Wimmen's Comix | |
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Publication information | |
Publisher | Last Gasp (1972–1985) Renegade Press (1987–1988) Rip Off Press (1989–1992) |
Schedule | Annually |
Format | Ongoing series |
Publication date | November 1972 - 1992 |
No. of issues | 17 |
Creative team | |
Artist(s) | Trina Robbins, Michelle Brand, Lee Marrs, Sharon Rudahl, Aline Kominsky-Crumb, Diane Noomin, Carol Tyler, M. K. Brown, Leslie Ewing, Joyce Farmer, Melinda Gebbie, Roberta Gregory, Phoebe Gloeckner, Carol Lay, Dori Seda, Mary Fleener, Krystine Kryttre, Angela Bocage |
Editor(s) | Patricia Moodian, Lee Marrs, Sharon Rudahl, Shelby Sampson, Trina Robbins, Terry Richards, Becky Wilson, Barb Brown, Melinda Gebbie, Dot Bucher, Kathryn LeMieux, Lee Binswanger, Caryn Leschen, Rosemary Dinegar, Joyce Farmer, Krystine Kryttre, Dori Seda, Angela Bocage, Rebecka Wright, Phoebe Gloeckner |
Wimmen's Comix, later retitled (respelled) as Wimmin's Comix, is an influential all-female underground comics anthology published from 1972 to 1992. Though it covered a wide range of genres and subject matters, Wimmen's Comix focused more than other anthologies of the time on feminist concerns, homosexuality, sex and politics in general, and autobiographical comics. [1] [2] Wimmen's Comix was a launching pad for many cartoonists' careers, and it inspired other small-press and self-published titles like Twisted Sisters , Dyke Shorts, and Dynamite Damsels. [1]
Each issue of Wimmen's Comix was edited by a different editor or two editors who shared the job. Last Gasp published the first ten issues; later issues were put out by Renegade Press and then Rip Off Press.
Wimmen's Comix debuted a few years after the publication of the 1970 one-shot It Ain't Me, Babe , the first American comic book entirely produced by women, which was put together by Trina Robbins, [1] the most prolific and influential of the women cartoonists in the underground scene. It Ain't Me Babe was a feminist newspaper in Berkeley, California. [2] Many of the creators from the It Ain't Me Babe comic went on to contribute to Wimmen's Comix. [3] Last Gasp, the publisher of It Ain't Me Babe, was the first publisher of Wimmen's Comix.
Originally, the group behind Wimmen's Comix was not an official collective, but rather a few women artists who came together with a common interest to create at least one comic that women could get paid to be in, in a male-dominated comix culture. [1]
With Last Gasp agreeing to publish the comic, the first issue appeared in November 1972, edited by musician and artist Patricia Moodian . [2] Contributors to issue #1 included Moodian, Michele Brand, Lora Fountain, Aline Kominsky, Lee Marrs, Diane Noomin, Sharon Rudahl, Trina Robbins, Shelby Sampson, and Janet Wolfe Stanley. Trina Robbins' story "Sandy Comes Out" was the first comic strip featuring an "out" lesbian. [4] [5] Marrs' story, "All in a Day's Work", epitomizes how a woman's only leverage in a male-dominated society is to utilize her body to negotiate politics. [6] [7]
In 1975, after four issues of Wimmen's Comix, regular contributors Aline Kominsky-Crumb and Diane Noomin left the collective over internal conflicts which were both aesthetic and political; [8] Kominsky-Crumb later claimed that a large part of the break was related to her own romantic relationship with Robert Crumb, whose comics and personality Robbins particularly objected to. [9]
Noomin and Kominksy subsequently put together Twisted Sisters , a one-shot published in June 1976 by Last Gasp which featured their own humorous and "self-deprecating" stories and art. [10] (Many years later, many Wimmen's Comix' contributors, including Kominsky-Crumb, Noomin, Penny Van Horn, Carol Tyler, M. K. Brown, Phoebe Gloeckner, Carol Lay, Caryn Leschen, Leslie Sternbergh , Dori Seda, Mary Fleener, and Krystine Kryttre, were published in Twisted Sisters: A Collection of Bad Girl Art[ Viking Penguin ] and Twisted Sisters: Drawing the Line[ Kitchen Sink Press ], both edited by Noomin.)
After Wimmen's Comix issue #7 (Dec. 1976) there was a six-year publishing hiatus before the appearance of issue #8 (Mar. 1983). Last Gasp's final issue was #10 (Oct. 1985), with Renegade Press taking over the title with issue #11 (Apr. 1987). Renegade went out of business in 1988-1989, [11] but Wimmen's Comix was saved by Rip Off Press, which published the final four issues, beginning with issue #14 (1989).
In 1992, for issue #17, the title of the comic was changed to Wimmin's Comix following a discussion over the gender politics of words containing "man" or "men" (see womyn). [2] This, and other political conflicts, along with financial difficulties and the increasing availability of other venues for independent female cartoonists, led to the end of the series after that issue. [2] [12] In explaining the reason for the title's cancellation, then-editor Caryn Leschen said:
"This book has been printed on cheap paper which will turn yellow in a few years. The print run was too small and all the stores, as usual, will sell out, but they won't reorder because 'Women don't buy comix'. Bullshit. How did they sell out in the first place? It's always like that. What a waste of time and energy. Forget it". [12]
Many issues of Wimmen's Comix were themed issues with their own subtitles.
Robert Dennis Crumb is an American cartoonist who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture.
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
Melinda Gebbie is an American comics artist and writer, known for her participation in the underground comix movement. She is also known for creating the controversial work Fresca Zizis and her contributions to Wimmen's Comix, as well as her work with her husband Alan Moore on the three-volume graphic novel Lost Girls and the Tomorrow Stories anthology series.
