 | This article possibly contains original research .(October 2023) |
Women have made significant contributions to literature since the earliest written texts. Women have been at the forefront of textual communication since early civilizations.[ citation needed ]
Among the first known female writers is Enheduanna; she is also the earliest known poet ever recorded. She was the High Priestess of the goddess Inanna and the moon god Nanna (Sin). She lived in the Sumerian city-state of Ur over 4,200 years ago. [1] Enheduanna's contributions to Sumerian literature, definitively ascribed to her, include several personal devotions to Inanna and a collection of hymns known as the "Temple Hymns". Further additional texts are ascribed to her. [2] This makes her the first named author in world history. [3] She was the first known woman to hold the title of EN, a role of great political importance that was often held by royal daughters. [4] She was appointed to the role by her father, King Sargon of Akkad. Her mother was probably Queen Tashlultum. [5] [6] Enheduanna was appointed to the role of High Priestess in a shrewd political move by Sargon to help secure power in the south of his kingdom, where the City of Ur was located. [7]
Sappho ( /ˈsæfoʊ/ ; Aeolic Greek ΨαπφώPsapphô; c. 630 – c. 570 BCE) was an archaic Greek poet from the island of Lesbos. [lower-alpha 1] Sappho is known for her lyric poetry, written to be sung while accompanied by a lyre. [8] Most of Sappho's poetry is now lost, and what is extant has survived only in fragmentary form, except for one complete poem: the "Ode to Aphrodite". As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style.
In 3rd Century, Tamil poet named, the Avvaiyar who lived during the Sangam period is considered to be contemporary to poets Paranar,[1] Kabilar and Thiruvalluvar.[1] She is attributed as the author of 7 verses in Naṟṟiṇai, 15 in Kuṟuntokai, 4 in Akanaṉūṟu and 33 in Puṟanāṉūṟu.[1] Legend states that she was a court poet of the rulers of the Tamil country. She travelled from one part of the country to another and from one village to another, sharing the gruel of the poor farmers and composing songs for their enjoyment. Most of her songs were about a small-time chieftain Vallal Athiyamaan Nedumaan Anji and his family.[1] The chieftain had also used her as his ambassador to avert war with another neighbouring chieftain Thondaiman.[1] The rest of her songs related to the various aspects of state governance.
The Tale of Genji was written in the early 11th century by the noblewoman Murasaki Shikibu and is considered by some to be the first novel.
Anna Komnene, the daughter of the Emperor Alexios I Komnenos, wrote Alexiad around 1148. It was written in a form of artificial Attic Greek. Anna described the political and military history of the Byzantine Empire during the reign of her father, thus providing a significant account on the Byzantium of the High Middle Ages. Among other topics, the Alexiad documents the Byzantine Empire's interaction with the Crusades and highlights the conflicting perceptions of the East and West in the early 12th century. It does not mention the schism of 1054 – a topic which is very common in contemporary writing. Nevertheless it successfully documents firsthand the decline of Byzantine cultural influence in both eastern and western Europe, particularly in the West's increasing involvement in its geographic sphere. [9]
Christine de Pizan was the best known late medieval French writer, rhetorician, and critic, who wrote Book of the City of Ladies in 1405, a text about an allegorical city in which independent women lived free from the slander of men. In her work she included real women artists, such as Anastasia, who was considered one of the best Parisian illuminators, although none of her work has survived. Other humanist texts led to increased education for Italian women.
The first known book in English by a woman was Revelations of Divine Love by Julian of Norwich. It was written between the fourteenth and fifteenth centuries and survived in various manuscripts until it was first published in 1670.
Gulbadan Begum, daughter of Mughal's founding Emperor Babur wrote the biography of her brother, Emperor Humayun. Though only 8 when her father died, Gulbadan was asked years later by her nephew to write the story of her father and brother. Only one manuscript of her book, Humayunnama, has been found. [10]
Ann Radcliffe authored several novels of gothic fiction including The Mysteries of Udolpho published in 1794 and The Italian from 1797.
One of the best known 19th-century female writers was Jane Austen, author of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1816), who achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion , both published posthumously in 1818, and began another, eventually titled Sanditon , but died before its completion.
Writers from this period include:
The followed is a list of interdisciplinary female writers of the 19th century:
Western women writers have long been a marginalized group. 1979 was the first year an anthology on western American women writers was published. [11] The Western Literature Association was founded in the 1960's to foster the work of contemporary women writers. [11] There is little printed recordings on women's writing in the Western United States because establishing the field involved measures that were not seen as scholarly achievement. [11] Caroline Kirkland, born in 1801, was considered the first women writer to confidently share the West. She wrote the novel, A New Home—Who'll Follow? after moving to the West with husband, William Kirkland. [12] Published under the pseudonym Mary Clavers, the novel is a tale of the frontierswoman, and is important for its realism and celebration of the traditional female perspective. [13]
Black women continued writing throughout the Great Depression to the 1960's. This was a time of abundance for black female writers, who received recognition like never before. They traveled for lecturing, reading and even made recordings of their work. [14] The only black female writer to receive prominent recognition in the twentieth century is Zora Neale Hurston. This was mostly because she was considered an "oddball." [14]
In the 20th century women produced many books of all genres. Among fiction books can be named such titles as Harry Potter and The House of the Spirits , among others. The following is a list of female writers of the 20th century:
The following women have won the Nobel Prize in Literature:
Sappho was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her lyric poetry, written to be sung while accompanied by music. In ancient times, Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Sappho's poetry is now lost, and what is extant has mostly survived in fragmentary form; only the Ode to Aphrodite is certainly complete. As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams formerly attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style.
