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Author | R. F. Kuang |
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Language | English |
Genre | Fiction |
Published | May 16, 2023 |
Publisher | HarperCollins |
Pages | Hardcover: 336 pp. Paperback: 352 pp. |
ISBN | 9780063250833 |
OCLC | 1341438278 |
Yellowface is a 2023 satirical novel written by R. F. Kuang. The book was described as a satire of racial diversity in the publishing industry as well as a metafiction about social media, particularly Twitter. [1] [2] Although Yellowface is written as a stand-alone project, Kuang has not ruled out a possible sequel. [3]
In late 2024, the screen rights options were sold to Lionsgate Television with Karyn Kusama slated to direct and executive produce a potential limited series based upon this novel with Constance Wu, Justine Suzanne Jones, Ben Smith, and Adam Docksey announced as producers. [4]
Kuang began thinking about Yellowface in 2021, amidst conversations regarding diversity and representation in the publishing industry. [5] She wrote the first draft over the course of a few months, taking inspiration from her own experiences as an Asian American author, such as being told her appeal is largely or entirely due to her being a "token" author. [6] [7]
Upon reading parts of the first draft, Kuang's literary agent was at first hesitant about the project and attempted to dissuade Kuang from pursuing it further due to its content being seen as an attack on the publishing industry. At Kuang's insistence, they continued the project; it was ultimately published by HarperCollins. [6] [8]
June Hayward, an unsuccessful young author, finds herself the only witness to the death of her former classmate and casual friend, Athena Liu, a Chinese-American author who is an industry darling. After stealing Athena's latest unpublished manuscript The Last Front, a novel about Chinese laborers in World War I, from her apartment, she decides to re-edit it, considering it to be unfinished, and ultimately decides to publish it as her original work. June submits the manuscript and is immediately offered a large advance after independent publishing house Eden Press wins the bidding war for the book. She defends her decision, claiming that she gained greater ownership of the work through her revisions of it, that the manuscript in its original form was unpublishable and that Athena often stole the life experiences of others as material for her works including a date rape incident June survived while at Yale and veterans' service during the Korean War.
Having positioned herself as a close friend and confidant of Athena address perceived similarities between The Last Front and Athena's other work, she publishes the book under an Asian-sounding name (Juniper Song, her full first name and middle name) and takes author photos where she appears racially ambiguous. Despite efforts to present herself as Asian, controversy surrounds the success of the novel, and June repeatedly fends off accusations of cultural appropriation on Twitter. While attending publicity events for the novel's publication, June sees visions of Athena sitting in the audience.
Before and after the book's publication, June attempts to prevent revelations of her plagiarism of The Last Front from becoming public. After managing to dissuade Athena's mother Patricia not to donate Athena's notes to a Yale literary archive, an anonymous social media user called @AthenaLiusGhost claims that the book was stolen from Athena and starts an online shaming campaign calling for Eden Press to acknowledge Athena as its author. With the help of her IT technician brother-in-law, June surmises that the @AthenaLiusGhost accounts are being operated by Geoffrey Carlino, Athena's ex-boyfriend whose own literary career ended following poor reviews of his debut novel, several scandals and allegations and a messy public break-up with Athena. During a meet-up, Geoff asserts that he saw Athena conducting research for The Last Front but cannot offer evidence beyond hearsay. After June records Geoff's suggestion that she pay for his silence, she coerces him into shutting down the @AthenaLiusGhost accounts, quieting public debate over the plagiarism accusations.
Despite her plagiarism not being found out and being financially solvent from sales of The Last Front, June writes a novella Mother Witch using as inspiration (and wholesale as an opening paragraph) a handwritten passage also taken from Athena's apartment. With the passage being a known poem of Athena's, June is again accused of plagiarising Athena's work. After managing to convince Eden Press that she confused Athena's poem with one of her own notes and with no litigation forthcoming from Athena's estate, June is encouraged to rewrite the opening of Mother Witch and to focus on her next book. However, public belief that June plagiarised Athena still persists, with support for June coming largely from conservative news outlets and commentators.
