. Is it really over. Where does my heart belong. If it's not with you.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  2. Pohly 2000 , p. 205
  3. Siegler, Dylan (May 1, 1999). "Songwriter Singing a New Tune". Billboard . Vol. 111, no. 18. Nielsen Business Media, Inc. p. 43. ISSN   0006-2510 . Retrieved August 17, 2017.
  4. Spada 1996 , p. 484
  5. Leszczak 2016 , p. 139
  6. Okun 1989 , p. 1
  7. Okun 1989 , p. 45
  8. 1 2 "What Were We Thinking Of" / "Why Let It Go?" (Liner notes). Barbra Streisand (7" ed.). Columbia. 1989. 38-68691.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  9. 1 2 "What Were We Thinking Of" (Liner notes). Barbra Streisand (Cassette ed.). Columbia. 1989. 38T 68691.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. 1 2 "What Were We Thinking Of" / "What Were We Thinking Of" (Liner notes). Barbra Streisand (7" ed.). Columbia. 1989. 38-68691-P.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  11. 1 2 "What Were We Thinking Of" (Liner notes). Barbra Streisand (7" ed.). CBS. 1989. ARIC 2147.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  12. Holden, Stephen (November 6, 1988). "Recordings; Barbra Streisand and the Showstopper Syndrome". New York Times . Archived from the original on August 17, 2017. Retrieved August 17, 2016.
  13. 1 2 Cutler & Armato 1989 , pp. 1–8
  14. Kimbrell 1989 , p. 401
  15. Grein, Paul (October 26, 1988). "Pop Record Review: Post-'Broadway' Streisand Goes Lush and Romantic". Los Angeles Times . Archived from the original on March 4, 2016. Retrieved August 16, 2017.
  16. Waldman 2001 , p. 73
  17. 1 2 "Barbra Streisand Chart History (Adult Contemporary)". Billboard. Retrieved October 19, 2017.

Bibliography