Dorothea Antoinette "Dori" Seda was an artist best known for her underground comix work in the 1980s. She occasionally used the pen name "Sylvia Silicosis." Her comics combined exaggerated fantasy and ribald humor with documentation of her life in the Mission District of San Francisco, California.
Aline Kominsky-Crumb was an American underground comics artist. Kominsky-Crumb's work, which is almost exclusively autobiographical, is known for its unvarnished, confessional nature. In 2016, ComicsAlliance listed Kominsky-Crumb as one of twelve women cartoonists deserving of lifetime achievement recognition. She was married to cartoonist Robert Crumb, with whom she frequently collaborated. Their daughter, Sophie Crumb, is also a cartoonist.
Weirdo was a magazine-sized comics anthology created by Robert Crumb and published by Last Gasp from 1981 to 1993. Featuring cartoonists both new and old, Weirdo served as a "low art" counterpoint to its contemporary highbrow Raw, co-edited by Art Spiegelman.
Phoebe Louise Adams Gloeckner is an American cartoonist, illustrator, painter, and novelist.
Trina Robbins was an American cartoonist. She was an early participant in the underground comix movement, and one of the first women in the movement. She co-produced the 1970 underground comic It Ain't Me, Babe, which was the first comic book entirely created by women. She co-founded the Wimmen's Comix collective, wrote for Wonder Woman, and produced adaptations of Dope and The Silver Metal Lover. She was inducted into the Will Eisner Hall of Fame in 2013 and received Eisner Awards in 2017 and 2021.
Arcade: The Comics Revue is a magazine-sized comics anthology created and edited by cartoonists Art Spiegelman and Bill Griffith to showcase underground comix. Published quarterly by the Print Mint, it ran for seven issues between 1975 and 1976. Arriving late in the underground era, Arcade "was conceived as a 'comics magazine for adults' that would showcase the 'best of the old and the best of the new comics'". Many observers credit it with paving the way for the Spiegelman-edited anthology Raw, the flagship publication of the 1980s alternative comics movement.
Diane Robin Noomin was an American comics artist associated with the underground comics movement. She is best known for her character DiDi Glitz, who addresses transgressive social issues such as feminism, female masturbation, body image, and miscarriages.
Joyce Farmer is an American underground comix cartoonist. She was a participant in the underground comix movement. With Lyn Chevli, she created the feminist anthology comic book series Tits & Clits Comix in 1972.
Tits & Clits Comix is an all-female underground comics anthology put together by Joyce Farmer and Lyn Chevli, published from 1972 to 1987. In addition to Farmer and Chevli, contributors to Tits & Clits included Roberta Gregory, Lee Marrs, and Trina Robbins.
Krystine Kryttre is an American alternative comics artist, painter, animator, writer, and performer from San Francisco. currently based in Los Angeles. Her work is dark, often explicit, and visually distinctive." Her work has been exhibited in galleries since the late 1980s, including a number of solo shows in Los Angeles.
It Ain't Me Babe Comix is a one-shot underground comic book published in 1970. It is the first comic book produced entirely by women. It was co-produced by Trina Robbins and Barbara "Willy" Mendes, and published by Last Gasp. Robbins and other staff members from a feminist newspaper in Berkeley, California, also called It Ain't Me, Babe, contributed. Many of the creators from the It Ain't Me Babe comic went on to contribute to the long-running series Wimmen's Comix.
Suzy Varty is a noted British comics artist, writer, and editor. In the late 1970s, she compiled, contributed to and edited Heröine, the first anthology of comics by women to be published in the U.K. Throughout the 70s, she was part of the Birmingham Arts Lab, and she has participated in the Underground Comix and Wimmen's Comix movements in the U.S. Varty remains active in the British Comics scene, frequently appearing at such conventions as Thought Bubble Comic Arts Festival in Leeds and the Canny Comic Con in Newcastle.
Twisted Sisters is an all-female underground comics anthology put together by Aline Kominsky and Diane Noomin, and published in various iterations. In addition to Kominsky and Noomin, contributors to Twisted Sisters included M. K. Brown, Dame Darcy, Julie Doucet, Debbie Drechsler, Mary Fleener, Phoebe Gloeckner, Krystine Kryttre, Carol Lay, Dori Seda, and Carol Tyler.
Young Lust was an underground comix anthology published sporadically from 1970 to 1993. The title, which parodied 1950s romance comics such as Young Love, was noted for its explicit depictions of sex. Unlike many other sex-fueled underground comix, Young Lust was generally not perceived as misogynistic. Founding editors Bill Griffith and Jay Kinney gradually morphed the title into a satire of societal mores. According to Kinney, Young Lust "became one of the top three best-selling underground comix, along with Zap Comix and The Fabulous Furry Freak Brothers".
Cartoonists Co-op Press was an underground comix publishing cooperative based in San Francisco that operated from 1973 to 1974. It was a self-publishing venture by cartoonists Kim Deitch, Bill Griffith, Jerry Lane, Jay Lynch, Willy Murphy, Diane Noomin, and Art Spiegelman. Cartoonist Justin Green's brother Keith acted as salesman/distributor, and the operation was run out of Griffith's apartment.
Angela Bocage is a bisexual comics creator who published mainly in the 1980s and 1990s. Bocage was active in the queer comics community during these decades, publishing in collections like Gay Comix,Strip AIDS USA, and Wimmen's Comix. Bocage also created, edited, and contributed comics to Real Girl, a comics anthology published by Fantagraphics.
Sharon Rudahl is an American comic artist, illustrator and writer. She was one of the first female artists who contributed to the underground comix movement of the early 1970's. In 1972, she was part of the women's collective that founded Wimmen's Comix, the first on-going comic drawn exclusively by women.