After rejecting the idea of doing intellectual property work, June is eventually inspired to write a fictionalised account of her theft of The Last Front, partly to sow doubt over the accusation's validity and partly to exorcise 'Athena's ghost', feeling that she can only write because of Athena's influence. After Athena's inactive social media accounts begin posting accusations of plagiarism accompanied by disturbing, distorted images of Athena, June's book soon develops into a horror story but she ends up writing herself into a corner, unwilling to end it with Athena's ghost exacting revenge.
Unwilling to take the stress anymore and convinced that Athena is somehow still alive, June agrees to meet 'Athena' at the ' Exorcist steps' at the Georgetown University campus. After hearing Athena's disembodied voice, June confesses to her theft of The Last Front and her feelings of resentment towards her, and promises to do anything to make amends. However, it is revealed that 'Athena' was in fact Candice Lee, a former assistant at Eden Press that June got fired for insisting on hiring a sensitivity reader and leaving a negative online review for The Last Front. Having been effectively blacklisted from the publishing industry, Candice sought revenge on June, orchestrating the social media posts that led June to confess and recording it. After failing to convince Candice not to release the recording, June's frustrations boil over and she fights her over it, but in the struggle June falls and is hospitalized.
After being discharged from the hospital, June learns that Candice has made the confession public and has been given multiple offers (including from Eden Press) to write an exposé. Not wanting to contemplate a future in which she cannot write and hoping to sow doubt over Candice's account of events, June decides to write her own account, framing her theft and plagiarism as a hoax designed to expose the publishing industry for pitting female authors against one another and manufacturing Athena's literary success, and depicting herself as a victim and protagonist and Candice as a cyberbully.
Kirkus Reviews called the book "a quick, biting critique of the publishing industry" but commented that it sometimes lacked nuance. [9] The Guardian wrote "Kuang delivers a hugely entertaining account of a brazen literary heist." [10] Amal El-Mohtar of The New York Times gave the book a positive but reserved review, calling it "viciously satisfying" but "on-the-nose" and overly blunt. [11] NPR reviewed Yellowface positively, calling it a "well-executed, gripping, fast-paced novel." [12] The Chicago Review of Books wrote "where [Yellowface] shines is Kuang’s darkly witty tone, critiques of publishing and cultural exploitation, and the all-consuming nature of internet personas." [2] The Washington Post gave a critical review of the novel, saying that June's character was inconsistent and lacked depth, while the novel's depictions of the publishing industry were perfunctory and relied too heavily on replicating Twitter arguments in text. [13]
In 2023, Libro.fm named Yellowface one of the top 10 audiobooks of the year, [14] and Time included it on their list of the "100 Must-Read Books of 2023". [15] It was also named Amazon's Best Book of the Year. [16] [17]
Year | Award | Category | Result | Ref. |
---|---|---|---|---|
2023 | Books Are My Bag Readers' Award | Fiction | Shortlisted | [18] |
Foyles Books of the Year | Fiction | Won | [19] | |
Libby Book Award | Book Club Pick | Won | [20] | |
Los Angeles Times Book Prize n. Helen Laser | Audiobook | Finalist | [21] | |
New England Book Award | Fiction | Won | [22] | |
Waterstones Book of the Year | — | Shortlisted | [23] | |
2024 | American Book Award | — | Won | [24] |
Aspen Words Literary Prize | — | Longlisted | [25] | |
Audie Awards n. Helen Laser | Fiction | Finalist | [26] | |
British Book Awards | Fiction Book of the Year | Won | [27] [28] [29] | |
Goldsboro Books Glass Bell Award | — | Longlisted | ||
Goodreads Choice Awards | Fiction | Won | [30] | |
Indie Book Awards (UK) | Fiction | Won | [31] |