Lucila Godoy Alcayaga, known by her pseudonym Gabriela Mistral, was a Chilean poet-diplomat, educator, and Catholic. She was a member of the Secular Franciscan Order or Third Franciscan order. She was the first Latin American author to receive a Nobel Prize in Literature in 1945, "for her lyric poetry which, inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world". Some central themes in her poems are nature, betrayal, love, a mother's love, sorrow and recovery, travel, and Latin American identity as formed from a mixture of Native American and European influences. Her image is featured on the 5,000 Chilean peso banknote.
Enheduanna was the entu (high) priestess of the moon god Nanna (Sīn) in the Sumerian city-state of Ur in the reign of her father, Sargon of Akkad. She was likely appointed by her father as the leader of the religious group at Ur to cement ties between the Akkadian religion of her father and the native Sumerian religion.
Corinna or Korinna was an ancient Greek lyric poet from Tanagra in Boeotia. Although ancient sources portray her as a contemporary of Pindar, not all modern scholars accept the accuracy of this tradition. When she lived has been the subject of much debate since the early twentieth century, proposed dates ranging from the beginning of the fifth century to the late third century BC.
Mary Robinson was an English actress, poet, dramatist, novelist, and celebrity figure. She lived in England, in the cities of Bristol and London; she also lived in France and Germany for a time. She enjoyed poetry from the age of seven and started working, first as a teacher and then as actress, from the age of 14. She wrote many plays, poems and novels. She was a celebrity, gossiped about in newspapers, famous for her acting and writing. During her lifetime she was known as "the English Sappho". She earned her nickname "Perdita" for her role as Perdita in 1779. She was the first public mistress of King George IV while he was still Prince of Wales.
Dulce María Loynaz Muñoz was a Cuban poet, and is considered one of the principal figures of Cuban literature. She was awarded the Miguel de Cervantes Prize in 1992. She earned her Doctorate in Civil Law at University of Havana in 1927.
Praxilla, was a Greek lyric poet of the 5th century BC from Sicyon on the Gulf of Corinth. Five quotations attributed to Praxilla and three paraphrases from her poems survive. The surviving fragments attributed to her come from both religious choral lyric and drinking songs (skolia); the three paraphrases are all versions of myths. Various social contexts have been suggested for Praxilla based on this range of surviving works. These include that her poetry was in fact composed by two different authors, that Praxilla was a hetaira (courtesan), that she was a professional musician, or that the drinking songs derive from a non-elite literary tradition rather than being authored by a single writer.
Erinna was an ancient Greek poet. She is best known for her long poem The Distaff, a 300-line hexameter lament for her childhood friend Baucis, who had died shortly after her marriage. A large fragment of this poem was discovered in 1928 at Oxyrhynchus in Egypt. Along with The Distaff, three epigrams ascribed to Erinna are known, preserved in the Greek Anthology. Biographical details about Erinna's life are uncertain. She is generally thought to have lived in the first half of the fourth century BC, though some ancient traditions have her as a contemporary of Sappho; Telos is generally considered to be her most likely birthplace, but Tenos, Teos, Rhodes, and Lesbos are all also mentioned by ancient sources as her home.
Latin American poetry is the poetry written by Latin American authors. Latin American poetry is often written in Spanish, but is also composed in Portuguese, Mapuche, Nahuatl, Quechua, Mazatec, Zapotec, Ladino, English, and Spanglish. The unification of Indigenous and imperial cultures produced a unique and extraordinary body of literature in this region. Later with the introduction of African slaves to the new world, African traditions greatly influenced Latin American poetry. Many great works of poetry were written in the colonial and pre-colonial time periods, but it was in the 1960s that the world began to notice the poetry of Latin America. Through the modernismo movement, and the international success of Latin American authors, poetry from this region became increasingly influential.
Cuban literature is the literature written in Cuba or outside the island by Cubans in Spanish language. It began to find its voice in the early 19th century. The major works published in Cuba during that time were of an abolitionist character. Notable writers of this genre include Gertrudis Gómez de Avellaneda and Cirilo Villaverde. Following the abolition of slavery in 1886, the focus of Cuban literature shifted. Dominant themes of independence and freedom were exemplified by José Martí, who led the modernista movement in Latin American literature. Writers such as the poet Nicolás Guillén focused on literature as social protest. Others, including Dulce María Loynaz, José Lezama Lima and Alejo Carpentier, dealt with more personal or universal issues. And a few more, such as Reinaldo Arenas and Guillermo Cabrera Infante, earned international recognition in the postrevolutionary era.
Nossis was a Hellenistic poet from Epizephyrian Locris in Magna Graecia. Probably well-educated and from a noble family, Nossis was influenced by and claimed to rival Sappho. Eleven or twelve of her epigrams, mostly religious dedications and epitaphs, survive in the Greek Anthology, making her one of the best-preserved ancient Greek women poets, though her work does not seem to have entered the Greek literary canon. In the twentieth century, the imagist poet H. D. was influenced by Nossis, as was Renée Vivien in her French translation of the ancient Greek women poets.
Lesbian literature is a subgenre of literature addressing lesbian themes. It includes poetry, plays, fiction addressing lesbian characters, and non-fiction about lesbian-interest topics. A similar term is sapphic literature, encompassing works that feature love between women that are not necessarily lesbian.
Filipino women writers have played important roles within Philippine literature, with Philippine women having created enduring works of fiction and non-fiction across the genres. Writing in English, Spanish, Filipino and other local languages and native dialects, female writers from the Philippine archipelago utilized literature, in contrast with the oral tradition of the past, as the living voices of their personal experiences, thoughts, consciousness, concepts of themselves, society, politics, Philippine and world history. They employed the "power of the pen" and the printed word in order to shatter the so-called "Great Grand Silence of the Centuries" of Filipino female members, participants, and contributors to the progress and development of the Philippine Republic, and consequently the rest of the world. Filipino women authors have "put pen to paper" to present, express, and describe their own image and culture to the world, as they see themselves.
Moero or Myro was a woman poet of the Hellenistic period from the city of Byzantium. She was the wife of Andromachus Philologus and the mother – the Suda says daughter, but this is less likely – of the tragedian Homerus of Byzantium. Moero was probably active during the late fourth and early third centuries BC.
Sappho 16 is a fragment of a poem by the archaic Greek lyric poet Sappho. It is from Book I of the Alexandrian edition of Sappho's poetry, and is known from a second-century papyrus discovered at Oxyrhynchus in Egypt at the beginning of the twentieth century. Sappho 16 is a love poem – the genre for which Sappho was best known – which praises the beauty of the narrator's beloved, Anactoria, and expresses the speaker's desire for her now that she is absent. It makes the case that the most beautiful thing in the world is whatever one desires, using Helen of Troy's elopement with Paris as a mythological exemplum to support this argument. The poem is at least 20 lines long, though it is uncertain whether the poem ends at line 20 or continues for another stanza.
Myrtis was an ancient Greek poet from Anthedon, a town in Boeotia. She was said to have taught the poets Pindar and Corinna. The only surviving record of her poetry is a paraphrase by Plutarch, discussing a local Boeotian legend. In antiquity she was included by Antipater of Thessalonica in his canon of nine female poets, and a bronze statue of her was reportedly made by Boïscus. In the modern world, Myrtis has been represented in artworks by Judy Chicago and Anselm Kiefer, and a poem by Michael Longley.
The Tithonus poem, also known as the old age poem or the New Sappho, is a poem by the archaic Greek poet Sappho. It is part of fragment 58 in Eva-Maria Voigt's edition of Sappho. The poem is from Book IV of the Alexandrian edition of Sappho's poetry. It was first published in 1922, after a fragment of papyrus on which it was partially preserved was discovered at Oxyrhynchus in Egypt; further papyrus fragments published in 2004 almost completed the poem, drawing international media attention. One of very few substantially complete works by Sappho, it deals with the effects of ageing. There is scholarly debate about where the poem ends, as four lines previously thought to have been part of the poem are not found on the 2004 papyrus.
Feminist poetry is inspired by, promotes, or elaborates on feminist principles and ideas. It might be written with the conscious aim of expressing feminist principles, although sometimes it is identified as feminist by critics in a later era. Some writers are thought to express feminist ideas even if the writer was not an active member of the political movement during their era. Many feminist movements, however, have embraced poetry as a vehicle for communicating with public audiences through anthologies, poetry collections, and public readings.
Sappho was an ancient Greek lyric poet from the island of Lesbos. She wrote around 10,000 lines of poetry, only a small fraction of which survives. Only one poem is known to be complete; in some cases as little as a single word survives. Modern editions of Sappho's poetry are the product of centuries of scholarship, first compiling quotations from surviving ancient works, and from the late 19th century rediscovering her works preserved on fragments of ancient papyri and parchment. Along with the poems which can be attributed with confidence to Sappho, a small number of surviving fragments in her Aeolic dialect may be by either her or her contemporary Alcaeus. Modern editions of Sappho also collect ancient "testimonia" which discuss Sappho's life and works.
If Not, Winter: Fragments of Sappho is a book by the Canadian classicist and poet Anne Carson, first published in 2002. It contains a translation of the surviving works of the archaic Greek poet Sappho, with the Greek text on facing pages, based on Eva-Maria Voigt's 1971 critical edition. Carson's translation closely follows the word-order of Sappho's Greek, and marks lacunae in the manuscripts with square brackets. If Not, Winter was widely praised and is considered a significant modern translation of Sappho's work.